• Journal of the Korean Geographical Society
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• v.36 no.4
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• pp.343-355
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• 2001

Geomancy (feng-shui in Chinese and Pungsu in Korean) has had a significant impact on the Korean culture and is still practiced by many Koreans. This art is thought to have originated from the early Chinese people's search for an ideal site for preparing a cave dwelling. Ever since geomancy was introduced to Korea, it has been a crucial factor in the development of the Korean cultural landscape and the Korean geomentality. The current tendency of avoiding research into geomancy by the Korean geographers might have developed from their desire to avoid wrongly labeling themselves as geomancers and their discipline as geomancy studies. The geographer\`s aim of studying geomancy is not to prove the truthfulness of geomantic doctrines, but is to document and explain the impact of geomancy on the Korean culture.

• Proceedings of KOSOMES biannual meeting
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• 2003.05a
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• pp.141-151
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• 2003

In this study the writer would like to study the art of navigation in the Era of Silla. For the purpose of this study, the writer studied ship's log book of Ennin's Diary, the ancient ship's structures of Korean, Chinese, Japanese, winds and ocean currents around Korean Peninsular which effect the navigation of sailing ship, and ancient reference books and materials. The result of this study. in the ship's structure in the Era of Silla. bottom structure is considered flat and V-Shaped type, and sailing ship had anchor, sail, considerable deckhouse, transverse bulkhead. And the ship's main materials of sailing ship was wood. partially used irons in the panting structures. In the art of navigation, navigators used winds, ocean current, anchor, sail, depth and color of sea water, lights, ballast. Especially navigators used astrologers and geomancers for astronomical observation, weather forecast, natural phenomena.

• Journal of architectural history
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• v.1 no.1 s.1
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• pp.9-17
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• 1992

According to the 17th century palace construction documents, head artisans were called Pyunsoo. In one building constructions, not only carpenters but also masons, plasterers and painters had their own head, Pyunsoos. This meant that Moksoo-Pyunsoo, head carpenter, could not manage the whole design of the building. Moreover, in many cases, selecting and laying the site of the building were determined by the geomancers. Under those working conditions, Moksoo-Pyunsoo could only have charge of designing the wooden parts, such as structural forms or detailed carvings. The documents showed that some dominent carpenters, like Kwak Ki Jong or Lee Choon Bong, had taken on the post of Moksoo-Pyunsoo in almost every palace constructions, especially inner palace buildings. Form the fact that the same carpenters had worked continuosly, it can be presumed that there would have many resemblance of structural forms or carvings among those inner palace buildings.