• 한국정보시스템학회:학술대회논문집
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• 한국정보시스템학회 2004년도 추계학술대회
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• pp.20-26
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• 2004

본 논문은 최근 실시간 기업(RTE: Real-Time Enterprise)의 구현도구로 각광을 받고 있는 BPM(Business Process Management)이 신속하고 다양한 모니터링 및 분석을 제공할 수 있는 새로운 모니터링 기법을 소개한다. 본 논문의 방법론은 기존의 프로세스 모니터링 서비스의 한계를 극복하고 개인에 따라 차별화된 모니터링 환경을 제공한다. 제시된 모형은 모니터링 객체(monitoring objects), 분석 기법(analysis methods), 표현 양식(presentation styles), 모니터링 이벤트(audit events)의 네 가지 축에 따라 모니터링 구정 요소들을 분해하고, 분해된 개별 단위들을 사용자가 자유롭게 조합하여 모니터링 서비스를 구성할 수 있도록 한다. 이는 기업의 경영자가 실시간으로 경영성과를 확인하도록 하고 추후의 경영활동에 반영하도록 하는 실시간 기업의 환경을 구축하도록 한다.

• 디지털융복합연구
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• 제14권8호
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• pp.469-478
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• 2016

본 연구를 통해 일부 작업치료(학)과 학생들의 DISC 행동유형에 따른 임상실습 스트레스 차이를 알아보고, DISC 행동유형에 따른 대처방식의 차이를 알아봄으로써 학생들의 행동유형에 따라 임상실습 시 발생할 수 있는 스트레스 대처방안을 제시할 수 있는 기초자료를 제공하고자 한다. 2015년 9월 1일부터 9월30일까지 부산, 울산, 경남 지역에 위치한 작업치료(학)과가 있는 대학교를 직접 방문하여 DISC 행동유형검사를 실시하고 임상실습 스트레스와 스트레스 대처방식에 관한 설문을 실시하였다. 연구결과, DISC 행동유형에 따라 임상실습 스트레스 세부항목에 차이가 나타났고, DISC 행동유형에 따라 스트레스 대처방식의 차이가 나타남을 알 수 있었다. 주도형은 임상실습 기관의 물리적 환경, 임상과제의 양, 환자에 대한 수행평가, 다른 실습생과의 비교 항목에서, 사교형은 SOAP 노트와 일지작성 항목에서, 안정형은 자신의 능력수준, 실습지와 집과의 거리, 과제에 의한 수면부족 항목에서, 신중형은 할당받은 환자의 상태, 환자의 성별 항목에서 각각 다른 유형에 비해 스트레스가 높게 나타났다. 또한 주도형은 다른 유형에 비해 문제중심 대처방식을 많이 사용하고, 신중형은 정서중심 대처방식을 많이 사용하는 것으로 나타났다. 따라서 이러한 연구결과를 바탕으로 추후 추가적인 연구를 통해 작업치료(학)과 학생들의 임상실습 시 학생들의 행동유형을 고려하여 임상실습 스트레스를 대처할 수 있도록 실습지도 및 상담 매뉴얼 개발을 고려해볼 필요가 있다.

• 복식
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• 제64권5호
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• pp.18-29
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• 2014

Modern male has displayed an increased desire to express their social influence and image, and the male fashion market has had to provide various styles and images to fill these needs. The current domestic menswear market, however, is unable to satisfy the needs of male consumers who have a need for diversity in a rapidly changing society; more segmented fashion images and styles are needed. The purposes of this study are to classify fashion images and to establish character of the types. This study was done by performing a literature review and a survey. This study proposed 10 categories of fashion style images. Men's fashion style is classified into the classic image, sophisticated image, urban casual image, chic modern image, mods modern image, basic casual image, ethnic image, avant-garde image, active & outdoor image, and street-kitsch image. In the case of the classic images, common in formal setting, men's formal wear is the main focus with the classic suit. The sophisticated image is that of a colorful formal wear seasoned with elegance. Urban casual image is contemporary image, and therefore is meant for city life wear. Chic and modern image conveys an urban image by seeking a simple and chic feel. Mods modern image is retro yet dandy, giving off a sense of youthfulness compared to the other classic images. Ethnic image expresses the exotic quality of folklore as the main representatives of the character casual wear. Avant garde image portrays strong character casual wear with oversized silhouettes or exaggerated details. Active & Outdoor image is leisure life wear conveying active, functional images. Street Kitsch image is men's street casual wear with graphic patterns such as pop art and graffiti. This study's significance lies in its presentation of fashion style data, which can be utilized in the design and marketing of fashion targeted to males.

• 복식문화연구
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• 제29권2호
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• pp.185-203
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• 2021

The aim of this study was to reveal the modern succession and reinterpretation of brand identity through the case of Balenciaga design presented by Demna Gvasalia through a review of the literature, design collection, and design review analysis. The design collection analysis was conducted from 2016 F/W to 2020 F/W, when Demna Gvasalia commenced responsibility for the Balenciaga collection. A total of 12 articles from overseas fashion magazines and newspapers were analyzed. A modern reinterpretation of Demna Gvasalia's Balenciaga design is as follows. First, he introduced luxury mode to reflect a sense of the times and introduced luxury street looks based on street and sports sensibilities, showing various styles without specific concepts. Second, by sharing universal sensibilities based on pragmatism, he proposed an easy-to-wear outfit for daily life to demonstrate the everydayness of fashion. Third, as a new exploration of traditional structural beauty, the design of Cristobal Balenciaga was reinterpreted through the conversion of items, overlapping outfits, and the introduction of high-tech technologies. Fourth, by taking a conceptual approach to fashion, he has renewed the spirit of experimentation and modernity shown by Cristobal Balenciaga. Fifth, with the presentation of a new icon, new styles of sneakers such as Triple S and Speed Runner are presented as new icons. He inherited the original mindset and creative approach of the house's founder, Cristobal Balenciaga, and reinterpreted it from a contemporary street sensibility and pragmatic perspective.

• 여성건강간호학회지
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• 제14권3호
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• pp.213-221
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• 2008

Purpose: This study aimed to examine the accuracy and adequacy of research papers reporting statistical testings for correlation and regression. Method: Original research articles utilized correlation and regression analysis were reviewed from the Korean Journal of Women Health Nursing published from the year 2004 to 2006. Thirty-six papers were evaluated in accordance with formatted criteria in respect to an inclusiveness of research title, accuracy of statistical methods and presentation styles, and errors in reporting statistical outcomes. Result: Thirty articles (83.3%) utilized Pearson's correlational analysis, and ten articles did regression analysis. Lack of accurate understanding and interpretation of the statistical method was a main fault. Basic assumptions and diagnostic testings for each statistical method were not performed or described in most of the studies. Some points like consistency of research questions with statistical methods and criteria for sample size were still left out in part. Details of the presentation in the reporting of outcomes were not complied with the guidelines, which need careful concerns of the writers. Errors in English of result tables were found in more than one third of the tables. Conclusion: The outcome would be reflected in the submission guidelines for future writers. To reach the level comparable with internationally recognized nursing journals, concrete knowledge to apply statistical methods should be ensured in the processes of submission, reviews, and editing.

• 디자인학연구
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• 제15권3호
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• pp.157-166
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• 2002

본 연구는 소비자의 광고반응에 있어서 자원-부합이론(resource-matching theory)을 근거로 하여 광고정보제공 형태 와 광고레이아웃에 따른 광고효과를 검증하였다. 기존연구에서는 사실적인 정보제공과 통합적인 레이아웃을 통해 광고를 쉽게 설계하는 것이 효과적이거나 또는 설명적인 정보제공과 분리적 레이아웃을 통해 광고를 어렵게 설계하는 것이 효과적일 것이라는 상반된 연구결과를 제시하고 있다. 그러나 본 연구에서는 이러한 광고설계스타일에 따른 효과가 정보처리동기수준이나 브랜드위계수준과 같은 변수들에 의해 상황적으로 다르게 나타날 것이라고 제시하고 있다. 분석결과에서 명성브랜드인 경우에는 사실적인 정보제공과 통합적인 레이아웃을 통해 광고를 쉽게 설계함으로써 소비자들이 스스로의 잉여자원으로 브랜드에 대한 우호적 추론을 광고반응에 결합시키는 것이 효과적이라고 제시하고 있다. 이와는 반대로 비 명성브랜드의 경우에는 설명적인 정보제공과 분리적 레이아웃을 통해 이해하는데 상당한 인지적 노력을 투여하게 함으로써 인지적 잉여자원을 통한 추론을 억제하고 광고자체에 몰두하도록 설계하는 것이 효과적이라고 제시하고 있다.

• 복식문화연구
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• 제16권5호
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• pp.924-936
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• 2008

The purpose of this thesis is to discuss corsets that represent an undergarment that later became a popular outerwear. It discusses its forms and distinct characteristics to help create a unique fashion design and its execution. The scope of this study is limited to works from the 1990s to the present, and the materials for the literatures and exploratory study are fashion-related portfolios and the domestic and foreign fashion magazines. The results of this study are summarized as follows: The standard look of corsets in modern fashion can be classified into styles of glamour, revival, and dismantle. The materials used vary from traditional fabrics such as satin or lace to newly developed materials such as metal or glass. Its presentation can also differ in that it may be used as an accessory with additional details, as an outerwear, as an extra decorative layer, or as a revealing innerwear by open outerwear. Characteristics of these various looks of corsets are; first, it redefines the revival of the traditional corsets through introduction of its historic elements and its compromise. Second, glamorous and feminine images are maximized through drastic and direct exposure by using tight lacing, a waist nipper or garter belts that emphasize a woman's curve. Third, it represents borderless dismantlement through experimental and irregular images using unconventional materials, new execution techniques, or alteration from the standard forms.

• 한국의류학회지
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• 제22권1호
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• pp.3-17
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• 1998

The aim of this thesis is to clarify the application of Derrida's 'Deconstruction' theory on the contemporary costume. Derrida's theory of 'Deconstruction' took into the 'decentring' concept which deconstructed the subjects i.e., Occidentalism, Elitecentrism, logocentrism, mancentrism etc.; it deconstructed the dichotomy that had been expressed in the traditional occidental metaphysics, by raising the isolated ones such as the Orient, sub-culture, ir- rationality, madness, woman etc. Summarizing the conclusion of this thesis as follows, 1. The impact of 'Deconstruction' from the inside is to be seen in the principles of intertextuality of the costume, therefore it has shown the bisexual costume by interacting gender, and the costume by mixing time, place and occasion. 2. $\ulcorner$Dis$\lrcorner$ deft phenomena which shows the concept of escape from the center were presented as decentring, dislocation, discomposition, disorder. 3. Undecidability principle resulted in the undecidable presentation in the wearing styles such as wearing, unwearing, layering. Contemporary costume by the 'Deconstruction' from the inside regards costume as a dynamic text, which has attempted the interaction with the other genres. It deconstructed the teleology of the costume function, and it accepts all the various aesthetic principles.

• 복식
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• 제56권4호
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• pp.148-159
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• 2006

The purpose of this study is to understand continuity and discontinuity of the neoclassic style in early twentieth century fashion modernism. Researching relations in fashion between eighteenth to nineteenth century and twentieth century, the theory of 'linked solution' suggested by Kubler and Broadsky has been accepted. The results of this study are as follows: In early twentieth century fashion, continuity of the neoclassic style is considered as presentation of geometric form based on anatomical truth of the human body and moderation of decoration. Also simple construction to present practical purpose of the dress in honesty were continued. On the other hand, discontinuity of the style is found in the imitation of men's classic tailored suits and standardization of sizes and styles. These are considered to reflect such early twentieth century sociocultural contexts as equality of the sexes and mechanical aesthetics. Hopefully this study will contribute to the broadening of insight in fashion connecting traditions.

• 한국실내디자인학회논문집
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• 제38호
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• pp.233-240
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• 2003

The purpose of this study was to find the coordination trend of the Image of the color and object from the department show-window display locating in the kangnam area. The result of this study were summarized as following: 1) Show window display determinating the first image of department-store marketing service, playing the role of visual marketing provides the valuable impressions with shoppers in the times of sensibility, 2) In contemporary recognition of "Design is namely culture", show window display proceeds on the direction of concrete and practical presentation of merchandise as many customers are pursuing the high graded luxury brands while their life styles change. 3) Main concept is represented by the coordinated fashion goods on the mannequin or the body and the main theme is displayed variously in the circumferential area or on the articles with the abstract and concrete objects of diverse forms of dominant color and accent color conveying the seasonal theme precisely. 4) The compositive element of color Is the decisive factor of the visual sense of space In the coordination-trends of show window display specially representing the seasonal theme or the intentional messages and conduces to the psychological and mental desire in human and the circumstances, 5) Following the color, the compositive element of object presents the concrete image of theme or the abstract and geometrical sense of space besides the visual sense of space and shows the proportionality and the activity in displaying the show window space.dow space.