• 건축역사연구
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• 제10권1호
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• pp.25-40
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• 2001

Since the 17th century, the society of Chosun Dynasty belonged to a period of rapid transition in many fields. As the building is a result produced on the basis of a society and economy, the general transition in a society is to be reflected into a process of building construction. Therefore an understanding or estimate of a building can be guaranteed by research of a process of building construction. Economic base factors in its process consist of material, cost, manpower, and operation system, etc. to be committed to the construction. On the premise, this paper is to examine the production of wood members and the calculation of the amount of raw woods in a process of woodwork in the construction of the government managed buildings in the late of Chosun dynasty. Construction reports, job slips, written estimates, and other documents in those days are examined for the study. To classify raw woods according to a standard size was aimed to a material management appropriately to apply each them to building size or its member size. The way to select a list of raw woods applicable to each member size, and to calculate the amount of the demanded wood was much more improved with 'Injungjeon-yeongkweon' in the year 1805 at the turning point than 'Hwaseong-seongyuk' in the year 1796. The improvement of material management brought to overcome a shortage of the amount supplied from forest preserve, and to a rationalization of building construction.

• 한국가구학회지
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• 제21권1호
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• pp.72-82
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• 2010

The objective of this study is to identify the species of 17 wooden Buddhist statues of the late Joseon Dynasty (the 17th and 18th century) in Jeollado, southwestern region of Korea. The bodies of statues were made of Ginkgo (Gingko biloba L.: 88%) and alder (Alnus spp.: 12%). The hands of statues were alder(64%), willow (Salix spp.: 27%) and Ginkgo(9%). The bottoms of hollow bodies were covered all with Japanese red-pine (Pinus densiflora S. et Z., 'sonamu') panels. The main species of statue body, Ginkgo tree was known to be introduced to Korea from China with Buddhism. The results indicated that Ginkgo trees of Korea in the 17th century had already become large and rich enough to be used for most of statues. Ginkgo wood has low shrinkage and even texture, which are crucial for carving sculptures. Alder and willow woods used for statue hands have fine and firm textures. The pedestals for these statues were also made of red pine wood. Red pine woods have rather high shrinkage and low hardness, but it is versatile woods strong enough to support heavy statues.

• Journal of the Korean Wood Science and Technology
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• 제20권2호
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• pp.51-60
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• 1992

This study was performed to investigate the effect of green sorting before drying on the high-temperature drying characteristics of southern yellow pine dimension lumber(2"${\times}$6"${\times}$12'). To test the advantages of weight sorting, green lumber was seperated into heavy(above 55 1b), medium(50-55 1b), and light(below 50 1b)weight classes. Pieces in each weight class were subgrouped into high(above 35%) and low(below 30%) latewood groups. Groups were dried and seperated by a standard commercial high-temperature schedule; dry bulb temperature $245^{\circ}$ F, wet bulb temperature $180^{\circ}$ F, and air velocity 1200fpm. The results obtained were as follows; 1. There was a highly significant correlation between annual rings per inch(X) and percent-latewood(Y). The regression equation was Y=24, 5047+1.3272X. 2. There were highly significant correlations between either annual rings per inch($X_1$) or percent-latewood($X_2$) a.d specific gravity in green wood(Y). Their regression equations were Y=0.4260+0.0081$X_1$ and Y=0.3749+0.0029$X_2$, respectively. 3. Heavier weight charges dried more slowly than lighter weight charges. 4. Board-to-board variation in green or dry moisture content was less for all seperate weight classes than for unseperated control charges. 5. Lower latewood pieces had higher initial moisture content than higher latewood pieces, and then drying time for lower late wood pieces was longer than higher latewood pieces.

• 한국가구학회지
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• 제26권2호
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• pp.171-178
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• 2015

Furniture is very important in our lives. Especially traditional wood furniture of Korea has been developed practically in the area of form, compositions, manufacturing technique and etc because of the rapid environmental changes. Jang Sung has a very efficient geographical characters to get the adequate timbers for furniture. And the late Mr Seol SeokCheol had devoted all his life to out-and-out artisan spirit for the purpose of korean wood furniture manufacturing. In this paper, l try to explain regional and cultural characteristics of JS, special designs for wood furniture of JS, manufacturing process of traditional wood furniture, especially in the center of his works. Tradition is an essential power to a country and a race. Now we are living living in the state-of-art age and we share all the cultures and merchandise globally but nevertheless, a nation and a race who has a unique tradition is still a cultural advanced country and these works of our ancestors are the best souvenir for the tourists. So we have to memorize these facts and we will have to raise and develop our power of traditional cultures, including from the traditional wood furniture.

• Journal of the Korean Wood Science and Technology
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• 제25권3호
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• pp.43-49
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• 1997

The lengths of fibers and vessel elements, vessel diameters, and ray spacings of tension and opposite woods in Quercus mongolica Fischer and their radial variations were examined. Crystallinity indices and crystallites orientations of tension, opposite and lateral woods were also investigated. The lengths of fibers and vessel elements, and ray spacings of tension wood were longer and denser than those of opposite wood, respectively. In the latewood, the vessels of tension wood had a little larger diameters than those of opposite wood. whereas the vessel diameters of earlywood were similar in both woods. With the exception of vessel diameters of earlywood, there were differences between tension and opposite woods in all anatomical characteristics examined. In the radial variation pattern, the fiber lengths of both woods increased markedly to about 15th annual ring and thereafter remained virtually constant. The vessel element lengths of earlywood in tension wood increased to certain annual ring and thereafter were stabilized, but opposite wood had a relatively constant trend from pith to bark. Those of late wood in both woods increased to certain annual ring and thereafter showed constant patterns. Vessel diameters appeared to show similar trend in both woods. Ray spacings decreased to about 15 annual ring and thereafter were stabilized in both woods. In the fine structures, tension wood had higher crystallinity index and better crystallites orientation than opposite and lateral woods.

• Journal of the Korean Wood Science and Technology
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• 제13권1호
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• pp.3-18
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• 1985

한국(韓國)에서는 리기다소나무 (Pinus rigida Miller, pitch pine) 지재(枝材)의 해부학적(解剖學的)인 특성(特性)에 관한 연구(硏究)가 광학현미경적(光學顯微鏡的)인 방법(方法)을 통하여 이(李)에 의하여 1972년(年) 발표(發表)되었다. 본 연구(硏究)에서는 리기다소나무 지재(枝材)의 해부학적(解剖學的)인 특성(特性)에 관한 이(李)의 연구(硏究) 속보(續報)로써 압축이상재(壓縮異常材) (compression wood), 대응재(對應材) (opposite wood) 및 측면재(側面材) (side wood)의 횡단면(橫斷面)과 방사단면(放射斷面)상의 조직학적(組織學的) 특성(特性)을 주사전자현미경(走査電子顯微鏡)을 통하여 비교(比較) 연구(硏究)한 바 얻어진 결과(結果)를 요약(要約)하여 보면 다음과 같다. 1. 압축이상재(壓縮異常材)에 있어서 춘재(春材)로부터 추재(秋材)로의 가도관(假導管) 이행(移行)은 극점(極漸)이며 가도관(假導管)의 배열(排列) 및 크기 역시 거의 균일(均一)한 상태(狀態)를 나타내지만 대응재(對應材) 및 측면재(側面材)에 있어서는 가도관(假導管)의 이행(移行)이 급(急)하며 가도관(假導管)의 배열(排列) 및 크기도 압축이상재(壓縮異常材)의 가도관(假導管)보다 불균일(不均一)하다. 또한 대응재(對應材)의 연륜폭(年輪幅)은 압축이상재(壓縮異常材)나 측면재(側面材)의 연륜폭(年輪幅)보다 좁으며 측면재(側面材)의 횡단면(橫斷面)상 방사조직(放射組織)은 압축이상재(壓縮異常材) 및 대응재(對應材)의 방사조직(放射組織)보다 더 명확(明確)하다. 2. 압축이상재(壓縮異常材)의 가도관(假導管) 특히 춘재(春材) 가도관(假導管)이 둥근 경향(傾向)을 나타내는데 반하여 대응재(對應材) 및 측면재(側面材)의 가도관(假導管)은 다소 모난 모양을 나타낸다. 그리고 세포간극(細胞間隙) (intercellular space), 나선강(螺旋腔) (helical cavity) 및 나선형(螺旋型) (spiral check)이 압축이상재(壓縮異常材)의 춘재(春材) 및 추재(秋材)에 모두 존재하는데 반하여 대응재(對應材)에 있어서는 춘재(春材) 및 추재(秋材) 모두에 존재(存在)하지 않는다. 3. 대응재(對應材) 및 측면재(側面材)에 있어서 추재(秋材) 가도관(假導管)의 막(膜) 두께가 춘재(春材) 가도관(假導管)의 것보다는 더욱 크지만 압축이상재(壓縮異常材)의 추재(秋材) 가도관(假導管)은 그 막(膜)의 두께가 춘재(春材) 가도관(假導管)의 것과 비슷하여 대응재(對應材) 및 측면재(側面材)의 가도관(假導管)과는 달리 압축이상재(壓縮異常材)의 가도관(假導管)에는 2차막(次膜)의 $S_3$ 층(層)이 존재(存在)하지 않는다. 4. 대응재(對應材) 및 측면재(側面材)의 가도관(假導管)과는 달리 압축이상재(壓縮異常材)의 가도관(假導管)은 종종 그 선단부(先端部)가 굴곡(屈曲)되어 있으며 압축이상재(壓縮異常材)의 가도관(假導管)에 존재(存在)하는 유연막공(有緣膜孔)은 대응재(對應材) 및 측면재(側面材)의 것과는 달리 세포막(細胞膜) 내표면(內表面)의 나선상(螺旋狀) (groove)에 존재(存在)한다. 5. 대응재(對應材) 및 측면재(側面材)의 가도관(假導管)의 방사막(放射膜)에 존재(存在)하는 유연막공(有緣膜孔)은 난형(卵形)이지만 압축이상재(壓縮異常材)의 가도관(假導管)의 유연막공(有緣膜孔)은 약간 변형(變形)된 난형(卵形)을 나타낸다. 6. 측면재(側面材)의 춘재(春材)에 있어서 소형(小形) 분야막공구(分野膜孔口)는 둥근 삼각형(三角形)을 나타내며 대형(大形) 분야막공구(分野膜孔口)는 2개의 소형(小形) 분야막공구(分野膜孔口)가 합병(合倂)되어 창상(窓狀)을 나타낸다. 그러나, 대응재(對應材)의 춘재(春材)에 있어서 소형(小形) 분야막공구(分野膜孔口)는 직립(直立)의 난형(卵形)을 그리고 대형(大形) 분야막공구(分野膜孔口)는 평복(平伏)의 난형(卵形)을 나타내며 압축이상재(壓縮異常材)의 분야막공구(分野膜孔口)는 가도관측(假導管側)의 막공연(膜孔緣)으로 인하여 춘재(春材)의 것이 양편 볼록렌즈형(形)을, 추재(秋材)의 것이 슬릿 (slit)형(形)을 나타낸다.

• Journal of the Korean Wood Science and Technology
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• 제33권3호통권131호
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• pp.11-21
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• 2005

영광 불갑사의 대웅전에 쓰인 목재의 수종을 식별하기 위하여 기둥, 보, 평방, 창방, 도리, 사래, 추녀, 서까래 등 총 88점을 조사하였다. 수종은 경송류(소나무류), 전나무속, 참나무(상수리나무류), 느티나무 등 4수종이 식별되었다. 기둥과 사래는 느티나무의 비율이 높았으나, 다른 부재는 경송류가 대부분이었다. 기둥과 사래의 느티나무의 비율이 높은 것은 조선후기 이전에는 소나무보다 재질이 우수한 느티나무가 많이 사용되었기 때문이라고 생각된다.

• Journal of the Korean Wood Science and Technology
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• 제32권1호
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• pp.88-95
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• 2004

경복궁의 정전 건물인 근정전에 쓰인 목재의 수종을 식별하기 위하여 기둥, 보, 도리, 창방, 박공 등 총 144점에 대하여 조사한 결과, 소나무와 전나무 두 수종이 식별되었다. 기둥은 1층의 경우 평주 20개 중 11개가 전나무, 9개가 소나무, 내진고주는 12개 중 7개가 전나무, 5개가 소나무, 그리고 귀고주는 3개가 전나무, 1개가 소나무로 식별되어 소나무보다 전나무가 차지하는 비율이 더 높았다. 2층 기둥 16개는 모두 소나무로 구성되어 있었다. 기둥 이외의 다른 부재는 총 92개 중 도리 2개만이 전나무였고, 나머지는 모두 소나무였다. 우리나라 궁궐의 목재가 소나무로 만들어졌다는 통설은 사실과 다르며 재료 수급에 따라 다른 수종도 사용되었음이 밝혀졌다. 조선말 소나무 장대재(長大材)가 고갈되어 강도가 떨어지는 전나무로 기둥을 많이 쓸 수밖에 없었던 것으로 생각된다.

• Journal of the Korean Wood Science and Technology
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• 제10권1호
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• pp.38-46
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• 1982

우리나라의 주요(主要)한 조림수종(造林樹種)이고 경제적수종(經濟的樹種)인 잣나무조림목(造林木)에 대(對)하여 여러 재질지표치(材質指標値)의 수간내(樹幹內)에서의 재질변동(材質變動)의 규칙성(規則性)에 의(依)하여 미성열재(未成熟材)와 성숙재(成熟材)와의 구분(區分) 성숙재(成熟材)와 미성숙재(未成熟材)의 범위(範位)의 표현(表現) 및 양재부(兩材部)의 재질(材質)의 특징등(特徵等)을 조사검토(調査檢討)하였으며 그것을 요약(要約)하면 다음과 같다. 1) 각종재질지표치(各種材質指標値) 즉(卽) 연륜폭(年輪幅) 만재율(晩材率) 가도관장 가관세포의 절선방향(切線方向)의 폭(幅) 및 막후(膜厚) micro fibril의 경사각(傾斜角) 용적밀도수(容積密度數)의 수간내변동(樹幹內變動)의 일반경향(一般傾向)을 구명(究明)하고 이 결과(結果)로부터 성숙재(成熟材)와 미성숙재(未成熟材)와의 구분(區分)의 가능성(可能性)을 검토(檢討)하였다. 2) 미성숙재(未成熟材)의 범위(範圍)는 잣나무조림목(稠林木)에 있어서는 일반적(一般的)으로 수심을 중심(中心)으로 하여 반경(半徑) 6~11cm 정도(程度)의 원통형(圓筒形)으로 표시(表示)할 수 있다. 3) 미성숙재(未成熟材)의 수심으로부터의 연륜수(年輪數)는 12~20 연륜정도(年輪程度)이며 생장환경(生長環境)이 비슷한 임지(林地)의 각(各) 개체내(個體內)에서는 같은 경향(傾向)을 가진다. 4) 성숙재(成熟材)가 출현(出現)하는 한계(限界)의 지상고(地上高)는 5~10m 정도(程度)이다. 5) 미성숙재(未成熟材)의 연륜수(年輪數)는 각(各) 입본(立本)의 생장경과(生長經過)에 따라 차이(差異)가 생기며 일반적(一般的)으로 생장(生長)이 균일(均一)할때는 원통형(圓筒形)을 나타낸다. 6) 미성숙재(未成熟材)의 재질변동(材質變動)은 성숙재(成熟材)의 재질변동(材質變動)보다 일반적(一般的)으로 큰 경향(傾向)을 나타내고 있다.

• 건축역사연구
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• 제33권1호
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• pp.45-60
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• 2024

This study aims to examine the cutting traces remaining on the bracket tie beams of Sungnyemun gate, identifying the tools employed during the late Goryeo to early Joseon periods by specific processes, and deliberating on the timber shaping techniques utilized in advanced architectural construction during the late Goryeo to early Joseon eras. Through the research, it was confirmed that in the production of Sungnyemun Gate's bracket tie beams during the 14th to 15th centuries, both the timber splitting and ripsawing methods were used in conjunction. Moreover, the wood finishing process revealed the use of a plane. It can be inferred that the characteristics of the plane used during that time were not significantly different from those observed in the later period of the Joseon dynasty. The ripsawing and plane finishing techniques were evident in various parts of the bracket tie beams of Sungnyemun gate across the reigns of king Taejo and Sejong, indicating that the techniques involving ripsaw and plane were already prevalent in the late Goryeo period. Consequently, it can be inferred that the ripsawing and plane finishing techniques might have been applied in the construction of prominent government buildings in Hanyang(Seoul), including Gyeongbokgung Palace, and in the residences of royalty and nobility after the establishment of the Joseon dynasty.