• Journal of the Korean Society of Costume
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• v.64 no.2
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• pp.135-149
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• 2014

This study attempts to adapt and develop Korean prehistoric petroglyphs into textile design for children. For this purpose, literature review was conducted to understand the plasticity and symbolism expressed in Korean prehistoric petroglyphs. Also this study conducted textile design development as follows: First, the figures and faces in petroglyphs were selected because children can easily recognize them. Second, two groups of different ages (7-9 and 10-13) were allowed to freely draw the selected motifs. Third, some of the motifs created by the children were selected that show children's individuality and also keep the features of the original motifs. The children's motifs were developed into textile design using Texpro and Photoshop. Then digital textile printing and 3D mapping program were used to make pajamas (5 types), umbrellas (3 types), and simulate bedding sets (2 types) for children. This research's results are as follows: First, petroglyphs are symbolic language of human's oldest art form, and related to religious and mythical belief. Korean petroglyphs have plasticity showing the development steps in technique and expression, with various shapes such as animals, human figures, faces, masks and abstract figures. Third, children showed their interests in various human figures and faces of the petroglyphs, and it was easy to draw those motifs in their own way. Fourth, 10 design motifs were selected from the children's work and used to create textiles considering materials and colors for children. Total 10 items were made and presented. This study confirmed the usefulness of applying prehistoric petroglyphs to children's textiles designs. These designs may grow as a kind of cultural product for children who know about and like petroglyphs. They can be a niche market items too, made to order for children with individuality and who favor originality.

• Korean Journal of Heritage: History & Science
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• v.54 no.2
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• pp.98-119
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• 2021

This thesis aims to examine when the petroglyphs of Cheonjeon-ri, Ulju were carved and their nature. To achieve this, the relations between rituals and rock carving motifs are examined besides the nature of the archaeological monuments with carved petroglyphs. The investigation revealed that the figurative motifs on the petroglyphs of Cheonjeon-ri, Ulju, may have been carved during the Korean Bronze Age considering other examples of figurative petroglyphs from that period. It is reasonable to assume that the figurative animal motifs on the petroglyphs of Cheonjeon-ri, Ulju were used for rituals of fertility and rebirth as a subsistence ritual during the Korean Bronze Age. The Geomdan-ri Archaeological Culture Type is a strong candidate, having used both petroglyphs of Cheonjeon-ri and those of Bangudae, Ulju, since the Geomdan-ri Archaeological Culture Type has a higher proportion of hunting and fishing and lower proportion of rice cultivation in its subsistence than in the subsistence of the Songguk-ri Archaeological Culture Type. In contrast to the figurative motifs, the abstractive motifs, including the geometric designs on the petroglyphs of Cheonjeon-ri, Ulju, are generally accepted to have been carved during the Bronze Age. Although there have been some disputes over the symbolic meanings of concentric motifs, lozenge motifs, and other geometric motifs, they may be related to rituals for sun worship, ancestor worship, and fertility cults. Their meanings have been continuously reinterpreted.

• Journal of the Korean Geographical Society
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• v.45 no.3
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• pp.342-359
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• 2010

The Bangudae Petroglyphs locate at Bangudong, Daegok-ri, Eonyang-eup, Ulju-gun, Ulsan and was designated as the No. 285 national treasure since 1995. After the construction of Sayeon-dam in 1965, there were many controversies of the rock weathering problems by the periodic immersion for approximately a few months. The isopleths of water content on the rock are drawn and the result shows relationships between the isopleths and distribution of joints or exfoliations. The distributions of water content rates in the Petroglyphs show the downward increasing pattern. This may suggest that the rates of water content are further influenced by the duration of immersion. Also, the upper part of the Petroglyphs with dense joints shows high rates of water content. If the water content rates in rocks increase, the water absorption rates increase too, because of the increasement of coefficient of permeability and porosity. The weathering damages of the Petroglyphs in which the pores are saturated by the periodic immersion are in the critical conditions.

• Journal of Conservation Science
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• v.28 no.2
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• pp.153-164
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• 2012

The major petroglyphs of Bangudae site were composed mainly of hornfelsed shale. Surface of the rock was formed weathering layer (average porosity 25%) that discriminated mineral and chemical composition against fresh rock (average porosity 0.4%). The lost area of major petroglyphs in the past up images carved to the present was calculated about 23.8%. And occurrence area of exfoliation indicated 1.2% of the whole petroglyphs. As a result of the chromaticity analysis, color of the major petroglyphs was changed brighter and yellower than fresh rock by chemical and biological weathering factors. Average ultrasonic velocity of petroglyphs was measured 2,865m/s. This result indicated that ultrasonic velocity decreased especially bottom of petroglyphs than measured result in 2003 year. The results of the evaluation for slope stability, it identified the possibility of toppling, planar and wedge failure in host rock. The 3D image analysis and modeling data of the cavern obtained for structural reinforcement.

• 보존과학연구
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• s.33
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• pp.69-83
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• 2012

Field experiments for Conservation damage on selected spots were carried out prior to direct conservation treatments for Bangudae Petroglyphs in Ulsan. It was found that there is a big difference in treatment effects according to the treatment technique and application rather than on the treatment material use. Based on the results of this study, a plan for the conservation treatment of Bangudae Petroglyphs will be suggested by providing new materials and application techniques for cracks, adhesive application and consolidation by conducting artificial weathering tests and continued monitoring.

• Journal of Korea Water Resources Association
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• v.49 no.11
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• pp.931-939
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• 2016

Bangudae Petroglopys of the national treasure No. 285 located in elevation of 53 m to 57 m have been damaged by repetition of submergence and exposure due to the Sayeon-dam of EL.60 m constructed in down stream. In this study, as a preservation plan of the petroglyphs from the contact with water, the construction of eco-levee was suggested and its effect was investigated in the views of hydraulic engineering. It was designed to be located aside of 80 m from Bangudae Petroglyphs with the length of 440 m in streamwise direction, and it was need to construct a new channel maintaining the original hydraulic capacity and conveyance. Hydraulic characteristics such as water surface elevations and velocities near Bangudae Petroglyphs were measured after the eco-levee was installed in the hydraulic model with the scale of 1:50. It showed that there were not much changes of water surface elevations and velocities between sayeon-dam spillway EL. 60 m (Suggestion 1) and EL. 54 m (Suggestion 2). It was concluded the eco-levee could be made of natural materials like soil, pebble, gravel in terms of allowable velocity and shear stresses. The slope of water surface at Suggestion 2 was steeper, and velocities near Bangudae Petroglyphs were also faster than Suggestion 1. As the vorties occured at the left side in Suggestion 2, more detailed study is required.

• Economic and Environmental Geology
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• v.55 no.6
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• pp.583-596
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• 2022

The rock surface of Bangudae petroglyphs is mainly dark brown hornfelsified shales by contact metamorphism. The surface form a weathered layer of a invariable depth, and there is a difference with mineral and chemical composition between weathered and non-weathered layers. Surface of the petroglyphs has been discolored to light brown over the face due to biological and chemical weathering. As the measuring chromaticity based on the non-weathered layer, the whiteness and yellowness increased in the weathered layer, and the color difference (ΔE) was 5.54 to 36.89 (mean 17.26). In the weathered layer of the petroglyph surface, the CaO content was reduced by about 90% compared to the non-weathered layer, and Sr also showed the same trend. In particular, the mean porosity of the non-weathered layer was 0.4%, but it was estimated as 25.0% in the weathered layer. This is interpreted as the fact that calcite reacts with water, and forms a weathered layer from the surface as it is eluted. Based on the weathering depth modeling of the petroglyphs using the penetration characteristics of X-rays, the weathering depth of rock faces was found to be 1 to 2mm. However, the area classified as 2mm or more estimated to be a maximum of 3 to 4mm, considering the weathering depth around the petroglyphs surface.

• Journal of Conservation Science
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• v.25 no.4
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• pp.347-361
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• 2009

The Pohang Chilpori is the area with abundant petroglyphs in Korea. The form of the shield, female sex organs, and yut board on the outcrops or float rocks which are composed of the rhyolitic rock are engraved on Chilpori and Shinheungri Petroglyphs. The rhyolitic rock is composed of the phenocryst and groundmass with quartz and feldspar. The rock surface shows mostly yellowish brown color and the rock surface is very irregular by serious weathering, and illite and kaolinite, a kind of the clay minerals, are produced. Deterioration aspects are mainly of surface exfoliation, grain peel-off, damages, scribbling. Chilpori Petroglyph (1) plane has been eroded by running water, in (2) plane has been abrased is on the rock surface, in (3) plane shows surface exfoliation and the various part of the rock surface in plane (4) has become the soil. The corrasion and black phenomenon of the Shinheungri Petroglyph (1) plane was formed by running water, and surface exfoliation and scribbling in plane (2) is serious. Deterioration factors are geomorphologic states, plants, rock of weak to weathering, and artificial influence such as a scribbling and a forest fire. For conservation of the these petroglyphs, study for rock surface conservation and the arrangement of around petroglyphs and construction of water wall are necessary.

• The Korean Journal of Quaternary Research
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• v.18 no.2 s.23
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• pp.99-102
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• 2004

• The Journal of the Korea Contents Association
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• v.16 no.10
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• pp.443-453
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• 2016

The Petroglyph is a drawing on the rock which reflects the art, religion, myth, and life style of prehistoric society. Recently lots of researches have been studied to develop the contents applying the petroglyphs in the fields of exhibition, education, entertainment, and commercial. This research aims to find some possible VR contents based on the petroglyphs text. The review on the Ulsan petroglyph museum which is the first and the only petroglyph museum in Korea was the first step. Some limitation and problems were found in the current contents which could be overcome by using VR technology. The next step was the overall review of VR system and devices, and then I analyzed five cases of VR contents which specifically applied to the cultural heritages. Based on the analysis of case studies I propose some possible VR contents more immersive and interactive covered with whole range of petroglyphs context, environmental, social, cultural, technical and artistic.