• Speech Sciences
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• v.4 no.1
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• pp.81-89
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• 1998

This paper investigates the phatic function of intonation in Russian by recording and analysing 11 female native speakers of standard Moscow Russian. This paper shows that differences in intonation pattern of a sentence are associated with differences in degree of listener's involvement in the speech. Intonation pattern of an utterance having phatic function appears to be determined by 1) the speaker's readiness to talk to evoke the listener's attention ; 2) the speaker's intention to continue the communication. Some emphasis is placed on the relationship between intonation pattern of an utterance and speaker-listener interaction.

• Proceedings of the KSPS conference
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• 1996.10a
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• pp.554-559
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• 1996

An utterance is normally divided into two or more intonation groups. Bach intonation group has its intonation pattern. Pitch movement of Spanish utterance is basically determined by a combination of two factors: position of the stressed syllables and the intonation pattern. The pitch of a syllable can be affected by that of preceding syllables. This is rather a physiological effect than a phonological one.

• MALSORI
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• no.33_34
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• pp.99-110
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• 1997

This paper aims to investigate the internal structure of the pre-nuclear intonation pattern and to discuss the inventory and usage of the phrasal tone in Korean based on the acoustic analysis of 80 test sentences. CSL Model 4300 was used for recording and filing, and Multi-speech Model 3700 for analysis. It is shown that the pre-nuclear intonation pattern is composed of one or more phrasal tones, the intonation pattern of the rhythm nit. It is observed that the second phrasal tone begins with a higher pitch than the first one and that the phrasal tones following the second one begins with a lower pitch than the preceding phrasal tone unless a certain word is emphasized. In addition to Level, Rising, Falling, and Rise-Fall phrasal tones already established in Lee (1990, 1991, 1996), Pall-Rise and Rise-Fall-Rise phrasal tones are newly established in this paper. It is observed that Rising and Rise-Fall-Rise phrasal tones are most frequently used as the first phrasal tone of a pre-nuclear intonation pattern and the falling tone as the last phrasal tone, and that Fall-Rise and level tones appear most frequently in the middle of a pre-nuclear intonation pattern.

• MALSORI
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• no.35_36
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• pp.49-61
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• 1998

The study on the intonational characteristics is concentrated on the lowering of the pitch level that is described as declination and downstep. The Taegu dialect, which has phonological accentual system, has these phonetic characteristics in affirmative sentences or Yes-No Question sentences. But there is the opposite phenomenon in WH question sentences in Taegu dialect. When the accent of interrogative word in the sentence intial position is LHL, intonation pattern shows a continuous upward movement, indicating that intonation pattern of Taegu dialect is influenced by not only grammatical system but also accentual system.

• Speech Sciences
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• v.10 no.4
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• pp.63-71
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• 2003

This study aims to experiment on learning French intonation, based on the visualization of melody, which was employed in the early sixties to reeducate those with communication disorders. The visualization of melody in this paper, however, was used to the foreign language learning and produced successful results in many ways, especially in learning foreign intonation. In this paper, we used the PitchWorks to visualize some French intonation samples and experiment on learning intonation based on the bitmap picture projected on a screen. The students could see the melody curve while listening to the sentences. We could observe great achievement on the part of the students in learning intonations, as verified by the result of this experiment. The students were much more motivated in learning and showed greater improvement in recognizing intonation contour than just learning by hearing. But lack of animation in the bitmap file could make the experiment nothing but a boring pattern practices. It would be better if we can use a sound analyser, as like for instance a PitchWorks, which is designed to analyse the pitch, since the students can actually see their own fluctuating intonation visualized on the screen.

• Speech Sciences
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• v.15 no.1
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• pp.25-36
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• 2008

Language transfer means that the speaker's first language or previously acquired language influences on the production of the target language. This study aims at examining if there is native language influence on the production of English intonation by Korean speakers. The pitch accent patterns and the values of duration, F0, and intensity of the stressed vowel of the word with emphatic accent in the sentence produced by Korean speakers are compared to those of American English speakers. The results show that when the word receives emphatic accent in the sentence, American English speakers put H* accent on the stressed syllable of the word, but Korean speakers mostly assign high pitch on the last syllable of the word and have LH tonal pattern despite the fact that primary stress does not come on the last syllable within a word. In addition, comparison of the values of duration, F0, and intensity of the stressed vowel of the word with emphatic accent to those of the word with unmarked neutral accent shows that Korean speakers do not realize the intonation of the accented word appropriately because the values decrease even though the word has emphatic accent. This study finds out that there are differences in the production of English intonation of the word with emphatic accent between native speakers of English and Korean speakers, and that there is negative transfer of Korean intonation pattern to the production of English intonation by Korean speakers.

• Phonetics and Speech Sciences
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• v.6 no.4
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• pp.117-123
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• 2014

This study investigated the intonation patterns of accentual phrase in Jeju dialect. 9 speakers (Experiment 1) and 6 speakers (Experiment 2) read a carrier sentence '__ youngah miwonghumnida' with a target accentual phrase varying its number of syllables from 1 to 8. The results showed that like Seoul dialect pattern could be the basic pattern of accentual phase in Jeju dialect even though several differences were observed in the realization of each tone: Flat staircase-like tones in L, M, and even in H were often observed, and a very small difference in F0 between intial L and +H was found in many speakers. For some of these differences, this paper tried to give an explanation still in the Intonational Phonology framework. However, introducing M tone as a lexical tone was also suggested as one possible solution. Finally, unlike Seoul dialect, most speakers showed pattern in an accentual phrase beginning with a strong consonant, i.e., aspirated and unaspirated obstruents including /h/ and /s/.

• Speech Sciences
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• v.8 no.2
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• pp.165-180
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• 2001

In this paper prosodic characteristics of French language are analysed with a corpus of radio interview. Intonation patterns are interpreted in terms of raising pattern, focal raising pattern and falling pattern. Accentual prominence is classified in two types, rhythmic accent and focal accent. Focal accent permit to explain the cohesion in a utterance or between two utterances. As a prosodic variable of discourse pauses are described by their form of realization (filled pause, silent pause, hesitation etc), their distribution and their function in utterance.

• Speech Sciences
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• v.13 no.4
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• pp.23-42
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• 2006

This paper reports a preliminary result of an acoustic study on the stress and intonational system in Lakhota, a native American language. It investigates how the stress and intonation in Lakhota are phonetically manifested; and how the stress interacts with other prosodic factors. The results preliminarily obtained from one native Lakhota speaker suggest that the primary cue of the stress is relatively high F0 which is often accompanied by higher intensity (for the vowel) and longer VOT (for aspirated stops). The results also indicate that stress is not reliably marked by duration. The stress system, however, interacts with the intonational pattern, such that, for example, intonational peak falls on the stressed syllable with a general pattern of L+H* and that it interacts with the boundary tone L%, resulting in mid tone utterance-finally. This paper can be viewed largely as a qualitative study on an understudied native American language, Lakhota and as forming a basis for further development of its stress and intonation system whose acoustic properties of its prosodic system have not been investigated before.

• Phonetics and Speech Sciences
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• v.1 no.4
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• pp.85-94
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• 2009

This paper investigates the intonation patterns of Korean spontaneous speech through an analysis of four dialogues in the domain of travel planning. The speech corpus, which is a subset of spontaneous speech database recorded and distributed by ETRI, is labeled in APs and IPs based on K-ToBI system using Momel, an intonation stylization algorithm. It was found that unlike in English, a significant number of APs and IPs include hesitation lengthening, which is known to be a disfluency phenomenon due to speech planning. This paper also claims that the hesitation lengthening is different from the IP-final lengthening and that it should be categorized as a new category, as it greatly affects the intonation patterns of the language. Except for the fact that 19.09% of APs show hesitation lengthening, the spontaneous speech shows the same AP patterns as in read speech with higher frequency of falling patterns such as LHL in comparison with read speech which show more LH and LHLH patterns. The IP boundary tones of spontaneous speech, showing the same five patterns such as L%, HL%, LHL%, H%, LH% as in read speech, show higher frequency of rising patterns (H% and LH%) and contour tones (HL%, LH%, LHL%) while read speech on the contrary shows higher frequency of falling patterns and simple tones at the end of IPs.