• Journal of the Korea Fashion and Costume Design Association
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• v.14 no.1
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• pp.111-121
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• 2012

This study focused on the plane and side drape coefficients of weft knitted fabrics as a function of knit structure, stitch density, and stiffness. Fifteen weft knitted fabrics are produced with five different structures (interlock, single pique, royal interlock, cross miss interlock, and mock royal interlock) and three different gauges (7G, 10G, and 12G). Five knit structures were the application of knit, tuck, and miss stitch on the basis of interlock of the double knit fabric For this purpose, three-dimensional shapes of the draped sample were obtained by using a drapability tester which can record the contour line coordinates of a projected plane drape. Then, projected shapes of the plane and side drape were derived from those three-dimensional ones to review the relationship between plane drape coefficients and side ones. It was found that the theoretical values of plane and side drape coefficients depending on the change of deflection angles fit to their experimental ones. A5 a result of a regression analysis of the relationship between plane and side drape coefficients, the relationship could be expressed as $y=0.5838x-0.0065x^2+9.03{\times}10^{-5}x^3$. In case of mean of drape coefficient, it was increased according to the rule of that the more tuck and miss stitch overlap. A high degree of correlation was found between stiffness and drape coefficient. The regression equation of drape coefficient($y$) can be represented by $y=y=\sqrt[3]{Stiffness}-10.72$.

• Journal of the Korea Fashion and Costume Design Association
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• v.19 no.4
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• pp.1-15
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• 2017

The aim of this study is to plan a design that satisfies consumer needs by forecasting future properties following changes of gauge in basic Jacquard structure and to provide helpful data for a variety of knit-wear development. Four basic Jacquard knit samples (Normal Jacquard, Bird's eye Jacquard, Floating Jacquard, Tubular Jacquard) were selected and projected by using three types of gauges (7G, 12G, 14G) with an SES-122S type Computer Knitting machine of Shimaseiki MFG. Twelve different types of samples with Jacquards and gauges were tested on a flat table by measuring the course and wale in a 1cm area to calculate the gauge of samples. The mechanical properties of 12 types of Jacquard samples were measured using KES-FB (Kawabata Evaluation System for Fabric, Kata Tech Co. Ltd). As the result of comparing the number of patterns, courses and wales depending on the change of gauge of the basic Jacquard structure, it was observed that the number of patterns per specific length, course and wale has increased from 7G to 14G, a high-gauge. According to objective research regarding Jacquard structure, 7G Tubular Jacquard, which is low gauge, seems to be suitable for masculine design as it is heavy and thick, and has rigid and rough texture due to a high level of flexural strength and shear property. 14G Floating Jacquard, which is high gauge, seems to be suitable for feminine, silhouette design as it is light, thin, soft, flexible and has high drape. The result of this study provides a theoretical foundation for knit-wear development considering basic Jacquard structure and gauge-specific properties. This study can be used to provided directions for the development of knit industry.

• The International Journal of Costume Culture
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• v.2 no.2
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• pp.80-96
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• 1999

This research focused on pattern adjustments of the stable knit garment for women. Fourteen different types of the knitted fabrics by 12 gauge, computerized flat bed machines were cut in as one half of the torso front, one half of the torso back, and one side of the sleeves for each of them. Guidelines such as the center front, the center back, the armhole, the bust-line, the waistline, the hip-line the hemline were basted on the torso patterns in the knitted fabrics. Also the grain-line, the elbow-line, and the hemline were basted on the one side of the sleeves in the same as above knitted fabrics. The torso patterns in the knitted fabrics were exhibited on the dress-forms on top of the torso patterns in Muslin, which also have the same guidelines drawn on. The distances between the guidelines on Muslin and those on the knitted fabrics for each set of the sample fabrics were measured every three days for two weeks. The fabric properties of the fourteen knitted fabrics such as fiber contents, stitch density both in the wale and course directions, weight, thickness, stretch & recovery, residual shrinkage, relaxation and drapability were laboratory tested for how these were related to finished appearance of 12 gauge, computerized flat knit garments and also in order to prove the fourteen knitted fabrics fall to a category of such as the stable knit. The results from the investigation revealed that six fabric properties such as stitch density, thickness, stretch recovery, residual shrinkage and relaxation were not so much significant factors as weight and drapability. In conclusion, fabric weight, and drapability of the fabric resulting from fiber contents were the cause of final appearance distortion of garment. When adapting patterns for stabilized, 12 gauge, computerized flat knitted fabrics, the fiber contents of the fabrics should be taken into consideration to reduce the production cost and produce better-fit garments.

• The Research Journal of the Costume Culture
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• v.18 no.2
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• pp.277-289
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• 2010

The objective of this study is to develop naturalistic knit designs inspired by Yann Arthus-Bertrand's works. For this purpose, we examined the present style of naturalism and history of naturalism though literature research, and then developed designs. The results are as follows: First, as scientific realism originated from a philosophical concept was adopted in literature and other genres, its meanings have been altered and comprehensively expanded according to the genres of which the term is being used. Naturalism of the modern times carries strong message of ecology and environmental protection. Second, the modern naturalism in fashion is manifested in expressing the image of nature and plasticity, instead of a mere use of the natural materials. As the aspects of ecology become more significant, elements of retro, recycle, or grunge are additionally integrated in fashion. Third, Naturalism expressed in knitwear is similar with that of other clothing in terms of color and textile, however, silhouette in knitwear is unique in its general naturalness and flowing effects. Embroidery, knitting of Jacquard and Intarsia, or crochet is used to express forms of objects from nature. Visual effects regardless of the contents of yarn, and pattern effects after knitting by using yarn, have influences on the material. Forth, the eight knit designs in expressing naturalism presented in this study took a motif from the works of Yann Arthus-Bertrand. They were created by rendering rhythm of the landscape with emphasis on brown color. Contour and surface touch were expressed through yarn and the structure of knit.

• Human Ecology Research
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• v.57 no.1
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• pp.91-107
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• 2019

The use of standardized stitches in globalized apparel markets is becoming increasingly important. However, many apparel vendors still use disunified stitches, such as Japanese and English. This study analyzes the usage of clothing stitches of cut and sewn knit garment fabrication of small companies. The results of the analysis of 464 worksheets of cut and sewn knit garments are as follows. First, of the 464 worksheets, only 4.31% are labeled as ISO 4915 No. Among the 1,399 stitches, only 3.15% were marked with the ISO 4915 No. Second, among 1,399 stitches, ISO 4915 No. 406 followed by 401 was the most frequently used. Third, in the case of the top, ISO 4915 No. 406 was used the most; in addition, ISO 4915 No. 401, 301 and 304 were also frequently used. Fourth, in the case of the bottoms, the stitch with the highest frequency was ISO 4915 No. 406 followed by ISO 4915 No. 103 and 401, respectively. Fifth, in the case of the top, ISO 4915 No. 406 was most commonly used in hemlines and sleeve edges; in addition, in the case of the bottoms, ISO 4915 No. 406 and 103 were most commonly used as hemlines. In conclusion, it is important to use international standard stitches, especially for the most frequently used stitches. By using the standard stitches, the communication errors between production departments can be reduced and information can be accurately delivered.

• Journal of the Korean Society of Clothing and Textiles
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• v.25 no.3
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• pp.569-576
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• 2001

The purpose of this study is to develop multifunctional fibers by sticking cinnamon microcapsules on cotton knit. The prepolymer was made from urea-formaldehyde for usage of wall materials of microcapsules. The parameters for adoptable condition are 5000rpm of agitation speed, 1% of dispersions concentration according to the observation with SEM and particle analyzer. The Antimicrobial activity of cotton knit treated with capsule was increased greatly and maintained on the laundering cycle.

• Textile Coloration and Finishing
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• v.20 no.2
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• pp.53-58
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• 2008

New dyeable PP fiber and several products from it has been developed through dispersing polyester copolymer into PP resin by a Korean synthetic fiber manufacturer and its colleagues. The dyeing properties of PET/dyeable PP double knit fabric were examined with three different types of disperse dye in this study. It was found that the disperse dye, exhausted on dyeable PP at early stage of dyeing, migrated to PET at elevated dyeing temperature when two fibers were dyed in the same dye bath. The ratios of dye distribution between two substrates dyed at $120^{\circ}C$ and $130^{\circ}C$ showed no difference. S type disperse dyes showed good build-up properties and acceptable color fastness while high light fastness type exhibited the lowest amounts of exhaustion but excellent color fastness. It might be concluded that the most appropriate dye for PET/dyeable PP double knit fabric was S type, and that some color difference between PET side and dyeable PP side was unvoidable.

• Journal of Fashion Business
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• v.22 no.4
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• pp.118-129
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• 2018

The purpose of this study is to develop ECG electrode materials for the heart rate monitoring smart band, a smart device used for ECG and heart rate measurement. The purpose of the evaluation is to assess properties and conductivity of electrodes of the existing heart rate monitoring smart band, and to determine suitability through a representative conductive sample. Because level of thickness does not differ significantly from value of conductive specimen from thickness of the smart band, it can be used as a conductive electrode. Surface conductivity of conductive samples and smart bands, is expected to be available as electrodes except for conductive film. Also, since the knit have conductivity only in the metal processing layer, it is necessary to use electrodes on the part of the metal processing layer that is conductive when applying the knit. Tensile strength and electrical conductivity of the tensile were generally revealed to have a tendency. Thickness of the specimen that can be used as an electrode for the smart band is suitable for all samples, electrical resistance, conductive woven, conductive knit, and conductive cord. In the case of conductive cord, however, the electrode attached to the human body will not conform to the flat shape of the electrode attached to the human body. Therefore, the conductive woven and the conductive knit will be available as an electrode.

• The Research Journal of the Costume Culture
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• v.18 no.3
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• pp.465-475
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• 2010

For this study, 18 kinds of cut and sew or seamless knitted test garment were made. Samples differed from each other by skirt angles($90^{\circ}$, $180^{\circ}$), gauges(7G, 12G, 15G), and grain directions(bias direction, wale direction, and radial direction). After measuring the mechanical properties of various gauges on the seamless knitting machine, I compared shape of the knitted flare skirt through subjective evaluation on appearances. The data analysis methods used in this study were descriptive statistics, one-way ANOVA, Duncan-test, correlation analysis, and regression analysis. The subjective evaluation on appearances of knitted flare skirts showed the following: In case of $90^{\circ}$ skirt, the seamless skirt showed a much higher score in every gauge expect that of the cut and sew 12G, and silhouette of 15G wale direction. In case of the $180^{\circ}$ skirt, the seamless type showed a much higher score in every item over the cut and sew expect the silhouette part of 7G wale direction.

• Journal of the Korea Fashion and Costume Design Association
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• v.22 no.1
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• pp.15-32
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• 2020

This study aims to develop contemporary fashion designs from the unique Yao minority costumes and to explore the possibility of developing creative designs by using knitting materials. The research method is based on the cultural clothing and costumes of the Chinese ethnic minority, as well as literature concerning the Yao costumes and photo data to investigate the cultural background and characteristics apparent in Yao costumes. The overall design characteristics of Yao costumes are as follows. First, the shape of Yao costumes are divided into straight-lined short tops with pleated skirts or shorts, or cardigan tops with pants and aprons, or long shirts, pants, and a belt. Each variant of tribal clothing is different. Second, the colors used are mainly black or dark blue, and these are accented by other colors, such as red, orange, yellow, green, blue, and white. Third, the clothing patterns are mainly in plant, animal, natural, geometric, and human, etc. motifs. The most common patterns in daily life are the patterns using geometric shapes, plants, or animals. Using the background of the unique lifestyles of the Yao ethnic minority, this study applied hand knitting and jacquard techniques for a knit fashion design. In order to develop traditional patterns, Yao patterns were entered into an Illustrator and SDS-ONE APEX3-4 was used for simulation. Using wool fibers as the raw material; the knitting machine used a Bird's eye Jacquard technique-10GG. The results of this research and design work were as follows. First, the knitted clothing design using Yao clothing elements has significance for the development and flexible use of ethnic elements in contemporary creative design. Second, the straight cut design using hand-knitted and jacquard-knit fabrics can minimize waste materials and provide more possibilities for sustainable design development. Third, it provides additional methods for the combination of hand-knitting and jacquard knitting fashion design.