• Fashion & Textile Research Journal
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• v.1 no.3
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• pp.280-287
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• 1999

The aims of this research were to study on the relationship between the mechanical properties and the deformation behavior of weft-knitted fabrics as a function of knit structure and knit density. Eighteen weft-knitted fabrics were produced with six different knit structures ($1{\times}1$ rib, half-cardigan rib, half-milano rib, interlock, single-pique, and crossmiss interlock) and three different knit densities (loose, medium, tight). The mechanical properties of these samples were measured using the KES-F system. The 2HBIW increased as knit density was raised. The increase was greater for the double knit fabrics in all samples. Half-milano rib and crossmiss interlock samples showed the lowest 2HG/G values. The double knits were smaller than those of single knits indicate a higher degree of surface smoothness. The ratio of compression energy to weight per unit area of the double knits had lower values than the single knits.

• Journal of the Korean Society of Costume
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• v.51 no.1
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• pp.75-85
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• 2001

The purpose of this study is to provide for the basic data useful to the high quality knitwear production. For this purpose, knit promotions that product knitwear for 20 age ∼ 30 middle age women were sampled to survey the fabric planning and production·quality management of knitwear, and their directors were surveyed through direct interviews. Data is processed by a computer(SPSS) and analyzed by using frequency, percentage, mean. The results of this study are as fellows. 1. Most of the sample companies were getting smaller or pettier in terms of capital, number of employees. 2. Knit promotions were universally using acrid and wool as knit fabric. 3. Knitwear tended to be producted much in knit promotions. 4. It is needed to use high quality fabric and perform careful sewing for knitwear quality rising.

• The Research Journal of the Costume Culture
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• v.13 no.2 s.55
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• pp.189-199
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• 2005

The purposes of this study are to see a manufacturing process on knit by comparison, and to present whole garment knitting machine different from the traditional method of the production by using the whole garment system. The characteristics of each stage were examined through SDS-one, Shimaseiki Design CAD System and the whole garment knitting machine. The whole garment knitting machine as a method of composing a suit of knitting product is a way of making creative knitting fashion, which also can be used as a basic material for the further study on the whole garment knitting machine. Eventually, it is expected that this machine can satisfy the knit wearers' various needs by showing more useful method to knit designers.

• Journal of the Korean Society of Clothing and Textiles
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• v.37 no.4
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• pp.514-525
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• 2013

Korea International Trade Association (KITA) statistics show that the import of circular-knitted clothes has suddenly increased since 2000; they have increased by 24.5% each year for 2000-2004 and by 8.2% for 2005-2009. In addition, a Korea Apparel Industry Association survey showed that more than 50% of young people in their 20s and more than 40% of mid-aged people in their 30s-40s wore T-shirts (the most frequently worn and/or regarded as the most comfortable item among knit clothes). This portion is expected to increase in the future; however, insufficient research has been conducted on the characteristics of product development and production, knit T-shirt pattern development (Park, 2011), and consumer purchase patterns and behavior for knit clothes. The evaluation criteria for knit clothes generally vary depending on the demographic characteristics of consumers (Kotler & Armstrong, 2006). This study conducted a wearing trends survey for circular-knitted T-shirts and fit satisfaction based on 318 male and female consumers in their 20s-30s. The results provide information on the basic materials required to produce circular-knitted T-shirts.

• Journal of the Korea Fashion and Costume Design Association
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• v.6 no.2
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• pp.89-102
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• 2004

Modern society is age of sports just as health and leisure became dominant concern, which has caused the fixation and development to sports wear considered as fashion for everyday dress. This paper focused on the development process and aesthetic characteristics of knit design expressed in the 20th century sports wear. The importance and direction of knit design in modern sports wear is expected. Style, items, fabrics, colors, details and top designers were analyzed in sports wear from the 1910' s to 1990' s. Sports wear can be categorized into two of the active sports wear and spectator sports wear. Since disappearance of division between ordinary wear and sports fashion in the 1970' s, the functional wear of leggings, cycle shorts, exercise clothes, leotard, and leg warmer appeared. Vicennial developments of synthetic fibers and new fabrics have caused the great changes in knit design. Colors were vivid in the 1950' s, metallic in the 1970' s and neon in the 1990' s. Sportive sense was expressed by various details. The dominant knit designers who expressed aesthetic characteristics to sports wear were Coco Chanel, Claire McCardell, Balenciaga, Andre Courrege, Pierre Cardin, Yves Saint-Laurent, Ralph Lauren, Donna Karan, and Giogio Armani.

• Proceedings of the Korean Society of Dyers and Finishers Conference
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• 2011.03a
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• pp.82-82
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• 2011

최근 국내외 섬유시장은 생활패턴의 변화로 레저 활동 인구가 급증하고, 스포츠 및 케쥬얼 의류의 대한 수요가 증가하고 있어 다기능성을 발휘하는 소재에 대한 관심이 높아지고 기존의 기능성과 차별화된 신소재 및 기능성 소비자 needs가 증가되고 있다. 코코넛 활성탄소 함유 PET 원사는 최근 H사에서 코코넛 열매껍질을 원료로 탄화시켜 얻어진 활성탄소를 polyester에 혼입 방사하여 상용화 단계에 있는 원사로 우수한 흡한속건성, 항균, 소취성 그리고 UV 차단 기능성 등 최근 소비자의 needs에 맞는 고기능성 신섬유 소재로 기존의 유사 기능성 섬유(숯, 대나무, 기능성 무기물 혼입 원사 등)에 비해 물질의 표면적과 공극이 넓어 보다 탁월한 성능을 발휘하는 것으로 알려져 있지만 활성탄소를 함유한 원사로 짙은 원착색으로 인해 의복의 심미성이 크게 떨어지는 단점이 있어 이를 보완 할 필요성이 있다. 본 연구에서는 상용화 단계의 코코넛 활성탄소 함유 PET 원사의 심미성을 보완 할 수 있는 편직기술과 활성탄소 입자 소실을 방지하고 기능성 발현에 알맞은 염색 가공 공정을 확립하여 심미성과 기능성을 갖는 기능성 원단을 개발하였고 개발된 원단의 물성과 기능성을 평가하였다.

• Korean Journal of Human Ecology
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• v.14 no.4
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• pp.665-671
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• 2005

This study aims to examine the effect of structural properties, subjective textures, sensibilities, and objective handle on the preference for weft knit fabrics, and then to provide useful information in planning and designing knit fabrics through predicting the preference. We made 20 plain knit fabrics, as specimens, with a combination of 5 kinds of wool/rayon fiber contents and 4 kinds of stitch loop length. For the subjective evaluation of textures, sensibilities, and preference, we used the questionnaire that had been developed in the previous study. The data analysis was conducted with Pearson's correlation analysis, ANOVA, Duncann multiple range test and regression analysis. The results are as follows: In relationship of structural properties and preference, we could not recognize any difference in whole ranges of wool/ rayon fiber contents and in 7.5mm and less stitch loop length. On the other hand, we could find the decrease of preference in over 7.5mm stitch loop length. As to subjective textures and sensibilities, a multiple regression analysis of preference indicated a higher determination coefficient by sensibilities than by textures. But there were little correlation between a objective handle and preference of weft knit fabrics.

• Journal of Fashion Business
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• v.5 no.1
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• pp.131-144
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• 2001

The purpose of this study is to examine the type of stitch and designs of knitwears using handcraft ornament techniques. This paper will also go on to develop and merchandize high value generated by design development. Knit is largely divided into weft knit stitch and warp knit stitch which are respectively woven by weft knitting machine and warp knitting machine. For clothing, circular knit and flat knit are frequently used while plain stitch, rib stitch and purl stitch are perceived as the basic stitches. Denbigh stitch, cord stitch, atlas stitch, which belong to tricot stitch, are the basic of warp knit stitch. There are also numerous fancy fabrics adapting the previously mentioned stitches and these are made into solid pattern and yarn dyed pattern. The handcraft ornament techniques in knitwears design are embroidery, beads, sequin, stone, printing, applique and fringe, etc. By applying these techniques thus creative expression, which cannot be expressed in other fashion items, is feasible. The women's knitwears are tries by mixed and various techniques, develope to high value knitwears, escaping from simple and practical items.

• Journal of the Korean Society of Clothing and Textiles
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• v.30 no.1 s.149
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• pp.83-93
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• 2006

The purpose of this study is to analyze the relationship among subjective textures, sensibilities and objective handle of knit fabrics and to provide useful information in planning and designing knit fabrics. We made 20 plain knit fabrics, as specimens, with a combination of 5 kinds of wool/rayon fiber contents and 4 kinds of stitch loop length. For the subjective evaluation, we used 29 questions of subjective textures and sensibilities and employed statistical analysis tools such as factor, Pearson's correlation analysis. An objective handle was measured by Kawabata evaluation system and HV and THV was calculated by KN-402-KT and KN-301-winter. The analysis of a Pearson's correlation with objective properties and handles and structural properties of knit fabrics demonstrated a highly linear relationship. Especially, wool/rayon contents and WT of tensile properties and loop stitch length and G of shear properties showed a correlation coefficient over 0.9. But a relationship of objective properties and subjective textures and sensibilities was non-linear and a linear multi-regression analysis showed that a objective handle had a lower prediction power in the area of subjective textures and sensibilities.

• Journal of the Korean Society of Costume
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• v.60 no.10
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• pp.88-99
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• 2010

The purpose of this study is to express visual and functional diversity through modifiable design, and to suggest a methodological model. With this view, this study was aimed to departmentalize the case of knitwear in modifiable design of clothes and propose the possibility of variable knit fashion through make the most of knit's characteristics. Four wearable physical clothes using the most of flexible knits' characteristics were made for this study based on the modifiable design on the expressive tendency and analysis of plasticity. The following results were obtained. First, as modifiable knit design can create effects of several dresses in visual aspect and functional aspect, so it has practicality and functionality. Because modifiable clothes required wearer's participation, this have amusement that give enjoyment and freshness to wearer. Second, in mode of wearing, flexibility of knit is suitable character to open & close and change of wearing position. In manipulation, a prearranged plan for line of clothes and good choice of subsidiary materials are important. Third, the characteristics of knits allow using and mixing with different pattern and materials on the two sides of the same cloths except for the some of the parts. Moreover, there is no unraveled thread on the part of knits margin against woven, so it has the broad applicable range for the changeable design. Finally, the form and function, a prearranged plan for modifiable design of clothes have all contributed in creating new structure and patterns in design.