• 한국콘텐츠학회논문지
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• 제14권1호
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• pp.66-75
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• 2014

본 연구의 목적은 탈주체, 탈중심의 포스트모던 사유체계로서 들뢰즈가 제시한 리좀의 개념을 분석하는 것이다. 리좀은 땅속 덩이줄기 식물을 가리키는 식물학적 개념으로 이항대립에 의해 발전하는 통일적이고 서열적인 수목구조의 사유체계에 대항하여 제시되었다. 분자생물학과 진화론 상의 증거들을 통해 초기 탈주체 사상들이 지닌 한계에 대해 비판하는 동시에 생물의 진화 및 인간의 성에 우연성, 유목성과 같은 리좀적 특징들이 내재되어 있음을 논증하였다. 이어 리좀적 실천의 예로 거스 반 산트의 영화 <엘리펀트>를 분석하였다. 같은 사건을 다룬 마이클 무어의 영화와의 비교를 통해, 인과관계가 불분명한 문제에 대해 리좀적 접근이 더 효과적일 수 있음을 밝히고, 촬영, 연출, 편집 등 영화제작 전반에 걸친 실험들이 지도제작, 불규칙과 단절, 외부로의 열림과 같은 리좀적 특징들과 일치함을 논증하고자 하였다.

• 한국의류학회지
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• 제35권6호
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• pp.687-699
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• 2011

Folk costumes in East Asia are characteristic in their colors of the five-element colors based on natural colors or achromatic colors (such as white or black) that imply the beauty of nature or the beauty of naivety. The Asian look adopts forms of Asian costumes into western costumes in terms of structure, silhouette, ornament, pattern, and color; in particular, color had very limited attributes. This study is a comparative study on colors, shown in East Asian folk costumes and the Asian look. It discovered the differences of color in East Asian folk costumes and the Asian look to discuss the backgrounds of difference. For research, it simultaneously conducted literary reviews and empirical research based on the Asian look. Asian colors that appeared in some costumes of the Asian look were influenced by East Asian costumes, while the primary color of playfulness or color for low chroma or black exuding a contemporary nuance (common in the western fashion) were prevalent. This revealed that the costume that had the attribute of playfulness in terms of structure, ornament, or patterns is adopted in western fashion through the fusion of eastern forms and pastiche. Colors of the Asian look are different from those of East Asia with superficial imitation, in which all the East Asian spirits and symbolism are lost. While folk costumes of East Asia hold symbolism derived from Asian spirits, the Asian look disintegrates the ideology of East Asian costumes and replaces it with a Postmodern playfulness.

• 한국실내디자인학회논문집
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• 제19권5호
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• pp.38-47
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• 2010

The purpose of this study is to examine the characteristics by design component elements of the facade in elementary school buildings after the 7th educational curriculum. This study choose twenty five elementary school as the subjects of the study. And among many elevations of building, an elevation that is alongside of the schoolyard is chosen because this elevation has the highest visual influence on passers-by. To begin with, this elevation is divided into the roof and the surface of a wall, The roof is divided into roof styles, existence of roof and materials. The surface of a wall is divided into design principles(balance, contrast, rhythm), the formal organization(basic elements and form, and transformation of form), the ornamental composition, materials and colors. The results of the research are summarized as follows: First of all, motifs of classical architecture were well expressed in this period and postmodern tendency had been shown until 2005. After Build Transfer Lease(BTL), however, tendency of classical architecture, contrast by the size of the form and base element by point disappeared. Instead, asymmetrical and flat tendency is expressed. Also, emphasized design of the building elevation appear by basic colors of Munsell, not motifs of classical architecture.

• 만화애니메이션 연구
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• 통권11호
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• pp.179-193
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• 2007

현대 영상(映像)에서는 기존의 모더니즘의 틀로는 이해하기도 설명하기도 어려운 새로운 문화현상(文化現想)들이 나타나고 행해지고 있으며, 어떤 측면에서는 당연시되고 있는 실정이다. 이러한 현상은 문화, 예술분야 뿐만이 아닌 전 분야에 걸쳐 행해지는 오히려 시대정신(時代精神)으로까지 거론되고 있는 실정이다. 이 논문에서는 현대사회에서 당연시 사용되고 있는 포스트모던 영상광고들이 과연 모더니즘 영상광고와 어떤 관계가 있는지 알아보고, 포스트모던 영상광고의 특징 및 유용성을 살펴본 후 나아가 미래(未來)의 영상광고를 예견해 볼 수 있다.

• 미술이론과 현장
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• 제6호
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• pp.7-25
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• 2008

The following thesis has been composed with the inspiration attained from Paul Ardenne's conception on Contextual Art. In Europe and in the United States, there is a group of artists who emphasize in the importance of artist's participation in social, political, economical, environmental and moral issues. Since the 1960's, these artists have pondered on Modernism's ideas where art is contextually separated from humanly issues whereas the manners of such artists put on emphasis in the intent to participate in the real human social and ethical issues. Forerunner in this field of art such as Wolfgang Leib display hybrid or meta style in their work. His work displays a quadrilateral form of pollen which represents the simultaneous blending of two mixed ideas such as the abstract from the real. Thus heterogeneous style and philosophy which includes a range of medias and today's trend is observed in Contextual Art. Such art form is also found in landscapes where it is not seen as an observable object but rather an interactive object. It is correlated to Arte Povera of the Italian Art Movement, Support-Surface of the French Art Movement and lastly to the Fluxus. Through these art movements, we find a mutual antipathy towards putting art for sales in the capitalism market and reflect the social role of art in postmodern era.

• 복식
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• 제50권4호
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• pp.5-20
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• 2000

Through his geometric design, the Cyprus born fashion designer Hussein Chalayan raises intriguing questions about the very fact of wearing clothes. By purposefully displacing the function of each part of the clothing, such as neck line, hem line, seam, sleeve, etc., Chalayan transforms the meaning of the body that wears clothes. of the human subject as a sovereign possessor of the clothing and the visibility related to fashion. This transformation is achieved by distorting the spaces of his clothing in an unorthodox way. This thesis argues that the significance of such a practice can not be properly understood without relation to the current debate on deconstructionism under way in humanities. Instead of immediately negating the modern frame of Ideas and practices, deconstructionism asks what the assumptions for the modern regime of truth is. In this process, things that lead human beings to sovereign master of knowledge and truth such as reason, subject, body and vision are questioned. In the same context, Chalayan's design not only forces us to rethink the very function of dividing inside and outside by the clothing but also the meaning of boundary operating in numerous sites of modern life. As the human subject is not something pre-given but constructed according to the cultural representation, to which the clothing belongs, fashion can be evaluated to be an active ingredient of constructing the subject. Therefore, Hussein Chalayan's design is at the cross road between the modern and the postmodern regime of fashion.

• 한국가구학회지
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• 제13권1호
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• pp.71-83
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• 2002

This study was carried out to develop colored-wood furniture using veneer, small-round log and fiberboard to protect forest resources through the study of minimalism. which advocates the environmental issue inherent to contemporary furniture in the postmodern era. Based on the historical and theoretical context of minimalism closely related to the environmental protection, this study suggested the technical way how to produce the environment-friendly furniture with the least use of valuable and natural log. Finally, the color-wooden furniture was developed based on the asceticism, simplification, and repetition of the minimalism in a trend of contemporary furniture design. By soaking a veneer, Psuedotsuga menziesii and small-round log, Pinus densiflora into a very-diluted organic dye, the environment-friendly and colored-wood furniture could be created in harmony with contemporary interior space, which has showed various colors such as yellow, blue, red, and green with a pastel tone. The spring wood of the colored softwood was deeply stained, while the summer wood was lightly done. By utilizing such valueless used woods which have been little in furniture production, it was possible to decrease the consumption of precious raw log such as zelkova, ebony, rose, maple, cherry, mahogany and so on. Thus, it became obvious to be able for contemporary furniture designers to produce beautiful furniture with dyed fiberboard and small-round logs pregnant with minimalism.

• 복식문화연구
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• 제19권5호
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• pp.970-980
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• 2011

As a type of intimate architecture, fashion has always mediated the dialogue between clothes and the body, or fashion and figure. This study seeks to inquire the current aesthetic consciousness of the body and dress in Japanese avant-garde fashion and intends to research the features and meanings in the pastiche of Western sartorial convention in Japanese avant-garde fashion in order to examine the changing aesthetic attitude in postmodern fashion. The study investigates subjects of the fashion collections of the turn of the twenty-first century, when pastiche strategies frequently appeared in Japanese avant-garde fashion, through the methodology of literature research and case analysis. The results of the study are as follows: by developing the strategy of pastiche, Japanese avant-garde fashion exposes the defectiveness of the Western idea of the idealized and standardized body for mass productions, thus freeing design from its traditional confinement to the human body. Drawing on the re-conceptualization of the sartorial convention of Western tradition, Japanese avant-garde fashion designers tend to experiment with extreme exaggeration in form, refusing to subscribe to the traditional Western values built on the balance and symmetry of the body. Through the combination of the past and the present as well as the inner-wear as outerwear strategy, the historical pastiche challenges convention and symbolism, which results in the discord between signifiant and signifi$\acute{e}$ of clothing.

• 복식
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• 제61권8호
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• pp.100-113
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• 2011

The earlier notion of feminism regarding gender equality was changed into that of Postfeminism because of gender differences. The idea of Postfeminism has been present since the 1980s but has been influenced by modern culture theories such as Postmodernism, Poststructuralism, Theory of Power and Discourse and Psychoanalysis. Various features of Postfeminism are found in the medieval warrior images of contemporary fashion. Warrior costumes were men's exclusive property in the medieval ages, but as it is introduced as women's wear in the 21st century, it shows us new fashion images which are constructed by gender deconstruction, differences and pastiche. In this regard, the purpose of this study is to examine a key characteristic of Postfeminism fashion. An article described the historical costumes of medieval warriors and refocused on the development processes of feminism and then conducted an analysis on formative characteristics and Postfeminism tendencies in contemporary women's wear from 2000 to 2011. The results were that materials such as metallic and flexible materials, monotonic and red colors and detailed patterns of armor were used to display forms of exaggeration and restraint. These elements fully and correctly expressed the image of a medieval warrior woman in contemporary fashion. Postfeminism fashion is constructed with feminine power, gendered identity, sensual elegance and a postmodern body. Postfeminism is the contemporary cultural icon and is continuously influencing modern fashion design in the 21st century in a positive and powerful way.

• International Journal of Costume and Fashion
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• 제8권2호
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• pp.20-31
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• 2008

A person's external image is a non-verbal form of communication, through which the person's tastes, mode of thought, preferences, and overall personality is expressed. The dominant factor in building an external image is clothing, since clothing-images provide the most information about a person in the least amount of time. This study aims to investigate the relationship between the clothing- images of women politicians and the improvement of women's social status in Korea, by focusing on changes in clothing-image of female politicians at public functions throughout modern Korean history, and inquiring into the method of classification concerning aforementioned images. The time period of this study starts from 1945, when the first female political party was established, to the 2008 presidential elections. The methodology of this study consists of literature study of related books, theses and journals, which was jointly conducted with empirical study consisting of the research of news photographs of major daily newspapers. This study confirmed the clothing images of women politicians since liberation till 2000's reflects the directions of women's movement and their status in return. It is especially meaningful that the sudden increase of romantic and feminine images among the women politician in Korea is the reflection of the ideas of postmodern feminism which emphasize the acknowledgement of womanhood and the enjoyment of being a woman as its core.