• 한국주거학회논문집
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• 제23권2호
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• pp.37-46
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• 2012

Cities developed by prosperity of industrial activities are inflated due to the rapid influx of the urban population. In the process, their structure was reorganized with overall urban redevelopment methods. As the a results from the propulsion of overall redevelopment plan, the city environment exposed uniform urban landscapes, absence of sense of place for permanent abodes and other urban problems. At the beginning of the 21st century, people with introspections on the problems focused their attention on making their places attractive using their place's unique identity so that people could feel like to stay there for a long time. They tried to regenerate buildings and cities while still maintaining spatial and historical context of their living environment. This study looks into the regeneration of Shikumen Linong House as a fine example of such a redevelopment in order to provide with a practical resource for urban redevelopment plans in Korea. The study in the first content examines the formation processes of the city of Shanghai as the gateway of the modern China. In the second, it looks into the formation processes and characteristics of Shikumen Linong House in the Xintiandi complex between 1920 and 1930's. In the end, it analyses spatial and formational characteristics and the applied dwelling regeneration method for the of Shikumen Linong House in the Xintiandi complex.

• 한국동물학회지
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• 제29권1호
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• pp.1-12
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• 1986

누에의 變態期 동안 貯藏蛋白質의 出現과 번데기 시기동안 각 組織에 따른 貯藏蛋白質의 分布를 살펴보기 위해 電氣泳動法, 免疫學的 方法 및 column chromatography法을 使用하였다. 혈림프의 貯藏蛋白質은 2개로 區分이 되었고, 5령 初期부터 出現하고 있으며 지방체 단백질과도 동일한 전기영동상의 移動度를 갖고 있다. 이의 量的 變化는 終令期에는 혈림프에서 높은 濃度를 유지하다. 　化後에는 脂肪體에 축적이 되는 경향을 나타내며 특히 저장단백질-2가 암수에서 모두 두드러진 저장단백질의 양상을 보이고 있다. 이러한 貯藏蛋白質은 종령 末期에는 큐리클 단백질 형성에도 관여하는 것 같으며 번데기에는 中腸도 일시적으로 저장단백질을 저장하는 것 같다. 또한 貯藏蛋白質中 저장단백질-2는 vitellogenin과 정기영동 및 면역학적으로 동일한 이동도를 나타내고 있으며 특히 번데기시기동안 卵黃蛋白質의 항체에 대해 항원-항체반응을 나타내고 있어 卵形成過程에도 밀접하게 관여하는 것 같다.

• 한국경제지리학회지
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• 제7권2호
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• pp.171-201
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• 2004

본 논문은 경기북부 접경지역의 지역성을 구성하는 소외성을 이해하기 위하여, 이론적 토대로서 사회적 배제의 개념과 적용방안을 논의하고 또한 현지조사를 통해 얻은 설문 및 인터뷰 조사결과를 기초로 소외성의 패턴 및 형성과정에 대해 고찰한다. 접경지역의 소외성에 대한 설문 및 인터뷰를 통한 현지조사는 결과적으로 '장소적 빈곤 및 배제의 지리학'으로서 접경지역의 소외성이 경제적, 사회적, 문화적 및 공간적 과정을 통해 고착화되고 심화되어 왔다는 사실을 보여준다. 특히 복리수준과 사회적 참여에 초점을 둔 현지조사에서 접경지역내 주민들의 다양한 삶의 측면에서 소외성이 형성되어 왔음을 알 수 있다. 아울러 그러한 형성과정 속에서 접경지역의 부정적 이미지가 고착화되는 문화적 낙인찍힘의 역할이 강화되고, 결과적으로 지역정체성과 개인간의 이탈현상을 통해 지역발전 잠재력과 미래 전망이 약화되는 결과를 초래하였다. 또한 다양한 사회, 경제 및 문학적 과정을 통해 형성되어 온 접경지역내 소외성은 접경지역이라는 맥락속에서 여타 낙후지역과는 다른 패턴을 보여주고 있을 뿐만 아니라 경기북부 접경지역 내에서도 공간적으로 상당히 차별적인 모습을 보인다.

• 대한가정학회지
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• 제39권3호
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• pp.107-133
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• 2001

This study aims to understand the Process of Communality formation among the Families of Communal Childcare Cooperative. Ethnographic, in-depth interview and participant observation at field are used as method. The families of communal childcare cooperative form their communality through investment and harmony, making relationship, and struggles and overcoming the struggles. Each family is willing to put in their money and time for an unfamiliar group to organize and manage a community. They head for the same direction accepting the diversity of expectation and thought based on the diversity of environment of each family. They have interactions upon the basis of equality among the families. Sharing their unique cloture such as communal place(teojeon), common issues, same generation, unique terms, specific modes of speaking informally or nicknaming, they accept the diversities and head for the sameness to have a harmony. In the reset of forming relationship, these families transfer successfully from the field of I and my family to that of group. They escape from a sense of priority that concerns their own family first and then others. They come to be able to consider the group first. Besides, they come to assimilate themselves to the group by identification with the group. They come to form their identity and sense of membership of the group recognizing power of group they belong in their families and local society. The process of forming community among the families of cooperative has inescapable struggles. Each family becomes a real host of the cooperative in the process of overcoming the struggles and experiences a growth of individual and group in the process of looking for the ways of overcoming the struggles. In the end, the families cooperates and reestablish their community.

• Journal of Periodontal and Implant Science
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• 제47권1호
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• pp.51-63
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• 2017

Purpose: Following tooth extraction, alveolar ridge preservation (ARP) can maintain the dimensions of ridge height and width. Although previous studies have demonstrated the effects of ARP, few if any studies have investigated the compressive force applied during grafting. The aim of this study was to determine the effects of different compressive forces on the graft materials during ARP. Methods: After tooth extraction, sockets were filled with deproteinized bovine bone mineral with 10% porcine collagen and covered by a resorbable collagen membrane in a double-layered fashion. The graft materials were compressed using a force of 5 N in the test group (n=12) and a force of 30 N in the control group (n=12). A hidden X suture was performed to secure the graft without primary closure. Cone-beam computed tomography (CBCT) was performed immediately after grafting and 4 months later, just before implant surgery. Tissue samples were retrieved using a trephine bur from the grafted sites during implant surgery for histologic and histomorphometric evaluations. Periotest values (PTVs) were measured to assess the initial stability of the dental implants. Results: Four patients dropped out from the control group and 20 patients finished the study. Both groups healed without any complications. The CBCT measurements showed that the ridge volume was comparably preserved vertically and horizontally in both groups (P>0.05). Histomorphometric analysis demonstrated that the ratio of new bone formation was significantly greater in the test group (P<0.05). The PTVs showed no significant differences between the 2 groups (P>0.05). Conclusions: The application of a greater compressive force on biomaterials during ARP significantly enhanced new bone formation while preserving the horizontal and vertical dimensions of the alveolar ridge. Further studies are required to identity the optimal compressive force for ARP.

• 한국과 국제사회
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• 제3권2호
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• pp.131-154
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• 2019

국가가 자주권을 행사하는 것은 전략문화와 강한 상관관계가 있지만 국가의 전략문화의 분류에 대해서는 학자마다 견해가 다르다. 중국 서부의 가장 중요한 인접국가 중 하나인 파키스탄은 중국의 든든한 파트너로서 파키스탄의 전략문화를 이해하는 것은 파키스탄의 국가정책과 국가가 자주권을 행사하는 행위를 이해하는 데 도움이 될 뿐만 아니라 중국과 파키스탄 양국의 협력관계를 심화시키는 데도 도움이 된다. 저자는 지리, 사회, 경제, 문화, 역사, 군사 등의 관점에서 볼 때 파키스탄의 전략적 문화 형성의 메커니즘은 주로 지정학적 환경, 생산방식, 생활방식, 문화적 전통, 역사적 경험과 대외 관계 등 네 가지 요인의 영향을 받는다. 분석 결과로 파키스탄의 전략 문화는 이슬람에 의해 형성되어 왔고, 대외 지향적인 전략 문화로 분류될 수 있으며 국가가 자주권을 행사하는 거도 이슬람적인 색채가 강하다.

• 영미문화
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• 제18권1호
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• pp.53-92
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• 2018

This essay aims to examine chick lit written within the Asian American context. For the most part, the chick lit genre has been typically regarded as a site to study contemporary white women's experiences and to debate the genres' credentials as feminist literature. Though some may disagree, there is general consensus that chick lit has fallen out of vogue after reaching its peak in the first decade of the new millenium.; nevertheless, it is being revisited by readers and critics alike as it has recently re-emerged as a location upon which to examine how race and gender inform notions of national belonging and female subject formation in the twenty-first century. To this end, this essay reads Kim Wong Keltner's The Dim Sum of All Things (2004). Keltner's protagonist Lindsey Owyang is yet another twentysomething "chick" looking for love, self, independence, and success in the huge megalopolis of San Francisco. What sets Lindsey apart from the chick prototype is that she is a third-generation ABC (American-born Chinese) and issues relevant to Asian America frequently make their way into Lindsey's narrative. Though it is generally considered as standing a "few notches above the standard chick-lit fare" (Stover n. pag), I would argue that meaningful reflections on many of the major pillars of Asian American literature, history, and cultural politics are glossed over in favor of cursory musings about the daily vicissitudes of Lindsey's life. This essay thus takes to task Ferriss's claim that a "serious" consideration of chick lit "brings into focus many of the issues facing contemporary women and contemporary culture - issues of identity, of race and class, of femininity and feminism, of consumerism and self-image" (2). I contend that a close examination of Keltner's The Dim Sum of All Things discloses that the chick lit format undermines a "serious consideration" of Asian American issues by presenting in particular a highly problematic representation of race and of Asian American femininity.

• 한국언론정보학보
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• 제57권
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• pp.84-108
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• 2012

본 연구는 한국신문 노동시장의 변화과정을 탐색함으로써 신문언론인의 전문성 형성과정의 변화를 탐색하고자 한다. 기존 연구에 따른 신문노동시장은 전형적인 기업내부노동시장을 형성하고 있으며, 언론인은 조직구성원적 정체성과 전문직 정체성을 형성하고 있는 것으로 알려졌다. 하지만 최근 신문 산업의 위기와 더불어 이러한 모순적인 언론인의 정체성이 어떤 방향으로 변해하고 있는지가 관심을 받고 있다. 본 연구는 이런 점에서 신문언론인들의 숙련구조의 변화, 즉, 입직, 숙련, 이직의 과정에서 어떤 노동시장구조 변화를 보이고 있으며, 그 과정에서 언론인들의 전문직 정체성은 어떻게 변해하고 있는지 살펴보았다. 본 연구는 현직 신문언론인 10명을 대상으로 면접조사를 통해 생산한 데이터를 분석함으로써 언론인들의 숙련구조와 그 과정에서 정체성 형성을 추적했다. 조사 결과는 입직, 사내교육, 이직 과정에서 기업의 숙련에 대한 책임이 점차 언론인들에게로 옮겨가는 과정 중에 있어 기업내부 노동시장적 특성이 완화가 되고 있는 것으로 나타났다. 하지만 노동시장이동은 여전히 제한되어 주요 노동시장이동형태는 기업간 이동이 아니라, 기업내 이동인 것으로 나타났다. 이 같은 기업내부노동시장 변화는 그동안 기업내부 노동시장내에서나마 유지되던 언론인의 전문직적 정체성을 더욱 약화시키고 있는 것으로 나타났다. 특히 기업 내 숙련기술제도의 약화와 직업군내 이직의 한계는 언론인들의 전문적적 정체성을 약화시켜, 결과적으로 언론인의 타직업으로의 이동을 강화시켜 전체적 내부노동시장의 특성도 약화시킬 것으로 보인다.

• 미술이론과 현장
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• 제1호
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• pp.109-144
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• 2003

Orientalness is a concept that expresses the collective identity of the Orient in relation to the West. The concept itself is mutable and defined by the relationship between the two regions at different points in time. Changes in the concept depend on a number of factors, such as cultural influence, the political balance of power between the two regions, and on the interpretative scheme that defines the relationship. In addition, the geographical notion of the concept evolves culturally, socially and politically. During this process, Oriental-ness becomes Oriental-ism at times. I will attempt to survey and measure the progression of Orientalness from its emergence in early 17th century to its subsequent transformation in modern Korea as reflected in art theory and art works. The recognition of the comparative characteristics of Oriental art began when the Orient was exposed to the art of the West in the late Ming dynasty during the early 17th century. The changes in the artistic climate in China affected the late Chosun. I will start with a brief introduction of this time and the birth of Orientalness. The concept gradually changed during the period of Enlightenment(開化期) towards the end of the 19th century, and during the colonial period( 1910-1945) it took on a new form. Establishment of the concept of "Orient"as a single, unifying concept spanning across cultures and national boundaries has been attributed to late Meiji period Japan, whose intention at that time is believed to have been to build a pan-Asia(亞細亞) empire with Japan at its commanding center. It has been stressed that the real motive behind the formation of one single cultural unit, where the shared common written language was Chinese and Confucianism and Taoism were the common metaphysical traditions, was to build one political unit. When the notion of a geographical unit of Asia was replaced by the concept of Asia as a cultural and political unit, a massive growth of interest and discourse were provoked around the concept of Orientalism. When Orientalism was being formulated, Korea automatically became member of "one Asia" when the country became colonized. For Koreans, the identity of the Orient had to be defined in cultural terms, as the political notion of a nation was non-existent at that time. The definition of identity was pursued at two levels, pan-Asian and local. If Orientalism was an elite discourse centered in pan-Asian philosophical and religious tradition, localized Orientalism was a popular discourse emphasizing locality as the byproduct of natural geographic condition. After the liberation in 1945 from colonial rule, a thrust of movement arose towards political nationalism. Two types of discourses on Orientalism, elite and popular, continued as central themes in art. Despite the effort to redefine the national identity by eradicating the cultural language of the colonial past, the past was enduring well into the present time. As discussed above, even when the painting themes were selected from Korean history, the tradition of using history painting as a manifestation of political policy to glorify the local identity had its founding during the Meiji period. The elevation of folk art to the level of high art also goes back to the colonial promotion of local color and local sentiment. Again, the succession of the past (colonial) ideal was defended as the tradition assumed a distinct modern shape that was abstract in style. The concept of the "Orient" is of relative and changing nature. It was formulated in relation to Western culture or civilization. Whatever the real motive of the adoption of them had been, the superiority of the Orient was emphasized at all times. The essence of the Orient was always perceived as the metaphysical tradition as a way to downgrade Western culture as materialistic. This view still prevails and the principle of Orient was always sought in Confucianism, Taoism, and Buddhism. Even when Orientalism was employed by imperialist Japan in an effort to establish her position as the center of the Orient, the spiritual source was still in Chinese philosophy and religion. In art also, the Chinese literati tradition became the major platform for elite discourse. Orientalism was also defined locally, and the so-called local color was pursued in terms of theme and style. Thus trend continued despite the effort to eradicate the remnants of colonial culture long after liberation. These efforts are now being supported politically and also institutionalized to become the aesthetic ideal of the modern Korean art.

• 한국조경학회지
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• 제50권1호
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• pp.53-67
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• 2022

본 연구는 일상적 장소를 경험하는 평범한 사람들의 내재된 시각으로 바라본 장소정체성 연구가 필요하다는 인식에서 부터 시작한다. 연구의 대상지인 강원도 철원군 갈말읍 신철원리 일대는 대대로 사람이 거의 살지 않던 척박한 곳으로서, 분단 이후 지난 70여 년 동안 주민들이 직접 일상을 일구어 오며 주민과 지역 간 상호 애착 관계가 형성된 대표적인 곳이다. 이러한 특징을 지닌 신철원 지역의 일상적 장소들의 의미와 그 정체성을 파악하고자 하는 것이 연구의 목적이다. 이에 참여적 연구를 위한 효과적 방법론인 포토보이스의 여덟 단계 중 연구 참여자들의 적극적 개입 단계인 네 번째 '기록', 다섯 번째 '서술' 그리고 연구자의 분석단계인 여섯 번째 '관념화'를 통해 신철원의 일상성이 내재된 장소들에 대한 체계적 분석을 시도하였다. 그 결과, 참여자들이 선정한 신철원의 각 장소에 대한 의미와 주민들과의 관계에 대해 살펴볼 수 있었으며 이는 신철원에 거주하고 있는 연령대에 따라 그 장소의 의미가 다양하다는 점을 발견할 수 있었다. 이를 통해 연구 참여자들이 과거의 장소들을 기억하고 현재 장소의 의미를 파악하며 미래 나아가야 할 신철원의 장소들에 대한 시·간적 특성들을 도출하였다. 따라서 본 연구는 내부인 관점의 일상성이 내재된 신철원 지역 장소들의 의미와 상호 관계성을 발견하고, 더 나아가 장소정체성 후속 연구를 위한 초석이 되는 것에 그 의미가 있다. 도시 발전에 따라 형성된 공간을 주민들이 어떻게 인식하고 있는가를 포토보이스 기법을 이용 분석한 논문으로 향후 도시계획과 공간설계에 적용 가능할 것으로 기대한다.