• 박물관보존과학
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• 제26권
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• pp.119-142
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• 2021

금동은제식리는 무령왕릉에서 출토된 무령왕의 식리로 결실된 부분이 많아 재조사의 필요성이 꾸준히 제기되었다. 이에 과학적인 보존처리 및 분석을 진행하여 제작기법을 연구하였다. 보존처리는 형태 복원 및 편 접합에 중점을 두고 실시하였다. 그 결과, 우측 식리 상연과 뒤축 일부 편을 접합하여, 결합방법 및 발등 결합에 사용된 원두정의 개수를 확인하였다. 성분 분석결과, 외판 등은 순동에 수은 아말감 금도금을 한 것으로 추정되며, 내판은 순은을 사용하였다. 금동은제식리의 주문양은 봉황문, 연화문, 6엽 화문이며, 전체적으로 연화문의 비율이 높다. 각 판의 결합은 영락사, 금동사, 원두정, 사면정을 사용하였다. 내·외판 결합은 영락사를 사용하였는데, 내측판의 중앙과 후면에는 금동사로만 결합하여 장식 기능과 결합 기능을 구분하여 사용한 것으로 추정된다. 또한 제작과정에서 금동제판과 은제판의 외면에는 광쇠질한 흔적이 확인되지만, 은제판의 내면에서는 확인되지 않아 내면보다 외면의 마무리에 중점을 둔 것으로 추정된다.

• 복식
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• 제57권3호
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• pp.37-52
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• 2007

Dan(緞) is satin damask. It was a newly popularized fabrics in the Joseon Period and is one of main traditional fabrics at present. The purpose of this study is to suggest a theoretical basis to name Dan(緞) remains properly by comparing and analyzing the name, pattern, usage, feature, length and width, value of Dan(緞) recorded on documents made at the end of the Joseon Period. The results of this study are as follows. 1. The kinds of Dan(緞) recorded on documents made at the end of the Joseon Period are various. Among fabrics named Dan(緞), were not only silk fabrics but also cotton fabrics, woolen fabrics, mixture fabrics with silk and cotton, and mixture fabrics with cotton and wool. 2. Some newly revealed patterns in the case of Dan(緞) are as follows. The shape of Byeolmun(別紋) is assumed to have originated from that of character symbolizing the Royal Family and developed into a variety of circular ones of dragon, phoenix, flower, or character. O-ho-ro-mun(五葫蘆紋) was five-gourd-shaped patterns that form a circle, turning their narrow mouth to the center, and vines between each two gourds. 3. When considering the usages of Dan(緞), Dan(緞) was used for various detailed usages according to their kinds. But it was't mostly used for underwear. 4. Features have been examined are Godan(庫緞), Mobondan(模本緞), Handan(漢緞), Daedan(大緞), Yangdan(洋緞), Waedan(倭緞), and Geumdan(錦緞). 5. The length and the width of 1 Pil(疋) silk fabrics are various. It is normal for the width being different, but for 1 Pil(疋)'s length being different is very unusual. The width of Dan (緞) was about 47-76.20cm, it was wider than Ju(紬), Cho, Gyeon(絹), Sa(紗), Ra(羅) and Reung(綾). 6. As for the value of each fabric per $10,000cm^2$, Dan(緞) was the most valuable silks at that time. Among them the most valuable Dan(緞) was Udan(羽緞).