• 한국컴퓨터정보학회논문지
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• 제20권1호
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• pp.75-83
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• 2015

플레이어의 흥미를 유발하기 위해서 보다 현실감 있는 캐릭터의 중요성이 증대됨에 따라, 캐릭터 디자인 단계에서 성격을 적용하여 사람처럼 행동하는 캐릭터가 필요한 시점이다. 그러나 기존 게임 캐릭터는 개발 단계에서 성격이 정해진 것이 아니므로 사람과 비슷한 행동을 하고 표현을 하는 캐릭터를 창출하는 데는 한계가 있다. 따라서 본 논문에서는 게임 캐릭터에 적용하기 위한 목적으로 5대 성격요인과 자아 상태의 연관성을 증명한다. 5대 성격요인과 자아 상태는 모두 사람의 성격적인 특성과 관련된 이론이다. 5대 성격요인은 사람의 내부적인 특성을, 자아 상태는 외부적으로 관찰 가능한 사람의 특성을 중점으로 하고 있다. 이점에서 두 이론은 어떠한 특성을 정의하고 이에 따라 행동하도록 설계된 캐릭터에 적용하기 적합하다. 즉, 5대 성격요인의 성격에 따라 설정되고, 자아 상태를 이용하여 이 성격에 따른 행동을 표현하는 캐릭터를 개발할 수 있다. 이 작업을 위해서는 우선 두 이론에 관련이 있음을 밝혀낼 필요가 있다. 이를 위해 본 논문에서는 기존 성격연구에 활용된 방법론인 형용사 체크리스트를 이용해 두 이론의 연관성을 밝혀내고 이 결과를 설문을 이용하여 분석한다. 향후 이 두 이론의 연관성에 따른 성격 모델을 구축하여, 캐릭터가 성격에 따라 행동하는 즉, 사실적 행위에 기반을 둔 캐릭터를 개발할 수 있을 것이라 기대한다.

• 한국수학사학회지
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• 제29권2호
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• pp.89-102
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• 2016

Lee Sang, one of the representative poets of Korean Modern Poetry, wrote poems which present the existentialistic modernism in the 1920s, the chaotic era of Korean history. The characteristics of his works have been shown by various points of view. This paper especially explored the meaning and feature of mathematical expressions by numbers, symbols and other signs of mathematics in Lee's poems. His poems are composed by scientific and abstract rules in mathematics which are expressed as mathematical symbols. The paper focuses on analyzing seven poems which maximizes mathematical expressions among his poetry. This kind of work would be the one of ways to figure out the features of mathematics through literature.

• 조형예술학연구
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• 제10권
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• pp.183-218
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• 2006

Colors change in time corresponding with the value system and aesthetic consciousness of the time. The roles that colors play in painting can be divided into the formative role based on the contrast and harmony of color planes and the aesthetic role expressed by colors to represent the objects. The aesthetic consciousness of the orient starts with the Civility(禮) and Pleasure(樂), which is closely related with restrained or tempered human feelings. In the art world of the orient including poem, painting, and music, what are seen and felt from the objects are not represented in all. Added by the sentiment laid background, the beauty of the orient emphasizes the beauty of restraint and temperance, which has long been the essential aesthetic emotion of the orient. From the very inception of oriental painting, colors had become a symbolic system in which the five colors associated with the philosophy of Yin and Yang and Five Forces were symbolically connected with the four sacred animals of Red Peacock, Black Turtle, Blue Dragon, and White Tiger. In this color system the use of colors was not free from ideological matters, and was further constrained by the limited color production and distribution. Therefore, development in color expression seemed to have been very much limited because of the unavailability and unreadiness of various colors. Studies into the flow in oriental painting show that color expression in oriental painting have changed from symbolic color expression to poetic expression, and then to emotional color expression as the mode of painting changes in time. As oriental painting transformed from the art of religious or ceremonial purpose to one of appreciation, the mast visible change in color expression is the one of realism(simulation). Rooted on the naturalistic color expression of the orient where the fundamental properties of objects were considered mast critical, this realistic color expression depicts the genuine color properties that the objects posses, with many examples in the Flower & Bird Painting prior to the North Sung dynasty. This realistic expression of colors changed as poetic sentiments were fused with painting in later years of the North Sung dynasty, in which a conversion to light ink and light coloring in the use of ink and colors was witnessed, and subjective emotion was intervened and represented. This mode of color expression had established as free and creative coloring with vivid expression of individuality. The fusion of coloring and lyricism was borrowed from the trend in painting after the North Sung dynasty which was mentioned earlier, and from the trend in which painting was fused with poetic sentiments to express the emotion of artists, accompanied with such features as light coloring and compositional change. Here, the lyricism refers to the artist's subjective perspective of the world and expression of it in refined words with certain rhythm, the essence of which is the integration of the artist's ego and the world. The poetic ego projects the emotion and sentiment toward the external objects or assimilates them in order to express the emotion and sentiment of one's own ego in depth and most efficiently. This is closely related with the rationale behind the long-standing tradition of continuous representation of same objects in oriental painting from ancient times to contemporary days. According to the thoughts of the orient, nature was not just an object of expression, but recognized as a personified body, to which the artist projects his or her emotions. The result is the rebirth of meaning in painting, completely different from what the same objects previously represented. This process helps achieve the integration and unity between the objects and the ego. Therefore, this paper discussed the lyrical expression of colors in the works of the author, drawing upon the poetic expression method reflected in the traditional Flower and Bird Painting, one of the painting modes mainly depending on color expression. Based on the related discussion and analysis, it was possible to identify the deep thoughts and the distinctive expression methods of the orient and to address the significance to prioritize the issue of transmission and development of these precious traditions, which will constitute the main identity of the author's future work.

• 예술인문사회 융합 멀티미디어 논문지
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• 제7권3호
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• pp.65-75
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• 2017

본 논문에서는 인간과 유사한 행동을 하고 사회적 교류를 하는 게임 캐릭터를 제안하기 위해 FIFA Online3 캐릭터의 행동과 사회적 교류 방식을 정의하였다. 다양한 메시지 교환이 발생하는 기타 게임에 비해, 축구 게임인 FIFA Online3는 공을 매개로 하여 타 캐릭터와 상호작용 한다는 점에서 캐릭터의 행동과 교류를 명확하게 분석할 수 있다고 판단하였다. 실제 사람의 심리와 행동에 대한 방법론인 교류분석을 기반으로 한 캐릭터 행동방식의 정의와 캐릭터 간 관계성 부여는 플레이어에게 현실감을 제공할 수 있다. 이에 본 논문에서는 첫째, 캐릭터의 행동방식을 정의하기 위해 심리학 이론 중 하나인 교류분석 이론의 자아상태를 활용하였다. 둘째, 교류분석의 교류를 바탕으로 하여 자아상태를 가진 캐릭터가 게임에서 수행하는 행동을 통해 발생하는 캐릭터 간 교류방식을 연구하였다. 마지막으로 캐릭터가 사회적 교류를 진행하는 방식을 예를 들어 제시하였다. 이렇게 자아상태를 가진 캐릭터가 게임에서 보일 수 있는 행동과 교류를 정의함으로써 캐릭터가 실제 사람과 유사한 특성 가지고 게임에서 행동할 수 있는 가능성을 보였다.

• 정신신체의학
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• 제6권2호
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• pp.97-103
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• 1998

A dolescence can be defined as the period between pubescence and physical maturity, and the passage through adolescence(age of 12-19) forms a critical period. Major developmental tasks of adolescence are construction of an emancipated identity, realistic ambitions, and reasonable ideals, and the further development of sexual and social identities. In early adolescence one struggles to adjust psychologically to the spurt in growth and tensions filled with sexual and aggressive impulses. There are reshuffling of peer groups due to differing rates of maturation, early adolescence crushes, sublimation of sexuality, and the resurgence of oedipal feelings. One reaches so-called period of formal operations in cognitive development. In mid-adolescence one struggles to overcome family attachments and controls, and it is a time marked by revolt and conformity. One has to overcome sexual repression while caught in reactivation of oedipal attachment. Peer groups gains in importance, and the peer group changes into a youth group that carries the youth culture. Late adolescence is a period of achieving an ego identity and capacities for intimacy. One has to prevent premature closure : Identity foreclosure limits both opportunity and the ability to guide one's own life. Gradually adolescent begins to have a loss self-centered and narcissistic orientation to one's sexual and affectional needs, and becomes involved in love relationship.

• Journal of the Korean Academy of Child and Adolescent Psychiatry
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• 제24권2호
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• pp.65-70
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• 2013

Many child actors have appeared in various movies as the Korean film industry continues to evolve. As more children appear in violent and raunchy scenes, there are more concerns about the movie's effect on child actors. In some Western countries, many strategies have been developed for child actors, but for the Korean movie industry, the conditions are still poor for them. Although children who enter the concrete operational period are able to think logically and systematically, they are yet limited by their experiences. Adolescents in the formal operational period try to deal with all of the possibilities and assumptions logically and systematically with freedom from realistic contents and experiences. This period is very important because adolescents become more sensitive to others' feelings and they should develop their ego identity. Several studies have reported the indirect experiences through media including how the movie affected children and adolescents negatively. Depending on the individual's morality, judgment and emotional status, these effects were variable and inconsistent and could be relieved by several interventions. We could anticipate much bigger emotional effect on child actors who are acting directly and then are confronting themselves in the scene. Therefore, we suggest that the emotional effects of the movies on child actors can be managed properly by considering children's cognitive ability and emotional status, and establishing protective strategies before they are exposed to problematic scenes. Of course, it should be followed by evaluating them after the exposure and with follow-up management, if necessary.

• 대한건축학회논문집:계획계
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• 제35권5호
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• pp.41-50
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• 2019

In this study, we analyzed the process of the housing reflecting the self, based on the qualitative data that people describe their thoughts about their housing in social media 'online-housewarming'. Especially, based on the precedent study that modern self is established on continuous selection behavior, we focused on the selection behavior of the self and the role of the housing that affected it through the narrative. Each narrative component corresponds to the self-establishment process of modern people, identified through precedent study. We can confirm the existing internal criteria changing into new internal criteria through accumulation, interaction and nonverbal communication of selection by housing. Housing has been involved in the selection behavior of self throughout the narrative. From this, it can be seen that the thought of the self and housing are identified in three ways. In 'Online-Housewarming', (1) Housing equates with the self, in the sense that housing is a physical entity in which one's own choices are accumulated (2) People perceive the change of choice caused by the realistic constraints of housing as their interaction with housing. (3) People relate the opinions of others about housing with the opinions about their own self. In contemporary society, house reforming process is a process of mediating the self and the external world based on the selection behavior and affects the establishment of self.

• 동양고전연구
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• 제49호
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• pp.225-260
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• 2012

하서(荷棲) 조경(趙璥) 시(詩)의 특징은 우선 신선, 꽃의 신, 귀신, 주조(朱鳥), 용(龍) 등 신이한 존재가 등장하는 환상적 내용에서 찾을 수 있다. 이러한 내용은 하서가 도학의 정치이상과 사회 현실 사이에 존재하는 커다란 간극을 인식하고 그로 인한 비애(悲哀)를 표출한 것이라 생각된다. 물론 그가 당대 현실을 비관적으로 바라보기만 했던 것은 아니다. 그의 시에는 여느 도학자의 시처럼 '봄'이라는 상징이 출현하는데, 이는 절망 속에서도 세상에 대한 낙관적인 믿음을 지니고 있었다는 점을 드러낸다. 그는 자연물을 형용함에 있어 그 배후에 놓인 우주의 이법(理法)과 함께 자연물 자체의 활처(活處)를 선명하고 예리하게 묘사하였다. 조선전기 도학자들이 궁극적으로 천리(天理)와 본성(本性)의 체인(體認)이라는 주제를 겨냥한 데 비하여 그는 사물의 천기(天機)를 묘파하는 쪽으로 시세계를 더 확장했던 것이다. 특히 산수(山水)의 정신(精神)을 묘사한 시들은 강인한 힘과 역동적인 운동을 형상화 함으로써 쇠잔해가는 세상에서 용맹스럽게 전진하려는 인생태도를 암시하였다. 자연물의 천기(天機)에 주목한 하서는 새로운 매화의 형상을 그려냄으로써 더욱 풍부하게 자신의 인생이상(人生理想)을 제시하였다. 이전의 매화시와는 달리 하서의 매화시에서는 매화의 모습이 도를 체득한 도인(道人)의 형상, 동시대인을 감화시키는 대인(大人)의 형상, 그리고 천기(天機)를 발현한 처사(處士)의 형상으로 나타난다. 어두운 사회 현실을 의식하면서 매화의 모습을 도인(道人)과 대인(大人)의 형상으로 그려냈다는 점도 특이하지만, 매화를 천기(天機)를 발현한 존재로서 묘사하였다는 점은 더욱 주목할 만한 것이다. 이는 천진(天眞)한 인격에 대한 지향과 그러한 인격의 상실에 대한 두려움을 동시에 드러내어 인간적인 자아 형상을 선명하게 그려냈다고 할 수 있다. 하서는 당대의 천기론적 사유를 도학시 창작에 수용하여 보다 인간적이고 현실적인 인격이상(人格理想)을 창조했던 것이다. 이는 18세기 도학시의 새로운 변화를 보여주었다는 점에서 의미 있는 성과라 할 수 있다.