• 건축역사연구
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• 제14권1호
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• pp.7-19
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• 2005

The purpose of this paper is the study on the piazza plan of basilica S. Pietro. The results of study are as follows: 1. The piazza of the basilica S. Pietro was planned in relation to building-piazza-symbol of interior piazza-street as city planning characteristic of Baroque and architectural characteristic of elliptical piazza form. 2. The function of piazza of basilica S. Pietro was planned for religious meeting of a grand scale than a piazza for the common run of people. 3. In general, the disposition, ground, elevation and section plan of the piazza of basilica S. Pietro was planned by principle of spatial and formal composition, according to axis, symmetry, proportion, division and contrast. 4. The location, scale, shape of piazza for disposition and ground plan of the piazza of basilica S. Pietro was basically decided by not only elements of Basilica building, Vatican Palace, Street and Walls of surroundings with axis of the Basilica building, but Fountain and Obelisk as existing constituent elements. 5. The elevation of the piazza of basilica S. Pietro was composed of boundary that was enclosed from wall of trapezoid piazza and gallery of elliptical piazza with equal height as symmetry. And the section plan was planned to approach into the Basilica through slope and stairs of gentle angle, utilizing of existing land form.

• 한국실내디자인학회논문집
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• 제20권4호
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• pp.3-10
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• 2011

In the phase of an architectural designing, the Pinakothek der Modeme in Munich is considered that it is influenced by the Altes Museum in Berlin. The critical elements were composed of the classification of Tominaka and my points of view. Two buildings were analyzed for comparison by six elements, such as, a spatial construction, an organization of plan, an organization of section, a composition of elevation, a method of construction and a composition of mass. The results of the analysis were that the design of the Pinakothek der modeme was influenced by the Altes Museum as follows: 1)the use of square and circle in the composition of plan, 2)the use of a curtain of columns and a formation of the transitional space between columns and front wall, 3)the location and function of the main stairs and the inner court, 4)the arrangement of exhibition halls, 5)the covering of dome, 6)the unification of spaces of different floors through the rotunda. This study may be helpful for any architects who make a decision of the method and the range of reference to some other building in the beginning of design.

• 한국공간구조학회논문집
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• 제10권4호
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• pp.123-132
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• 2010

본 연구에서는 비대칭 단면을 갖는 박벽 곡선보의 자유진동 및 처짐해석을 위하여 박벽단면을 갖는 기존의 곡선보 이론의 단점을 보완하고자 도심-전단중심 정식화에 근거한 개선된 곡선보 이론을 제시한다. 변위장은 각각 도심과 전단중심에서 정의한 변위파라미터를 도입하여 나타내었으며 곡선보의 두께-곡률 효과와 회전관성효과를 고려한 개선된 변형에너지와 운동에너지를 엄밀하게 유도하였다. 본 연구의 타당성과 정확성을 증명하기 위하여 Hermitian 곡선보요소를 사용한 유한요소해석을 수행하였으며 해석 결과들을 도심 정식화에 의하여 산정한 결과, 선행 연구자 결과 및 ABAQUS의 쉘요소를 이용한 결과와 비교하였다.

• 교육시설 논문지
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• 제21권6호
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• pp.43-54
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• 2014

This study focuses on analyzing children's behavior from an integrated systemic perspective of the space and time and presenting a criterion and a guide of children-centered environmental color for intensifying their behavior affordance while considering functions of the space and color. Research was conducted as follows. Based on the spatial function and children's behavior, it figured out a prerequisite of educational environmental colors for behavior affordance. It extracted colors by dividing children's behavior affordance into 8elements considering a psychology of expectation and color function according to spatial and behavior affordance intensification elements. So 97school colors were selected for children's behavior affordance from abstracted colors by each element. Furthermore, it planned to suggest an environmental color guide for establishing elementary school's positive educational circumstances through enhancing behavior affordance, providing a potential to change a color environment at the educational space.

• Architectural research
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• 제26권3호
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• pp.73-82
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• 2024

This study examined the political, social, and historical characteristics of the Great Mosque of Algiers, alongside its functional, spatial, and symbolic aspects. Generally, mosques are buildings where religious expression is profoundly intense, making it challenging to apply new types and designs. However, the Great Mosque of Algiers successfully inherits traditional Islamic features while simultaneously embodying modernity at an international level. The results of the multifaceted analysis of the convergence of tradition and modernity in this contemporary architectural work are as follows: First, through research on Islamic architecture, the study identified the functional and spatial characteristics expressed in Islamic buildings. In particular, the study highlighted the features of the Külliye as a multi-use building complex and provided a detailed analysis of symbolic elements such as minarets, domes, ablution facilities, and mihrabs, which are strongly emphasized in mosques where religious features are prominently displayed. Second, the analysis of the Great Mosque of Algiers' architectural plan explored the inte-gration of tradition and modernity. Traditional elements are akin to the identity of the building and contribute to its overall value. Third, by examining the development process of the Great Mosque of Algiers project, the study analyzed the international cooperation required in the modern era, understanding the hybrid nature of this architectural project.

• 한국실내디자인학회논문집
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• 제21호
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• pp.165-172
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• 1999

For the useful method capable of modern expression on traditional residence architecture, a study was performed on the methodological establishment and possibility of typological method could be examinated to interior design process by typological method. First of all, through the establishment verbal of our Korean traditional architecture and further investigation of environmental and cultural idealogical facts, it could be extracted from natural instinct, duality, continuance, flexibility and transitiov. In second process, based on these results, it could be framed and described the individual typological language and, for the sake of drawing for visual and spatial typology, it was made by sketch in terms and view of possibile guidance of prototype, transforming and application method. from these results of investigated sketches, it cold be used for criteria of application method as the parts of visual and spatial typological elements to have an applicable expression of it/s traditionality. Based on above facts, for the subjects of spatial system, form & shape system, circulation system, order system, decoration system, color & material system in interior design fields, we cold propose the practical possibility through the consideration of application method for built-in meaning that could be adaptable for the interior design practices. These facts were extracted from the based on visual & spatial typology, as above mentiov. Also, through preparing and suggesting the criteria of evaluation and measurement of design quality , we could propose the applicable methodology for further & basically Korean traditional embodiment.

• 건축역사연구
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• 제14권2호
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• pp.71-88
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• 2005

This study aims at clarifying the spatial generative process of Borromini's architecture. The close examination of his sketches and the analysis of his major four works such as San Carlo alle Quattro Fontane (1634-1667), Sant'Ivo della Sapienza (1642-1660), Santa Maria dei Sette Dolori, Chapel (1643-1646), Collegio di Propaganda Fide, Chapel (1652-1667) show common features in the generation of space as follow. 1) The spatial generative process of Borromini's architecture is dominated by the plan of main space which is formulated from simple geometric elements into complexly folded space by mean of union, addition, copy and warping. 2) Borromini made various kinds of annexed space around the main space to create long and continuous circulation. 3) Borromini's architecture has a tendency to divide interior elevation into two parts, wall part and roof part by thick entablature. Moreover the entablature play important role to copy the figure of the plan of main space three-dimensionally. 4) Borromini tried to create the sense of depth through perspectival distortion and multi-focal space through the ceiling pattern.

• 한국주거학회논문집
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• 제13권3호
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• pp.61-69
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• 2002

This research is to analyze the spatial organization of a traditional rural community and its characteristics, the case of Hanbam village located in the north of Daegu city. The conclusions of this study are as follows; 1. The difference between private space and public space in the residential area of Hanbam village is obvious, and these two spaces are organically related each other by means of road. These spaces have some spatial characteristics of organization, such as center, hierarchy and sequence. 2. The private space consists of a residence module and a farming area in the settlement, and it is clearly farmed by the firm fence of rocks and by surrounding roads. Fruit-bearing trees such as Pyrus pyrifolia, Cornus officinalis, Diospyros kaki, Juglans sinensis are planted at the boundary. And most of residences are composed of a building, a inner court and farming fields. 3. The public space for the community mainly functions as ‘a meeting place’for residents, and consists of recreational spaces, ceremonial spaces, community facilities, and social facilities. Among these, Jeong-ja(pavilion), Seong-an Soop(forest) and Dae-chong(building for common use) are of great cultural value as important traditional spaces. 4. Two kinds of road are commonly fecund in the village; spontaneously generated one and planned one. This is straight inner streets and access paths to the village, and that is curvilinear alleys which are connected to Dae-chong, the core of village. Also stone walls and climbing plants on them are major elements of village landscape.

• 한국실내디자인학회논문집
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• 제27권1호
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• pp.88-96
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• 2018

The income level of people in South Korea has risen as the gross national income per capita reached the milestone of 30,000 dollars. More and more consumers try to change their houses according to their tastes just like they express themselves through clothes, bags, and other fashion items, thus pursuing value-based consumption. The changes to the housing culture including the greater percentage of one- or two-person households and the growing trend of lease and monthly rent have made consumers increase their demands for products to express their lifestyles. As a result, global lifestyle shops with characteristic and diverse concepts entered the South Korean market and were joined by South Korean fashion brands, large-sized stores, department stores, and fancy stationery manufacturers, which launched their own brands, in the expansion of lifestyle shops across the nation. Lifestyle shops have a couple of unique attributes including the relatively clear selection of target consumers and a clear set of VMD strategies accordingly. Based on a judgment that there was cost differentiation among brands, the investigator categorized the comparison and analysis criteria into high, middle, and low prices to apply case analysis. This study set out to analyze VMD strategies for spatial composition through cost differentiation among lifestyle shops, take the results into total consideration, and propose an effective and competitive VMD strategy for lifestyle shops through spatial composition elements.

• 한국실내디자인학회논문집
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• 제22권5호
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• pp.68-77
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• 2013

'The Third space,' which is the concept that embraces sociological, spatial, and marketing concepts, refers to the place which is other than the home and the workplace and which is a comfortable frequented place where meditation, psychological relaxation, and social needs can be satisfied. 'The Third space' has the characteristics of comfort, openness, interactivity, playfulness, and diversity. In modern times, most of consumption spaces play the role of 'the Third space,' and the typical example is $Caf{\acute{e}}$. $Caf{\acute{e}}$ began from its origin with the characteristics of 'the Third space,' and recently it has become the complex cultural space of urban dwellers. $Caf{\acute{e}}$ as 'the Third space' has the characteristics of a healing space, communication space, personalized space, value-expressive space, culture and consumption space, nomad space. Such characteristics of $Caf{\acute{e}}$ are well represented in the cafes around the regions where 'street culture' has recently been formed. As examined through the examples, $Caf{\acute{e}}$ as 'the Third space' can be more strategically produced by establishing themes through storytelling, giving spatial identity through style creation, diversifying the sequence through complex space organization, and establishing interaction devices through experience elements.