• 디지털융복합연구
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• 제12권2호
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• pp.417-421
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• 2014

청소년을 대상으로 한 심폐소생술 교육에서 음악적 리듬을 적용하는 것이 가슴압박의 속도에 어떤 영향을 주는지 알아보기 위하여 본 연구를 시행하였다. 음악적 리듬의 교육효과를 측정하기 위하여 2013년 6월부터 10월까지 남자고등학생을 대상으로 한 심폐소생술 교육 시 음악적 리듬을 적용한 군과 적용하지 않고 일반적 방법으로 교육을 시행한 군으로 나누어 흉부압박 속도와 깊이 등 심폐소생술의 질을 비교하였다. 음악적 리듬을 적용한 군의 평균압박속도는 16.4초로 음악적 리듬을 적용하지 않은 군의 평균압박속도인 14.4초보다 더 적절하였다. 또한 리듬적용군의 90%가 권장압박속도인 15-18초를 유지하였으나 비적용군의 44%만이 권장속도를 유지하였으며, 이는 통계적으로도 유의하였다(p<0.05). 결론적으로 청소년 대상 심폐소생술 교육 시 음악적 리듬을 적용하는 것이 심폐소생술 교육효과, 특히 흉부압박의 속도를 적절하게 유지하는데 기여하는 것으로 조사되었다.

• 대한가정학회지
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• 제37권7호
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• pp.83-94
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• 1999

The purpose of this study was to explore musical development of 3- to S-year-old children and their musical home environment. The subjects were one hundred ninety-four children and their mothers enrolled in four kindergartens in Seoul. Each child sang the birthday song with peers in a birthday play setting. It was audiotaped for the children to sing the song. Questionnaire of musical home environment developed by the researchers was used for the mothers. The children's rhythm and pitch development were coded by the scoring categories of Project Spectrum(Krechevsky, 1994). The data were analyzed by t-test, ANOVA, Scheffe, and Pearson correlation. The results of this study were as follows: Firstly, there was no a significant difference in the children's rhythm development among three age-groups as well as between boys and girls. Among rhythm subcategories, the unit of note was ranked in the highest score and the pulse the next. Secondly, there were significant differences in children's pitch development among three age-groups and between boys and girls. The older children significantly achieved higher scores than the younger. Among pitch subcategories, the contour was ranked in the highest score and the interval the next. Thirdly, the children's musical development and their physical home environment related to music were correlated positively. The children's pitch development was significantly related to the mothers' musical attitude and the children's rhythm development to the mothers' educational levels.

• 대한음성학회지:말소리
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• 제39호
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• pp.25-42
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• 2000

In this paper, I have shown how to associate a musical beat with a note within the framework of Optimality Theory. And the following hierarchy of constraints is suggested to associate a sub-beat with a note. Alternation Sub-beat CCC Head $\gg$ Beat-to-Note $\gg$ Note-to-Beat EQ-Beats Smaller Note Furthermore, I have tried to explain Sprung Rhythm with a musical beat system. I have suggested the following hierarchy for Sprung Rhythm. Head $\gg$ SCSR Using a sub-beat on the basis of Head $\gg$ SCSR shows the abrupt change of Sprung Rhythm well.

• 대한가정학회지
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• 제41권10호
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• pp.75-84
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• 2003

The purpose of this study was to examine the effect of listening to music during musical activities on children's development of tone recognition and sense of rhythm. The subjects were total sixty 4-years-olds from two classes of thirty. The children were divided into two groups, experimental and control. Before the experimental procedures, a pre-test was taken to evaluate the level of tone recognition and sense of rhythm of the children. Cordon's 'Audie' was employed and used to measure the difference of tone recognition and sense of rhythm. Then, the activity of listening to music was applied to the experimental group for ten weeks. For the experimental group, the musical activity was selected based on the themes of our tfe which was related to the weekly and yearly teaching plan. One the other hand, no musical activity was provided for the control group. After the experiment, a post-test was carried out using the same methodology of pre-test. Data were analysed by ANCOVA test. Results showed that there was a statistically significant difference in the development of tone recognition and sense of rhythm between the experimental group and the control group.

• 한국산학기술학회논문지
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• 제17권12호
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• pp.327-332
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• 2016

스팅은 1985년 첫 솔로앨범인 를 필두로 세련된 감각과 폭넓은 음악적 스펙트럼을 선보이며 1억 장 이상의 앨범 판매고를 올린 영국을 대표하는 아티스트다. 본 논문에서는 스팅이 솔로 아티스트로서 폴리스 해체 이 후 30년이 넘도록 다양하고 폭넓은 자신만의 음악적 색채를 인정받는데 큰 발판이 되었던 음반에 수록되어 있는 곡들 중 'Straight To My Heart'와 'Be Still My Beating Heart'의 리듬 편곡에 대해 중점적으로 분석 할 것이다. 음반에 있는 곡들은 전체적으로 드럼파트는 기본적인 연주를 벗어나지 않고 전체적인 리듬분할의 역할을 여러 가지 퍼커션을 통해 하거나 신디사이저를 코드악기로서의 역할보다는 리듬악기로서의 역할에 더 비중을 둔 곡들이 많은 것을 볼 수 있다. 솔로 초기 스팅 만의 독특한 악기별 리듬구성과 역할배분은 다른 뮤지션들의 음반과는 사뭇 다른 그 만의 독특한 사운드를 창출해낸다. 이에 본 논문에서는 이 시기의 음반에 두드러지게 나타난 편곡적인 특징과 리듬적 특성, 즉 드럼비트를 쪼개서 리듬을 분할하는 통상적인 방식에서 벗어나 퍼커션을 포함한 다른 악기들의 리듬분할을 통해 곡의 기본적인 흐름을 이끌어가는 방법에 대해 설명 하고자 한다.

• 한국실내디자인학회논문집
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• 제21권5호
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• pp.162-170
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• 2012

This study aims to show the possibility of approaching artistic design through the Bergsonian concept of musical vitality by grasping the expression of his musical vitality at the Chapel at Ronchamp. For the purpose of this study, the aesthetic significance of Bergson's philosophy of life was first contemplated, and a case study analysis was conducted on the vitality of music as temporality at the Chapel at Ronchamp. On this basis, the examples of his musical vitality as metaphysical reality at the Chapel were analyzed. The results of analysis are as follows: First, the Bergsonian vitality of music as temporality at the Chapel is expressed as a sense of movement-through the acoustic form, the modulor corresponding to the scale of the music, the opposite composition of musical changes, the fluid space of the music, and the light and shadow of counterpoint-as having been intended by Le Corbusier in the very process of design. Second, the vitality of music as Bergson's metaphysical reality at the Chapel at Ronchamp is expressed in the image and rhythm of music created by intuitive reminiscences. The acoustic form, the form created by the modulor, the opposite form of composition, the fluid space and the light and shadow as the melody and image of music present continuous diversity as vital flow in a uniform direction. The vitality of music as aesthetical reality is imitated by the rhythm of the music deriving from repetitive movements sensed here. Consequentry, the Chapel at Ronchamp can be seen as a vital design that expresses Bergson's notion of musical vitality, indicating that an approach toward artistic design can be realized through his musical vitality. This study holds significance as basic research on artistic design with philosophy and music as its origin.

• 가정과삶의질연구
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• 제10권2호
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• pp.277-292
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• 1992

The purpose of this study was to investigate developmental of young children's musical abilityes and musical conservation concepts. Two kinds of test were administered to 117 children aged 5-to 7-year-old. The musical ability test consisted of 30 tape-recorded questions regarding 5 musical ability domains, while the musical conservation test consisted of 17 questions regarding 4 musical conservation concept domains. The major findings of the study were as follows: 1)there was a significant difference in young children's musical abilities according to their sex and age. Girls developed their musical abilities better than boys did. Older children noticeable improved their musical abilities, especially, in such three domains as listening musical and rhythmic activities and playing musical instruments. 2)There was a significant difference in young children's musical conservation concepts according to their age, but not according to their sex. Older children improved musical conservation concepts specifically, in rhythm ,number of notes and duration conservation concepts. 3) the results of stepwise multiple regression analysis indicated that the most influence in variable on the musical conservation concepts was musical ability, then followed by children's age and sex. Some suggestions for future research and for the ways to increase musical abilities were discussed.

• 한방비만학회지
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• 제8권2호
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• pp.15-23
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• 2008

The purpose of this study is to introduce oriental medicine music therapy related to the treatment of obesity. Obesity is caused by deficiency of the spleen, retention of phlegm, stagnation of liver Gi. According to the patients' state, the musical instruments should be chosen. In case of deficiency of the spleen, retention of phlegm, and stagnation of liver Gi, the obese patients beat pulsatile instruments to Earth-Gi rhythm, Fire-Gi rhythm, and Wood-Gi rhythm respectively. In addition to beating the musical instrument to the Five Phases rhythm, an oral sound therapy, relieving constraint therapy, and dispersing therapy can be performed. This study describes the theory of oriental medicine music therapy that has a good possibility as a new method of oriental medical treatment. It is necessary to study in measuring the effects after oriental medicine music therapy from now on.

• 한국콘텐츠학회논문지
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• 제22권4호
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• pp.714-726
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• 2022

본 논문의 목적은 만정제 <춘향가>에 나타난 한시 어구의 활용 방식과 그 음악적 특징을 규명하는데 있다. 이를 위해 사설에 활용된 한시 어구들의 역할을 풍경 묘사, 즐거운 감정의 심화, 슬픈 감정의 심화, 언어의 유희, 여러 시의 재구 등 다섯 가지의 패턴으로 분류하고, 이에 대한 음악적 분석을 시도하였다, 분석 결과, 슬픈 감정의 심화를 위한 한시 차용이 가장 많은 가운데, 슬픈 대목에 차용된 한시 어구들은 진양조, 중모리의 느린 장단과 계면길, 진계면성음의 애조 띤 선율로 구성됨으로써 장단과 선율이 모두 이면에 부합하게 표현되고 있는 반면, 풍경묘사 대목은 선율이, 즐거운 심정·언어유희 대목은 장단이 분위기를 좌우하는 특징을 보였다. 또 분석결과를 작창의 관점에 적용해볼 때, 보다 예술성 있는 판소리를 창작하기 위해서는 청중의 주의를 환기할 수 있는 참신한 텍스트의 발굴과 사설에의 적용, 이면에 맞는 음악적 구현 방법 등을 깊이 연구할 필요가 있다.

• 인간행동과 음악연구
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• 제20권2호
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• pp.33-60
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• 2023

본 연구는 국외 파킨슨병 환자의 신체 재활을 위해 음악을 사용한 중재 연구의 연구 특성을 분석 및 고찰한 연구로 최근 20년간 진행된 연구 중 24편의 중재연구를 음악사용 수준에 따라 분류하여 요약 제시하였다. 분석된 연구 내용을 통해 파킨슨병 환자의 운동 산출 시 움직임의 시작 및 종료와 관련된 타이밍 문제를 개선할 수 있는 음악 요소가 무엇인지에 대해 고찰하였다. 분석 결과, 신체 기능의 변화를 유도하기 위해 제공한 음악사용 수준의 차이에 따라 음악 기반 중재연구(music-based intervention) 6편과 리듬기반 중재연구(rhythm-based intervention) 18편으로 나타났다. 이처럼 음악 수준에 따른 연구 특성을 고찰 후 음악사용의 공통 요소인 '리듬'이 대상자의 문제 개선에 적합한 중재 요소였음을 결론 도출하였다. 또한 연구자의 특성이 음악 요소의 활용 범위 및 음악사용의 정도와 관련이 있으며, 이것이 중재 효과의 다양성과 관련이 있다고 제시하였다. 따라서 본 연구는 실제 임상 환경에서 파킨슨병 환자를 포함하여 다양한 신체기능 문제 개선을 위한 신체 재활 중재에 적용이 가능한 음악사용의 근거를 학술적으로 제시하는 것으로 사료된다.