• 영미문화
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• 제17권2호
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• pp.89-109
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• 2017

This study focuses upon the fact that Wordsworth has a great interest in the epistemological understanding of nature. It denies that his early poems, such as An Evening Walk and Descriptive Sketches, only represent the subtleties of nature, according to the picturesque mode of the eighteenth century, without any other consideration about human mind. It tries to trace his effort to deal with the relationship between nature and mind, which is committed to the apprehension of Wordsworth's experience which shapes much of his later work. Prior to Wordsworth, or in his earlier days, both the picturesque description and the descriptive poetry tend to be two-dimensional. Staying away from the cold rules of painting and overcoming passivity, he prefers to contemplate nature through his emotions and tries to come close to the sublime sense. Therefore, his poetic strategy is to show that his poetic description of nature goes beyond the limits which these picturesque rules and colors impose. His readers get the feeling of how desperate he become trying to choose the suitable poetic language to express the relationship between nature and mind. He also has an interest in developing a character, Dorothy, to match what he thinks and to mediate what he intends to describe through his epistemological understanding of nature.

• International Journal of Advanced Culture Technology
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• 제10권4호
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• pp.337-344
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• 2022

The ecological expression of art in modern society takes the harmonious developmental relationship between man and nature as an element and combines it with the various manifestations of painting as an expression of ecological artistic development. The necessary relationship for the harmonious development of nature is accurately articulated, and the ecological changes in people are expressed in integrated materials that inspire human reflection. In the pursuit of material pleasures, mankind is neglectful and indifferent to the environment. The development of composite painting in art and ecology is a process that more reveres the harmony between man and nature as well as satisfying the creative value of the work. After systematic evaluation and research, people have engaged in various structural forms of composite art painting development in the long history of art development, focusing on the integration of environmental and ecological culture.In the process of nature education going through development, the comprehensive practical development of nature education is enhanced and efforts are made to feel new ecological art ideas and new ways of valuing environmental protection. In this paper, an observational study of eco-art will be carried out, starting from the theory of hierarchical division and analyzing the contradictory relationship between man and nature. Recognize nature, understand it and feel it through eco-art painting. The analysis of the contradictory relationship between man and nature is combined with the identification of various types of information that give value to the environmental protection public, and the combination of ecological painting and nature art to achieve an upgrade of the environmental protection idea of the value of painting.

• 한국실내디자인학회논문집
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• 제23권5호
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• pp.33-40
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• 2014

The Danish-Icelandic artist, Olafur Eliasson who was born in 1967 is known for installation projects employing materials such as colour, fog, mirror and light to rethink the relationship between human and surrounding. Since he started the early projects, Eliasson has been interested in the relationship between an art, a viewer and space. He has used the medium from nature because he thought nature is very common subject to derive new idea of relationship between human and surrounding. Eliasson revealed the idea of relationship between human and surrounding by three characteristics of spatial design such as 'reinterpretation of placeness by juxtaposition of mediums and defamilarization', 'ambiguity and extensity of depth distance of space by mediums' and 'change in spatiality by movement of viewers and time'. This paper focused on four case projects : The mediated motion in 2001, The weather project in 2003, The blind pavilion in 2003, Your rainbow panorama in 2011. It is aimed to discover relationship between human and surrounding in the case projects under three characteristics. This study found that three characteristics were differently applied in the case projects in terms of spatial experience and design methods. Inside & outside locations, formal quality, visual-perceptual relationships in and around each case are crucial elements and tools. The unique relationship between human and surrounding of Eliasson and three characteristics are applicable to architecture and spatial design.

• 한국지역지리학회지
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• 제22권4호
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• pp.912-930
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• 2016

이 연구는 지리환경교육에서 있어서 전통적인 인간(또는 사회)과 자연의 이분법을 타파하기 위한 방법으로 최근 지리학을 비롯한 사회과학에서 논의되고 있는 자연의 사회적 구성, 즉 사회적 자연 개념의 수용을 주장한다. 이를 위해 영국과 오스트레일리아 그리고 우리나라 지리 교육과정 및 교과서 분석을 통해 인간과 자연과의 관계, 환경의 의미, 사회적 자연 개념의 수용 정도를 파악하였다. 최근 학문과 교육의 키워드가 통합 및 융합에 초점을 두고 있다는 점에서, 사회적 자연은 지리환경교육에도 꽤 설득력을 지닐 수 있다. 실제로 자본주의가 고도화되면서 자연은 인간의 정치, 경제, 사회, 문화적 실천에 의해 사회적으로 구성되고 있다. 따라서 지리교육은 자연과 인문이라는 영역의 간극 을 좁히면서, 단순한 인간과 자연과의 관계 탐색을 넘어 자연이 어떻게 사회적으로 구성되는지를 탐색하는데 초점을 맞출 필요가 있다. 이러한 사회적 자연이 지리환경교육적 측면에 가지는 또 하나의 의의는 학생들에게 인간과 자연, 인간과 장소의 관계에 대한 관계적 감수성을 길러 줄 수 있다.

• 영어어문교육
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• 제11권1호
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• pp.119-136
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• 2005

This paper attempts to prove the possibility that Women in Love can be approached by ecological thought. It is necessary to research the family of Lawrence's childhood, the environmental surroundings and Lawrence's viewpoint of nature to prove the possibility. The most urgent problem for us in the modern world is the ecological crisis due to the destructive aspect of modern civilization. This Lawrence's attitude toward the modern civilization is clearly reflected in Women in Love. Lawrence diagnoses the destructive aspects of modern civilization and the human relationship through Gerald, Gudrun, Hermione and Loerke who represent the industrial society and suggests the apocalyptic vision to the human being from the nature. Lawrence thinks that we must restore the animated power of life to revive the modern man who lost the vital power of life. Birkin and Ursula represent this thought of Lawrence and they accomplish the idealistic human relationship based upon the true love and the real life. They do not have the posture of the binomial contrast that separates the human being from the nature, This posture of the binominal brings to one of the causes of the present ecological crisis. As a result, we can say that Women in Love is the novel that belongs to the category of literary ecology. And we can regard that Lawrence previously presented the paradigm that ecologist advocates.

• 한국환경교육학회지:환경교육
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• 제22권3호
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• pp.49-62
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• 2009

This study started from the need to change the technocentric view of environment into the ecocentric one to overcome ecological crisis today. Thus, the purposes of this study are to reorganize characteristics of ecocentrism, to analyze ecocentrism of Native North Americans as a realistic model, and to finally find suggestions to environmental education. The results of this study can be summarized as follows; Frist, the ecocentric perception on relationship between human beings and nature pursues co-existence through harmony and balance based on holistic understandings. And the ecocentric perception on relationship among human beings attempts to preserve environment by overcoming rule structure among them. The ecocentric perception on relationship between human beings and spirituality is to set life goals to achieve spirituality rather than to pursue material life. Second, Native North Americans have a holistic world view that human beings and nature are an inseparable one through the symbol of 'the Sacred Circle'. They also lived simple lives which satisfies vital needs instead of pursuing material lives in terms of the perception on relationship among human beings. When it comes to the perception on relationship between human beings and spirituality, they feel sacredness from all things in daily life and want to have peaceful relationships with their own inside through spirituality toward 'Mother Earth'. Third, the ecocentrism of Native North Americans make suggestions that environmental education confirm again what roles of human beings are in ecosystem, and that it helps students develop ecological sensitivity by giving them many opportunities to go to field trips. Furthermore, environmental education helps them positively think about and actively choose simple life. In addition, it has to be designed to help students seek sacredness in daily life through ecological imagination. This study has values of newly organizing characteristics of each ecocentric idea by integrating it from complementary aspects, and pursuing direction of ecocentrism and its realistic possibility by analyzing the ecocentrism of Native North Americans as a model of ecological life.

• 만화애니메이션 연구
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• 통권49호
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• pp.113-142
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• 2017

호소다 마모루의 <괴물의 아이>는 물리적 심리적으로 고립되어 있던 한 소년이 주변 존재들과의 '관계'를 통해 성장하는 모험담을 그려내고 있다. 이글은 감독이 우리에게 제안하고 있는 '관계'의 본질과 '진정한 성장'의 의미를 밝혀내고자 한 것이다. 작품에서 소년의 모험담은 두 개의 세계(인간계와 짐승계)를 중심으로 이루어진다. 여기서 인간계는 문명사회를, 짐승계는 인간의 내적 본질로서의 '자연성'을 가리킨다. 인간계와 거울관계에 있는 짐승계는 애초에 하나의 세계였으며, 모든 존재하는 것들의 장소는 안과 밖이 하나로 이어져 있었다. 인간은 주위의 존재들보다 결코 우월한 위치에 있지 않았으며, 모든 존재들은 서로 대등한 관계에 있었다. 이러한 시대의 사유방식은 '대칭적 사유'라 불린다. 그러나 인간이 자기중심적 문명화의 길을 전개시키면서, 자신의 내부에 있는 '자연'을 스스로 제거시킨 결과, 결국 두 세계(인간과 자연 혹은 인간계와 짐승계)는 분리되고 만다. 이로 인해 인간과 자연은 물론, 인간과 인간과의 관계까지도 단절되어 버린 것이 현재 우리가 살고 있는 문명사회이다. 감독은 '나는 누구인가'라는 한 소년의 질문을 통해, 자연적 존재로서 인간의 내적 본질을 복권시킬 것을 우리에게 제안하고 있다. 이는 인간이 자신을 둘러싼 모든 존재들(타자적 존재)들과의 '관계'를 회복한다는 것을 의미한다. 그것만이 우리가 만들어낸 문명사회의 다양한 폭력성들을 극복할 수 있는 유일한 대안이다. 인간의 완전한 성장은 바로 이 지점에서 이루어진다는 것이다. 이렇듯 <괴물의 아이>는 우리가 상실해버린 우주적 사고(대칭적 사유)를 통해 인간 문명사회에 대한 반성과 더불어 타자적 존재들과의 공존 가능성을 묻고 있다는 점에서, 미성숙한 인류사회에 '성숙의 모델'로서 제시된 텍스트라 할 수 있다.

• 한국산림과학회지
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• 제76권3호
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• pp.256-274
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• 1987

• 인간식물환경학회지
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• 제24권1호
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• pp.1-16
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• 2021

Background and objective: People-nature experiences, which suggest that humans seek connections between nature and other forms of life, were presented by biologist E. O. Wilson in 1984. Biophilic design attributes support environments that can improve human connections to nature. A significant amount of literature on environmental psychology provides empirical evidence that nature benefits humans, and that practical landscape and built environments can be designed to link humans and nature (e.g., the 14 biophilic design patterns). To date, however, there has been no well-done research on reviewing the health benefits of biophilic design. Methods: The paper provides a narrative review on biophilic design and human health. The scope of this article is limited to biophilic-design books and peer-review articles related to "biophilic design," "evidence-based," "benefits," "health," rather than an attempt to identify universal issues with biophilia hypothesis. Results: A total of 45 papers were included in our review, which was related to the top five biophilic design patterns and design: the presence of natural images, the presence of plants, visual and non-visual connections to nature, and material connection with nature. These studies were related to physiology and psychology through direct or indirect connections with nature and experiences in space and place. Conclusion: This study presents two important comparisons of the empirical research on biophilic design and human health that can explain the relationship of people-nature experiences to biophilic design and human health and provides insights into related researches and recommendations for future application of our findings.

• 한국실내디자인학회논문집
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• 제27호
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• pp.145-151
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• 2001

There is so much difference in the way we perceive nature whether from eastern or western, present or past standpoint. however, awareness of coexistence between human beings and nature along with the concept that the most natural is th e most beautiful remain unchanged. The desire to describe the beauty of nature have existed all through the ages, but the (new) naturalism movement was spawned in our time when so much devastation and side effects took place for the expediency of nature, and field of display has been trying new interpretation of nature with direct or applied method. Naturalism trend is studied using the categories such as relationship between human and nature, space concept in western and eastern society, and the definition of view of nature in modern time. Elements of naturalism display are classified into the element of physical properties and element beyond the physical properties, and then methodology on naturalism display is investigated, using the illustration of display examples, in order to know the most essential elements of display, which are the physical properties such as space, light, object, glass, are expressed based on the elemental concept like nature, an accident, dynamic state, variability. As mentioned above, Naturalism display consists of physical properties and phenomenon. How to ive strong impression to a spectator depends on the ability to create effective space applying these elements. The significance of this study comes to surface in a time when the tremendous emphasis is put on the importance of nature and concerns about the role of display has become even greater.