• 제목/요약/키워드: mentality on the color

검색결과 7건 처리시간 0.023초

Sound 에 반응하는 LED 라이트아트에 관한 연구 (A Study on LED Light Art Reacts to Sound)

  • 한정화;김형기
    • 한국HCI학회:학술대회논문집
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    • 한국HCI학회 2009년도 학술대회
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    • pp.1145-1149
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    • 2009
  • 1960 년대에는 키네틱아트와 함께, 네온, 형광등 등을 이용한 라이트아트가 등장했다. 빛과 공간예술(light and space art)도 더불어 함께 등장했다. 키네틱아트 연장선상에 있다고 할 수 있는 라이트아트가 예술의 전자화 경향을 보여주고 움직임을 중시하고 있다면, 빛과 공간예술은 좀 더 심리적인 측면을 강조하고 움직임 그 자체보다는 현상적 경험을 중시하고 있다. 일반적으로 라이트아트는 시각적인 유희성으로 끝날 수 있는 반면, 빛과 공간예술은 유희성과 함께 빛과 공간을 시각으로 경험하며 많은 심리 변화를 느끼게 해준다. 본 논문에서는 이러한 라이트아트의 단점을 보완한 본인의 작품을 바탕으로 LED 의 색 변화가 사람의 심리에 미치는 영향과 사운드를 이용한 LED 컨트롤 방법을 연구하였다. 자칫 라이트아트에서 느껴질 수 있는 기계적 느낌과 차가운 느낌을 염두 하여 관객이 자신으로 인해 변화하는 빛을 시각으로 경험하여 작품과 하나됨을 느끼게 하는 것이 본 작업의 목적이며, 그러한 본인의 작품을 기반으로 관객이 생성하는 사운드와 함께 이루어지는 상호작용적 요소와 색채심리를 접목시킴으로써 사람의 감성에 자극을 줄 수 있는 방법을 모색하고자 한다. 그 결과 기존의 빛과 공간예술의 개념에 상호작용적 요소를 접목하여 관객의 심리에 영향을 주는 미디어 아트의 또 다른 형태를 제시하였다.

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<화분(花粉)>과 <벽공무한(碧空無限)>에 나타난 TASTE - 효석(孝石)의 예술지상주의(藝術至上主義) - (Taste in Pollen and Byukgongmuhan - Hyo-Suk's art-for-art's sake -)

  • 정경임
    • 패션비즈니스
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    • 제3권1호
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    • pp.159-175
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    • 1999
  • In literature, a description of costume represents an individual's characteristics when the object is an individual. If the literary object is a certain group in a certain region, it would play an important role in representing the culture of time. It clearly shows that aesthetic consciousness of Hyo-Suk Lee who had accepted the western dandyism was well expressed in his literary works. Hyo-Suk has been unique in describing life-styles such as beauty of costume, art-for-art's sake, and leisure activities, and color imagery in his works. The color and the style of the costume show us the mental state of the wearer. They also affect the emotional states of other people. Hyo-Suk's "Pollen(화분)" and "Byukongmuhan(벽공무한)" confirm the fact that the mentality of the people can be hinted through the description of costume. They also ascertain that the color imagery retained by a special color can be altered by different circumstances and settings. Hyo-Suk applies in his works the effect of vivid color contrast, which newly appeared in Fauvism, to the description of costume. In consequence, he reflects the color aesthetics of Modern Art in which the fine art has an effect on the applied art.

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황화(黃花) 식물의 염색연구 - 들꽃을 중심으로 - (Study on Dying with Yellow Flowers - From Wild Flowers -)

  • 우현리;김선미
    • 한국의상디자인학회지
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    • 제10권2호
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    • pp.1-10
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    • 2008
  • Yellow, one of the five direction colors, is a prevailing color in artificial dyeing. The color has implied and symbolized wealth and power since ancient times. Yellow has been extracted mainly from flowers. Shapes, colors and scents of flowers not only have enriched emotional mentality, but have also been used for medicinal herbs, and dyestuff since the very old days. Coloring matter from flowers is very beautiful, and it has been used for dyeing textiles. Textile dyeing have formed a color culture and developed a dyeing culture since ancient times. Flowers include a variety of color matters, and can be easily obtained around us. Therefore, flowers have been a widespread natural dyestuff. It is well known that beautiful colors can be extracted from flowers, which are eco-friendly and non-polluting. In addition, flowers are easily provided. In this study, yellow wild flowers were selected as subjects. Seven flowers with color matters distiguishable through the naked eye were used: Korean forsythia, golden-wave, Mongolian dandelion, sunflower, conflower, chelidonium and chrysanthemum. Coloring matters were extracted from the seven flowers, which have been used to create a variety of colors through various dyestuffs; and the colors have been analyzed and presented. Dyeing and coloring matters were tested and analyzed, and several types of dyestuff had also been scientifically measured after treatment.

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흑색의상의 조형성과 상징성에 관한 연구 (A Study on Formality and Symbolism in Black Dress)

  • 곽혜선;금기숙
    • 복식
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    • 제37권
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    • pp.231-252
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    • 1998
  • Since the costume directly express human mental and emotional status, colors of costume can be valuable data to grasp the spirit of the times. Black is noticeably used in modern fashion and the study for black costume is very useful to understand modern fashion. There-fore the study mainly approaches the black costume, finding its background of appearance and symbolism, reviews the symbolism and formality of black expressed in the field of paint-ing and design beyond the fashion, and compar-es to fashion. The study result of the thesis is as follows ; First, black as a color is a one to light other neighboring colors, while it is a static, con-tractible and outstandigly attractived color. Second, black color traditionally symbolizes death, earth, air, North and inferior level and in the painting, it symbolized death, despair, fantastic world and the expression of pent-up self, while cities have been symbolized in the black printing in modern times. In the design, black has appeared with the industrial society, which symbolizes functionality and modernity. Third, black in the fashion design was symbolized death, sternness simplicity, modernity, sex, resistance and so on. Death became conspicious by a religious factor since the old times, sternness was influenced by Spanish fashion in the 16th century, simplicity by Dutch fashion in the 17th century and modernity by Baudelaire dandyism and Chanel little black dress, while sex and resistance were urged to the modern times by teenage inferior culture and stickiness to sex. Fourth, the formative features of black costume prefer simplicity, tightness and bareness in form, and in material, usually used glancing materials changed by the effect of light, lace, see-through fabric and matte one with depth. As a result, the black color is summarized to symbol death, expression of self and modernity. It is not a color of emotion but of mentality and artificial one against nature. Black color in fashion gets a strong power to express self in the symbolic aspect and draws a higher attention on human body than the fashion itself. By these features, black costume will be continuously prefered in spite of changes of the fashion.

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형상의학(形象醫學)에 대한 논문 고찰 (Review on Hyungsang Medicine)

  • 서재호;박영배;박영재
    • 대한한의학회지
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    • 제34권1호
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    • pp.52-68
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    • 2013
  • Objectives: Hyungsang medicine (HM) is an inspection which emphasizes the relationships between pathological patterns and one's facial or bodily shape, color and movement. The purpose of this study was to review previously published study results of the HM. Methods: The authors reviewed a total of 51 HM-related studies published from 2000 to 2012 found on PubMed and various domestic Oriental medicine journals. Each study was classified into theoretical, diagnostic, or treatment-related category. Results: Theoretical studies were mostly based on the Nei-Ching and Dong-Eui-Bo-Gam texts, and dealt with differences in form between types such as masculine and feminine, the five organ image types, the four-type categorization of body essence, vital energy (Qi), mentality, and Blood, Gallbladder and Bladder, the four-type categorization of fish, bird, horse, and turtle types, and the six meridian types. Research on diagnosis has been performed on diagnostic characteristics of HM, correlation between HM and general coordinative manipulation (GCM), and Hyungsang medicine and ante-disease pattern (未病類型). Studies on treatments could largely be classified as treatments for specific diseases using certain acupuncture or herbal prescriptions based on HM. Treatments were mostly evaluated solely through subjective symptom improvement of patients. Conclusions: Our review results suggest that HM-related studies were focused on the constitutional characteristics and clinical utility of HM. To strengthen the theoretical basis of HM and its clinical utility, clinical trials including randomized, treatment-placebo and blind methods are needed.

안면형태(顔面形態) 유형분류(類型分類)에 근거한 “치미병(治未病)” 예방의학정신과의 상관성에 대한 연구 (Study on the Interrelationship of the Preventive Public-health and the Classification on the Body Form's Type)

  • 이정원;김훈;신순식;이해웅;이용태;김경철
    • 동의생리병리학회지
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    • 제22권1호
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    • pp.194-198
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    • 2008
  • The treatment before growing into disease is the highest level of the spirit of oriental preventive public medicine. Specially the treatmentt is very important in the life style disease of the aged society, and it is closely connected the human body-form diagnosis reflecting the character of individual physiology and pathology. The human body-form diagnosis explain systematically the color of face, the form and movement of the body, the smell and the taste, the mentality, many or few of $Yin{\cdot}Yang$, the state of pulse, the Meridian, the state of pathology and the direction of the treatment, and therefore the human body-form diagnostis method has also the practical ity on classifying the type. As the spirit of oriental preventive public medicine is based on the Meridian control method and food cooking control method, it has an important effect on the general management of the disease, the making on the beautiful face and the healthy body, the prolongation of life, the management of the individual-ordered health.

『동의보감(東醫寶鑑)』의 '형기론(形氣論)'에 대한 소고 (A View on Hyung-Ki in Donguibogam)

  • 박준규;차웅석;김남일
    • 한국의사학회지
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    • 제23권1호
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    • pp.55-65
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    • 2010
  • The narration of "Donguibogam" is focused on humans whilst medical books before it focused on diseases. This is shown from the first subtitle of External Body(身形門) chapter, [The Origin of Hyung-Ki(形氣之始)]. The contents of [The Origin of Hyung-Ki] explains that the human body is composed of 'Hyung(形)' and 'Ki(氣)' This perspective is shown throughout "Donguibogam". First, in the aspect of construction, the viewpoint is shown from the JipRye(集例). It divides the body into inside and outside, which is a result of Hyung-Ki perspective. This continues in the table of contents. Naegyeongpyeon(內景) and Oehyeongpyeon(外形) describes the inside and outside of the body, in other words 'Hyung-Ki'. Japbyeongpyeon(雜病) describes complex illnesses with mixed insides and outsides. Tangaekpyeon(湯液) and Chimgupyeon(鍼灸) can be understood as division of treatment methods into inside and outside. When we look at the contents, the human body is created on the basis of the essence and vital energy of the world. Cheon-Ki becomes the 'Ki' that forms the functions of the body, while Ji-Ki becomes the 'Hyung' that constructs the bodily structure. It is considered that 'Hyung' is composed of SaDae(the body essence, vital energy, mentality and blood), and 'Ki' is composed of OSang(the five Jang organs and six Bu organs). 'Hyung' and 'Ki' show various appearances according to physiology and pathology. 'Hyung' is especially shown by obesity or thinness, 'Ki' by color. The obese may have Ki deficiency, coldness, dampness or phlegm. The thin could have blood deficiency, heat, fire or dryness. The color could show the pathology of the five Jang organs by the five colors, but it can simply be divided into black and white, where black means Eum deficiency, and white means Yang deficiency. It is said that the distinctive feature of traditional Korean medicine is that it is a constitutional medicine. In this perspective, further study on 'Hyung-Ki' is of value. If "Donguibogam" was the foundation of the Sasang Constitutional Medicine(四象醫學), study on 'Hyung-Ki' means searching for the origin of the Sasang Constitutional Medicine. Also, the study on Sasang Constitutional Medicine and Hyungsang medicine(形象醫學) will show the modern image of "Donguibogam". Hence, interchange study between "Donguibogam", Sasang Constitutional Medicine and Hyungsang medicine through the term 'Hyung-Ki' could hopefully lead to academic progression.