• 한국가구학회지
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• 제23권3호
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• pp.271-289
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• 2012

This study analyzes the Western rocking chair style of the middle of the 20th century (1945~1970), and investigates academically characteristics from formative and practical points of view. The purpose of this study is to provide basic information on the design and production of the modern Korean rocking chair. In the 20th century, the production of the Western rocking chair displayed principles of both functionalism and optimism. These rocking chairs are constructed of various industrial materials including reinforced plastics, moulded plywood, aluminium, and steel as well as wood. Furthermore, a rocking chair suitable to the human body is made by industrial growth and innovative fabrication techniques such as designer's plastic from military in the First and Second World Wars. In those days, there are many different types of rocker style - traditional, plastics, structural, moulded plywood & bending, metal tubular, and wire mesh. More specifically, through economic prosperity and plastic development, the rocking chair is able to have light and bright colors, which shows sensible formality of the modern and structure.

• 공업화학
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• 제17권6호
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• pp.619-624
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• 2006

유연탄을 연소하는 화력발전소의 탈황설비에서 생산된 배연탈황석고를 대상으로 가압반응기를 이용하여 수열반응을 통한 알파형 반수석고의 생성과정을 살펴보았다. 실험 결과 첨가제를 사용하지 않아도 반응온도 $120{\sim}140^{\circ}C$ 범위 하에서는 용해-재석출 기구에 의하여 알파형 반수석고가 생성되었으나 아스펙트 비가 매우 높은 침상형 결정이 생성되었다. 호박산나트륨을 첨가제로 주입한 결과 결정형상은 침상형에서 각주형으로 변화되었으며 혼수 비(water/powder ratio)는 33%까지 감소하였다. 호박산나트륨의 농도는 20 mM이 적정하였으며 반응도중 성형체의 붕괴를 방지하고 성형체의 기공부피에 의한 모세관 효과를 최대화하기 위한 최적의 성형체 성형압력은 $30kgf/cm^2$이었다.

• 보존과학연구
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• 통권26호
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• pp.57-75
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• 2005

The burial custom in the Youngsan river area was to build a jar-coffin and lay the body in state, however the methods in building and moulding the massive jar, as well as in which kiln it was made has not been examined precisely. Thus, this research not only investigates previous results related to the manufacturing methods of massive jar-coffins, but also examines samples that were excavated and collected. The clay used to produce jar-coffin consists a large portion of unglazed qualities, which was split-moulded from the bottom up to the mouth area. The interior was finished by applying water, whereas the exterior was decorated by regularly pasting or stamping in parallel with a lattice design. It can be presumed that the finished jar-coffin was not moved, but the ceiling and walls were built around it as a kiln, for the jar-coffin to be oxidized or to reduce the flame condition in a temperature approximately $700~1,200^{\circ}C$The results from the research, however, show limitations to exploit the exact manufacturing method, therefore there is a need for in-depth examinations: mineralogical investigation on a large amount of jar-coffin samples through a polarized light microscope; substance analysis using various equipments; speculation on the temperature in the place of production and the flame inside.