• Title/Summary/Keyword: motifs

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The relationships between sex and age of children and the characteristics of wall motifs (아동실의 벽에 사용되는 모티브에 관한 연구)

  • 성해숙
    • Journal of the Korean Home Economics Association
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    • v.24 no.2
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    • pp.83-91
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    • 1986
  • The purpose of this study was to determine the relationships of children's sex and age to the characteristics of wall motifs. A pilot study was conducted to pool motifs which can be used on the walls of children's rooms. 69 motifs were found and classified into 12 categories. The data consisted of the responses to a structured questionnaire to determine preference and actual use of motifs. The subjects were middle school children from middle income classes living in Seoul, Data were analysed by computer using frequency, percentage, χ\sup 2\, and C\sup 2\. Children's sex and age differences were somewhat distinctively found in preferred motifs.

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An Analysis of Patterns and Motifs in Hanbok Introduced in Wedding Magazine (웨딩 잡지에 나타난 한복의 문양 및 모티프 분석)

  • Kim Jae-Im;Lee Hae-Sook;Kim Soon-Ah
    • The Research Journal of the Costume Culture
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    • v.13 no.6 s.59
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    • pp.999-1010
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    • 2005
  • The purposes of this study were to investigate used patterns in Hanbok and to find out a classification and a characteristic of motifs. The data made use of 111 pictures constituted Gegory(a Korean jacket) and Chima(a skirt) in photographs collected in wedding magazine(Wedding 21'). The data was analyzed by frequency, contents analysis. Pattern's use or not in Hanbok and a sort, a arrangement, a way of expression of patterns using frequency Classified and characteristics of motifs were analyzed contents analysis. The results of this study were as follows. First, a sort of patterns was lots of flower motifs of the plant pattern. An arrangement of and expression of patterns used mainly a partial arrangement and embroidery expression. Second, the subjects classified using criterion of classification of a external feature, forms of expression, and simplicity/complexity of line. Third, the motifs classified into plants, an animal, geometry, abstraction, and a natural object. The plant motifs were perceived the focus of flower, a combination of a flower and a stem in the plant motifs. The subjects perceived as a simplicity/complexity of flower and a drawing line of a flower and a stem.

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Methylome Analysis of Two Xanthomonas spp. Using Single-Molecule Real-Time Sequencing

  • Seong, Hoon Je;Park, Hye-Jee;Hong, Eunji;Lee, Sung Chul;Sul, Woo Jun;Han, Sang-Wook
    • The Plant Pathology Journal
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    • v.32 no.6
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    • pp.500-507
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    • 2016
  • Single-molecule real-time (SMRT) sequencing allows identification of methylated DNA bases and methylation patterns/motifs at the genome level. Using SMRT sequencing, diverse bacterial methylomes including those of Helicobacter pylori, Lactobacillus spp., and Escherichia coli have been determined, and previously unreported DNA methylation motifs have been identified. However, the methylomes of Xanthomonas species, which belong to the most important plant pathogenic bacterial genus, have not been documented. Here, we report the methylomes of Xanthomonas axonopodis pv. glycines (Xag) strain 8ra and X. campestris pv. vesicatoria (Xcv) strain 85-10. We identified $N^6$-methyladenine (6mA) and $N^4$-methylcytosine (4mC) modification in both genomes. In addition, we assigned putative DNA methylation motifs including previously unreported methylation motifs via REBASE and MotifMaker, and compared methylation patterns in both species. Although Xag and Xcv belong to the same genus, their methylation patterns were dramatically different. The number of 4mC DNA bases in Xag (66,682) was significantly higher (29 fold) than in Xcv (2,321). In contrast, the number of 6mA DNA bases (4,147) in Xag was comparable to the number in Xcv (5,491). Strikingly, there were no common or shared motifs in the 10 most frequently methylated motifs of both strains, indicating they possess unique species- or strain-specific methylation motifs. Among the 20 most frequent motifs from both strains, for 9 motifs at least 1% of the methylated bases were located in putative promoter regions. Methylome analysis by SMRT sequencing technology is the first step toward understanding the biology and functions of DNA methylation in this genus.

Twin Motifs and Mirror Images in (<두 개의 사랑>에서의 쌍둥이 모티브와 거울 이미지)

  • Seo, Kok-Suk
    • The Journal of the Korea Contents Association
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    • v.20 no.9
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    • pp.19-28
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    • 2020
  • Focusing on (2017), I would like to consider the way twin motifs' desires, deaths, and fantasies are reproduced in mirror images. First, the desire of twin motifs expresses the duality of good/evil and norm/desire as a mirror of sensual temptation. Second, the death of twin motifs expresses the spread of death as a mirror of punishment. Third, the fantasy of twin motifs expresses mental defense as fragmented mirror. In , the twin motifs effectively express three keywords-desire, death, and fantasy- with three mirror images-duality, punishment and division.

Formative Characters in Shapes and Colors of Korean Traditional Flower Motifs Seen in Embroidery

  • Kim, Ji-Sun
    • International Journal of Costume and Fashion
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    • v.7 no.1
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    • pp.32-48
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    • 2007
  • Korean traditional flower motifs have often been used in traditional embroidery on personal products and on decorations. The flower motifs seen on embroidery with a variety of techniques show the shapes and colors changing to more and more brilliant and colorful design. Even today the flower motifs in embroideries continue to be reinterpreted in both modern ways and also in traditional ways with their fancy beauty in the design industry. This research is based on documentary and demonstrative studies conducted to find out the formative properties of these motifs through and analyzing the shapes and colors of flower motif embroideries from the Choseon Dynasty as applied in developing modern designs in harmony with their traditional beauty. A summary of the research is as follows. First, the peony blossom appears the most, with its gorgeous flower shape. It was used in a variety of ways for decorative purposes as well as in wishing for wealth and harmony on clothes or on personal products. Second, the result of analyzing the flower motifs on embroidery shows that 'realistic-complex- flower patterns' and 'stylized-complex-flower patterns' are mostly seen. Third, many of the peony blossoms, chrysanthemums, and Japanese apricots were in a radial shape and front facing with stamens, and the lotus flowers were mostly shown on the lateral side. Fourth, as a result of analyzing the colors of the flower motifs on embroideries, a tendency is shown toward the R and RP colors of v, b tone and the shades YR, Y, GY, and G colors of lt and p tone.

Knitwear Design Applying Traditional Danchong Motifs (단청문양을 응용한 니트웨어 디자인)

  • Kim, Hye-Kyung;Lee, Ji-Young;Lee, Hye-Sung
    • Fashion & Textile Research Journal
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    • v.6 no.4
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    • pp.415-420
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    • 2004
  • The market demand for knitwear has been increased both domestically and in export. Despite of the high and consistent demand, knitwear design has been rather simple and tends to show mainly foreign influences. In order to compete efficiently in the world market and to provide more variety, knitwear design originated from our cultural background needs to be developed. Therefore, the purpose of this study is to develop various knitwear design adopting the Korean traditional 'Danchung' motifs and the main colors used in the motifs. Three knitwear works were designed and constructed, which included a round pullover, a half-sleeve V-neck one-piece dress, and an evening dress. The mainly used motifs consisted of natural motifs such as lotus, cloud, and motifs symbolizing good luck such as 壽 and 囍. The Original 'Dan-chung' motifs were stylized into different forms and colors, and this design work was done using CAD system including the 'Adobe Illustrator 9.0' and the '4D box Hi-Knit Program'. Based on the designed images created by the CAD system, an actual design works were knitted using different weft knit methods including a hand knitting machine and weft knit machine of the knitwear manufacturers. This study provided the possibility of knitwear design originated from the Korean traditional culture.

A Study on Apparel Textile Design Process using Adobe Illustrator 9.0-Applying Pre-Developed Korean Traditional Motifs- (Adobe Illustrator 9.0을 이용한 의류용 텍스타일 디자인 개발-전통문양의 캐릭터화 사례를 응용하여-)

  • 곽태기;양수영
    • The Research Journal of the Costume Culture
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    • v.9 no.3
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    • pp.501-510
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    • 2001
  • This study is focused on apparel textile design process applying pre-developed Korean traditional motifs. Since the fusion culture is in trend, Orientalism or Oriental look is the center of attraction in fashion. Under the circumstances, developing the traditional resources as sophisticated Korean-style is the goal of the BK21 team. This study makes a move to achieve the goal. As a method of accomplishing this study, 4 trendy motif samples such as stylized letter, butterfly, peony, and female face are selected after investigating fashion magazines and fashion related websites. As a result, pre-developted Korean traditional motifs are elected and revised using Adobe Illustrator 9.0. The newly revised motifs are applied to the textile pattern repeat form. The completed textile patterns are simulated on the simulated on the shawls to show their usages as one of souvenir items since the year of 2001 is the year of “Visit Korea”.

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Interpretation of Association Networks among Protein Sequence Motifs

  • Kam, Hye J.;Lee, Junehawk;Lee, Doheon;Lee, Kwang H.
    • Genomics & Informatics
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    • v.1 no.2
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    • pp.75-79
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    • 2003
  • Every protein can be characterized by either a distinct motif or a combination of motifs. Nevertheless, little is known about the relationships among (more than two) the motifs. Some of the proteins in the world are share motifs for evolutional or other biological benefits - they can save energy, time and resource for controlling and managing a variety of proteins. In some cases of motifs, the tendency is quite common and they can act the 'hub' motif of a network of the motif associations. The hubs are structurally and functionally important in themselves and also important in disease-related mutations. They will be highly resistant mutation to conserve their functions. But, in case of the a rare mutation, mutations on the position of hub can more easily cause fatal diseases.

Preference for Color and Fabric Motifs in Men's Clothing Design - In the area of men by age, physical type and job - (추동용 정장양복과 콤비양복의 색채 및 직물무늬에 관한 연구 - 성인남성의 연령별, 신체적 조건 및 직업에 따른 선호를 중심으로 -)

  • 조진숙
    • Journal of the Korean Home Economics Association
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    • v.31 no.1
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    • pp.193-210
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    • 1993
  • The purpose of this study was to investigate the effect of age, physical type and job on preference for color and fabric motifs in men's clothing design. Color preference measures consisted of clothing styles painted in CAD. Preference for fabric motifs was assesed by stripe fabrics in size, width and strength. All of the preference measures were devised specifically for this study. Furthermore, items on Hight and Weight for physical type, age and job of subjects were included I the questionnaire. Data were obtained by self-administered questionnaires form 243 men (25-54 years old) in Seoul. Analysis was by chi-square (X2), frequency, and percentage. The results obtained in this study were as follows : 1. Color preference was not affected by age and physical type, Job was related to coordinate color of men's clothing. 2. Preference for width of striped motifs was affected by age and job. 3. Preference for strength of fabric motifs in men's jacket was affected by physical type.

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Central Asian Textile Motifs in Late Sasanian Art: On the Origin of Some Decorative Elements at Taq-i Bustan

  • COMPARETI, Matteo
    • Acta Via Serica
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    • v.6 no.2
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    • pp.21-36
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    • 2021
  • This paper discusses textile motifs depicted in the hunting panels inside the late Sasanian larger grotto at Taq-i Bustan. Scholars of Iranian art have referred to these rock reliefs in order to trace the origin of Sasanian textile decorations and their exportation in the whole medieval Eurasian continent. This however does not seem to be the case. In fact, the textile motifs reproduced at Taq-i Bustan could be a good term of comparison only for late Sasanian textile production. Moreover, nothing like this has appeared in previous Sasanian rock reliefs. For this reason, the present paper argues that some of those motifs could actually be importations from Central Asia where reproductions of textiles embellished with those motifs were very popular. Islamic written sources on Taq-i Bustan rock reliefs could be very useful to support some ideas expressed in this paper.