• 한국어학
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• 제72권
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• pp.199-225
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• 2016

This study has two main purposes: to establish a list of source domains in the metaphors for Middle East respiratory syndrome (MERS) and to uncover ideological meanings embedded in them in Korean news reports from KBS and JTBC. The first part of this study presents metaphors such as [MERS IS WAR], [MERS IS WAVE], [MERS IS A LIVING THING], and [MERS IS A THING], which were found in the data. The latter part of this study deals with how the two broadcasting companies use these metaphors differently according to their ideologies. In the metaphor of [MERS IS WAR], KBS tends to show less of the agents who controls the war since the war against MERS has failed which casts responsibility to the controlling agents, the government and big hospitals. In this, KBS tries to present less of the information of the responsible agents that presented in JTBC. Through the metaphor of [MERS IS WAVE], KBS presents the aftermath of MERS as something not serious. Compared to JTBC, KBS tends to suggest that the aftermath of MERS is predominantly an economic effects by metaphorically suggesting that predominantly the economic sector got hit by MERS.

• 건축역사연구
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• 제12권2호
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• pp.61-69
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• 2003

Manfredo Tafuri's Ideological criticism in architecture has opened a new horizon to interpreting architecture in modern capitalist architecture for it views architecture not just as a style or formal invention, but in terms of socio-economical process. It offered a comprehensive understanding of a chaotic situation of contemporary architecture and historical meaning modern architectural movements in relation with capitalistic development. However, it has been criticized as architectural pessimism which does not allow any possibility for progressive architectural practice. It was also criticized of epistemological problem of how one could be outside ideology without assuming true consciousness against false consciousness of ideology. Tafuri solves this problem by assuming Althusserian activist concept of knowledge and suggest the concept of labor of writing history of critical historians, instead of a design for utopian society, as a possible critical architectural practice. However, I argue that ultimately ideological criticism does not deny architectural practice itself, nor researches on formal characteristics of architecture. The problem lies rather in the architectural Intellectuals' attachment to the traditional concept of architect as a form giver to the society. By rejecting this myth and broadening the concept of architectural practice from design to production, we can find that Ideological problem is not architectural pessimism, but rather it opens up a new way of approaching to the problem of architectural practice in modern capitalist society.

• 아동학회지
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• 제21권2호
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• pp.5-16
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• 2000

This study compared the meaning of words in the play songs of the Democratic Peoples Republic of Korea(DPRK). Sixteen children who had escaped from North Korea participated in this survey in Seoul by responding to a questionnaire. In the DPRK, children sing formal songs, used as instruments of ideological socialization. Among the songs were 4 composed prior to the creation of the DPRK in 1945. The other songs were composed after 1945 and exhibited ideological characteristics. Despite differences in sources, themes, and ideologies of play songs, some of them contained common themes, materials, rhythms, and typical Korean emotional structure. Considering the power of play songs in spreading cultural influence, they might be the key to resolving psychological conflicts of both Koreas after unification.

• 고전문학과교육
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• 제34호
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• pp.5-39
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• 2017

이 연구는 고전 국문 장편 소설 교육에 활용할 수 있는 장르 지식을 설정하는 것을 목적으로 한다. 장르 지식은 개별 작품의 특성을 유적 특성에 대한 앎에 기초해 파악할 수 있도록 하는 것은 물론 사회 맥락에 관한 정보와 유기적으로 연결시킨다는 점에서 교육적 의의가 있다. 이 연구에서는 분량이 길고 작품들 간 내용이 유사한 고전 국문 장편 소설이 장르 지식을 토대로 이해하기에 적합한 텍스트라고 보고, 대표적인 작품인 <소현성록>의 '사용역(register)'을 분석하여 고전 국문 장편 소설의 장르 지식을 마련하는 데 기초로 삼고자 하였다. '사용역'은 시드니 학파에서 장르와 언어를 연결하는 매개로 설정한 개념으로, 사회 맥락(social context) 차원에서는 '장(field)', '주체(tenor)', '양식(mode)'으로 구성되고 언어 층위에서는 각각 '관념적 의미(ideational meaning)', '상호작용적 의미(interpersonal meaning)', '텍스트적 의미(textual meaning)'를 실현한다. '관념적 의미'는 '관념화(ideation)'와 '접속사(conjunction)'에서, '상호작용적 의미'는 '평가(appraisal)'와 '협상(negotiation)'에서, '텍스트적 의미'는 '식별(identification)'과 '주기성(periodicity)'에서 도출되는데, 이들은 각각 경험의 언어화 방식, 참여자 간의 관계, 텍스트의 구성 방식을 알 수 있게 한다. 이러한 틀을 바탕으로 이 연구는 <소현성록>의 언어적 특징에서 '인간의 감정과 욕망에 대한 폭넓은 수용, 그리고 그것이 최종적으로는 규범에 포섭되기를 꾸준히 기다리는 태도'가 나타남을 밝혔다. <소현성록>과 같은 고전 국문 장편 소설은 규범을 온전히 준수하지는 못하더라도 악인으로 전락하지는 않는 인물의 모습을 충실히 그려냄으로써 가부장제 이데올로기 속에서 가(家)를 이루는 구성원들에게 생생한 공감을 불러일으켰으며, 이는 고전 국문 장편 소설의 이데올로기적 함의를 이해하는 데 유용한 장르 지식이 된다.

• 한국의류학회지
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• 제28권8호
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• pp.1100-1111
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• 2004

The purpose of this study is to investigate the hair in aspects of gender and cultural/political ideology, and to confirm the meanings of hair style in modem fashion. There are three zones of social significance such as head hair, facial hair, and body hair, and each of theses zones has both gender and ideological significance. In aspects of gender, opposite sexes have opposite hair norms. And, in sociocultural standpoint, hair is a political symbol of the main protest movements in culture. The contemporary hair styles in fashion design mean that the ＇paying＇ with gender identity, the reflection of changing sexuality, the non-politicism, the fragmentation of style, and the naturalness.

• 한국어학
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• 제76권
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• pp.83-112
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• 2017

In this paper, newspaper articles were collected through '5.18' keyword search results and the news corpus was constructed from the collected data. In the articles of local newspapers 'Honam' and 'Yeongnam', the ideological differences regarding '5.18' were investigated. The ideological differences of local newspaper discourse through objective figures was analyzed.. The subjects of the newspaper articles, the frequency of nouns and predicates were analyzed. The use and meaning of the intended vocabulary were examined. As a result of analyzing the title of the newspaper article, the discourse written in 'Honam' emphasized the necessity of re - recognition of 5.18. In both regions, the word "Gwangju" is often used. However, 'Gwangju' in 'Honam' newspaper means spiritual space, not physical space. In Honam regional newspapers, there are many vocabularies describing the events such as 'shoot' and 'fire', this calls for recollection and memory of '5.18'. In the analysis of newspaper discourse, the analysis of the contrast between the local newspapers was very insignificant, but, this study was conducted to analyze the discourse among local newspapers.

• 한국철학논집
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• 제38호
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• pp.251-273
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• 2013

본 논문은 중화(中和) 사상을 둘러싼 북송대 사마광과 한유의 심성 논쟁을 다룬 것이다. 사마광과 한유의 서신 교환은 당시 유가(儒家) 진영의 대표적 지식인과 불가(佛家)에 심취해 있던 지식인 사이에 진행된 심성 논쟁이라는 점에서 송대 심성론 발전에 미친 다양한 사상적 원류에 관한 논의를 제공해 줄 수 있다. 뿐만 아니라 양자의 서신 교환 내용은 훗날 정주학의 심성론이 당시 어떠한 사상적 배경 아래 구체화될 수 있었는지, 어떠한 이론적 진보를 이루어냈으며, 그 사상사적 의의는 무엇인지에 관한 논의를 살펴보는 데 중요한 단서로 활용될 수 있을 것이다.

• 복식
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• 제61권10호
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• pp.1-15
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• 2011

Constructivism is an avant-garde movement that began in 20th-century Russia, which rapidly turned into an industrial society. This was one of the most experimental art movements, that wanted to be at the center of social and political-ideological change as it pursued a unique style, which portrayed the true essence of art and humanity. Russian constructivism greatly influenced modern fashion and suggested a new artistic standard. First, the artistic elements of Russian constructivism include photo montages, geometrical structures, color abstraction, and an asymmetrical order, through which the ideals of the Russian Revolution were substantiated, idealized, and materialized into an artistic form. Second, the different forms of Russian constructivism have various artistic characteristics such as popularity, spatiality, structuralism, decorativeness, and mobility, which were then expressed in modern fashion elaborated below. This study intends to reconstruct the meaning of Russian formalism and reflect it on fashion; thereby reconsidering the characteristics and the meaning of Russian constructivism in the context of today's fashion. This will broaden the meaning of constructivism and suggest a new direction for modern fashion.

• International Journal of Advanced Culture Technology
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• 제11권2호
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• pp.36-43
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• 2023

This study aims to derive discourse's linguistic meaning, production method, and social practice implications by analyzing news reports on de-facility for people with disabilities. To this end, the discourse was analyzed by applying Fairclough's framework of critical discourse analysis. The subject of analysis is a news article on the de-facility of the disabled on the N portal site, and the analysis period is one year, from January 1 to December 31, 2022. First, as a result of the study, the surface meaning of the news discourse on the de-facility for disabled people was ideological through the seriousness of the problem for disabled people, the poor environment, and the policy of de-facility for disabled people separated from reality. Second, the social meaning of the de-facility news discourse for disabled people appeared from a realistic perspective, such as the structural cause of the problem for disabled people and the need for sensible government policies and measures to practice de-facility for disabled people. Finally, the socio-cultural practical implications of the de-facility news discourse for people with disabilities proposed the development of a systematic and realistic de-facility management manual for the disabled, practical government policy support, and changes in self-support perception for disabled people. The results of this study are expected to help find an alternative direction to reduce the gap between actual policies for de-facility for disabled people and practice in the field in the future.

• 비교문화연구
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• 제24권
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• pp.84-98
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• 2011

This paper aims to analyze the influences of the socio-cultural environment on discourse in translation. To illustrate a deep connection between discourses and societies in which they were produced, communicative patterns of high- and low-context cultures are examined. Though the original version of the translated text comes from a different culture, the translation reflects communicative preferences of the target culture. To uncover some of these preferences, a comparative study of two translations from Russian into English and from English into Russian is conducted. This study, together with further investigation of some more recent translations into Russian, revealed a number of choices affected by translators' cultural background (for example, making the translation more emotionally charged) and current ideological preferences in the society (excessive use of anglicisms).