• 제목/요약/키워드: geopolitical realism

검색결과 2건 처리시간 0.016초

关于东北亚地区内 "建设性的微边主义, 小区域主义" 制度 建设的必要性和效果的研究 -以韩国的视角为中心 - (A Study on the necessity and Effect of constructive minilateralism and subregionalism in Northeast Asia: Focused on Korean perspective)

  • Kim, Jaekwan
    • 분석과 대안
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    • 제4권1호
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    • pp.63-87
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    • 2020
  • This article not only theoretically explores the necessity and effect of constructive minilateralism and subregionalism in Northeast Asia, but also delves into a series of practical solutions from viewpoint of seeking common ground while reserving differences in this region. The main contents are as follows: First, the various obstacles that hinder the formation of regionalism, subregionalism and minilateralism in the Northeast Asia are discussed. That is to say, geopolitical realism, My Country First ideology, exclusive nationalism in the socio-historical context, and North Korea's latest provocations, etc. Second, this article explores the philosophy and basic principles of realizing Northeast Asia regionalism and minilateralism. Third, in the 21st century, Northeast Asia becomes the center of the world. It examines the core points, controversial focus and platform for building sub regionalism in the region. Finally, based on the institutional platform such as minilateralism and sub regionalism, the various ideas and practical plans of cross-border cooperation among major countries in Northeast Asia were discussed. Because there are a lot of obstacles, so first of all it is more appropriate to promote economic or functional minilateralism or sub regionalism than multilateral cooperation. In order to promote the formation of regionalism and minilateralism in Northeast Asia, the issues to be considered are as follows: First, for the sake of leading regional solidarity and minilateral economic cooperation, it is advisable for China, as a regional economic power, to implement a stable and responsible diplomacy. Secondly, regional solidarity based on credible politics and security should be promoted for a long time beyond the level of economic cooperation. Third, the primary prerequisite for the realization of Northeast Asian regionalism is that in the process of denuclearization of North Korea, the stability and peace mechanism of the Korean Peninsula should be established. Fourth, with the continued hegemonic competition between the United States and China in Northeast Asia, under the circumstance that countries in the region are pushed into so-called "East Asian Paradox", it is profoundly important for them to consider transition from the hostile relationship as the "Thucydides trap" to the order of "coexistence" in which competition and cooperation run side by side, and the two countries should explore a conversion plan for the foreign policy line. This mutual cooperation and peaceful coexistence of the US-China relationship will create a friendly atmosphere for the formation of regionalism in Northeast Asia. In the future, the cooperation of minilateralism in Northeast Asia will break the existing conflict between the maritime forces and the continental forces in order to promote peace. And along with the philosophy that "peace is economy", recent policies of common prosperity as the framework, such as China's "Belt and Road Initiative", North Korea's "Special Zone and Development Zone Policy", Russia's "New Eastern Policy", Japan's participation in the Belt and Road Initiative and South Korea's The "Korean Peninsula New Economy Map" are organically linked and it should promote the so-called "networked regionalism".

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디지털영화의 플랑세캉스 사용에 관하여 (About the Use of Plan-Sequence in Digital Films)

  • 이지현
    • 트랜스-
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    • 제3권
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    • pp.1-28
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    • 2017
  • 영화미학의 영역이 확장됨에 따라 고전적 연출의 미장센 개념 또한 그 영역을 확장하게 되었다. 본고는 영화 미장센의 개념을 공간적인 연관성을 통해 들여다보면서, 이를 프레임과 쇼트의 차원, 신과 시퀀스의 연속성 개념, 그리고 미학적 차원에서의 플랑세캉스 개념에 이르기까지 세부적 연관성을 통해 들여다보려 한다. 이 과정에서 디지털영화에서 플랑세캉스 사용에 관한 현재적 의미를 찾을 수 있을 것이라 기대한다. 현대영화에 이르러 미장센의 요소는 효율적인 측면에서 더 강조되는 측면이 있지만, 본고는 여전히 고전주의적 미학 체계가 여전히 중요하다는 점을 이르고 있다. 이를 위해 과거 리얼리즘 미학의 최고 테크닉으로 불렸던 플랑세캉스(plan-séquence) 개념이 현대의 디지털영화에서 어떻게 활용되고 있는지를 살핀다. 다양한 미장센의 영역 중에서도 특히 플랑세캉스의 '길게 찍기(long take)'는 사건을 준비하고 응용하는 과정에서 유용하게 활용되는 사실주의의 도구로 쓰인다. 영화 자체가 상업적으로 활용되는 현실의 영역에서, 디지털영화가 플랑세캉스 개념을 통해 '지정학적 무의식'의 알레고리를 활용할 수 있는 개념적 도구임을 본고는 말하고 있다. 이 과정에서 플랑세캉스가 이루고자 하는 거시적 목표가 '시각적 매개 변수'가 아닌, '지속시간'과 관련한 특정 의도로 보는 편이 더 적합하다는 것을 알게 된다. 이때 지속시간 개념이 크로노스(Chronos)가 아닌, 카이로스(kairos)로서의 '주관적이고 의식적인 시간'이라는 점도 본 연구 과정에서 드러나는 성과라 할 수 있다.

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