• 건축역사연구
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• 제31권1호
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• pp.29-39
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• 2022

The remaining Joongjaesil(中齋室)-type pavilions in the eastern part of the Jirisan Mountain area showed more complex characteristics than those in the western part. The front number of kan(間) had two, three, and four kan (間) types, but the number of kan on the side was consistent with two regardless of the number of kan on the front. The pavillion is classified into 'central type', 'towards the backward type', and 'expanded by backwards type' according to the location of Joongjaesil. Joongjaesil's size, which characterizes the characteristics of Joongjaesil-type Pavilion, is related to the building's front number of kan. Front number of kan. When this space was increased by one space to four spaces, Joongjaesil must have two spaces. The pavilion with four bays in front showed the characteristics of being concentrated in Sancheong and Jinju, the eastern part of the Jirisan Mountain area. In the eastern region, many high pavilions remain, and the upper structure of the pavilion was insignificant, but the flat shape and public construction showed strong locality.

• 건축역사연구
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• 제19권4호
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• pp.7-19
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• 2010

'Lu' is one of the Korean traditional building structure. The architectural characteristics of the 'Lu' can be classified two types with its use. One is single building type and the other is a part of building type within building complex. This study is about the two-storied 'Lu' that was built on part of building complex. 'Lu' built in building complex such like Sa-chal, Hyang-gyo, Seo-won, Jae-sil, has the similar characters. 1. It is built by taking slope site. 2. Ii is one of four buildings that forms court yard. 3. It uses simple building structure on the purpose of openness 4. It can control view with using window. The column type of 'Lu' can be classified with 3 style. These are $5{\times}2$ Kan style, $3{\times}2$ Kan style and $5{\times}3$ Kan style. It would be assumed with the result of study that $5{\times}2$ Kan style has its origin in Hoe-Rang structure, $3{\times}2$ Kan style is originated from Joong-Moon(middle gate) structure, and $5{\times}3$ Kan is originated from Kang-Dang structure.

• 한국주거학회논문집
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• 제23권4호
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• pp.41-48
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• 2012

The purpose of the study, approaching from the aspect of the construction technologies, is to determine the architectural techniques of traditional wood architects in existence, through which the systems and techniques that create the inherent characteristics of Korean Architecture are clarified. With understanding traditional construction system and focusing on the fact that built environment results from the consistent standards and technologies of architects, this study inquires into the systematic standard and its formation that present in the process of planning for the overall scale and shape of a building from the following (four) perspectives. The study determines the characteristics of '間(Kan)' (unit; fundamental unit that measures Korean traditional houses) and the methods of columns disposition of which the '間 (Kan)' is made up. Once the necessary spaces are decided according to the size of a building, then floor plans are drawn with the standard unit, '間(Kan)'. The '間(Kan)', as a modular unit, is not only composing the floor plans, but also functioning as an Area unit, Space unit and Structural unit. Composition of '間(Kan)' varies with disposition of columns, and therefore multiform of floor and spaces are created. In this study, the '間(Kan)', as a standard unit, is used in the form of specific size and area, and it is demonstrated how the floor plans are developed by organizing the columns in accordance with the spaces requested.

• 건축역사연구
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• 제16권4호
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• pp.23-36
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• 2007

Many researches on the typology of 'Maru' (Wooden deck) in Korean traditional houses have mainly focused on the high-class houses in the central region of Korea. They were mainly concerned on defining Maru's typology by social status of the owner, based on the researches regarding its physical and spatial properties. Maru in the high-class traditional houses has been served as an essential architectural feature showing the social status of owners as well as adapting in the region of humid and hot summer. This research investigated the typology of Maru's placement in traditional single houses of four Kan in Chonnam province, which shows many differences in its placement according to the regions. Research results show that the typology of Maru's placement and openness is different with the location of houses within the region. This difference affects on the circulation of movement, which eventually affects on the pattern of space use. The difference is also very likely to be affected by the natural environment of geography and climate of the region.

• 한국주거학회논문집
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• 제14권6호
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• pp.125-133
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• 2003

The purpose of this study is to reveal the characteristics of Kan as a compositional unit in relation with its usage, building base, structural system, and roofing system in Seo Baek Dang and Gwan Ga Jeong. The results are as follows： Seo Baek Dang and Gwan Ga Jeong share a common characteristics： Kan module forms the plan to be 1：1 in shape and enables flexibility in usage and regularity in compositional aspect. In Seo Baek Dang, there are active level differences in base, room floor levels and column heights to achieve intended roof design while minimizing the deviation of module (500 mm) of four sides enclosing the an-madang (inner courtyard) and, in Gwan Ga Jeong, instead of differentiating levels, maximizing the module control (up to 1,560 mm) and lowering the roof slope are found. They are regarded resulting in a rather plane manner. Through a comparative analysis, it is found out that these two houses have a common characteristics of Kan to form a quadrate plan while they have differences both in conceptual and tectonic manner that is 'how to build a house' in similar conditions of region, period and society. In addition, Kan as a module is clarified to have a relative value that regulates both structural and aesthetical aspects.

• 한국주거학회논문집
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• 제15권5호
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• pp.107-118
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• 2004

The purpose of this study is to analyze the unique characteristics of the vernacular house of Ulleung-Do(island), which shows a different residential culture from the main land. For this purpose, this study examined the characteristics of the location, spatial arrangement, and floor-plan of the house and also tried to understand how these basic elements were changed and why these changes were occurred. The result of this study is as follows: First, the house was located on the mountain area and was oriented toward the various bearings. Second, the house usually did not have annexes and most residential space was installed on a main building. Third, the floor-plan of the house was developed from a basic two-Kan (with single row) house type in a early settlement period to three-Kan, four-Kan, and five-Kan house types in later periods. While the development of house type proceeded. the main building was functioned as a complex space for both residential and storage purposes. Some houses were gradually developed into a middle and upper-class house shape by installing annexes. The change of the floor-plan and the house size was the result of self-sustained living culture influenced by the natural environment of the island and of changes of residential conditions as well.

• 한국농촌건축학회논문집
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• 제19권4호
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• pp.67-75
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• 2017

This paper overall and systematically investigates of basic design know-how on commonly indwelling timber framework in a folk house in Yeosu area. in other words, Setting the goal of 'investigates of common form of timber framework', and for this goal, surveyed and analyzed for folk house a lot of findable in Yeosu area. As a result, elicits for four types plural common form((1) 4 front 'kan' - a hipped roof construction - front 'toi'/3 'ryang' - no central pillar/side beam type, (2) 4 front 'kan' - a hipped roof construction - front 'toi'/3 'ryang' - one side central pillar/central side beam type, (3) 4 front 'kan' - a hipped roof construction - front/back 'toi'/2'kozu'5'ryang' - no central pillar/side beam type, (4) 4 front 'kan' - a hipped roof construction - front/back 'toi'/'2kozu'5'ryang' - one side central pillar/central side beam type). Common form is at that time, so commonly located in the head of the technician that a form that play an exemplary role in design, or it is concretely assumed for commonly aimed form. in other words, Common form is come into existence on premise for basic design data. Documentation of folk house design know-how is done through this, and the base design and specification of korean private house is written in the contents divided into by areas.

• 건축역사연구
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• 제23권5호
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• pp.23-36
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• 2014

Source criticism is very important on the research of architectural history as well as general history. In this point this research studied on the original form and change of Dokrak-dang that is very important building in architectural history of Korea. The result is as in the following. Dokrak-dang that Whoijae built at first was three by two kans size that had daecheong of four kans and ondol-bang of two kans. Gye-jeong that Whoijae built was three kans size that had daecheong of two kans and ondol-bang of one kan. After Whoijae died, Dokrak-dang's ondol-bang was changed to maru between 1555 and 1556 and ondol-bang in west side and stack room was added in 1630. Gye-jeong was changed to ㄱ-shaped floor plan that was added up two kans from three kan's 'ㅡ'-shaped one.

• 한국농촌생활과학회지
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• 제8권2호
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• pp.145-160
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• 1997

This paper is a part of “The Study of the Traditional Korean Ethenic Farmhousing in Yanbian, China”. The purpose of this study is to identify reception behavior and places for guests of the traditional farmhouse. In this study, a survey using questionnaire was conducted in which one hundred and twenty four farmhouses were analyzed thoroughly. The major findings are as follows : 1) Most frequent guest receptions among Dallejae residents are casual meetings of relatives and non-relatives, husbands' birthday parties, one-year birthday Parties of children, wedding receptions, and Whankap (sixtieth birthday party). 2) They receive guests and serve them at Chung-ji-kan and Oot-bang. 3) Reception behavior has undergone change along with social, political, and economical changes. They receive guests with much more hospitalities than before. Only memorial services are simplified compared to the past.

• 건축역사연구
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• 제18권3호
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• pp.7-25
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• 2009

Hakbongjongtaek(The head house of Uisong Kim family, 鶴峯宗宅), firstly built in the early 17th century, was moved to its neighboring place in the late 18th century. The man who led the relocation(移建) of the house was the eldest grandson of the family, Jong-soo, Kim. He made and overall plan and also participated in building the house. There remain four Gados(family paintings, 가도(家圖)) related to the relocation plan. This paper aims to make an analysis of these Gados, and through analysis, to find what was the essential poing of the relocation plan and how the point was represented in the paintings. The result of analysis is as follows: 1. The main focus of relocation plan was the form of Anchae(the inner house). Anchae was designed as asymmetrical form, and restricted to four kan. Only Andaechung needed to be 6 kan size for religious ceremonies. 2. For the design of Sarangchae, the displacement of large Sarangbang and small Sarangbang was an important issue. There were two ways of layout: parallel type and facing type. The latter was chosen. 3. The representation and techniques of Gado is quite concrete, in spite of differences among them. The expression of doors, windows, attic and kitchen was based on the understanding of space. Also the spatial division, which was expressed line on the grid, was based on the scaled ruler. As we've seen before, painting the relocation plan was a kind of endeavors to make the housing type as a realization of Garye. Also, we can find out that role of the eldest grandson of the family was quite important to carry out the plan. As well as, it was meaningful to examine Sadaebu (the aristocrat of Chosun)'s perception of housing.