• 한국콘텐츠학회논문지
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• 제12권8호
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• pp.187-197
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• 2012

본 연구의 목적은 대형 LED캐노피를 도입한 국 내외 도시를 대상으로 대형 LED캐노피 동향을 파악하는데 있다. 시설적 측면, 콘텐츠 측면, 전략적 측면에서 시설특성을 구체적으로 살펴보아서 대형 LED캐노피가 지역경제활성화 대안으로서의 적절성을 논의해 보고자 하는데 있다. 중국의 쑤저우 하모니타임즈 스퀘어에 있는 SUZHOU SKY SCREEN, 미국의 라스베가스 프리몬트 스트릿 익스피어리언스에 있는 VIVA VISION, 중국 북경의 The Place쇼핑센터에 있는 THE PLACE SKY SCREEN, 여수엑스포 디지털갤러리(EDG)를 분석대상으로 하여 시설의 특성을 파악하였다. 대형 LED캐노피의 시설적인 트랜드를 살펴보면, 아치형의 캐노피, LED는 SMD칩, 영상은 상호성 심미성을 갖는 자체제작 영상물과 휴대폰 및 랩탑컴퓨터 등을 활용하여 자신이 직접 경험할 수 있는 인터랙티브 영상콘텐츠를 활용하고 있다. 소프트웨어 측면에서는 지역상인들이 한번 방문한 관광객의 재방문을 유도하기 위해 각종 이벤트 퍼포먼스와 참여 프로모터의 제공을 통해 지역경제활성화를 유도하고 있다. 지역경제활성화의 대안으로서 대형 LED캐노피를 도입 시는 반드시 시민참여, 즉 상업공간에서는 꾸준한 지역상인들이 참가하는 유지관리 노력과 다양한 콘텐츠 개발이 뒷받침되어야 한다는 시사점을 얻을 수 있었다.

• 한국실내디자인학회논문집
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• 제23권2호
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• pp.12-20
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• 2014

The purpose of this study is to analyze the general patterns of the floor plans and space of Usonian house which designed by Frank Lloyd Wright. this thesis can be summarized as follows : 1) F.L.Wright's houses mostly used simple geometric shapes as the basis for most of his architectural designs. In his early works, his typical floor plans were square or rectangular shapes, which gradually were transformed into various kinds of shape to make the adjustment of location of the site and shape. 2) The general patterns of floor plans of his U-houses were L-shaped or straight shaped using a $4{\times}4$ grid system. Most of U-houses consisted of 3 space: living room, workspace(Kitchen) & dining, and bedroom. Among them, a workspace worked as core role in each house. 3) Even though solid wall is the opposite concept of the transparent glass but most U-houses were designed to have solid walls on one side to provide a gallery space(to secure habitability of resident) and transparent glass walls used on the other side to connect between interior space and natural space of exterior. 4) The cantilever have not been used before Usonian house but F.L.Wright used it which take charge of functions as transfer space between inside space and outside space. 5) F.L.Wright saw the nature as a truth, so he thought the interior space would be natural and all houses must be able to adjust to the natural environment.

• 한국실내디자인학회논문집
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• 제20권6호
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• pp.27-35
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• 2011

Various thoughts about the concept of space have brought a variety of paradigms to the trend. Just as existing information innovation applied activity and function of physical space for computers to overcome time and space limits, future space transplants intelligence to all the objects as organic whole in electronic and physical space by using IT technology to create emotional space. The most universal housing space in our living has had considerable changes in application of life style and technology. However, advanced technology space which corresponds to acceptance and desires of residents does not meet the needs and emotion of residents because of its limited network system. Therefore, it should be transformed into smart space which stimulates human emotion in the trend of advanced technology culture. As future residential space needs technological elements and design process which can stimulate human emotion, this study is to analyse it as a base of emotional design. This study aims to present characteristics of space image for space realization which meets the age of smart technology in terms of unifying smart space with emotional design, focusing on four future housing galleries shown by construction companies. First, the study speculated smart space in theory and classified characteristics and types of smart space into connectivity, sensitivity, reiteration and variability according to changes in space paradigm. Second, the study identified the background and main points emotional design appeared, analysed types of smart space based on characteristics of experimentation, connectivity and symbolism and speculated characteristics of emotional design in each type. In respect to characteristics of emotional design in smart space, organic connection and sensitivity are remarkably presented through experimentation and reiteration is presented through organic connection and experimentation, and variability through symbolism and experimentation.

• 한국실내디자인학회논문집
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• 제21권1호
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• pp.211-219
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• 2012

I.M. Pei, 2nd generation Chinese immigrant to America, has been one of the most recognized architects who designs museum architecture through out the world for completing significant projects such as the East Building of National Gallery of Art(1068-78) as well as Le Grand Louvre Renovation(1983-89) to name a few. His museum architecture, in particular, reveals his detailed consideration on viewer's artistic experience by providing well balanced architecture design to support exhibiting objects while showing his sensitivity on overall functionality of space. In recent projects such as Miho Museum in Japan, Suzhou Museum of China, and Museum of Islamic Art of Qatar, reveals his growing interests in considering "local context" in museum architecture. Therefore, the purpose of this study is focused on analyzing I.M. Pei's three museum projects having its concept focused on local context. Through out the paper, above mentioned museums were analyzed and compared to summarize his design characters and concept including site plan, spatial organization and architectural form. As a result, it is evident that I.M. Pei had put full effort to apply oriental context with modernism through out his museums. In particular, his site plan, spatial organization, and architectural form shows visible connection to comply with nature which is fundamental idea in oriental philosophy. While his basic design philosophy has been borrowed from the tradition, his ultimate design concept shows nature friendliness as well as theoretical system of thoughts and emotion and most of all, his design excellency in representing local context.

• 미술이론과 현장
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• 제15호
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• pp.31-49
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• 2013

This paper delves into the recent 'paintings' of African-American artist David Hammons, which combine rubbish-like plastic wraps with the abstract-expressionist style paintings. In straddling between rubbish and art object, his works tend to blur the boundary drawn between two opposite categories in value, art and garbage, provoking the sophisticated taste of Upper-East-side white community in Manhattan, New York. Choosing the venue of his exhibition at a commercial gallery, Hammons's creative efforts is also a critique of what can be seen as the dominance of abstract expressionism and white elitism in American art history. The artist is known for his use of unconventional materials in art making such as black hair, barbecue bones, and elephant droppings, ones that are often associated with African-American experiences in all different levels. Since his debut in the art scene in the 1970s, Hammons has pursued the view of art-making as a medium for provoking contentious issues of racial relations in the States. On the other hand, the reception of Hammons's work as African-American art can be potentially quite limiting, overlooking as it does multi-faceted meanings of his art practice. His unconventional approach to art often took him outside art galleries and museums, where he was seen using a variety of common materials for site-specific installations and performances. Staged in different parts of Manhattan, these acts of art making traverse seemingly opposite communities and cultures, often blurring their boundaries. Hammons's artistic practice can label him what Abdul Jan Mohamed calls "specular border intellectual", revealing as it does the symbiosis of binary oppositions that is basic to the experience of communnal living.

• 한국산학기술학회논문지
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• 제13권10호
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• pp.4853-4862
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• 2012

현대도시에서 문화공간은 곧 도시생활의 중심역할을 하는 곳이라고 할 수 있다. 문화공간은 삶의 질을 높이고, 가치의 폭을 넓히는 거점인 것이다. 이러한 점에서 문화공간이 대도시 지역에 집중된 현실은 문화적 수혜의 불평등을 초래하고 있으므로, 각 지역의 기능적, 공간적인 중심인 중소도시에 문화공간과 시설을 확보해야 할것이다. 이러한 시대적 과제를 수행하기 위해 선결되어야 하는 것이 그 확보의 적정수준을 모색하는 것이며, 이릉 위해 본 논문에서는 국내의 현황을 분석하고 선진사례의 비교분석을 기반으로 확보의 필요성을 확인하고 적정한 확보의 수준을 모색해 보고자 하였다.

• 한국조경학회지
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• 제34권4호
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• pp.61-68
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• 2006

A park will soon be developed in an area of Gwangjang-dong, Gwangjin-gu. The place has been a patch of green space for years, isolated by driveways and apartment complexes and abandoned. This article describes plans to infuse the abandoned green space with history, ecology, culture, and sports. The facilities that are to be constructed in and around the green space are positioned to take into account the path of the sun and the location of the curvilinear green space axis. The cultural space is planned as a centerpiece of the park, linked with the sports facilities. The overall framework is arranged in harmony with nearby elementary schools, parks, public facilities, athletic facilities, parking lots, and apartment complexes. The themed circulation route was constructed according to the environmental conditions and the spatial plan. In addition, the historical space is planned to work in close conjunction with the cultural space, and the streets and pedestrian pathways have characters of their own. The established contour lines will be carefully preserved, and an ecological pond will. The facilities, such as the outdoor performance stage, the outdoor art gallery, the Monument of Wind represented by a sail, and the pedestrian bridge in memory of Acha-sansung, are positioned for spatial balance and to provide a nexus. The bamboo forest, designed to foster the experience of sound effects, the architectural thematic plants, and the ecological pond are positioned to connect to each other around the greenspace axis. The main facilities are the outdoor theater, the bamboo forest, the Acha-sansung bridge, the Monument of Wind, the ecological pond, the four-season flower garden, parking lots, playgrounds, circulatory athletic pathways, and the tennis court.

• 대한전자공학회논문지SP
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• 제44권2호
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• pp.82-92
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• 2007

본 논문에서는 3차원 얼굴인식을 위한 방사 기저 함수 신경망 기반의 새로운 전역적 형태 특징과 그 특징을 추출하는 방법을 제안한다. 방사 기저 함수 신경망은 방사 기저 함수들의 가중합으로써, 얼굴 형태 정보의 비선형성을 방사 기저 함수의 선형합으로 잘 표현한다. 이 논문에서는 얼굴의 가로 방향 프로파일을 학습된 방사 기저 함수 신경망에 적용시켰을 때 생성되는 가증치를 새로운 전역적 형태 특징으로 제안한다. 제안하는 전역적 형태 특징의 경우 국소적 특징의 특성을 가지며, 일반적인 전역적 특징의 특성인 특징의 복잡도도 감소시킨다. 100명의 데이터베이스 영상과 100명에 대한 서로 다른 3개의 포즈를 포함하는 300개의 테스트 영상을 이용한 실험에서 제안하는 전역적 형태 특징과 은닉 마르코프 모델을 이용한 특징 비교를 통해서 94.7%의 인식률을 얻었다.

• 한국지능시스템학회논문지
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• 제18권5호
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• pp.617-623
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• 2008

본 논문에서는 중심이동과 국부기저영상을 이용한 동작인식 기법을 제안하였다. 여기서 중심이동은 1차 모멘트 평형에 기반을 둔 것으로 위치나 크기 변화에 강건한 동작영상을 얻기 위함이고, 국부기저영상의 추출은 독립성분분석 기법에 기반을 둔 것으로 각 동작들마다에 포함된 통계적으로 독립인 동작특징들의 집합을 얻기 위함이다. 특히 국부기저영상을 빠르게 추출하기 위해 뉴우턴(Newton)법의 고정점 알고리즘에 기반을 둔 독립성분분석을 이용하였다. 제안된 기법을 240*215 픽셀의 160(1명*10종류*16동작)개 동물표현의 수화 동작영상을 대상으로 city-block, Euclidean, 그리고 negative angle의 척도들을 분류척도로 이용하여 실험하였다. 실험결과, 제안된 기법은 국부고유영상을 이용한 방법과 중심이동을 거치지 않는 국부기저영상을 이용하는 기법보다 각각 우수한 인식성능이 있음을 확인하였다.

• 한국경제지리학회지
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• 제19권3호
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• pp.437-456
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• 2016

본 연구의 목적은 공연예술 산업의 입지적 특성을 파악하고, 그들의 지역 경제와의 연계성을 분석하는 것이다. 이를 위하여 공연예술 산업이 가장 집중되어 있는 서울을 대상으로 소비자가 관련시설이 있는 장소를 방문해야 하는 소비의 유사성을 지닌 갤러리와 영화 상영관의 각 사업체의 주소자료를 이용하여 커널밀도분석과 공간적 자기상관성(Spatial Autocorrelation)분석을 실시한다. 특히 LISA(Local Indicator of Spatial Association)를 적용하여 국지적 핫스팟을 확인한다. 분석 결과 갤러리와 영화 상영관의 분산 분포와 달리 공연장은 대학로 일대를 중심으로 응집된 단일 핫스팟이 나타난다. 대학로 일대를 중심으로 하는 공연장 밀집지역에는 공연예술 산업의 가치사슬을 구성하는 다양한 활동들이 인근에 밀집분포하며 공연예술 산업의 클러스터를 형성하는 입지적 특성이 파악된다. 또한 다중회귀분석을 통하여 공연장의 분포를 설명하는 경제활동을 파악하여 지역 경제경관과의 연계성을 분석한다.