• 제목/요약/키워드: naturalism

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한방화장품의 개발현황 (The Research of the development of oriental cosmetics)

  • 박창은;임희선;이은미
    • 대한한방피부미용학회지
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    • 제1권1호
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    • pp.198-228
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    • 2005
  • Oriental cosmetics make the skin radiant by supplement and circulate qihyul(氣血). Oriental cosmetics aim at the radiant skin based on inner health. It accords the new trend of 21th century, well-being and naturalism. Recently a lot of new oriental cosmetics have been developed and enjoyed great popularity. The research of oriental cosmetics elucidated the active compounds having whitening effect and wrinkle cure effect. And the anti-acne and anti-atopy cosmetics have been researched. The development of oriental cosmetics should be based on oriental medical theory.

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Analysis of Physical/Mechanical Properties and Color of Bast Fiber Fabrics Dyed using Rubia akane Nakai

  • Jang, Yoon-Young;Kim, Jong-Jun
    • 패션비즈니스
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    • 제13권3호
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    • pp.86-98
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    • 2009
  • The fashion industry saw the emergence of environment-friendly and natural fabric materials recently. The naturalism trend has established sectors in the textile and fashion industry also. Ramie and hemp have long been favored fabric materials in Korea especially for summer. The hand-related mechanical/physical properties of the fabric specimens were analyzed using a fabric objective measurement system, KES(Kawabata Evaluation System). Subjective evaluation was also implemented based on a series of selected adjectives. Studies on natural dyeing methods are important since the establishment of scientific approach is needed in terms of environment and human safety along with the reproduction of traditional natural dyeing methods. In this study, linen, ramie, hemp, and cotton/polyester/linen union fabric specimens were used for the natural dyeing using Rubia akane Nakai with the mordant of gallnut. ${\Delta}E$ values of dyed fabric specimens, mordanted and dyed once using Rubia akane Nakai, increased significantly compared to those of repeatedly dyed fabric specimens without mordanting.

1990년대에 패션의 복고풍에 관한 고찰 -1960년대 Mode의 재현을 중심으로- (A Study on Retro-look Fashion Appeared in 1990′s -With Special Reference to The Revival of 1960′s Mode-)

  • 류숙희;박종희
    • 복식문화연구
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    • 제4권2호
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    • pp.247-263
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    • 1996
  • This study focuses on a comparative study of 1960s'retro look mode in terms of the past and present in order to find out in detail how it in the past is readjusted after it was appeared in the present. For such a study, in the first place the contents of the dress and its ornament of a retro-look fashion was refined through some literature, and then, some works of the dress and its ornament of a retro-look fashion was refinded through some literature, and then, some works of eh dress and its ornament revived in 1960's mode were analysed, based on some fashion magazines at home and abroad like Bazaar, Fashion etc News in 1990s. After 1960s'retro-look mode which reappeared in 1990s was researched in terms of silhouette, detail, texture, color, and pattern, differences between those tow periods of 1960s and 1990s and their causes are summarized as follows: 1. In the aspect of silhouette, it appears that the silhouette in 1960s is that of somewhat stiff, charming image in which Body is excluded and the silhouette in 1990s is that of an soft, feminie image in which Body is emphasized. It was understood that the cause of such a delicate difference comes from the influences of the change in aesthetic senses or awareness, naturalism and neo-feminism. 2. In the aspect of detail, it appears that the detail in 1990s is of an attempt to express in diverse images, compared to that in 1960s, and new images are created new image in 1990s by means of presenting entirely ill-matched images. The major cause of that is because of Antistandard fashion. 3. In the aspect of textures, it appears that a great feature is that the texture in 1990s is of that introduced, being changed in natural and high-class looks, compared to that of 1960s. It was reviewed that the major cause of this is because of a result from the influence of naturalism and the technical growth in various fields which has brought the development of dress material. 4. In the aspect of color, it appears that the color in 1990s is of an image of primary color which is far more sensual and feminie than that of 1960s. It was studied that the major cause of ti comes from the influence of neo-feminism, etc. 5. In the aspect of pattern, it appears that the pattern in 1990s is of that of symbolism, transposition, and the ecletic feature of various modes which appear more deeply than that of 1960s. It was studied that the major cause of such changes is because of a trend of postmodernism which has brought the change of the spiritual structure different from that in the age of modernism. In conclusion, it was understood that the retro-look fashion is of an expression technic of dress and its ornament in that o dress in the pst is simply imitate, but new reconstitution is done by using the elements in the past. at the same time, ti was clarified that even though the elements in the past are revived as they were, dress and its ornament is governed by the social and cultural environments of he day, and with this proof it can be said that the fashion in each age is of a reflection of social phenomena of that age.

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맹자의 사단설과 생물학적 유비 논증 (Ethical Implications of Mengzi's Biological Analogies of Four Sprouts)

  • 정용환
    • 철학연구
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    • 제144권
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    • pp.339-369
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    • 2017
  • 본 논문에서는 맹자가 사단설(四端說)을 정당화하는 과정에서 사용하는 생물학적 유비 논증의 윤리학적 함의를 분석한다. 타고난 도덕 감정을 근거로 삼는 맹자의 자연주의 윤리학을 이해하기 위해서는 그가 제시하는 유비 논증에 대한 분석이 요구된다. 왜냐하면 맹자는 자신의 윤리적 관점을 정당화할 때에 귀납이나 연역보다 비유를 자주 사용하기 때문이다. 맹자는 사단설을 주장할 때 타고난 도덕 감정의 비유적 예시로서 신체, 씨앗, 싹 등을 제시하는 생물학적 유비 논증을 사용한다. 맹자는 동물이 신체를 타고나고 식물이 씨앗으로부터 발아하여 성장하는 것과 유사하게, 인간이 사단이라는 도덕적 경향성을 타고난다고 주장한다. 맹자는 생물학적 유비논증을 통해 도덕성의 선천적 지평, 도덕적 욕구, 마음과 몸의 유기적 통합(심신일원론), 도덕적 본성의 배양 가능성 등을 주장하면서 자연주의 윤리학을 지지한다.

브레히트 연기론의 영화적 변용 양상 (Cinematic Adaptation of Brecht's Gestus)

  • 김종국
    • 한국엔터테인먼트산업학회논문지
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    • 제13권1호
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    • pp.59-67
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    • 2019
  • 이 글은 브레히트의 게스투스가 영화에 어떻게 차용되고 변용되는가를 고찰하였다. 영화의 브레히트 차용에 따른 비판적 논의들을 살펴보았고, 구체적인 사례로 급진실험영화 및 할리우드영화에서 채택된 브레히트 연기의 양식을 고찰하였다. 덧붙여, 한국영화배우의 사례를 통해 브레히트 연기론의 적용 가능성을 모색하였다. 첫째, 영화의 브레히트 수용이 지나치게 형식적이고 기계적이라는 비판에도 불구하고, 영화이론과 실제는 브레히트 사상을 환기시키고 새롭게 반영한다. 브레히트 당대의 사회정치적 상황에 관계없이, 그의 게스투스는 영화연기에 적합하며 유용하다는 것이다. 브레히트의 사유는 영화의 몽타주와 컴퓨터특수효과와 같은 기술혁신으로 실현되었고, 무엇보다 배우의 사회적 태도는 관객 교육을 통한 대중화에 성공한 사례이다. 둘째, 퍼포먼스에 관한 브레히트 전략은 더 이상 낯설지 않으며, 모순에 찬일상과 예술의 경계를 넘어 대중영화의 즐거움으로 자리한다. 연기예술의 자연주의와 반자연주의가 의도는 다를지라도, 그 과정과 효과는 동일한 지점을 바라본다. 셋째, 브레히트 전략에 관한 대중적 이해의 시도로서 한국영화배우의 사례를 통해, 국내 배우론 및 연기론에 관한 정체성 탐색의 가능성을 확인할 수 있었다.

The Cinema of Poetry

  • Sbragia, Albert
    • 인문언어
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    • 제2권2호
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    • pp.143-161
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    • 2002
  • This essay explores the theories of Italian poet and filmmaker Pier Paolo Pasolini on the language of cinema. In essays such as "The Cinema of Poetry" and "The Written Language of Reality" composed during the 1960s, Pasolini argues for the special status of film language as "pre-grammatical" and links it to visual signifying processes such as dreams and memories. He also views cinema as the inroads towards a general semiotics of reality since, for him, the basic unit of film language is not the shot but those objects of reality that constitute the mise-en-scene of the shot, hence cinema is posited as the written language of reality whose minimal units of articulation are the very objects of reality itself. Accused by semioticians such as Umberto Eco of semiotic ingenuousness in trying to reduce the facts of culture to nature, Pasolini responded by arguing that he was trying to do the opposite, that is to say, to culturalize nature by examining it as a language. Against the constructed naturalism of both commercial and neorealist films, Pasolini argued for the creation of a poetic cinema able to exploit its constitutional pre grammatical, oneiric and sacred relationship with the world. The essay concludes with an analysis of the film Medea in which Pasolini′s attempt to restore a sacred vision of reality merges with his concerns over the cultural genocide of traditional and emarginated peoples at the hands of neocapitalist homologation.

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그리스 스타일의 미적 특성 (Aesthetic Characteristics of Grecian Style)

  • 함연자
    • 한국의류산업학회지
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    • 제9권6호
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    • pp.595-602
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    • 2007
  • This study examined the aesthetic characteristics of Grecian style which is being considered as the representative classic of Western fashion and the transformations of those Grecian styles on the fashion of the twentieth century. This study used positive research method using literatures on art history and clothing history, fashion related publications, and magazines and websites to understand the trend of fashion designer's collections. The study results are as follows. The aesthetic characteristics of Grecian style was considered to be the ideal beauty combined with symmetry, the functional beauty combined with non-construction, and the sensual beauty combined with natural body. The ideal beauty combined with symmetry appears as a style that shows idealistic proportion of a body emphasizing high-waist based on the golden ratio and the body as a whole rather than details. The functional beauty combined with non-construction appears as perfect recreation a body in its original and natural form. The clothing takes a form that does not have any structural design and has simplified cutting and sewing. It uses pins and strings to fix up the form of clothing which is flexible and naturally draped. The sensual beauty combined with natural body is found in natural silhouette dress alluding naked body in connection with Rousseau' naturalism in neoclassic period. Throughout the twentieth century, the desire for Grecian style was conveyed by a single detail or through an array of allusive effects.

현대패션에 나타난 포토몽타주의 표현유형과 특성 (Expression types and characteristics of photomontage in the contemporary fashion)

  • 김선영
    • 복식문화연구
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    • 제21권3호
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    • pp.309-323
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    • 2013
  • This study examined the expression mode and feature about photomontage indicated in the 21st century's Contemporary fashion. This intends to have better understanding on photomontage and to provide theoretical explanation to help a creative design development using photomontage in the future. For the research method, review over photomontage concept and its historical background was carried out with relevant literature and precedent studies. Then, analysis was followed about 258 pieces of photomontage application works featured in the four major global collections from 2001S/S to 2011F/W. Among types of photomontage expression in the Contemporary fashion, objects in the nature like animal, plant, scenery picture took up the highest frequency as motive. Other types appeared in the following order: the people-oriented type such as eminent person's figure or partial body, the ready-made image including diverse daily goods in the modern consumption society, a variety of printed stuff like cartoon, newspaper and magazine, the type of photomontage expression through borrowing the earlier famous art pieces or doing the cooperative work with artists in different fields, applications like architecture, land marks in many cities in the world, and interior, things assembled with various images, modified religious images in photomontage from Buddha or holy picture. Therefore, the modern fashion that uses photomontage could possibly feature popularity, naturalism, playfulness and creativity.

전통가구의 다리와 발 스타일 용어 연구 - 한국 및 서구 중심으로 - (A Study on Terminology of the Leg and Foot style of Traditional Furniture - Focusing on Traditional Korean and Western Furniture -)

  • 문선옥
    • 한국가구학회지
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    • 제21권1호
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    • pp.83-96
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    • 2010
  • This study explores terminology for legs and feet in the traditional Korean and Western furniture. Pieces of traditional Korean and Western furniture have been largely made of the eco-friendly material, natural wood, and thus important in the latest trends of wellness, such as LOHAS (Lifestyles of Health and Sustainability) and a green period. Legs in traditional Korean furniture appeared in dinging tables, and the feet in wardrobes. The limited use of legs and feet seems to be influenced by floor-oriented lifestyles of Korean ancestors. In contrast, most pieces of Western furniture, which is from the chair and bed culture, have various styles of foot and leg. While th two groups are from different backgrounds, both of them have developed various legs and feet applying natural subjects such as animals and plants to each of their furniture including wardrobes, cabinets, dining tables, chairs, consoles, etc. It is also found that the traditional Korean furniture can be influenced by a traditional Chinese chair foot called Neabunmajae, which describes inner horse foot. Neabunmajae was known in Korean furniture legs and feet, but the terminology has not been known. The study suggests that terms which appear in traditional furniture but are unknown should be studied more.

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성형외과 실내 계획을 위한 디자인 선호성향 조사 (A Survey on the Design Preference for a Plastic Surgery Interior Design)

  • 조정민;천진희
    • 한국실내디자인학회:학술대회논문집
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    • 한국실내디자인학회 2006년도 춘계학술발표대회 논문집
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    • pp.220-223
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    • 2006
  • As more people want plastic surgery for various reasons, the demand for pleasant and aesthetical environment has increased also. This study, therefore, conducted literature and portal sites research before surveying women in their 20's and 30's who are more likely to be interested in and have plastic surgery. And we worked out a questionnaire to predict the customer demand and a survey board using specific vocabulary conveying emotional information as well as designs, targeting 120 people in Gangnam and Myeongdong areas. As a result, the respondents preferred natural designs, followed by modern and casual one with slight differences based on the areas. Thus, this is open to further studies. The preference for natural designs is considered to be related with the current interests in well-being and nature-friendly trend, coupled with new naturalism in the 21C. Hence, in order to add more colorfulness, minimalism, and vitality to the existing natural environment, one needs to seek motives from nature but make use of high-tech materials with strong colors to avoid boredom but create a lively indoor environment.

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