• 한국가시화정보학회:학술대회논문집
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• 한국가시화정보학회 2004년도 Proceedings of 2004 Korea-Japan Joint Seminar on Particle Image Velocimetry
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• pp.15-23
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• 2004

The present study is aimed to achieve dynamic visualization from the in-house 3-D stereoscopic PIV to represent quantitative flow information such as time-resolved 3-D velocity distribution, vorticity, turbulent intensity or Reynolds stresses and so on. One of the application of the present study is Leading edge extension(LEX) flow appearing on modern delta wing aircraft. The other is mixing flow in stirring tank used in industry field. LEX in a highly swept shape applied to a delta wing features the modern air-fighters. The LEX vortices generated upon the upper surface of the wing at high angle of attack enhance the lift force of the delta wing by way of increased negative suction pressure over the surfaces. The present method resolves also the complicated flow patterns of two type impellers rotating in stirring vessel. Flow quantities such as three velocity vector components, vorticity and other flow information can be easily visualized via the 3D time-resolved post-processing visualization. And it makes the easy understanding of the unsteady flow characteristics of the typical industrial mixers.

• 영미문화
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• 제17권1호
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• pp.129-162
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• 2017

Ruth Ozeki(Japanese-American female novelist)?s recent novel, A Tale for the Time Being (2013) draws our attention because the fiction shows very interesting fictional experiments, especially in terms of post-humanism. Indeed, the novel is not a science fiction at all which has been, and still is, the typical fictional field employed in the discussion for the transhumanism and posthumanism. It also does not include any cybogs, robots, or aliens which provoke the posthumanism-related issues like mind/body, human/nonhuman, nature/culture relations. Indeed, it seems "merely" represent realistic day-to-day lives of ordinary people living in contemporary Japan and Canada, and in very minute and particular details at that. Indeed, the central action of the main characters of the novel seems very traditional, that is on the one hand writing a diary by a teenage girl who is counting the days and weeks before her suicide and on the other hand reading it by a female novelist who happens to find her diary several years later. Nevertheless, I would like to suggest that underneath this traditional narrative surface are simmering post-humanist and post-anthropocentric worldviews beyond liberal Humanism which takes human beings to be exceptional against human or non-human others. Not only in narrative contents and characterizations but also through narrative structure and strategies, the novel enacts post-humanist and post-anthropocentric worldviews which are interestingly drawn from both age-old Buddhist ideas and modern eco-philosophy and quantum physics. I would like to stress that what triggers the author's fictional experiments helping our rethinking and redefining "what human beings are" and "what the relation between humans and nonhumans" is not merely intellectual interests but her keen and passionate response to the heart-breaking pains and sufferings of human and nonhuman beings caused by the contemporary natural-artificial catastrophes and techno-scientific predicaments.

• 한국농촌건축학회논문집
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• 제16권1호
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• pp.119-127
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• 2014

This study suggests institutional and methodological approaches for preservation of South Korea's registered cultural properties of modern architecture. The suggested approaches are as follows. First, in order to improve the current registration and preservation system for cultural properties, we need to employ both structure-based classification and style-based classification. Registration criteria for modern architecture properties need to include more detailed classification in terms of their structure: brick structure, steel concrete structure and post lintel structure. In terms of construction style, the properties need to be further classified into the western style, the traditional style and the Korean-western eclectic style. In addition, protection of registered cultural properties need to be achieved through legislation of a protection system. Second, while the current system sets out six methods for preservation of registered cultural properties of modern architecture, more specific preservation methods types and plans need to be continuously introduced. In particular, as for the method of partial preservation, the method needs to be further classified based on the usage of the relevant structure so as to allow for more diverse options. First, the 'Preservation by Interior Alteration' needs to be added to the category, where the exterior is preserved as it is and the interior is preserved through alteration. Also needs to be added the preservation method where the interior space is preserved as it is and the exterior space is altered, in case the finishing materials of the exterior has deteriorated. Third, if the records on registered cultural properties of modern architecture are to provide the functions of legal evidences regarding management of architectural cultural properties, sources of knowledge required for policy making and implementation and past management record for the future, each phase needs to be closely connected in an organic manner, and we need to establish a management system and plan that go beyond the relevant organizations. Fourth, in order to preserve South Korea's registered cultural properties of modern architecture in its original state, it is imperative to prepare separate criteria for registration of technicians with expertise on modern architecture, and train experts and technicians on modern architecture, which is distinguished from the traditional architecture.

• 트랜스-
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• 제3권
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• pp.109-135
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• 2017

본 논문의 목적은 스티브 팩스톤의 작품에서 드러난 일상적 움직임 특성을 분석하는 것이다. 예술작품은 오랜 시간동안 고급문화로서 높은 계층의 사람들에게만 향유되는 특별한 대상으로서 인식되어왔다. 일상과 예술의 간극은 크게 존재해왔고 때문에 예술작품에서 일상적인 요소의 출현은 사회적 변화를 수반한 대중의 인식전환을 의미한다. 예술과 일상의 경계가 불분명해지는 시대로서 포스트모더니즘의 시대는 2차 세계대전 이후의 전후사회 그리고 후기 자본주의사회로서 급변하는 정세를 배경으로 가진다. 이 시기의 변화는 학자들에게 일상과 관련한 개념들을 학문적으로 접근하게 하는 계기가 되어졌으며 예술가들에게는 총체성을 거부하는 다원주의 성향의 포스트모더니즘의 시대정신으로서 영향을 미쳤다. 같은 시기 현대 무용역시 포스트모던댄스로의 전환기를 맞이하게 되었다. 2차 세계대전 이후 현대무용은 그 한계점에 도달한 것으로 평가되기 시작했으며 이러한 상황에서 저드슨 댄스 씨어터를 비롯한 무용가들을 필두로 포스트모던댄스는 전개되었다. 저드슨 댄스의 설립자 중 한 명인 스티브 팩스톤은 머스 커닝햄의 무용수로 활동을 하며 움직임이 생성되는 과정과 계급적인 사회구조를 지닌 무용단의 생태에 문제의식을 가지게 되었다. 이러한 그의 사고는 일상적인 동작을 그대로 작품에 실현하는 시도로서 초기 작품 활동에 드러난다. 일상적인 동작의 활용이 포스트모던댄스의 공공연한 특징으로 간주되어지고 있음에도 이에 주목한 선행연구가 드물다는 점, 그리고 팩스톤 관련 연구들은 접촉즉흥에 관련한 것으로 편향되어 있다는 것에서 본 연구는 시작되었다. 때문에 접촉즉흥 기법에 치중하기 이전 일상적인 동작의 사용으로서 작품활동을 시작한 것에 주목하여 그 연결선상으로서 이후의 작품들을 살펴볼 것이다. 본 연구는 팩스톤의 작품인 ,,를 분석하고 이를 토대로 일상적 특성을 도출하였다. 일상에 관련한 개념을 고찰하고 포스트모던댄스의 무용사적 흐름을 파악하기 위하여 관련 저서와 학술 논문, 무용기사 및 평론을 참고하여 진행하였다. 팩스톤은 무용적 정제를 거치지 않은 일상에서의 동작을 작품에 그대로 차용하였으며 그 시작으로 보행동작은 비무용수인 공연자들의 보행으로서 일상적인 움직임에 미적 의의를 부여하였다. 팩스톤이 심취한 접촉즉흥의 움직임 역시 자연스러운 에너지의 흐름을 중시하는 것으로 일상적인 측면을 지니며 이후의 작품인 에서도 그는 이완된 신체로 평범한 동작들을 선보였다. 작품에 등장한 일상적 움직임의 특성은 반복되는 삶에서의 실천과 특별하지 않은 평범한 것이라는 기준으로서 분석되었다. 그의 작품에 내재된 일상적 움직임은 한 시대의 무용장르의 변화를 비롯하여 전통적으로 유지되어온 무용예술 작품에 관한 인식의 전환을 대변하는 것이다. 파격적인 시도와 실험성으로 점철된 그의 활동은 현대무용이 지녔던 한계점을 극복하기 위한 노력으로서 보다 높게 평가 되어져야 할 것이다.

• 기독교교육논총
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• 제72권
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• pp.367-392
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• 2022

연구 목적 : 본 연구의 목적은 포스트코로나 시대를 위한 기독교적 생태영성교육의 방향성과 모형을 제시하고, 기독교교육이 사적 영역을 넘어 공적 영역으로 확대되게 하는 데 있다. 연구 내용 및 방법 : 본 연구는 기독교교육학적 관점에서 포스트코로나 시대를 위해 어떠한 교육적 대안을 마련해야 하는지에 대한 질문으로 시작되었다. 현재 4차 산업혁명은 속도와 범위, 그리고 시스템에 있어 사회 전반에 걸쳐 큰 충격과 유례없는 변화들을 일으키고 있고, 코로나19는 지난 3여년의 시간동안 우리사회의 일상과 표준을 완전히 바꾸어 놓았는데, 이로 인해 포스트코로나 시대에 대한 담론이 확산되고 있기 때문이다. 특별히 오늘날 현대사회가 해결해야 할 시급한 문제 가운데 하나는 생태환경 문제인데, 이를 위해 기독교 영성교육의 측면에서 대안을 마련하려고 했다. 그것은 기독교적 생태영성교육을 진행하는 것이라고 할 수 있는데, 효과적인 교육을 위해 오늘날 생태환경 문제의 원인을 세 가지 측면(세계적, 사회적, 개인적)면에서 살펴보았다. 그런 다음, 기독교적 생태영성교육의 방향으로서 참여적 책임의 영성, 생태중심주의적 영성, 생태적 회심의 영성을 제시하였다. 이를 위한 교육의 모형은 교육 목적과 목표, 교육 방법과 내용, 교육 환경과 평가를 제시하는 방식으로 수립하였는데, 이 과정에서 교육방법으로 프로젝트기반학습(Project Based Learning)을 활용하였다. 결론 및 제언 : 본 연구를 통해 기독교교육은 개인적 차원을 넘어 교회와 가정, 더 나아가 사회적 차원으로 확대되고, 기독교인들이 의존하고 있는 생태환경 문제를 해결하며, 지속가능한 발전을 이루게 하는데 기여할 수 있게 될 것이라고 보았다.

• International Journal of Computer Science & Network Security
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• 제22권1호
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• pp.340-346
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• 2022

The article examines the formation of the scientific paradigm of transformation of the potential-forming space of the regional economy under the influence of intellectual and innovative determinants. Based on the study of different scientific views on the nature and properties of potential-forming space through the study of approaches to understanding the concept of "space" clarified the complexity and multifaceted nature of the phenomenon and found that its characteristics are relevant to the industrial development model. It is revealed that the leading modern trends related to the spread of globalization and regionalization, rapid development of information and communication technologies, diffusion of innovations accompany the transition from industrial to post-industrial development and its development, which leads to new development: changes production, nature and relations between business entities, etc. It is proved that under such conditions, the region as a key element of the economic system, acquires a leading role in achieving sustainable and balanced development. These processes significantly affect the potential-forming space of the regional economy under the influence of intellectual and innovative determinants, leading to the need for its transformation and change in accordance with modern realities, which is reflected in thorough research on the formation of scientific paradigm based on the formation of its theoretical foundations and methodological basis. This study reveals the essence, role, functions, structure, process of formation of the scientific paradigm of transformation of the potential-forming space of the regional economy under the influence of intellectual and innovative determinants. It is proved that the formation of the modern scientific paradigm of transformation of the potential-forming space of the regional economy under the influence of intellectual and innovative determinants occurs in the context of building a post-industrial model of development, accompanied by consideration of the region as a spatial object territories from the physical plane to the spatial environment in which the development of human capital, innovation and self-development of the region. Taking into account the above, the article outlines the prerequisites and factors of formation of the scientific paradigm of transformation of the potential-forming space of the regional economy under the influence of intellectual and innovative determinants.

• STI Policy Review
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• 제1권4호
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• pp.1-20
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• 2010

This paper explores the role of entrepreneurship education in a modern economy and how the government, academic, and nonprofit sectors in the United States have responded to this growing field. There are several sectors that play important roles in the entrepreneurship education landscape in the United States. Over the past decade, there has been increasing participation of Federal and state governments. This recent trend suggests the field may be increasing in maturity and legitimacy, showing promise for expanding the reach of entrepreneurship education programs. Programs sponsored by nonprofit organizations and private foundations complement government initiatives and display an effective means of leveraging knowledge and resources across the relevant sectors. Thus, new initiatives, whether initiated by government or academia, should learn from the successes of this sector as well as be carefully considered within the context of existent programs and services. Nonetheless, the potentially dynamic environment of the entrepreneurship education field in the United States offers a specific opportunity to leverage the experience in mentorship activities at the post-secondary education to address a possible gap in these activities at the secondary education level.

• 한국의상디자인학회지
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• 제3권1호
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• pp.117-127
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• 2001

In the 1980's discuss in the postmodernism and at the 1990's that is globalization. Globalization is the compression of time and space. That is the products of modernism and postmodernism. Global trends are the multiculturalism, localism, tribuism, etc. These trends have a important effect modern fashion. 20th fashion have a modernity -variation, functionalism and popularity, postmodernity-uncertainty, multiculturalism, post structuralism, etc. If Korean fashion have the globality, open to the world other country and culture, deep study of that, and view point of intercultureity. This Study Suggest to achieve globalize of Korean costume. 1. Plon up base on the scholastic study of giobalization. 2. Promote global project of Korean collection. 3. Collect of ethnic, culture, information of fashion America, Europe, etc. and make high up our a sense of disorimination. 4. Manifold studing abroad 5. Strergthening of globalization and ethnic curriculum on Educational course

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2003년도 춘계학술발표대회 논문집
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• pp.160-165
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• 2003

Art of today is expressed in various images incorporated in industrial development and visible in industrial parks, modern cities. Avant garde art and modernism brought abstract and conceptual art into conflict in the early 20th century and they absorbed elements of each other and grew into post modernism, which emerged in the 1960s and is still current. The avant garde challenged what was lofty and sometimes opposed modernism and sometimes fed it in cycles until post modernism was established. 'Trans avant garde', which, unlike modernism asserted individual expression, also appeared in the 1970s. Trans avant garde is spiritual art in which the artist's conversation with his soul returns. This study examines the readjustments the trans avant garde is making in its relationship with the dominant ethos of different values and offers the world art with important spiritual beauty. Trans avant garde art takes many forms, from thing to huge, which are manifested every where in architecture, interior design and everyday life.

• 한국가구학회지
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• 제26권4호
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• pp.364-372
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• 2015

Mendini works architect of magazine. He is a era-transcending designer who started design in late fifties and still works actively. In his design, there are some ordinary emotions which make people easier to approch to than without having any resistance. The purpose of this research paper is to define the traits of Mendini's design work. There are four main characters in his design; post-modernism, combination of art and design, use of contemporary art and traditionary italian colors and redesign. Mendini interpret tradition in modern way. His individuality came from the tradition, and also he modernized italian tradition to it.