• Phonetics and Speech Sciences
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• v.9 no.4
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• pp.77-89
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• 2017

This study investigates the phonetic meaning of clarity and turbidity(淸濁) that has been used in psychoacoustics, musicology, and linguistics in both the East and the West. With a view to clarifying the phonetic meaning of clarity and turbidity, this study conducts three perception tests. First, 34 subjects were asked to take one of Clear and Turbid by forced choice for 5 pure and complex tones, respectively, ranging from A2 to A6 differing by octave. Second, they were asked to select between the two choices for 25 pure and complex tones, respectively, ranging from A2 to A4 differing by semitone. Third, they were asked to opt for one of the two choices for 8 different vowels of different formant and fundamental frequencies. Results showed that there is a certain range of tone which is perceived as clear, that clarity level increases as fundamental frequency increases, and that pure tones have a higher level of clarity than complex ones, fundamental frequency being equal. Results also showed that vocal tract resonance enhances clarity level on the whole, and that lower vowels have a higher level of clarity than higher ones. This study is significant in that it demonstrates that clarity level is proportional to fundamental frequency and the first formant frequency, all else being equal.

• Phonetics and Speech Sciences
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• v.9 no.3
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• pp.17-23
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• 2017

The present study investigates the effect of Accentual Phrase on F0 using a subset of large-scale corpus of Seoul Korean. Four syllable words which were neither preceded nor followed by silent pauses were presumed to be canonical exemplars of Accentual Phrases in Korean. These four syllable words were extracted from female speakers' speech samples. Growth curve analyses, combination of regression and polynomial curve fitting, were applied to the four syllable words. Four syllable words were divided into four groups depending on the categorical status of the initial segment: voiceless obstruents, voiced obstruents, sonorants, and vowels. Results of growth curve analyses indicate that initial segment types have an effect on the F0 (in semitone) in the nucleus of the initial syllable, and the cubic polynomial term revealed that some of the medial low tones in the 4 syllable words may be guided by the principle of contrast maximization, while others may be governed by the principle of ease of articulation.

• MALSORI
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• no.61
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• pp.49-62
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• 2007

This study focused on the improvement of prosody transplantation technology to be used for effective prosody education. Issues making the technology a less acceptable tool for prosody education were addressed. Instead of merely copying the target pitch onto a learner's utterances, the target pitch was resealed in semitone before the transplantation. In so doing, distortion of a signal was minimized and the transplanted utterance could have the quality of sound not different from the learner's utterances. Instead of manual transplantation, an automatic procedure was proposed to increase the reliability and the consistency of the outcome and enable real time processing. The perceptual performance of the automatic transplantation was evaluated by the perception experiment showing the automatic ransplantation was as good as the manual process.

• Communications of Mathematical Education
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• v.28 no.2
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• pp.219-234
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• 2014

Music and mathematics have a lot of structural similarities. Major and minor triads used importantly in music are in a relationship of inversion in which the sequence of the intervals is reversed, which is equivalent to reflection in mathematics. Geometrical expressions help understand structures in music as well as mathematics, and a diagram that shows tonal relationships in music is called Tonnetz. Relationships of reflection between major and minor triads can easily be understood by using Tonnetz, and also, transpositions can be expressed in translation. This study looks into existing Tonnetz and introduces S-Tonnetz newly formed by a mathematical principle.

• 재활복지
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• v.22 no.1
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• pp.157-168
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• 2018

The purpose of this study is to investigate the impact of semi-closed vocal training-based Vocal Aerobic Treatment on the voice improvement of soprano. Study subject was one soprano who appealed to the suffering of her voice problem due to vocal cord nodule. A study method of conducting pre/post acoustic evaluation and subjective voice evaluation to compare the measures was used; Vocal Aerobic Treatment was carried out twice a week for a total of 32 session. In the acoustic evaluation, MDVP (multi-dimensional voice program) and VRP (voice range profile) were used to evaluate the pitch, voice quality, and voice range; in the subjective voice evaluation, SVHI (singing voice handicap index) was used to assess voice satisfaction. As a result of the pitch evaluation, the soprano maintained a proper Fo. As a result of the voice quality evaluation, the jitter, shimmer, and the noise harmonic ratio numbers decreased compared to the numbers shown before the treatment. As a result of the voice range evaluation, the scope of the range was broadened, with the number of semitone increasing from 30 to 35. As for the subjective voice evaluation, the result of the total score obtained after the survey report divided by the number of questions showed a decrease from 3.6 to 0.6. The soprano herself reported of having a minor extent of a voice problem. The summary of the above results reflects that Vocal Aerobic Treatment is useful in the voice improvement of vocalists However, as this study is case research regarding the Vocal Aerobic Treatment effect on one soprano, further research on the treatment effect covering many other vocalists is necessary. Also, there is a need for follow-up studies regarding voice management and voice treatment program on not only the vocalists but also the voice users in many other professions.

• Journal of the Korean Society of Laryngology, Phoniatrics and Logopedics
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• v.32 no.2
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• pp.81-86
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• 2021

Background and Objectives Therapies have been reported to treat the glottal gap previously. However, these voice therapies showed the limits because many techniques focused only on one among breathing, resonance and phonation. In addition patients often have difficulties visiting hospital frequently. 'Gliding and humming' is vocal training technique that readjusts total vocal patterns such as breathing, resonance and phonation. This technique can be easily applied during short term sessions. The purpose of this study is to evaluate the efficiency of voice therapy with 'gliding and humming' for patients with glottic gap during short-term treatment sessions. Materials and Method Twenty-three patients with glottal gap were selected. Of all patients, 14 patients had sulcus vocalis and 12 patients had muscle tension dysphonia (MTD). Voice therapies were performed 1.9 sessions in average. GRBAS, jitter, shimmer, noise to harmonic ratio, semitone range, closed quotient_vowel and maximum phonation time were compared before and after the therapies. In addition, changes of glottal gap and MTD severity were evaluated. Results Statistically significant improvement was observed. MTD improvement was observed only among the patients with glottal gap improvement. Also sulcus vocalis group showed the statistically significant improvement. Conclusion 'Gliding and humming' was effective to the patients with glottic gap and sulcus vocalis. Also, among patients who have both glottic gap and MTD, the data suggests that voice therapy for glottic gap also makes improvement in MTD.

• Phonetics and Speech Sciences
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• v.11 no.3
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• pp.69-76
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• 2019

This study aimed to investigate the effects of vocal aerobic treatment (VAT) on the improvement of voice in patients with voice disorders. Twenty patients (13 males, 7 females) were diagnosed with voice disorders on the basis of videostroboscopy and voice evaluations. Acoustic evaluation was performed with the Multidimensional voice program (MDVP) and Voice Range Profile (VRP) of Computerized Speech Lab (CSL), and aerodynamic evaluation with PAS (Phonatory Aerodynamic System). The changes in F0, Jitter, Shimmer, and NHR before and after treatment were measured by MDVP. F0 range and Energy range were measured with VRP before and after treatment, and the changes in Expiratory Volume (FVC), Phonation Time (PHOT), Mean Expiratory Airflow (MEAF), Mean Peak Air Pressure (MPAP), and Aerodynamic Efficiency (AEFF) with PAS. Videostroboscopy was performed to evaluate the regularity, symmetry, mucosal wave, and amplitude changes of both vocal cords before and after treatment. Voice therapy was performed once a week for each patient using the VAT program in a holistic voice therapy approach. The average number of treatments per patient was 6.5. In the MDVP, Jitter, Shimmer, and NHR showed statistically significant decreases (p < .001, p < .01, p < .05). VRP results showed that Hz and semitones in the frequency range improved significantly after treatment (p < .01, p < .05), as did PAS, FVC, and PHOT (p < .01, p < .001). The results for videostroboscopy, functional voice disorder, laryngopharyngeal reflux, and benign vocal fold lesions were normal. Thus, the VAT program was found to be effective in improving the acoustic and aerodynamic aspects of the voice of patients with voice disorders. In future studies, the effect of VAT on the same group of voice disorders should be studied. It is also necessary to investigate subjective voice improvement and objective voice improvement. Furthermore, it is necessary to examine the effects of VAT in professional voice users.