• Korean Journal of Heritage: History & Science
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• v.44 no.4
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• pp.70-85
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• 2011

The study of the modern art market and distribution differs in its research focus from that of traditional art history, which traces and analyzes the works of master artists, their schools and influence, in that it attempts to approach such issues as art and society, and distribution and consumption of works of art, based on new research methods and perspectives. This paper examines the life and art collection activities of Park Yeong-cheol, considered to be one of the earliest major modern Korean art collectors. He graduated from the Japanese military academy and served as both a solider of the Greater Korean Empire and a high level officer of the Japanese army. After being discharged, he served as Governor of Gangwon-do and then Hamgyeongbuk-do, and after his retirement from public office, he became a leading businessman. He is well-known as a Japanese sympathizer who approved of and advocated for the aggressive colonial policies of the Japanese empire. As a cultural enthusiast and art collector, however, Park Yeong-cheol published the most accurate edition of Yeonamjip, and donated his collection to Geyongseong University at the end of his life, thus providing the foundation for the Seoul National University Museum. All of these activities are highly commendable. His interest in growing his collection of paintings and calligraphies was largely motivated by his love of paintings and Chinese poems,but it also appears to have been the result of his active collaboration with the Japanese government's policy of trying to discover the distinct, non-western characteristics of traditional Eastern art.

• Korean journal of communication and information
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• v.28
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• pp.111-140
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• 2005

Most of studies on the press during the period of Japanese occupation in Korea have focused on the activities of newspapers in 1920s. These past studies didn't examine the whole process of change of the press under the Japanese occupation in Korea. Thus, this study tried to investigate the change of the tenor of Korean newspaper editorials on the ruling policies during the end of the colonial period in Korea as a part of attempts exceeding the limit of past studies. After the outbreak of the war between China and Japan in 1937, the Korean newspapers were full of stereotyped editorials resembling in a way official gazette. Dong-A Ilbo and Cho-Sun Ilbo represented the purpose of the war was to emancipate Asian countries from Western imperialist countries and to establish the peace of the Asia. Simultaneously, two newspapers played an important role in assimilating the Korean people into the Japanese and mobilizing them to the war, The tenor of these editorials was affected by intensified control over the press and the change of the consciousness of journalists. In conclusion, these newspapers had a harmful influence on the Korean people as a weapon to the movement to organize and mobilize them. Therefore the interest for researching on the pro-Japanese press should be taken in view of 'resistance' and 'collaboration.'

• CONCEPT AND COMMUNICATION
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• no.24
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• pp.165-191
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• 2019

Since July 2019, South Korea and Japan have been engaged in a cultural and economic conflict which originated in the differing stances of the two governments on the issues of sexual slavery and forced mobilization of Korean laborers before and during World War II. This ongoing dispute is a reminder that the fact of colonialism and the question of how it should be interpreted have not gone away: these are still present tense issues. The book's subtitle The Origin of the Korean Elite, What Did They Do When They Came back to Korea? makes clear that the elite class which held power and influence in the newly born Republic of Korea were actually educated in Japan, at the Japanese Imperial University. This book examines evidence which sheds light on the motives of Korean students attending the Imperial University, describing their academic studies and their lives after the liberation. By revealing this enduring substratum of "Japanese origins" at the heart of the South Korean establishment, a current which is not generally realized by Koreans today, the book allows us to re-examine our origins and thus to better understand our present-day identity and situation. It also addresses the question of how to confront these difficult questions, proposing a "historicization of what happened during the colonial period," which is not about hiding or minimizing the importance of our origins, but about facing up to reality as it actually happened.