• 보존과학연구
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• 통권24호
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• pp.215-227
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• 2003

The gilt-bronze Sarira Reliquary was discovered when repairing three-stories east stone pagoda (Treasure No. 395) at Seungju-eup in Suncheon city in Jeollanam-do Province in August, 1986. Then it was appointed as Treasure in 1988. The Sarira Reliquary had been held in Seonamsa temple, but deterioration on the surface and corrosion had appeared affecting its surface detail. Consequently, the conservation treatment was carried out from November 2002 to March 2003.The corrosion and dirt on the surface of the Sarira Reliquary were cleaned with ethyl alcohol and Benzotriazole was applied to prevent further corrosion. Finally, NAD-10(Paraloid NAD-10), acrylic resin, was used to consolidate the structure. Moreover, after non-destructive analysis to confirm element of alloy, copper, gold, silver and mercury were discovered and this result tells us that it was plated with gold by amalgam. Fibers at the pedestal were examined under the microscope and identified as silk. The total height of this Sarira Reliquary is 6.0cm, the height of lotus pedestal and the roof is 2.7cm and 1.8cm, respectively. The roof and body are joined together, and the lotus pedestal can be separated, on which the octagonal reliquary is impaled. The pedestal consists of 3layers of petals and the surface is decorated with flower pattern. The reliquary is presumed to be created in the 14th century, and it becomes valuable historical material to reveal the secret of metal work in the late Goryeo Dynasty.

• 박물관보존과학
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• 제3권
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• pp.1-7
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• 2001

송림사 전탑내 출토 금동제 사리장치(보물 제325-1호)는 일괄품인 유리제 사리기와 함께 매우 중요한 통일신라 사리장엄구의 하나로 꼽을 수 있다. 국립중앙박물관 보존실에서는 처리전 조사를 통하여 이 사리장치가 내부목재의 부후와 금동재질의 부식으로 인하여 상당히 위약해져 있음을 파악하고, 이를 보완하고 추후 발생할 수 있는 새로운 부식에 대한 예방에 중점을 두고 보존처리를 실시하였다. 또한 그동안의 송림사 전탑 출토 사리장치에 대한 정밀조사자료가 미비하여 정밀실측, 현미경조사 및 X-선 촬영 등의 세부적인 조사도 병행하였다.

• 박물관보존과학
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• 제13권
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• pp.59-69
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• 2012

국립중앙박물관이 소장하고 있는 보물 제1359호 감은사지 동삼층석탑 사리장엄구 중 금동전각형사리기의 귀꽃이 2010년 11월에 분리된 것을 계기로, 금동사리기외함을 포함하여 2점의 재보존처리를 2011년 3월부터 10월까지 수행하였다. 보존처리는 과도한 광택과 기포를 가진 코팅부위를 제거하고 인크랄락(Incralac)으로 재코팅 하는 과정과, 균열 부위와 분리된 귀꽃을 재접합 후 직조 유리 섬유로 보강하는 순서로 진행하였다. 코팅과 접착제 부위가 가진 광택과 기포를 제거할 수 없는 부위는 소광(消光) 처리와 채색을 통해 광택과 기포가 눈에 적게 띄도록 하였다.

• 박물관보존과학
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• 제4권
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• pp.17-21
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• 2003

황룡사지 9층목탑지 사리공 출토 금동팔각사리소탑의 보존처리를 실시하였다. X-선 조사를 통해 옥개 방사상으로 문양이 존재하고 있음을 새롭게 밝혀졌다. 도금층은 아말감도금에 의해 이루어졌으며, 하나로 조성되기 전에 각각을 먼저 도금하였다. 결실부위를 복원하고 받침대와 지지대를 만들어서 기단부, 상판, 탑신, 옥개의 순으로 조립하였다.

• 한국가구학회지
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• 제12권2호
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• pp.39-47
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• 2001

This study was carried out to identify wood species excavated at the temple site of Backjae dynasty in Neungsanri, Buyeo. At the temple site, there were great excavations such as Backjae Incense Burner(National Treasure No.287) and Stone Reliquary(National Treasure No.288). The King Chang 13 Year carved on Stone Reliquary indicated that this temple was completed in A.D 567. Identification of wood species were as follows: The Temple building was constructed by Pinus densiflora Sieb. et Zucc. The species of the main pillar of Wooden Pagoda which preserved relics of the Buddha was Zelkova serrate Makino.

• 한국문화재보존과학회:학술대회논문집
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• 한국문화재보존과학회 2001년도 제14회 발표논문집
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• pp.15-18
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• 2001

약 1300 년 동안 봉안되어 통일신라의 정교한 금속 가공기술을 한 눈에 확인할 수 있었던 감은사지 동삼층석탑 사리함은 3층 탑신상부의 사리공에서 심한 손상을 입은 상태로 발견되었으나, 3년 8개월간의 과학적인 보존처리를 통해 거의 원형을 복원할 수 있었다. 수습과 보존처리 과정에서 발견한 사리함의 제작기술은 현대 금속공예 기술에서도 제작하기 어려운 우수한 기술 수준임을 알 수 있었다.

• 복식
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• 제59권6호
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• pp.29-40
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• 2009

On April 28th of 2006, a set of Buddha's reliquary was excavated from the pagoda in n Nacsan Temple. According to the record, the relics were put in the pagoda in the 18th year of King SookJong in the Chosun Dynasty (1692). The present paper examines ten pieces of wrapping clothes covering reliquary found in the pagoda. They are especially precious data in the history of textiles because they were blocked off from outside and was preserved in good condition with vivid colors still remaining after more than 300 years. Of the ten pieces of wrapping cloth, five were double-layered and the other five were single-layered. They include 15 pieces of silk fabric but, excluding repeated use of the same silk fabric, the total of 11 pieces of silk fabric were examined. All 11 kinds of silk fabric were patterned, 9 of which were Satin and the other 2 were Twill. Of the 9 Satin pieces, 8 pieces were 5-end satin which had the ground of 5-end warp satin with the figure of 5-end weft satin. The remaining 1 Satin piece were more splendid with prominent figures by using warp and weft of different colors. The 2 Twill pieces used twill weave-the ground was 3-end warp twill and the figures were 5-end weft twill. Both of the Twill pieces were weaved with character patterns, partly using wrapped gold thread as supplementary weft. The patterns of 11 pieces of silk fabric include flower, dragon/phoenix, cloud, and geometric patterns. Five were flower patterns, three were dragon/phoenix patterns, two were geometric pattern, and one was cloud pattern. In addition, various treasure patterns, character patterns were utilized as supplementary patterns. The flower and phoenix patterns reflect characteristics of the textiles of the 17th century whereas check pattern and cloud pattern were very unique.

• 한국실내디자인학회논문집
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• 제16권4호
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• pp.3-11
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• 2007

We study, in this paper, on the decorative design of the Treasure-architectural form for the Silla Buddhist reliquary and this research went through the observation on the Buddhist Reliquaries of the Song-Lim-Sa, the Eastern-Western three floor pagodas in the Kam-Eun-Sa, the three floor pagodas in the Bul-Guk-Sa and the reportedly discovered Nam-Won. The Buddhist reliquaries of these 5 Reliquaries, when compared with those of China and Japan in the same period, they worshiped the Buddhist reliquary as a Buddhist God itself and put them as a part of the architectural decoration, being installed in the construction forms. In the form and the composition of the architecture, we can see those having been designed with very detailed and brightly decorated form. The Buddhist reliquaries in the Song-Lim-Sa and Kam-Eun-Sa, the most important ones in this research, were in a royal palace shape having completely the altar part, interior space part, and the ceiling part, which inform us the whole structure of the architecture in details. In particular, for the case of Kam-Eun-Sa, the columns in the shape of bamboo trees, the expression of the gates, the terrace of double parts formed of word-shape Man, and the statue of a general with superhuman ability in the shrine explain us the description of the Gyun-Bo-Tap-Pum of Lotus Sutra. After all these researches, we conclude that the Buddhist reliquaries in form of the Treasure-architecture represented the architectural style of the same period as a form of industrial arts and we can see that they tried to use all of their highly skilled and talented methods to describe the Buddhist Pure Land.

• 한국문화재보존과학회:학술대회논문집
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• 한국문화재보존과학회 2004년도 제19회 발표논문집
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• pp.55-56
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• 2004

• 박물관보존과학
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• 제8권
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• pp.71-79
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• 2007

국립중앙박물관 보존과학팀에서는 역사관 한글실의 전시유물 교체에 활용하기 위해 봉인사(奉印寺) 부도탑신(浮屠塔身)에서 발견된 사리공(舍利孔)을 싸고 있었던 보자기인 사리기비단보자기(신수9431)에 대한 복제를 진행하였다. 바탕직물은 유물과 동일한 제직의 명주를 사용하였다. 푸른색을 내기 위해 쪽 앙금을 발효시켜 만든 쪽물, 누렇게 변색된 부분을 위해 오리나무열매로 식물염색하였고 묵서된 한글궁체는 먹으로 모사하였다.