• 비교문화연구
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• 제32권
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• pp.5-28
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• 2013

In this paper, a style-based approach to translating literary texts is introduced and used. The aim of the study is to work out a stylistic approach to translating literary texts from Arabic into English. The approach proposed in the current study is a combination of four major stylistic approaches, namely linguistic stylistics, literary stylistics, affective stylistics and cognitive stylistics. It has been shown from data analysis that by adopting a style-based approach that can draw from the four stylistic approaches, translators, as special text readers, can easily derive a better understanding and appreciation of texts, in particular literary texts. Further, it has been shown that stylistics as an approach is objective in terms of drawing evidence from the text to support the argument for the important stylistic features and their functions. However, it loses some of its objectivity and becomes dependent and subjective.

• 아동학회지
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• 제33권5호
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• pp.1-17
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• 2012

The purpose of this study was to examine the effects of the literary approach using a game strategy on young children's phonological awareness and writing abilities. The subjects were selected from two classes of 'H' and 'M' Kindergarten in G city. The research tools used were the Phonological Awareness Ability Test, which was corrected by Jo, Kim, and Jeong(2006) and used to measure young children's phonological awareness abilities, and Lindberg(1987)'s Kindergarten Writing Assessment which was adapted and used by Noh(1994) in order to assess writing abilities. The literary approach activity using a game strategy used in this study resulted in an improvement in young children's phonological awareness abilities and writing abilities. These results suggest that these activities are valuable tools and can be applied successfully in the childhood education field as teaching aids.

• 아시아태평양코퍼스연구
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• 제3권1호
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• pp.21-34
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• 2022

This study aims to apply corpus-based approach to analyze The Yellow Wall-Paper and Herland written by Charlotte Perkins Gilman, a women's rights activist in the late nineteenth-century America. Although both works have attracted feminists' attention to the woman question that concerned Gilman, discussion on her language features and their relation to the literary themes of these two works is still in need. In this corpus-based analysis, we argue that the main themes of different literary works can be revealed through linguistic patterns identified by number and gender features of nouns and pronouns in the contrast of two works and a balanced corpus. The linguistic features (number and gender) have been related with two themes, the 'group and individual' and the 'feminine and masculine', and are further interpreted in terms of mothering and feminine consciousness. By adopting linguistic approach, our study provides quantitative and qualitative evidence to verify the established themes and arguments of these literary texts.

• International Journal of Contents
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• 제13권3호
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• pp.43-48
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• 2017

As a computational approach to literary criticism, the method of character network analysis has attracted attention. The character network is composed of nodes as characters and links as relationship between characters, and has been used to analyze literary works systematically. However, there were limitations in that relationships between characters were so superficial that they could not reflect intimate relationships and quantitative data from the network were not interpreted in depth regarding meaning of literary works. In this study, we propose an improved method of character network analysis through a case study on the play . First, we segmented the character network into a dialogue network focused on speaker-to-listener relationship and an opinion network focused on subject-to-object relationship. We analyzed these networks in various ways and discussed how analysis results could reflect structure and meaning of the work. Through these studies, we strived to find a way of organic and meaningful connection between literary criticism in humanities and network analysis in computer science.

• 영미문화
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• 제9권1호
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• pp.113-139
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• 2009

Such is an elective affinity between literary studies and psychoanalysis that the latter sometime serves as a form of literary pedagogy. The affinity mainly consists in their shared concern for language. The signification of language in psychoanalysis is much similar to that of literature. Many of psychoanalytic terms and theoretical tenets bear witness to its dependence clinically on speech phenomena and theoretically on language in general. It is most true of Sigmund Freud, for whom the unconscious is in effect the linguistic unconscious. The Freudian unconscious, compressing and displacing through images and ideas, works as a text for psychoanalysis, which approach has not only paved one of the ways to poststructuralist anti-essentialism but with which literary studies also feel uncanny familiarity. Freudian psychoanalysis, starting empirically from clinical observations, discovers that words exist independent of meanings in the form of things in the unconscious system. Out of the various sensory elements of a word-thing, in psychoanalytic terms, the auditory is central. Now with the auditory imagination cultivated in the clinic, Freud figures out compression and displacement as the chief unconscious works, of which my main argument is that they are based phonetically on heteronym and homonym associations respectively. Compression and displacement work to be masks, which excites Freud's sense of challenge: his is a kind of poststructuralist approach, in the sense that the closed interrelatedness of words without external referents determines the signification in a given situation. But the works of compression and displacement, viewed in auditory terms rather than mapped on to metaphor and metonymy, can provide a new insight for a literary reading of Freud. Pursuing Freud's auditory imagination is not only an attempt to read his writing as literary text rather than for theoretical discussion, but also an experiment with the possibility of literary reading of a theoretical text in the age of after-theory.

• 영어영문학
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• 제55권1호
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• pp.107-128
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• 2009

Literature had been at center-stage in the traditional grammar-translation-focused English classrooms up to the mid-twentieth century. As the Audiolingual Method and the Communicative Language Teaching have gained popularity in the English classrooms, however, literature has receded into the background of English education. The main reasons for using literary texts in the English classrooms for communication-focused English instruction need to be examined. First of all, students can come in touch with the subtle and varied uses of language through literature-based teaching. They also feel close to certain characters in the literary work and share the emotional reponses with them. They get personally involved in the plot of the story. Universal human experience and cultural enrichment are two other merits which can be conferred on students by literary texts. Such linguistic and literary experiences can be significantly integrated into the literature-based instruction. More significantly, the four language skills (reading, writing, listening and speaking) can be combined with one another and integrated into a literature-focused curriculum for English education. The value of literary texts in the English classrooms can be clearly demonstrated by effective ways of using such texts as Charlotte's Web for integrated instruction. The full array of benefits that literature can bring to English instruction, however, has yet to be fully realized. These potentials need to be materialized into classroom practice.

• 한국실내디자인학회논문집
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• 제19호
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• pp.114-120
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• 1999

By taking an ecological approach, The purpose of this thesis was to 1. analyze the existing literary work about design directives for the elderly housing. 2. case study about actual housing conditions of elderly people, 3. grasp the level of satisfaction and level of requirement about housing environment by Korean elderly, 4. by integrating the above three, provide foundational data arranging the appropriate housing design directives pertaining to Korea's actual circumstances. The major findings in this study were surmmarized as follows. (1) From the six literary works, 27 items as Microsystem, 1,249 items as Mesosystem, and 330 items as Exosystem were founded and there was no evidence of directives for Macrosystem. (2) As a result of the case study, there appeared a substantial difference between actual conditions of housing environment for the Korean elderly and the design directives perceived in the literary works. (3) The level of satisfaction and for the Korean elderly housing environment were founded differently in each directives. (4) By ecological approach for the Korean elderly housing environment design directives as follows. In microsystem (13 items) in mesosystem(83 items), in exosystem(24 items), in macrosystem(15 items), 135 items in total were suggested as design directives for Korean Elderly housing environment.

• 고전문학과교육
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• 제39호
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• pp.5-39
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• 2018

이 연구는 문학교육과의 관계 속에서 문학치료의 특성을 확인하고 그 정체성을 분명히 하고자 하는 목적을 갖는다. 문학치료는 문학을 가르치지 않는다. 합의된 해석이나 작품의 창작 배경, 갈래적 특성 등에 대한 지식을 전달하지 않는다. 문학치료에서는 참여자가 문학 텍스트를 자기 생각과 감정에 충실하게 감상하고 표현하도록 독려한다. 텍스트에 대한 참여자의 반응, 즉 정서와 해석은 참여자의 내면을 반영하고 있는 것으로서 모두 존중된다. 문학치료는 텍스트 내에 의미가 존재하는 것이 아니라 독자에 의해 생산된다고 보았던 독자반응비평의 관점에 충실하다. 독자가 생산한 의미를 독자의 자기탐색을 위한 매개로 활용하는 것이다. 문학치료에서는 문학 텍스트보다는 그 텍스트를 읽는 사람에게 초점을 맞춘다. 그래서 문학치료는 문학 텍스트의 이해보다는 문학을 통한 독자의 자기이해를 도모하는 방향으로 진행되게 된다. 문학치료에서 문학은 그것을 읽고 반응하는 자기를 보게 함으로써 참여자의 자기에 대한 앎을 증진시켜 자기의 확장을 가능하게 하는 성장의 매체이다. 문학치료에서 문학 텍스트에 대한 수용자의 반응에 대한 허용의 폭은 문학교육의 그것보다 크며 문학치료의 과정은 문학교육의 그것보다 특수하고 개별적인 특성을 가진다. 문학을 통한 개인의 성장을 지향한다는 점에서 문학교육과 문학치료는 상호보완적 관계에 있으며 문학 텍스트를 읽고 쓰며 이해할 수 있는 기본적 능력을 갖추기 위한 문학교육이 바탕이 될 때 문학치료는 더욱 활성화될 수 있을 것이다.

• 인문언어
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• 제7집
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• pp.157-203
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• 2005

The Epic of Gilgamesh drew heavily upon Mesopotamian literary tradition. Sin-leqe-uninni, the editor of Standard Version of the Epic of Gilgamesh in 13th century B.C.E. adopted the Old Babylonian version as well as older Sumerian tales about Gilgamesh. He also was very successful by extensive use of materials and literary forms originally unrelated to Gilgamesh. The epic opens with a standard type of hymnic-epic prologue. This study lens a measure of vindication to the theoretical approach by which Morris Jastrow recognized the diversity of the sources, which underlies the epic and succeeded in identifying some of them. Thanks to the ample documentation available for the literary development of the epic, we can trace the steps which its author and editors took with the result that the epic inspires fears and aspirations for more than three thousand years.

• 감성과학
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• 제26권4호
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• pp.115-124
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• 2023

본 논문은 문학 연구와 인공지능의 접점을 감성 영역에서 찾고, 그 연계성을 기반으로 상호 보완과 발전을 지향하는 문학과 기술의 융합에 관한 연구이다. 본 논문은 문학과 공학에서 각각 상대를 보는 관점을 사용하고 공통의 기반인 감성의 주제를 두고 비교 점검하는 연구 방법을 사용한다. 현재 인공 지능과 문학 연구의 융합 연구 결과물이 많이 발표되고 있지 않은데, 본 연구에서는 미래 인공지능의 지향점을 두고 인문학 분야에서의 학제적 연구를 모색해 보고자 하였다. 이에 문학적 감성을 통해 문학도 인공지능의 발전에 공헌할 방안으로서 주관적인 문학의 감성을 추출하여 인공지능의 객관적 입력을 위한 정형화 작업에 참여할 때에 이르렀다. 본 연구에서 시도하고 있는 감성의 용어 중심 추출 작업을 거쳐서 인간 감정에 접근하는 주관적인 상상력과 객관적인 기술력이 조합된다면, 광범위한 인간의 자료를 분석하는 속도감 있는 문학 연구의 확장은 물론, 복합적인 인간을 이해하고 상대하는 깊이 있는 인공지능의 개발에 다가갈 수 있을 것이라 본다. 그러한 마주보기 통과 의례를 거쳐서 학제적 연구의 장점을 살린 논의는 두 학문 분야를 별개로 볼 때의 한계 또한 인정하고 부족한 측면을 상호 보완하는 융합 연구의 긍정적 측면을 갖게 될 것이다.