• 제목/요약/키워드: sovereign myth

검색결과 4건 처리시간 0.021초

건국신화를 아기장수설화의 서사각색으로 보는 새로운 관점: 건국시조의 사회부조화성(社會不調和性)과 분리(分離)·이주(移住)의 문제 (A new viewpoint to regulate foundation myth as Akijangsu legend narrative's antistructure)

  • 권도경
    • 비교문화연구
    • /
    • 제34권
    • /
    • pp.173-199
    • /
    • 2014
  • This study was attempted to suggest a new viewpoint to regulate foundation myth as Akijangsu legend narrative's antistructure. The problem is that Akijangsu legend has been regulated as reversed narrative of foundation myth in precedent research history. Following this viewpoint, it is impossible to explain context that Gangchaeyoon's Akijangsu narrative is collected in Sejong's sovereign myth. But Gangchaeyoon is changed as helper to found ideology order and his Akijangsu narrative is collected in sovereign myth's context. Therefore in this point it is necessary to sound out foundation possibility of new thesis the found myth is reversed narrative of Akijangsu legend. Choosing this standpoint, it is possible to regulate Sejong's sovereign myth as narrative dramatization of successful Akijangsu legend. At the same time it is possible to regulate Cheongkijun as Akijangsu that was situated in Sejong's sovereign myth as antagonist, competing and failing with Sejong to replace existing order by own ideological order. This study investigated that found myth is reversed narrative of Akijangsu legend.

강증산(姜甑山)의 중국신화 수용과 그 의미 (Kangjeungsan(姜甑山)'s Embracement of Chinese Myth and It's Meaning)

  • 정재서
    • 대순사상논총
    • /
    • 제25_1집
    • /
    • pp.1-22
    • /
    • 2015
  • This paper took Jeonkyeong (典經) of Daesunjinrihoe(大巡眞理會) as the basic text and studied how Kangjeungsan(姜甑山), the Sangje (上帝), had embraced Chinese myth in process of formation of his religious thought focusing on Yan Emperor(炎帝) Shennong(神農) myth and Shanrangang(禪讓) myth (namely Danchu myth). First when we examine the myth surrounding Kangjeungsan's birth, it deeply emraced a feeling-birth myth(感生神話), we could realize that this is a universe motif through myth of hero birth in East Asia. Further judging from the analysis of geographic space of Kangjeungsan's activity, it included a variety of mythical and Daoist related place names. I think this is because of the fact that birth place of Kangjeungsan and the surrounding area is the locality of Xian(仙) tradition where major characters of Danhak sect(丹學派) have been turned out, and that Korean way of Xian suppressed by the regulatory system has been widely rooted in the public. Especially it's interesting that Jeungsan, the pen name of Kangjeungsan, ambiguously connotes Siru mountain(甑山), a place of his training, and the spiritual realm of the 『Zhouyicantongqi(周易參同契)』. Then I examined the God of fire Shennong myth which has been actively admitted and embraced by Kangjeungsan. Kangjeungsan put the root of his pedigree on Shennong and there is a close affinity between Shennong and Dongyi(東夷) such as Buyeo(夫餘), Goguryeo(高句麗), etc. These Dongyi spirits are losers against the Chinese major myth and beings of ressentiment. At the same time the predecessor of Jiutianyingyuanleishengpuhuatianzun(九天應元雷聲普化天尊) who shares mythical characteristics with the God of fire Shennong was a formerly Taishi(太師) Wenzhong(聞仲) of Yin(殷) dynasty. He was defeated and died by Zhou(周) dynasty, and was deified. The fact that Kangjeungsan regarded himself as a descendent of Shennong and possessed divinity of Jiutianyingyuanleishengpuhuatianzun connotes that he represents all beings of ressentiment such as family of Yin and Dongyi. However, Kangjeungsan set a religious milestone by turning revenge for such ressentiment at tribe level into religious sublimation. At the end Shanrang myth which has been critically embraced by Kangjeungsan was reviewed. According to the existing Shanrang myth, Danchu(丹朱) was unworthy and not succeeded in the succession to the throne. Then good natured Emperor Shun(舜) succeeded to the throne from Emperor Yao(堯). However, the reality of Shanrang myth was a violent change of sovereign power and Danchu was a victim in the process of such violent change. Kangjeungsan shrewdly grasped the reality of ancient China and cast light on presence of Danchu. And he emphasized the need of religious sublimation of revenge, Haewon(解冤). His such awareness of culture had a close relation with revisionist standpoint of independent Danhak sect expressing a skeptical glance at systematic, commensurate and authentic historical view of Chinese civilization. And further Kangjeungsan cosmologically and causationally reinterpreted revenge of Danchu. He established a universal salvation theology which has a corresponsive connotation in regard to embracement of Shennong myth. In conclusion, embracement of Chinese myth by Kangjeungsan was a creative work of reinterpretation resulting in an inherent religious connotation through a process of appropriation, that is independent and selective introjection.

칼 슈미트의 『햄릿, 또는 헤큐바』 -정치적 재현과 주권의 문제 (Carl Schmitt's Hamlet or Hecuba: Political Representation and the Problem of Sovereignty)

  • 장선영
    • 영어영문학
    • /
    • 제58권5호
    • /
    • pp.975-999
    • /
    • 2012
  • This paper interrogates what a new point Schmitt shows concerning the problem of sovereignty in Hamlet or Hecuba in comparison with his Political Theology. Schmitt reveals his political stand on sovereignty through ‘political representation’ that connects the politics to the aesthetics in Hamlet or Hecuba since Hamlet is above all aesthetic work as play. He stresses the determining effect of political reality over the play as he links the story of Hamlet to the tragic family of James I and the religious conflicts of the Stuart dynasty. This leads to, on the one hand, supporting the myth of absolute sovereignty by elevating Hamlet to the transcendental and the exceptional status of sovereign. However, Schmitt’s intent over the absolute sovereignty is, on the other hand, demolished with the two shadows that he scrutinized through the couple of Hamlet and James I: first, the suspect that Gertrude(Mary Stuart) was involved in the murder of Hamlet(James I)’s father, and second, the century’s conflicts with religious reformation and civil war. The perils of sovereignty are manifested not only in these two, “the taboo of the Queen,” and “the Hamletization of the avenger.” It is most of all evidenced in Hamlet itself that subverts the unconditional sovereignty consistently. Hamlet’s selfreflective remarks likening the king to the beggar and the reality of Denmark succession prove that Hamlet’s political discourse is totally different from the politics that accentuates the divine sovereignty.

한.중 간 이어도해(海) 영유권(領有權)분쟁에 관한 지리학적 고찰 (Geographical Study on the Boundary Dispute of Ieodo Sea between Korea and China)

  • 송성대
    • 대한지리학회지
    • /
    • 제45권3호
    • /
    • pp.414-429
    • /
    • 2010
  • 이어도 영유권 분쟁에 있어서 인접국인 중국의 부당한 주장에 대해 한국으로서 정합적인 논리를 개발 설득함으로써 문제를 평화적으로 해결하는 데 본 연구의 목적이 있다. 이를 위해 먼저 이어도의 자연경관의 특징과 형성과정을 자연지리학으로 정리하고. 이를 토대로 중국의 견강부회적인 주장에 대해 구체적이고 객관적인 반박 논리를 개발한다. 지질 지형과 관련한 지질사를 봤을 때 이어도가 제주도의 부속암초라는 사실이 그대로 드러나고 있으며, 중국이 주장하는 인문학적 증거, 즉 $\ll$산해경$\gg$에 대한 중국측의 해석은 우려할 정도로 왜곡되고 있다. 뿐만 아니라 중국측이 주장하는 논리가 북해대륙붕사건에서 독일의 논리를 도입하고 있으나 중국은 대향국간과 인접국간의 경계획정을 혼동하고 있어 정합성이 전혀 없다고 해도 과언이 아니다. 본 연구 결과는 강단지리학에 관심을 갖도록 할 뿐만 아니라 나아가 국민을 계도하고 관계기관이 상대국과 협상할 때 주요자료와 이론으로 활용할 수 있다.