• 농촌지도와개발
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• 제4권1호
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• pp.231-243
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• 1997

Objective of the study was to investigate characteristics and meanings of the agricultural extension work during the period of Japanese $rule(1906{\sim}1945)$ through historical review on the work. The agricultural extension work during the period of Japanese rule was categorized into six patterns such as agricultural extension work by (1) government agricultural administration system, (2) agricultural experiment/research institute, (3) public school, (4) through the movement of rural development(Nong-chon-Jinheung Undong), (5) pro-government private organization, and (6) pure private organization. In conclusion, the characteristics of the extension work were defined; 1) a tool and/or method for colonial rule, 2) non-democratic and top-down extension work by administration, 3) authoritative and coercive work initiated by governmental system, 4) nation wide work of cooperation with public and private organization, 5) extension work focused on production increasing food and industrial materials, and 6) extension work initiated by government system without participation of pure private organization. The meanings of the extension work were reviewed in two ways. Firstly, in macro point of view, the work has negative meaning that was utilized as a tool and/or method for Japanese colonial rule, since the extension work was implemented under the direction of agricultural policy and was also directly related to the policy of Japanese colonial government. Secondly, in micro point of view, the work has significant meaning either negative or positive such as 1) beginning of modernized extension work based on experiment and research, 2) introduction of forcible agricultural extension work, 3) inducement of distrust tendency to agricultural policy and agricultural extension work, 4) establishment of basis in hardware of agricultural extension work, 5) production of experience in software of agricultural extension work, and 6) improvement of recognition toward scientific farming and improvement of level in agricultural techniques.

• 헤리티지:역사와 과학
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• 제45권4호
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• pp.92-103
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• 2012

본 연구는 고건축 기술사적 관점에서 첨성대 축조당시 가설공법을 규명하고자 하였다. 독특한 구조와 형태로 이루어진 첨성대는 그동안 많은 관심을 끌며 연구되어왔으나 고건축 기술사적 측면에서 접근한 사례를 보기 어렵다. 더욱이 첨성대 축조기술에 관한 연구는 고건축 기술사적 고찰기반이 취약한 추론으로 전개되어 있으므로 많은 의문점을 남기고 있다. 여러 가지 의문점 가운데 가설공법에 대한 논의는 고건축시공 규준방식과 드잡이에 관한 기술사적(技術史的) 고찰을 결여한 추론으로 전개되어 있으므로 신빙성 있는 역사적 사실규명으로 보기 어렵게 한다. 연구결과 첨성대축조 가설공법에 대한 규명은 실제유구가 남아있지 않아 직접 고찰에 한계가 있었으나, 그간의 오류 폭을 좁히고 기초자료 제공에 의한 기술사(技術史) 연구 활성화를 기대할 수 있게 되었다. 주요 연구결과는 세 가지로 정리되었다. 1. 원통형 구조로 이루어진 첨성대축조 규준방식은 또한 +자먹 규구법과 다림추를 이용한 준승방식에 기초한 중심축 규준을 적용하였음으로 고찰되었다. 2. 첨성대 축석공사는 규구준승에 기초한 규준방식과 부합하는 드잡이공사 방법으로 녹로사용 가능성이 고찰 검토되었다. 3. 첨성대축조 규준과 드잡이기술에 대한 고찰 결과 규구준승에 의한 규준방식과 녹로(??)를 이용한 드잡이공사는 축석공사에 별도로 운반을 위한 비계가설을 요하지 않는 고건축 시공기술로 고찰되었다.

• 한국전통조경학회지
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• 제30권4호
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• pp.32-43
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• 2012

항주는 중국에서 2,300년의 역사를 지니고 있으며, 자연풍광이 아름답기로 유명한 역사문화도시이다. 특히 서호는 세계적으로 유명한 경치 좋은 호수로서, 2011년에 유네스코 세계문화경관유산으로 등재되었다. 서호는 변천과정을 거치면서도 역사경관은 사라지지 않고, 각 시기별 지속적인 보호와 관리로 현재까지 최적화를 유지할 수 있었다. 따라서 쾌적한 주거환경을 개발하면서 지속가능한 역사경관의 보존을 위해 서호 경관의 변천과정에 대한 연구는 매우 중요하다. 이 연구에서는 항주 서호 경관의 변천과정을 중심으로 먼저 고대 항주의 도성구조와 사상적 배경을 사료와 문헌을 통해 서호 경관의 당, 송, 원, 명, 청 각 시기의 특징과 변천과정 및 역사적 경험을 분석하였다. 연구결과, 항주는 도성계획에 있어 역(易)과 풍수사상 및 "관자(管子)" 사상에서 영향을 받아 입지선정과 주변의 자연환경과의 고려를 중요시하였다. 따라서 항주 서호 경관의 특징은 산수풍경을 그림처럼 표현하고 지형과 주변 환경에 조성되었다. 서호는 송대 이후, 청대까지의 역대 조정은 천 년 동안 지속적으로 여러 번의 정비와 건설을 통해, 현재의 경관이 완성되었다.

• 복식문화연구
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• 제10권6호
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• pp.633-647
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• 2002

The purpose of this study is to observe the symbolic meaning and the values of the costume which express bisexuality through the definition from a culture point of view. The research method is to contemplate the documentary records such as world history, art history and clothing history, and to recognize the symbolic meaning of a bisexuality in modern fashion design. A definition the word´man and woman´restricted the human being for a long time. This restrict is enforced by the costume, but this traditional fixed idea is retarded by the liberal sense of the human being and the design expresses a sex ambiguity This study inspects the sex ambiguity and the meaning of that through a cultural background and a historical costume. The results are as follows: The first, the cultural background about bisexuality is classified into the etymological point, the mythologic point. the art and philosophical point, the political and economic background, the mass media, and the custome and the regulation. A bisexuality is a concept in existence from ancient times. we have an open-minded attitude about bisexuality in the present than the past. The second, the function of costume is sex classification before 20th century, but since 20th century the costume expresses sex ambiguity. The third, the symbols of the bisexuality are the interminacy, the unity and the dismantling. The costume which expresses bisexuality means coexistence of male sex and female sex. this is a kind of motion to embody a ideal body of the human being. This study makes a contribution to recognize the dignity of human body and to understand the phenomenon of modern society.

• 복식문화연구
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• 제18권2호
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• pp.261-276
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• 2010

The analysis of an art trend in the principle dimension starts by observing the object of work in the perspective of formative composition and recognizing it as a universal system. It can be said that it is consistent with an interpretation method for a form theory of formal history by Heinrich W$\ddot{o}$lfflin, a leading form critic in art criticism. Hence, the purpose of this study was to find out what are the formative principles in Renaissance Classicism as a design principle to be applicable to modern fashion by reviewing the formative characteristics of Renaissance Classicism Architecture with which W$\ddot{o}$lfflin directly dealt. As for the theoretical literature review, I used W$\ddot{o}$lfflin's theoretical framework and looked at the Renaissance Classicism Architecture that he studied and examined the possibility of utilizing his theory as a layout principle and the characteristics. As for analysis of design cases, I applied the aforementioned architecture layout principle to modern fashion and conducted case study analysis to delve into distinctive layout principles found in fashion. The study showed that the Renaissance Classicism Architectural Style is marked by linearity, planarity, closing and multiple unity: linearity was expressed in the observation form in fixed frontal view and an emphasis on a tangible silhouette homeogenous and definite line structures; planarity was achieved in the form of paralleled layers of frontal view element, planarity style, and identical and proportional repetition of various sizes.; closing signified the pursuit of complete and clear regularity, and architecture developed in a constructive phase through organizational inevitability and absolute invariability.; multiple unity was expressed in self-completedness and independent parallel of discrete forms and harmony of emphasized individual elements in a totality. Applying these layout characteristics of the Renaissance Classicism Architectural style and to see their individual expressive features, I found out that in adopting layout principles of the Renaissance Classicism Architecture to modern fashion, it turned out to be an emphasis of individual silhouettes, a flattened space, completed objects, organic harmony among independent parts: the emphasis of individual silhouettes was expressed in individual definitiveness of formative lines of clothes in accordance with body joints and an emphasis on formative lines of clothes; the flattened space was marked by single layer structure, planarity of elements of clothes, and listing arrangement by appropriate proportion.; the completedness of the objects was expressed by the stationary state where overall image is fixed, the construction of homogeneous and complete space, and absolute inevitability of internal layout in proportion; lastly, organic harmony of independent parts was stressed in independent completedness of each detail, and organic harmony of the whole. The expressive features would lead to a unique expression style of linear emphasis, proportion, constructive forms, and two-dimensional arrangement. The meaning of this study is follows: The characteristics of art school of thought are given shape by appling & analysing the architectural layout principles of historical art school of thought to modern fashion in the view point of formal construction dimension. The applied possibility of historical art school of thought as the source of inspiration about the fashion design is extended.

• 한국실내디자인학회논문집
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• 제21권2호
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• pp.74-83
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• 2012

This study is an historical consideration about the modern discourse of Japanese spacial tradition driven from cultural background. The purpose of this study is to establish a cartographic map of historical progress, and to shed light on the forming of identity in Japanese traditional space design on the schizo-analytical aspect. It adopts F. Guattari's psychoanalytic theory to the structural analysis of Japanese traditional space design. The process of this study is illustrated as follows: At first, it mentions Guattari's theory of Mechanical Unconscious, Schizo-analysis, Cartography, and Abstract machine as theoretical background. And, it considers the identity of Japanese traditional space constructed by various cultural sign over a long period of time as the statement of apriority. Secondly, it clarifies semiologic generation of Japanese traditional space design based on the analysis of spacial morphemes about each design stemmed from modernization process of Japan. Thirdly, it ascertains semiologic topography the representamens draw, i.e. schizo-analytic cartography from synchronic and diachronic point of view. Fourthly, it analyses traditional discourse structure in terms of generative schizo-analysis and transformational schizo-analysis with four categories- object, style, concept, strategy. Through this process, it studies the reproduction of Japanese tradition in terms of the 'social organization', and explores the way vitalized on the space-time coordinate system by the schizo-analysis of the mechanical unconscious. In conclusion, it clarifies Generative-schizo is accomplished in the level of formulating representamen, and Transformational-Schizo involves experimental mind that induce implantation of the heteromorphic elements and avant-garde experiments of abstract mechanical operation in the schizo-analysis of Japanese traditional space design. The significance of this study is to arrange an opportunity of introspection on Korean-ness seriously from inspecting logic of Japan-ness closely in traditional space design.

• 공연문화연구
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• 제35호
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• pp.373-404
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• 2017

문화예술로서 춤은 역사이며 전통이자 의식 활동의 지속으로 한민족의 정체성을 이어갈 과거에서 현재, 미래적 활동이다. 이에 스토리텔링은 단순히 지나간 역사적 배경에 대한 서술이 아니라 재창조 되고 있는 영원성을 담고 있다. 본 연구로부터 춤의 예술적 미의 탐구는 전통이라는 오랜 역사를 통해, 오히려 '스토리텔링'이라는 본래적 본질과 가치에 대해 물음을 던지고 있다. 그 간의 춤 연구가 미학적 본질 또는 사상적 체계를 위한 이론가들의 연구였다면, 춤을 '이야기하다'라는 스토리텔링의 관점은 춤의 핵심구조와 사유에 관한 대중적 이해방식과 인문학적 가치탐구에 대한 절실한 태도를 상기시켜주었다. 본 연구의 의의는 스토리텔링의 개념적 정의에서 춤의 다양한 콘텐츠를 구축하기 위한 방편으로 스토리텔링의 유용성을 검증하는 것이다. 이러한 예로 제시된 처용무 텍스트의 방법론적 모색은 언어적 서사구조를 넘어 독자적인 예술로서 심층적 의미망을 형성하고 있었으며, 원형콘텐츠의 DB로서 스토리텔링 개발의 중요성을 시사해 주었다.

• 기록학연구
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• 제4호
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• pp.93-130
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• 2001

Chosen General Government initiated the activities of collecting and managing the archives from Chosen Dynasty because of necessity to push positively for its colonial policies. Particularly, such efforts of the regime resulted eventually in boosting their understanding on the Korea cultures, as well as contributed to their reigning Korea to an extent. Some aspects that reflect it are as follows. In 1910 Chosen General Government took over, and began to arrange and classify huge volumes of archives that were held by the royal family. During this period, they collected and arranged literatures that they took over from the earlier Korean government. In 1913, Chosen General Government increased enormously the varieties and volumes of the archives that they intended to collect. They started with collecting archives limited to those literatures that had existed in the civil sector before 1894. It can be noticed that just in 1913 Chosen General Government revealed their intention to collect and classify both royal archives and civil archives. With the work of collecting, classification and annotating archives, Chosen General Government commenced the compilation of Chosensa (Korean History). These efforts aimed at cultural assimilation and educating of Korean people, and in this process, the importance of Chosen Dynasty's archives was reconfirmed. One of the representative cases was a change of terminology. With the compilation efforts into full swing since 1915, Chosen General Government repeatedly started to use the term 'Saryo' (historical records) in connection with Chosen's literatures and archives. The term 'Saryo' previously had been used in Japanese literatures, and it is deemed that it was used as a term generally referring to archives of Chosen Dynasty from that time. This signifies that Chosen General Government began to involve their historical point of view in approaching to the archives of Chosen. As they broadened their understanding on Korea through the annotation of old literatures and compilation of Chosen History, they seriously set on the work of assimilating Korean people culturally aiming at gripping its reign on Korea. Archives of Chosen likewise were very crucial basic data for understanding Korea and its people, and Chosen General Government is deemed to have utilized the archives as a means to reign and assimilate Korean people.

• 한국실내디자인학회논문집
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• 제17권1호
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• pp.39-49
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• 2008

Museum Architecture, passing through modem times, have been requested to make changes in order to respond to the necessities of current times as well, so that they come to develop various kinds of programs other than a mere exhibition. That is, museum began recognizing the diversity of activities available in the spaces and the openness to the public. And tried to keep up with the changes by linking the museum buildings with local community in urban architecture as a result. Conversion design is methodology aims at reforming old buildings into a museum or revitalizing buildings of historical significance into exhibition center, so that it made possible to utilize the texts of historical, cultural cities, which in turn contribute to the diversity of urban architecture and protection of buildings in environmental crisis. In the sense, the paper analyzes the life-long contribution and dedication of Carlo Scarpa, an Italian architect, in the conversion of museum architecture, and studies the style, techniques, and features witnessed from his architectural works, and finally offers an insight and a directing post to take advantage of diverse ways likely applicable in our urban architectures. Scarpa's features in his museum architecture are classified as follows: First, contrasting expression of reiteration and side by side to express the continuity of time Second, he conveyed implicated meanings through inserting contracted factors of the locality and traditionality. Third, his interest in formative works and handicraft had an influence on shaping conversion space Finally, expression of accidentally to change of a point of view.

• 한국농촌건축학회논문집
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• 제16권4호
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• pp.83-90
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• 2014

The aim of this study is to find out the ways of community landscape design in American garden city, Logan in Northern Utah. I had been surveyed historic homes and single units to take a dig how to keep and develope a good community landscape of the city in both the Historic District and residential area, researching of documents. City of Logan surveyed contains a remarkable landscape views of various historical house styles and contemporary single units based on traditional house styles out of central street. For they have been controled by Center Street National Historic District Design Standards and Logan Land Development Code with Logan General Plan. Logan community shows today a particular identity and harmonious landscape of residential area in a view point of old and new buildings. There are three results of the study as follows: First, the types of homes in Historic District are focused on Victorian style with Prairie homes which are unique American style, the Craftman that is revised as American home style, and vernacular style. Second, the historical houses have been controled by HPC since 1978 in order to keep the original buildings and landscape architecture, and the general single units by building code of the city in General Plan. Third, it must be citizen participation design to build up a beautiful landscape that Logan has maintained a safety garden city people hope to live in.