• Journal of the Korean Society of Clothing and Textiles
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• v.30 no.6 s.154
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• pp.870-879
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• 2006

In this study, the difference in the mechanical properties of silver and cotton weft knitted fabrics was studied. Six silver fabrics for the summer ladies' knit outwear were knitted varying knit structure and fabric density. Two commercial cotton knitted fabrics were selected to compare the properties. subjective sensation of hand of the fabrics was also studied. Mechanical properties of the fabric samples were measured by KES-FB system. From these, primary hand values(HV) were evaluated by the conversion equation (KW-403-KTU) and the total hand value(THV) was carried out according to the KW-304 Summer. The result of the research show that silver weft knitted fabrics had lower LT, RT, G, 2HG and higher EM, W, LC, WC, RC than cotton weft knitted fabrics. The use of silver yam contributed to increase in surface roughness of knitted fabrics. As the silver knitted fabrics became thicker compressional energy increased. The use of silver yarns contributed to much better fabric handle compared with the use of cotton yam only. It appeared that coefficient of friction of tuck stitch was larger than that of plain and interlock stitch. KOSHI and FUKURAMI values of the tuck samples were significantly higher than those values of the plain and interlock samples, while SHARI values were low in general. The total hand value of tuck stitch was higher than those of interlock and plain stitch.

• Journal of Fashion Business
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• v.10 no.1
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• pp.1-19
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• 2006

The purpose of this study is to investigate the social and cultural background of hand-knitting things with handcraft feeling which is appeared conspicuously after 2000. And to analyze the types and characteristics of hand-knit design. The resorts of this study is as follows: First, it is found that the pattern of stitch in their forms and ornament technique of handcraft feeling are the remarkable factors to decide the specific designs in the most of hand-knit designs. The major forms are plain stitch, rib stitch, cable stitch, lace stitch, relief stitch and pile stitch and the ornament techniques such as patch work, fringe, embroidery and collage are being widely used. Second, after 2000, due to peoples' preference for handcraft feeling manufactures, pursuit trend of artless luxury by retouch appeared, it made feeling for recurrence of the past and the warm humanity. In addition, the pro-eco trend using pro-environment materials and capturing the nature as images are on its way to advance. Through the mix & match of materials, details and items, it becomes possible to express many kinds of images. Thanks to those characteristics, the hand-knit designs are now acknowledged as luxurious with the couture sense attached and are shaking off their previous image of recycling.

• The Research Journal of the Costume Culture
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• v.14 no.3 s.62
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• pp.404-417
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• 2006

The purpose of this thesis, therefore, is to examine the shaping methods and the knitting drafts of sleeve cap in the knitwears which are currently used by the manufacturers; to study the curve forms of sleeves in knitwears by analyzing synthetically the results of investigating the problems of knit wear sleeves; to present the most suitable sleeve cap for the knitwears. As the studying methods, I collected the basic data from the working-level persons of knit wear manufacturers, examined the knitting draft in the knitwears, and from that, made three kinds of comparative experimental garments and one kind of research experimental one as 10G and 16G. In doing so, I showed the sleeve cap suitable for the knitwears with plain stitch after operating sensual evaluation with Liker's 5-point rating measure. The analysis of data was handled with statistics by using SPSS Ver. 12.0; the method of statistics was executed by Frequency Analysis, Trust Analysis, one-way ANOVA, and Duncan test according to each topic of the research. As the result of the sensual evaluation of the experimental garments produced from the study, the research experimental garment looks better than the comparative experimental one in both 10G and l6G; has less extra folds around the front part of sleeve cap; looks more natural in sleeve caps of the body part and of a sleeve. From this, I am able to figure out that the research experimental garment looks better than the comparative experimental one produced by knit wear manufacturers. In addition, I can come to know that the different knitting of the front line and the back one of armhole in the knitwears has a favorable impact on improving the appearance of a sleeve.

• The Research Journal of the Costume Culture
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• v.12 no.5
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• pp.769-780
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• 2004

This study aims to measure stretch rate of standard weight in the direction of the knit stitch course by the difference in the way of weaving rib stitch, the most elastic stitch of all the knit stitches and to apply features of rib stitch to the knit pattern. The reviewer examined the sample knit for test with 100% wool, 2/48's 2, 12 gauge, and then made knit patterns and sample clothes for test considering stretch rate of standard weight of 10gf, l5gf, 20gf, 25gf based on the results from the former test, and finally estimated the try-outs for sample clothes. This study came out with the following results. From the functional estimate of knit patterns made by standard stretch rate of each stitch, the l5gf weight sample clothes of 0×0 and 1×1 rib stitches looking similar to plain stitch. For the bust, B/4-1.0㎝ knit pattern was made of 0×0 stitch, B/4-1.2㎝ of 1×1 rib stitch. In conclusion, because rib stitch has the much higher stretch rate in the direction of the course than other stitches, low stretch rate of standard weight should be applied to the case of making knit wear. It is expected that this will lead stable sizing and measurement system when used in making knit patterns, and satisfy knit wearers' various needs.

• The International Journal of Costume Culture
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• v.7 no.2
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• pp.77-86
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• 2004

The purpose of this study is to characterize physical and tensile properties according to a knitting method as basic materials for solving the difficulties that occur due to the fact that the crosswise elongation is most different among knit stitch at the time of measuring elongation of knitwear. The sample used for this study was wool $100\%$ and was knitted into two, that is, controlled loop length controlled to properties of structure and fixed loop length by using Shimaseiki SES-124S 12G computer automatic flat knitting machine with DSCS device. Also, the density of rib fabric was 12gauge and its quantity was a total of seven of $0{\times}0,\;1{\times}1,\;2{\times}1,\;2{\times}2,\;3{\times}3,\;4{\times}4$ and including plain fabric, and knitted 2 pieces of sample of 300 wale${\times}400$ course. In conclusion, rib stitch has the much higher stretch rate in the direction of the course than other stitches.

• Journal of the Korean Society of Clothing and Textiles
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• v.29 no.8 s.145
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• pp.1158-1167
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• 2005

The purpose of this study is to examine the effect of structural properties of plain knit fabrics on the subjective textures and sensibilities of consumers. We investigated the relationship of subjective textures and sensibilities according to fiber contents of wool/rayon and stitch loop length. We made 20 plain knit fabrics, as specimens, with a combination of 5 kinds of fiber contents and 4 kinds of stitch loop length. A factor analysis showed that subjective textures are classified into 3 categories with $R^2=70.32\%$: 'surface-rough', 'drapable', 'bulky' and 'elastic' and subjective sensibilities into 3 categories with $R^2=68.12\%$: 'stable/neat', 'feminine/elegant' and 'natural/comfortable'. The fiber contents of wool/rayon had a positive and linear relation with 'surface-rough', but had a relatively non-linear one with 'bulky' and 'elastic' categories of textures, and 'feminine/elegant' of sensibilities. The stitch loop length had a linear influence on 'drapable' and 'stable/neat', but had a non-linear influence on other subjective textures and sensibilities.

• Journal of the Korean Society of Industry Convergence
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• v.3 no.4
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• pp.337-343
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• 2000

Physical properties of matt georgette knitted fabrics, which has been developed recently, were investigated to provide fundamental information for the textile industry. Dimensional characteristics were examined with three different loop lengths, where the plain knitted fabrics were knitted with cotton yam and polyester yarn. The matt georgette plain knitted stitch was fully relaxed after wet relaxation treatment at $130^{\circ}C$ for 30minutes and subsequent tumble dry treatment at $70^{\circ}C$ for 90minutes. As the treatment temperature of wet relaxation became higher and the loop length did shorter, all of stitch density, course density and wale density were increased with 31 of $K_1$ 8.3 of $K_2$ and 3.8 of $K_3$. Also, The higher value of $K_4$ could be obtain with shorter loop length. When the loop length became longer, the $K_4$ value was varied in a wide range with the treatment of wet relaxation and subsequent tumble dry.

• The Research Journal of the Costume Culture
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• v.19 no.2
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• pp.334-345
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• 2011

A study on compressive garments guarantee the required pressure and form depending on the type of disease and the state of injury can be used in the preventive treatment of cardiovascular disease. This research is to provide a preliminary data to develop medical clothing products, especially knitted compression garments. Starting from analyzing knitted structure of imported pressure goods to apply to test samples, 11 kinds of knitted stretchy fabrics were manufactured under the various knitting conditions, then their tensile, mechanical and hand properties were measured. In comparison size changes by knitting structure, tuck stitch applied structure showed an increase in course direction and decrease in wale direction. Float stitch applied structure indicated the contraction of size in width because of unformed loops and floated yarn on the technical back of fabric. As a result of tensile properties in tuck and float applied structure, tensile strength was increased in the course direction. On the other hand, the more loops overlapped due to the tuck and float stitch, the more decreased their elongation and elastic recovery were. In case of mechanical properties, as the tuck and float stitch were overlapped double or triple the bending and shearing properties were risen. Accordingly, the drape of fabric becomes stiff, and its surface becomes rough and uneven. The measurements of hand properties showed that the value of KOSHI, FUKURAMI NUMERI in tuck and float applied structure are higher than the plain structure. This results from the relationship between the mechanical and hand properties.

• Journal of the Korean Society of Costume
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• v.57 no.8
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• pp.37-47
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• 2007

This study is considered about the fabrics of the tomb of King Muryeong at the Baekje(百濟) Period. First, there were silk fabrics such as compound woven silk(錦), twill damask(綾), complex gause(羅) and plain weaved silk(平絹). All of compound woven silk(錦) are the warp-faced compound tabby(經錦) of plain weave and the density is various from high to low one. The twill damask(綾) was a variation of twill damask weaved with a six strand warp thread. The complex gause(羅) made patterns as a set of 2 strand, 4 strand, 6 strand and 8 strand warp threads are weaved alternately with the weft. There were three kinds of plain weaved silk(平絹). The first was weaved densely without space between strands. The second was weaved with a small space between strands. And the third was weaved with a two strand warp thread, having a space between the threads. On the other hand, several pieces of well preserved ramie cloth were excavated. Of the, the densest one has the density of 125 strand/inch for the warp and the weft. In addition, strings made of flax thread were found. This suggests that flax fabrics may be found additionally if the hardened lumps of fabrics are resolved and analyzed. Other materials discovered include knits, knotted strings, embroideries, threads and floss. Pieces considered knits and knotted strings occupy a large part of fabrics excavated from King Muryeong's Tomb, and in particular knotted strings show various knotting methods. In addition, embroideries such as chain stitch and button hole stitch are clearly observed. What is more, there are silk threads and hemp threads, which are presumed to have been used for dangling ornaments such as Yeongrak(瓔珞) and beads or for sewing. Besides, floss was found between fabrics.

• Journal of the Korean Home Economics Association
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• v.26 no.4
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• pp.1-13
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• 1988

The purpose of this study is to investigate water and after vapor transport characteristics of underwear fabrics. Experimental materials were cotton woven fabric and cotton knitted fabric, nylon tricot (untreated and hydrophilic finished) and cotton/polyester/cotton triple layer. Cotton knitted fabric have three types of knit structure (interlock, rib, plain stitch) and knit with either 38's or 60's combed yarn. And cotton woven fabric have plain weave with 60's combed yarn. As experimental methods, vapor cup test, dynamic method, vertical wicking test and transplanar uptake test were used. The results are as follows. 1) In cotton specimens, the order of water vapor transpiration (wvt) was plain > rib > interlock in the same yarn diameter. The knit fabric of thinner yarn showed the better wvt among the same knit structure. 2) In cotton specimens, the order of water absorbency was interlock > rib > plain in the same yarn diameter. the knit fabric of thicker yarn showed the better absorbency among the same knit structure. 3) When knit fabric (60's plain) is compared with woven fabric 960's plain), knit fabric showed faster rate of wvt, more amount of uptake and slower rate of water uptake than woven fabric did. 4) When compared untreated nylon with hydrophilic finished nylon, hydrophilic finished nylon showed much more water absorbency than untreated nylon did, but showed same rate of wvt. 5) The water transport characteristics of triple layer underwear fabric showed that the thinner and the lighter one, the better wvt and absorbency did.