• 제목/요약/키워드: social structuralism

검색결과 31건 처리시간 0.019초

패션 일러스트레이션에 나타나는 들뢰즈의 포스트구조주의적 특성 연구 (A Study on the Property of Post-Structuralism in Fashion illustration by Delouse)

  • 권정숙
    • 복식
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    • 제54권5호
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    • pp.83-93
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    • 2004
  • The purpose of this study is to examine the relationship between thought systems of post-structuralism by Deleuze and digital culture which is the core topic of social and cultural discussion. And this study also aims to grasp the diversity and movable thinking shown in fashion illustration from the aesthetic thought systems of post-structuralism theory by Deleuze. Furthermore, this study intends to ascertain the concrete representation characteristics and its significance of fashion illustration by analyzing works on the basis of the above-mentioned theory. What are discussed in this paper can be summarized as follows First, this study examined the post-structuralism which supplies the theoretic basis for figuring out the principles of diversity and movable thinking. Second, this study examined the relationship between the open structure and movable individuality of Deleuze who is a representative scholar of post- structuralism. Third, this study analyzed the representative characteristics and aesthetic value to which the principles of post-structuralism, derived from the aesthetic theory of Deleuze, was applied.

헤르만 헤르츠버거의 건축에 나타난 사회적 지속가능한 디자인 관점에 관한 연구 (Analysis of Herman Hertzberger's Architecture for Social Sustainable Design)

  • 송은아;김문덕
    • 한국실내디자인학회논문집
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    • 제20권3호
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    • pp.69-79
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    • 2011
  • The concept of architectural sustainability is gradually being highlighted in several ills and consciousness of crisis of modern architecture. However, many of us tend to realize its sustainability focusing on ecological sustainability in many ways. Such perspective is considerably technical and extensive. Therefore, I paid attention to Herman Hertzberger's architecture to find out how to consider spatial aspects, when interior architecture designers engage in design process. This study aims to analyze architectural progress for social communication of Herman Hertzberger's project, breaking from the existing research to only limit him to one of structuralism architects. In particular, it was found that in relation to social sustainability, universal/social design, cultural design and green/ecological design have been progressed in their forms through communicational perspectives of social architecture which he's insisted since the structuralism era. Recently, majority of issues about sustainability are restricted to economical aspects. Accordingly, further study is needed to consider his architecture from social aspects. As his architecture is concentrating on coexistence from a social perspective for communication, not on modern spatial discourse, his architectural works need to be analyzed consistently as realistic measurements.

후기 구조주의 사유를 통해본 주거공간에 관한 연구 - 다이어그램을 통해 본 주거공간의 노마디즘적 특성 - (A Study on The Concept and Planning of Post-structuralism in the a Housing)

  • 나혜숙;안희영
    • 한국실내디자인학회:학술대회논문집
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    • 한국실내디자인학회 2006년도 추계학술발표대회 논문집
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    • pp.99-104
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    • 2006
  • As a main concern of social and cultural discussionin this era, this essay will be mentioned about that considering of the cogitation system of Post-structuralism and Influences on the contemporary residential space. It is redefined, analyzed and patternized the meanings of the nomadic space from Post-structuralism and diagram which is a intermediate element of the contemporary architectureby understanding of the philosophical and reappearing similarities in that. The aim of this study is that making theoretical basis for the construction of various modern residential space.

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교육방법으로서의 구성주의와 구조주의의 비교연구 (A Comparative Study on the Constructivism and the Structuralism as the Educational Methods)

  • 서진원
    • 한국도서관정보학회지
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    • 제40권4호
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    • pp.81-92
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    • 2009
  • 학교교육에서 구성주의는 학습자에게 지식이 전달 될 때 학습자의 경험과 능력이 전달된 지식에 응용되어 새로운 주관적 지식이 구성된다고 주장한다. 객관적 지식의 존재는 부정된다. 인지적 구성주의는 개인의 인지적 능력에 의한 주관적 지식의 구성을 말하며, 사회적 구성주의는 학교사회에서 학습자들의 상호작용에 의한 지식의 구성을 말한다. 즉 전자는 지식구성의 주체가 개인이며, 후자는 사회이다. 구조주의는 지식정보자료의 text에서 기존지식의 구조를 분석 파악한다. 구조주의는 text에서 지식을 전제하며 객관적 구조(지식)을 분석 파악하는 것으로 구성주의의 주관적 지식의 응용과는 차이가 있다. 그러나 후기구조주의에서는 text를 완결된 것이 아닌 열린 체계로 보고 지식의 구조를 파악하기 때문에 구성주의와 상통하게 된다. 교육을 지식의 기억(이해)과 지식의 응용이라고 할때 구성주의는 지식의 응용에 해당하고 구조주의는 지식의 기억(이해)에 해당한다. 본 논문에서는 교육방법의 측면에서 구조주의와 구성주의의 특성을 비교하고 학교도서관의 역할이 구성주의 교육방법에 필수적임을 규명하였다.

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2000년 이후 중국 뮤지엄의 공간구조 변화에 관한 사회적 의미 연구 (A Study on the social implications of changes in the spatial structure of the Chinese museums since 2000)

  • 옹령령;문정묵
    • 한국실내디자인학회논문집
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    • 제21권5호
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    • pp.336-342
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    • 2012
  • Chinese society, which maintained the feudal social system, has taken an isolationist policy in response to the Western aggression since $20^{th}$ century. However, in the wake of the Opium War of 1840, China had actively accepted Western culture, not in just politics and economy, but in diverse area of social property. Since these process, the modernization of China had begun and the Chinese museum has been erected and evolved through the process of it. And it can be deducted that the philosophy of socialist society had a considerable influence on the spatial configuration of the Chinese museum since it was at the heart of china's modernization. And another social shift has been made since 2000 that is regarded as the internationalization of China. It brought a new point of de-structuralism to the society since 2000 and it is leading the changes of various areas of culture and arts, including museology in Chinese society. The purpose of this study is to understand what changes have been made to the museums in China since 2000 and how the internationalization of China is engaged with this it, in terms of the spatial structure of a museum. To do this the study examined the spatial changes of the museum in the mathematical approach including Space Syntax tool and it was engaged with the changes of museum type. Throughout the study, it was concluded that spatial structure of museums in china has been changed from structural organization to de-structural one since 2000 of China's internationalization.

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후기구조주의적 신체론에 의한 패션일러스트레이션에서의 신체표현 연구 -1990년대 이후 패션일러스트레이션을 중심으로- (A Study on the Expressional Features of Body through Fashion Illustration based upon Post-Structuralism Theory -Focused on Fashion Illustrations since the 1990's)

  • 김순자
    • 한국의류학회지
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    • 제31권7호
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    • pp.1052-1063
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    • 2007
  • This study focuses on the analysis of body images appearing in the fashion illustrations since the 1990's and thereby attempts to determine relationship between their expressional features and aesthetic values in reference to theory of post-structuralism. Especially among numerous post-structuralist, Michel Foucault, Gilles Deleuze/Felix Guattari, and Julia Kristeva set unique arguments on body, which provide valuable leads to decipher the image of body. For that reason, body images shown in the fashion illustration are categorized into grotesque body, fragmented body, humanoid body, and post-gendered body, and reviewed their characteristics and aesthetic values based on critics of above three scholars. Findings are summarized as follows: First, image of body entails meaning of an resistance of traditional social concepts and order, and second it serves the purpose of creating a new and unique sense. Finally, it is not an object of representation of physical facts, but rather a representation of the real itself, apart from presenting the original material. Given arguments enhance understanding of images of body in fashion illustration in a broader sense.

지식 분류의 기호학적 체계 응용 방안 (The Application way on Semiotic Structure of Knowledge Classification)

  • 윤정기
    • 한국도서관정보학회지
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    • 제43권2호
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    • pp.273-292
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    • 2012
  • 본 연구는 지식 분류의 기호학적 특성을 파악하고 지식 분류의 기호학적 구조가 고전이나 정전에 미치는 영향을 논의한다. 이러한 영향의 흐름이 기호학적 체계의 구조적 측면에서 연유한다는 것을 통하여 인터넷 등 전자매체와 금서의 동일성을 사회 문화적 구조주의 시각에서 논의한다. 또한 기호적 해석이 가능한 구조주의 이론 틀을 빌어 대중매체를 포함한 영상 매체 등의 텍스트를 이해하고 해석할 수 있는 방향으로 기호 체계의 이용을 제안하고자 한다.

한국 현대건축에서의 해체주의적 경향 -해체주의의 이론적 배경과 한국에서의 김인철, 조건영, 배병길의 작품사례에 대하여 - (The Trend on Deconstruction in the Contemporary Architecture of Korea)

  • 성인수
    • 건축역사연구
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    • 제1권1호
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    • pp.218-227
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    • 1992
  • What is Deconstruction which is now the focus of the current architectural discussion? In order to know the Deconstruction properly, we should review the background of Modernism and Post-Modernism in architecture. As we know, the 1968's serial uprisings of democratic movement in Paris changed human concepts about art dramatically. As the result of that movement new ideas such as Structuralism, Post-structuralism, Deconstruction, and Semiotics arose. In architecture some ideas like construotioniem were not practised fully in 1920's and only the Modernism has been realized as the idea expressing the modern Utopia. In Korea situation to interprete architectural ideas into real buildings are different from those of other developed countries. Korean architects are seemed to use Deconstructionist vocabularies as fashionable styles without being concious of the root and history of Deconstruction. For Koreans the contexts are different. Although Modernism and Functionalism have been practised vigorously in Korea as other countries, the situations are ambiguous and complicated in applying new ideas introduced after Moderism. So they are in chaos. What could be our orthodox ideology to be worth pursuing in arthitecture? There are several sample works of Deconstruction in Korea done by Jo, Geon young, Kim, In Chul and Bae Byung-Gil. Aithough their works cannot be interpreted as real Deconstruction in European or american view-points, I think they are good examples of Korean Deconstruction that express contemporary Korean architecture and its social background.

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현대 패션에 나타난 러시아 구성주의의 조형성에 관한 연구 (A Study on the Formativeness of Russian Constructivism in Modern Fashion)

  • 손호영;간호섭
    • 복식
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    • 제61권10호
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    • pp.1-15
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    • 2011
  • Constructivism is an avant-garde movement that began in 20th-century Russia, which rapidly turned into an industrial society. This was one of the most experimental art movements, that wanted to be at the center of social and political-ideological change as it pursued a unique style, which portrayed the true essence of art and humanity. Russian constructivism greatly influenced modern fashion and suggested a new artistic standard. First, the artistic elements of Russian constructivism include photo montages, geometrical structures, color abstraction, and an asymmetrical order, through which the ideals of the Russian Revolution were substantiated, idealized, and materialized into an artistic form. Second, the different forms of Russian constructivism have various artistic characteristics such as popularity, spatiality, structuralism, decorativeness, and mobility, which were then expressed in modern fashion elaborated below. This study intends to reconstruct the meaning of Russian formalism and reflect it on fashion; thereby reconsidering the characteristics and the meaning of Russian constructivism in the context of today's fashion. This will broaden the meaning of constructivism and suggest a new direction for modern fashion.

IT ODA, 개발도상국의 민주주의 발전을 가져오는가? - 낙관적 기술결정론에 대한 도전 - (Does IT ODA Promote Democracy in Developing Countries? : A challenge to optimistic technological determinism)

  • 송효진
    • 정보화정책
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    • 제22권1호
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    • pp.73-95
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    • 2015
  • 이 연구는 정보화 분야 ODA를 통해 확산된 인터넷이 권위주의적이거나 폐쇄적인 개발도상국의 정치 체제에 민주적 변화를 가져오는지에 대해 검증하는데 목적이 있다. 연구 결과, IT ODA는 개발도상국의 인터넷 확산에 유의한 정(+)의 영향을 가지는 것으로 나타났다. 이는 ODA를 통한 IT이전이 개발도상국에 인프라를 구축하고 인터넷의 이용률을 높임으로써 정치적 민주화를 이끌 것이라는 공여국의 기대를 뒷받침하는 것처럼 보인다. 그러나 인터넷 확산에 대한 IT ODA의 영향이 크지 않은데다 인터넷 확산 역시 개발도상국의 민주주의 발전에 강한 영향을 미치지 못하였다. 또한, 국가마다 상이한 양자구조를 보여 낙관적 기술결정론에 기초한 민주화 가설을 지지한다고 보기는 어려웠다. 따라서 이 연구는 IT ODA를 이행함에 있어 선진국의 IT이전이 개발도상국의 정치적 민주화를 이끌 것이라는 '맹목적' 믿음에 기초하기보다 국가마다의 특수성과 고유성을 고려하여야 하며, IT ODA의 효과에 대한 논의 또한 건설적 방향으로 나아가야 함을 요구한다.