• Title/Summary/Keyword: roman

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Strong Roman Domination in Grid Graphs

  • Chen, Xue-Gang;Sohn, Moo Young
    • Kyungpook Mathematical Journal
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    • v.59 no.3
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    • pp.515-523
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    • 2019
  • Consider a graph G of order n and maximum degree ${\Delta}$. Let $f:V(G){\rightarrow}\{0,1,{\cdots},{\lceil}{\frac{{\Delta}}{2}}{\rceil}+1\}$ be a function that labels the vertices of G. Let $B_0=\{v{\in}V(G):f(v)=0\}$. The function f is a strong Roman dominating function for G if every $v{\in}B_0$ has a neighbor w such that $f(w){\geq}1+{\lceil}{\frac{1}{2}}{\mid}N(w){\cap}B_0{\mid}{\rceil}$. In this paper, we study the bounds on strong Roman domination numbers of the Cartesian product $P_m{\square}P_k$ of paths $P_m$ and paths $P_k$. We compute the exact values for the strong Roman domination number of the Cartesian product $P_2{\square}P_k$ and $P_3{\square}P_k$. We also show that the strong Roman domination number of the Cartesian product $P_4{\square}P_k$ is between ${\lceil}{\frac{1}{3}}(8k-{\lfloor}{\frac{k}{8}}{\rfloor}+1){\rceil}$ and ${\lceil}{\frac{8k}{3}}{\rceil}$ for $k{\geq}8$, and that both bounds are sharp bounds.

Creation of the Conversion Table from Hangeul to the Roman Alphabet

  • Kim, Kyoung-Jing;Rhee, Sang-Burm
    • Proceedings of the IEEK Conference
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    • 2002.07a
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    • pp.321-324
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    • 2002
  • For a rule-based conversion of Hangout into the Roman alphabet rather than a word-for-word conversion, one must come up with a faultless model for the Korean standard pronunciation rules, which are the basis of the Romanization. It is on this foundation that the Korean-Roman alphabet conversion table can be created. For linguistic modeling using PetriNet, modeling boundary and notation of modeling can be defined. In order to describe PetriNet, which is a dynamic modeling tool, as a static one, one can model the standard Korean pronunciation rules and the Hangout-Roman alphabet notation by conversion into incident matrix Thus, this research attempts to develop a mathematical modeling tool for a natural language using PetriNet, and create a Korean-Roman alphabet conversion table.

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A Study on the 'Theater of the World' and the 'Roman Forum' in Analogical Aspect (유추적 관점에서 본 '포로 로마노'와 알도로시의 '세계극장'에 대한 고찰)

  • Park, Sang-Seo;Lee, Dae-Jun
    • Journal of architectural history
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    • v.17 no.2
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    • pp.67-81
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    • 2008
  • Aldo Rossi explained Roman Forum as a significant urban artifact, because Roman Forum analogically showed not only an image of Roman Empire but also a figure of primitive design for its region. Thus the comparison and analysis between characteristics of Aldo Rossi's architectural works which are based on the theory of 'Analogical city' and the forums, the urban artifacts, was proceeded in this study. Consequently, it was discovered that Aldo Rossi had used his analogical thinking from the forum for his architectural languages such as gable roofs, square windows with depth, columns and so on. His analogical use of organizing spaces, such as courtyard type and pillar corridor type, has also shown that their types came from forum spaces. His analogical aspects of the forum: a space where urban images are analogically formed; were expressed in the 'Theater of Science' with the urban architecture form as the actor and the Theatre as the stage for analogical urban performances. Nevertheless, the expression of primitive design which divides the Roman Forum from other forums was actualized in 'the Theater of the World'. He not only analogically used types from Roman Forum in architectural design but also used boat in Water space, which decided the lifestyle and culture of Venice even before the civilization, to express the primitive design of Venice. Consequently, Aldo Rossi, by aiming the severance from the tradition, provided the possibility of explaining the newest modem type within the historical meaning by forming type which finds its continuance in history through 'the Theater of the World' and through analogical thinking along with the level of modern culture, to our urban architectural atmosphere that has lost its historical meanings.

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A Study on the Roman Garden Vision in Pliny the Elder's the Natural History (대 플리니우스의 「자연사」에 나타난 고대 로마의 정원관 연구)

  • Hwang, Juyoung
    • Journal of the Korean Institute of Landscape Architecture
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    • v.51 no.5
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    • pp.57-69
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    • 2023
  • This study investigates the garden vision of the Ancient Rome, focusing on garden literature in the Natural History by Pliny the Elder. Ancient Roman garden's types, character, and forms greatly influenced the development of later Western gardens, to which the practical and professional texts of Pliny the Elder and others contributed. This study explores the garden visions projected in these texts, with an introduction of Roman garden forms and stylistic features. The Natural History and other garden and agricultural texts written during the Ancient Roman period are characterized by their focus on practical production spaces rather than abstract nature or garden art. In the Natural History, Pliny described botanics in terms of usefulness rather than pleasure, and his discussion is premised on the practical hortus. In ancient Roman society, gardens were not only spaces for practical production and relaxation, and places to reproduce or realize the ideals of Roman rulers and intellectuals, including Pliny. They shared the episteme that sought to encompass knowledge of the entire world they ruled and, in doing so, realize their vision of the Roman Empire. Through the Natural History, Pliny sought to embrace useful knowledges of his time into the vast civilized world of the Roman Empire, and the garden was an important place to practice this ideal.

A Study on Masonry Techniques in Ancient Roman Architecture (고대 로마건축의 석축기법에 관한 연구)

  • Yoon, Seong-Ho
    • Journal of the Korea Academia-Industrial cooperation Society
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    • v.11 no.10
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    • pp.4031-4040
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    • 2010
  • The purpose of this study is to research the characteristics of masonry techniques on Roman ancient architecture. Opus so means masonry, has many types and techniques and still we use that word. Roman masonry technique appears to be very diverse kinds throughout to try and change the outcome of new technology. Depending on the use of materials the process can distinguished in three courses. First, just use only stones and bricks. Second is the use of concrete that is advanced to cement structure. Third is the use of air-dried bricks and grilled bricks. Roman masonry ranges of techniques not limited to the construction of the resulting but created a variety of architectural language. Architectural space is based on a comprehensive development of masonry techniques.

Georg Cantor and Roman Catholic Church (칸토어와 로마 가톨릭 교회)

  • Hyun, Woosik
    • Journal for History of Mathematics
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    • v.30 no.5
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    • pp.289-304
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    • 2017
  • The interdisciplinary study explores the discussion of actual infinity between Georg Cantor and Roman Catholic Church. Regarding the actual infinity, we first trace the theological background of Cantor by interpreting his correspondence and major works including ${\ddot{U}}ber$ die verschiedenen Standpunkte in bezug auf das aktuelle Unendliche(1885) and Mitteilungen zur Lehre vom Transfiniten (1887), and then investigate his argumentation for two points at issue: (1) pantheism and (2) inconsistency of the necessity with freedom of God. In terms of mathematics and theology, Cantor defined the actual infinity(aphorismenon) as characterized by (1) the transfinite infinity(Transfinitum) and (2) the absolute infinity(Absolutum). Transfinitum is conceptualized here in mathematical terms as a multipliable actual infinity, whereas Absolutum is not as a multipliable actual infinity. The results imply that Cantor's own concept of Transfinitum and Absolutum is adequate for Roman Catholic theology as well as mathematics including the reflection principle.

Shakespeare's Roman Plays and His Skepticism

  • Park, WooSoo
    • Journal of English Language & Literature
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    • v.64 no.3
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    • pp.361-381
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    • 2018
  • Shakespeare reflects/refracts the controversial spirit of his age in the epistemological and political skepticism of his Roman plays: Titus Andronicus, Julius Caesar, Coriolanus, and Antony and Cleopatra. Skepticism doubts all received truth and suspends judgment, and it often takes the form of mental jousting on both sides of a question. Renaissance skepticism was strengthened by rhetorical education. Arguing on both sides of the question (in utramquem partem) was a practice taught in Shakespeare's grammar school in order to enhance students' mental abilities in logic and dialectic. This rhetorical exercise seldom leads to a third-term resolution: it just reveals all the apparent and hidden aspects of a problem at issue. Shakespeare's Roman plays, especially his Julius Caesar, demonstrate this skeptical attitude, leaving the judgment to the audience.

Statistical Ranking Recommendation System of Hangul-to-Roman Conversion for Korean Names (한글-로마자 인명 변환의 통계적 순위 추천 시스템)

  • Lee, Jung-Hun;Kim, Minho;Kwon, Hyuk-Chul
    • Journal of KIISE
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    • v.44 no.12
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    • pp.1269-1274
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    • 2017
  • This paper focuses on the Hangul-to-roman conversion of Korean names. The proposed method recognizes existing notation and provides results according to the frequency of use. There are two main reasons for the diversity in Hangul-to-roman name conversion. The first is the indiscreet use of varied notation made domestically and overseas. The second is the customary notation of current notation. For these reasons, it has become possible to express various Roman characters in Korean names. The system constructs and converts data from 4 million people into a statistical dictionary. In the first step, the person's name is judged through a process matching the last name. In the second step, the first name is compared and converted in the statistical dictionary. In the last step, the syllables in the name are compared and converted, and the results are ranked according to the frequency of use. This paper measured the performance compared to the existing service systems on the web. The results showed a somewhat higher performance than other systems.

A Study on the Costume of the Gods in the Ancient Roman Myths (고대 로마 신화에 등장한 신들의 복식 연구)

  • 임상임;추미경
    • Journal of the Korean Society of Clothing and Textiles
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    • v.25 no.5
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    • pp.945-956
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    • 2001
  • The costume for gods in the Ancient Roman myth was studied by examining in the embossed-carving, sculptures, mural-painting and various documents of the period. The clothes item, hairstyle, symbol & ornaments and shoes of the gods in the Roman myths were analyzed to understand the formative process in the religious costumes, and results are as follows. First, the costumes for male gods are the same as those for ordinary men lived in ages, including toga, paludamentum, tebenna, tunica. The costumes for female gods are also the same as those for ordinary women lived in ages, including stola, palla, tunica. Second, the hairstyle of male gods is short curled-hair, twisty roll-up hair and braid long-hair due to the influence of Etrurian in the early days. Another hairstyle is appeared in form of the laurelled-crown. The hairstyle of female gods is curled long-hair, chignon style and braid roll-up hair decorated with hairband. Third, the symbol & ornaments which represent the responsible possession of male gods, are appeared in beard, a stick of the message, arrow-case, offering-dish, antlered-glass, shield, spear-handle, as the superhuman forms, such as the lightning shape. For female gods they are is appeared plastron, a stick of the message, flower. some female gods wear necklace, foot-ring, bracelet. Fourth, male gods wear shoes in forms of sandal, buskin, boots, but all female gods are in barefoot. It could be explained by the fact that a man-centered society in the ancient roman is reflected in the world of gods. As mentioned, Gods costume in Roman myths was very similar to or nothing different from the ordinary peoples in Rome. However, they used corps, sacrifices or sepcific symbols depending on the fields that they were responsible for in order to be distinguished from the ordinary people. This is the result from the peoples expression that they should keep a close relationship with Gods hoping to be protected, and rely on them under whatever circumstances.

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