• 품질경영학회지
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• 제43권4호
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• pp.489-498
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• 2015

Purpose: This paper proposes S-NS diagram. S-NS diagram helps us find core factors which improve customer satisfaction. Methods: S-NS diagram draws a scatter diagram based on marks obtained from surveys consisting of several questions on satisfaction and non-satisfaction at the same time. S-NS diagram is divided into the 4 regions. We focused on region B which is High satisfaction and high non-satisfaction shown in S-NS diagram. Region B is the areas for needs to improve. Results: S-NS diagram can find few important factors which affect customer satisfaction. We improve Lecture Satisfaction using S-NS Diagram. Conclusion: S-NS diagram has been proven to be an effective method for improving customer satisfaction with a lecture satisfaction improvement example. We know S-NS diagram can use many fields including manufacture and service areas.

• 건축역사연구
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• 제14권4호
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• pp.157-175
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• 2005

Guarino Guarini(1624-1683) is one of great Baroque architects who developed new spatial concept in architecture. He refused to static space typically appeared in Renaissance architecture. Instead, to make it possible to generate complicate form and moving space, he made use of generative diagram. It provide him with an abstract machine to generate automatically architectural inferiority. His generative diagram consists of three types: single circle diagram, matrix diagram and longitudinal diagram. The first diagram uses single circle as primary generator and develop this by means of overlap and equiangular division. La Cappella della Santissima Sindone, Sanctuary of Chiesa di Oropa, Chiesa dei Padri Somaschi, San Gaetano are designed according to this diagram. The generator of the second diagram is nine circles in $3{\times}3$ matrix, which provide the base for the interpenetration of space in Guarini's architecture. He inspired this diagram from Kepler's $\ulcorner$Harmonices mundi$\lrcorner$. The Churches of San Lorenzo, Ste-Anne-la-Royale, San Filippo Neri, San Gaetano are generated by this diagram. The third diagram has several circles in Lantin-cross plan. Guarini adopted this diagram because he had chances to design several churches in Northern Europe. The churches of Santa Maria di Ettinga, Immacolata Concezione, San Maria della Divina Providenza, Church without Name, San Filippo Neri are representative examples for this diagram.

• 한국실내디자인학회논문집
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• 제15권3호
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• pp.201-210
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• 2006

Among the architects who use diagrams as a digital design process, especially through Peter Eisenman and Ben van Berkel's works, we have specifically got the meaning of their diagrams. Their diagrams act as 'the block of becoming' and we can regard the diagrams not only as a tool of devenir including architect's root thoughts beyond a tool of schematic presentation, but also as architect's intention including devenir thought. And in the case of diagrams which the architects use, we can recognize that architects' intentions are to think that Deleuze's 'machine abstraite' evolve the diagram into various and transformed form. That is to say, Peter Eisenman interprets the machine abstraite as a root thought of devenir by using diagram as medium to reveal the virtual. And Ben van Berkel transforms the diagram by including all external conditions into selected diagram which shows the abstract relations to the elements. We can get the meaning of the machine abstraite from these cases well. This study will play an important role in giving good usage of the diagram in making a form of contemporary digital architecture and showing the direction of form creation field.

• 한국통신학회논문지
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• 제30권3B호
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• pp.95-104
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• 2005

다이어그램은 직관성과 간결성을 갖는 장점이 있어 현재의 컴퓨팅 환경에서 많은 분야에 널리 사용되고 있다. 하지만 다이어그램 작성에 대한 표준화된 방법의 부재(不在)로 소프트웨어 상호간의 자료공유가 어렵고 다이어그램 컴포넌트와 규칙을 직접 프로그래밍 해야 하기 때문에 많은 시간과 노력을 필요로 한다. 이러한 문제점을 해결하고자 본 논문에서는 표준화된 문서규약인 XML을 이용해 다이어그램 컴포넌트의 형태와 행위를 정의하는 방법, 다이어그램의 규칙과 의미를 기술하는 방법에 대해 제안하고 제안한 XML 문서가 실행될 수 있는 다이어그램 시스템의 설계 및 구현에 관하여 논의한다. 본 다이어그램 시스템에서는 DML 그래픽 편집기를 제공하여 WYSWYG 방식으로 다이어그램 컴포넌트를 정의하고 자동으로 DML 문서를 생성할 수 있도록 함으로써 더욱 효율적으로 새로운 다이어그램을 개발할 수 있도록 하였다. 뿐만 아니라 DTD를 이용해 다이어그램에 대한 문법을 정의함으로써 문서의 구조를 정의하는 DTD에 대한 의미적 일관성을 유지하였으며 Semantic Definition XML을 이용하여 의미를 기술할 수 있도록 하였다. 또한 다이어그램 시스템에서 다이어그램 문장에 대한 문법검사와 의미실행의 방법은 VPL(Visual Programming Language)의 여러 개념들을 이용하였다.

• 대한수학회보
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• 제37권3호
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• pp.519-536
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• 2000

We construct a stationary, properly ordered Bratteli diagram B=(V,E,$\geq$) so that its Vershik map is isomorphic to Chacon's homeomorphism. It is the simplest stationary, properly ordered Bratteli diagram isomorphic to (Xc, Tc). We also find a primitive and proper substitution of Chacon's transformation.

• KIEAE Journal
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• 제12권2호
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• pp.39-44
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• 2012

The children's playgrounds have been installed almost from the beginning when the first apartment complex was built. The brightness of a playground has not been considered in the architectural plan. The site of the playground has been chosen based on availability without making a detailed review on its daylight environment. The purpose of this study is to provide the Sky Ratio Diagram for the evaluation of daylight environment at the children's playground in apartment complexes. the Sky Ratio Diagram has 100 points, each point has a value of equal to the sky ratio 1%. Through case studies, the Sky Ratio Diagram was verified whether it could be practically applied to the actual playgrounds. This research is meaningful in that it suggests a way to quantitatively evaluate the brightness of a playground. The Sky Ratio Diagram suggested in this study can be practically used when choosing a site for a playground within an apartment complex.

• 대순사상논총
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• 제47집
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• pp.65-103
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• 2023

대순사상의 핵심 경전인 『전경』에는 선천과 후천을 상극의 시대와 상생의 시대로 구분한다. 이러한 선천과 후천 개념은 『태극도통감』에서는 역학의 도상으로 나타난다. 역학에서 선천과 후천은 송대 도서역의 주요한 개념이다. 역학의 도상에서 「복희8괘차서도」, 「복희8괘방위도」, 「복희64괘차서도」, 「복희64괘방위도」는 선천에 해당하고, 「문왕8괘차서도」, 「문왕8괘방위도」 등은 후천에 해당한다. 『태극도통감』에서는 이 역학의 도상들을 대순사상에 따라 재해석한다. 「문왕시대 팔괘도」는 역학에서 「문왕팔괘도」에 해당한다. 이 도상은 「설괘전」 제5장의 경문에 따라 그려진 도상이다. 이 도상은 곤(坤)을 중심으로 한 "지존시대(地尊時代)"에 해당한다. 역학의 「복희팔괘방위도」는 대순사상에서 「복희시대 팔괘방위도」에 해당한다. 이 도상에서 가장 큰 특징은 동서남북 정방위에서 남북 방위에 배당된 괘가 천지비괘라는 것이다. 이는 비괘(否卦)가 음양의 교류와 소통이 전혀 일어나지 않는 괘상을 의미한다. 당연히 이는 음양의 상극을 상징한다. 이를 대순사상에서는 "천존시대(天尊時代)"라고 표현한다. 『태극도통감』의 「정역시대 팔괘도」의 도상의 가장 큰 특징은 동서남북 정방위에서 남북 방위에 배당된 괘가 지천태괘(地天泰卦)이다. 이는 감리괘가 정방위에서 벗어나 있어 오행에서 상극이 해소된 도상이다. 그래서 이 도상은 "어떠한 상극의 이치도 없는(全無相克之理)" 세상이자 "인존시대(人尊時代)"를 상징한다. 『전경』의 내용에 따르면, 상제께서 선천의 상극을 바로 잡는 삼계공사를 행하시고, 이 삼계공사의 결과로 후천 세계의 상생 도가 구현된다. 상제의 삼계공사는 신명계에서 행한 일이지만, 이는 후천 세계에서는 상생의 도가 구현되는 선경으로 나타난다. 이러한 후천의 세계를 도상으로 구현한 것이 『태극도통감』의 「정역시대 팔괘도」이다.

• 제어로봇시스템학회:학술대회논문집
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• 제어로봇시스템학회 2005년도 ICCAS
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• pp.492-497
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• 2005

It has not been studied about modeling methods for SVG documents to represent animation in the web that has been recently increased in interest. In this paper, I propose component modeling for SVG documents by CBD methodology. First, I propose conceptual modeling by UML class diagrams for converting SVG document into component diagram. And then, I propose rules to convert the UML class diagram into component diagram. Thus, main contribution of this paper is that it can generate a component diagram for a SVG document using Component-Based Development methodology.

• 동의생리병리학회지
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• 제19권3호
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• pp.586-589
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• 2005

To study on the assignment of the eight trigrams (八卦) for the process on intake, digestion, excretion of food. Being based BEOK-HEE's diagram of eight trigrams order(伏羲次序圖), provisional namely six entera are assigned eight trigrams(八卦). Eight trigrams(八卦) are attached to the air(GEON 乾), the month(TAE 兌), the stomach(LEE 離), the small intestine(JIN 震),the large intestine(SON 巽), the rectum(GAM 坎), the anus(GAN 艮), the excrements(GON 坤). The BEOK-HEE's diagram of eight trigrams order(伏羲次序圖) means immutable order naturally. The process of six entera's digestion is also unchangeable in region and program. Therefore we can set up the process of six entera's digestion as the category of observation on the basis of BEOK-HEE's diagram of eight trigrams order(伏羲次序圖), and then we can arrange eight trigrams(八卦) on the process of six entera's digestion.

• Architectural research
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• 제2권1호
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• pp.7-15
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• 2000

A bubble diagram is understood as a graphic medium which bridges program and plan in architectural design process. The role of a bubble diagram is either to generate or to explain a plan in relation to its program. Despite the explicit role of a bubble diagram in architectural design process, what a bubble diagram indicates exactly is very ambiguous. Here I attempt to reveal the nature of the bubble diagram more sharply. My main argument is that the ambiguity of a bubble diagram results from the fact that it is used to range two different types of representational formats. Reviewing the theories of shape recognition and shape representations in vision science, I will also argue that the procedural description of architectural design process should be criticized and that the focus of design method research has to be shifted into the representational format of form description in architectural design process.