• International Journal of Costume and Fashion
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• 제5권2호
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• pp.55-67
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• 2005

The purpose of this study is to document an unidentified velvet fabric which is located in the Museum. The investigation was conducted by analyzing color, weaving technique. pattern of the study object. To identify the origin of the object, many references about color trends, construction methods and patterns were accessed. Two comparative objects which were dating from 1600 to 1699 in the Museum of F.I.T. were selected since they are similar to the study object. The results of this study can be summarized as follows; (1) The type of this study object is 'cut and voided velvet'. It is obtained establishing the motif as areas of cut pile so as to form a pattern, while leaving other areas of the grounded weave without pile. Two flowers and two tulips with S curved stems are composed as one unit in the vertical direction. (2) The colors used in this study object. which are ivory, smoke blue, medium orange, and yellow. are part of a new trend color in the $17^{th}$ century. (3) The vertical undulating stripe patterns are also of significance in this fabric. They seemed to be contemporary with the serpentine line which was common since the $15^{th}$ century and the vertical stripes pattern which appeared from the $16^{th}$ century. (4) The stylized tulip patterns of this study object began to appear in the early $17^{th}$ century. The stems and leaves of this patterns are less sinuous than the floral motifs of the later $17^{th}$ century. Therefore, the study object is dated to early in $17^{th}$ century because of the color combination. stripes. stylized tulips, leaves. and stems are showing the characteristics of this period.

• 한국복식학회:학술대회논문집
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• 한국복식학회 2001년도 19th International Costume Association Congress
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• pp.40-43
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• 2001

Du-Dou was one of the Chinese costumes worn mostly by women and children. It is the equivalence of modern brassieres or under wear. While small in size, du-dous were popularly worn by many ethnic groups and in many regions in China. The embroidery on du-dous has attracted major attention recently, due to its functional and artistic aspects. The design, floral pattern, stitching technique, and color combination and distribution clearly demonstrate the practice of Chinese folk art and reflect the essence of Chinese life style. Among the three major ethic groups of Taiwan-the Fukiens, Hakkas, and Taiwan aboriginals, each group has its distinctive du-dou. The purpose of this study is to investigate and compare the similarities and differences of the embroidery on du-dou among the three ethnic groups in Taiwan, and furthermore, to make recommendations for the modern du-dous in the fashion industry.

• Journal of Plant Biology
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• 제35권4호
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• pp.403-408
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• 1992

장일식물인 Lemna gibba G3의 개화유도과정에 있어서 polyamine의 관련성을 조사하였다. 이 식물의 개화는 연속광하에서 agmatine, putrescine, spermidine 및 spermine에 의해 촉진되었으며 이들의 체내 합성억제물질인 methylglyoxal-bis(guanylhydrazone)(MGBG)과 cyclohexylamine(CHA)에 의해서 억제되었다. Polyamine은 영양생장률을 거의 일정한 수준으로 유지하면서 개화를 촉진시켰으며, 억제물질에 의한 개화억제는 오히려 영양생장률의 증가를 수반하였다. 이러한 현상은 이 물질들의 개화촉진 또는 억제효과가 생장률의 일반적인 촉진 또는 억제효과에 의한 것이 아니라 선택적으로 개화과정에 작용한 결과일 것이라는 추측을 뒷받침해 준다. 배양액의 첨가된 spermidine 또는 spermine의 개화촉진 폭은 배양액에 이들의 억제물질의 함유여부와 관계없이 거의 일정한 수준으로 나타났다. 이렇듯, 외부에서 공급된 후 체내에 흡수된 spermidine과 spermine의 개화에 대한 기여도가 한정되어 있는 것으로 보아 L. gibba G3의 개화유도과정이 식물체내에서 합성되는 spermidine과 spermine에 크게 의존하고 있을 것으로 판단된다. 한편, 개화유도과정이 시작되어 점차적으로 증가한 체내의 spermidine 함량은 개화가 유도되지 않은 경우에 비하여 24시간만에 약 2배의 수준에 도달하였다. 이렇듯 체내의 spermidine량이 급격히 증가된 사실은 체내의 polyamine의 질적 및 양적 변화가 L. gibba G3의 개화유도초기과정에서 매우 중요한 역할을 하고 있을 것이라는 가정을 뒷받침하는 또 하나의 예비적 증거라 할 수 있다.

• Journal of Ecology and Environment
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• 제38권4호
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• pp.451-459
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• 2015

We investigated the pattern of floral diversity including naturalized plant species and three ecological factors (area, elevation and distance from mainland) of plant species on 53 uninhabited islands in Gyungsangnam-do, southeastern South Korea. A total of 206 taxa in 67 families were observed, and the species of Compositae was most common. Thirteen taxa in eight families of the naturalized plants were observed on 33 islands. The numbers of total plant species, area and elevation were significantly correlated, but no relationship with distance from the mainland was observed. In addition, no relationship was found among the numbers of naturalized plants, area and elevation. However, the average rate of naturalization on islands with different elevations differed significantly, indicating the smallest proportion of naturalized plant species was on high islands. Multiple regression of total species richness identified elevation as a significant factor, while no significant variables were correlated with naturalized plant species. Nonmetric multidimensional scaling (NMS) ordination identified three major variables, distance from mainland, number of naturalized plant species and elevation. These findings indicate that the geography of islands such as area and elevation affected the species richness of plants on uninhabited islands, while human disturbance had a greater effect than geography on the species richness of naturalized plants on islands in southeastern South Korea.

• 복식문화연구
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• 제16권2호
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• pp.349-368
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• 2008

The purpose of the study was to examine the effect of internal traits of perceivers on sensory images of fashion materials and dress wearers. Perceiver's internal traits included aspects of Gender-body Ideology (GBI), as well as fashion lifestyles and fashion interest. The research was conducted on a quasi experimental basis, with subjects numbering 187 male and 207 female college students. Data were collected in the period from March 19th to March 31st, 2007. Two sets of stimuli and three measuring tools (to assess GBI, fashion life styles and fashion interest) were used. The stimuli were thirteen fabric specimens and thirteen photographs of dress styles, manipulating by two variables: (a) motif colors (white, grey, pinks and blue); (b) motif categories (plain, paisley, floral, stripes, and zebra effect). The data were analysed by factor analysis, ANOVA, Duncan's multiple range test. The major findings were as follows: Gender-body ideology was separated into agonic and hedonic dimensions. Fashion life style was separated into 3 dimensions(shopping life-style pursuit, social activity pursuits and brand life style pursuits). The internal traits of perceivers influenced preferences and buying intentions. Shopping life-style pursuits had more impact on preferences and buying intentions than other internal traits.

• 한국의류학회지
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• 제47권6호
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• pp.1177-1192
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• 2023

This study aims to expand the scope of use for relics by applying the patterns and characteristics of embroidered fabric pieces, such as gold foil, excavated from the Mireuksa Temple Site in Iksan for fashion products. The artifact was a ra decorated with flower and vine patterns, embroidery using gold and red thread, and the unique stitching of Baekje. The pattern was reconstructed, as the embroidery was not well-preserved. This study used two types of gold-foil techniques: laser-cut and stone-stamp gold foil. Considering practicality, the gloss, toughness, custom production possibility, and design implementation were emphasized. The form of the laser-cut gold foil could be transformed; however, a recognition problem with the machine increased the thickness of the stitching. It was used for half-finished goods and commercial casual fashion. The stone-stamp gold foil was finely implemented, but the design was difficult to change. It was used for half-finished silk fabric for making hanbok po and lattice-patterned silk skirts. Applying the developed gold foil to suitable clothing can further enhance the effect.

• 한국의상디자인학회지
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• 제4권2호
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• pp.139-161
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• 2002

This study investigates the characteristics of Nordic sweaters works from a historical perspective. Specifically, this study deals with the following research topics: 1) development of Nordic sweaters, 2) the characteristics of Nordic sweaters industry according to the change of times, 3) the comparison of local knitting patterns, 4) the symbolic meaning of the designs in the Nordic sweaters and patterns. The results of the study are summarized as follows. 1. Knitted work developed mostly in Northern Europe, a cold area, and the barren, mountainous coastal areas where people frequently used woolen materials for clothes. It was also developed in Scandinavian regions which lead the fashion in modern days. Scandinavian knitting techniques have been diffused into the east coast of England and Northern Europe by Vikings. 2. Scandinavian countries are distinguished from other countries by their conservative but creative cultural tradition. Their knitting patterns are characterized by small geometric figures such as dots, triangles, squares, rhombuses, and crosses used often with stars and roses. Scandinavian knitting is also salient for its vertical stripes and simple motifs repeating at short intervals. 1) Norway ; Simple and geometric Norwegian patterns are classified into three groups of motifs: (a) the motifs of cross, diamond, X, and swastika (equation omitted). (b) the motifs of human figures, animals and birds, (c) floral motifs (especially eight-petal roses). Their use of color is also simple, and is limited to more than two colors. (2) Sweden ; Swedish patterns are colorful and geometric. They are characterized by features such as brocade, complex embroidery, and contrast of red and black colors. They also show Guernsey patterns. Initials and production years were knitted in sweaters which have different patterns in their trunks and sleeves. 3) Denmark ; The Danish pattern is the purl stitch knitted against the stockinette stitch. The technique is used to copy woven damask motifs. The patterns are seen most clearly when they are knit with smooth yarn. The Faeroe sweaters are the representative work of Danish knitting. Faeroe knitting, incorporates stranded pattern and is knit in the round, either with circular needles. 4) Finland ; Finnish patterns are similar to Norwegian patterns. Finnish knitted work show very colorful, variety and free-flowing geometric patterns. 5) Iceland ; Icelandic knitting shows original ribbon pattern. Lope sweater is the representative work. 3. The traditional knitting patterns not only carried symbolic meanings but also served as means of communication. First of all, patterns had incantatory meanings. Patterns were symbolic of one's social standing, too. The colors, motifs and their arrangements were very important features symbolizing one's social position or family line. People often communicated by certain pieces of knitted work or patterns. In short, the knitted work in the Nordic sweaters served the function of admiring the beauty of nature and symbolizing various meanings. The unique designs and colors of the knitted work reflected the characteristics of the culture those works belonged to. This study also turns our attention to the issue of how the traditional colors and designs of the knitted work can contribute to the development of modern designs, and by doing so, if makes us realize the importance of knitted works in modern society.

• ALGAE
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• 제33권1호
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• pp.55-68
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• 2018

Foliose species of the Bangiaceae (Porphyra s. l.) are very important in Korean fisheries, and their taxonomy and ecophysiology have received much attention because of the potential for developing or improving aquaculture techniques. Although 20 species of foliose Bangiales have been listed from the Korean coast, some of them remain uncertain and need further comparative morphological studies with molecular comparison. In this study, we confirm the distribution of four Pyropia species from the east coast of Korea, Pyropia kinositae, P. moriensis, P. onoi, and P. retorta sp. nov., based on morphology and rbcL sequence data. Although P. onoi was listed in North Korea in old floral works, its occurrence on the east coast of South Korea is first revealed in this study based on molecular data. P. kinositae and P. moriensis, which were originally described from Hokkaido, Japan, are first reported on the east coast of Korea in this study. Pyropia retorta sp. nov. and P. yezonesis share a similar thallus color and narrow spermatangial patches in the upper portion of the frond, and they have a sympatric distribution. However, P. retorta can be distinguished by the curled or twisted thalli and by molecular data. The biogeographic pattern of the two native species, P. kinositae and P. retorta, suggests that the east coast of Korea may have been a place of refugia during the Last Glacial Maximum (LGM), and then recolonized to the northern part of Japan through the restored East Korean Warm Current after the LGM.

• 한국작물학회:학술대회논문집
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• 한국작물학회 2017년도 9th Asian Crop Science Association conference
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• pp.100-100
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• 2017

FT is one of the major floral activator in plant flowering. FT determines the changing point of time from vegetative stage to reproductive stage. To understand the role of FT homologs in short-day plant soybean, we identified 10 soybean FT homologous genes and named GmFTs. We figured out that 10 GmFT genes were further categorized into three subclades through phylogenetic analysis. Expression analysis of GmFT genes indicated that they might have different functions in photoperiod-dependent soybean flowering. Most of GmFTs, for example, GmFT2a, GmFT2b, GmFT5a and GmFT6 mainly expressed in soybean leaves at short-day condition. However, interestingly GmFT1a and GmFT4 represented opposite expression pattern to other GmFTs. Arabidopsis transgenic plants overexpressing GmFT2a and GmFT5a exhibited extremely early flowering. In contrast, overexpression of GmFT4 delayed flowering of Arabidopsis transgenic plants. The results suggest that GmFT4 has antagonistic role to other GmFTs in soybean flowering. Interestingly, mRNA level of GmFT2a is higher in early flowering soybean accessions than in late flowering ones. Moreover, the highest point of mRNA level of GmFT2a showed the positive correlation with the timing of flowering of soybean accessions. But that of GmFT4 showed opposite pattern. Here, we report that soybean FT homologs might acquire different functions in photoperiod-dependent flowering through the functional diversification during evolution.

• 헤리티지:역사와 과학
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• 제40권
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• pp.243-270
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• 2007

직물에 표현되는 연주문은 제작 과정상 크기나 모양의 제약이 없어 그 표현이 자유롭고, 그 형태와 재료 색체 등을 통해서 당시의 사회문화를 유추할 수 있다. 본 연구의 주제인 동전(東傳) 연주문은 사산조 페르시아에서 출발하여 실크로드를 통해 전래된 것으로 동서문화 교류와 밀접해 있다. 이에 본 연구에서는 연주문이 시작되는 5세기부터 10세기에 해당하는 서 중앙아시아의 벽화 복식, 중국 신강 청해 일대에서 출토된 고대직물 그리고 일본 정창원(正倉院) 소장품의 연주문에 대해 고찰하였다. 그리고 이상의 자료를 통해 연주문의 동서 교류 현상과 구조적 변천과정을 밝히는 데에 목적을 두고 있다. 실크로드를 따라 동전(東傳)하는 연주문의 도안은 지역에 따라 조금씩 차이가 난다. 예를 들러 고대 소그들인들이 주로 활동했던 파미르고원 서쪽에서는 서아시아적인 모티브가 변형된 사슴이나 화식조 등을 주제로 하는 연주문금이 출토되지만, 쿠차 신강에서는 중국적인 모티브가 첨가되어 한자문이 삽입되거나 태양신[Helios] 대신 불상문 보살문으로 나타난다. 이처럼 새로운 문양의 등장은 구조적인 변화를 동반하여 점차 사산조 페르시아의 정형화된 패턴에서 벗어나게 된다. 그리고 그 구조적인 변천과정은 후대 여러 문양의 구성 및 배치방법과 연관이 있다. 연주 환간의 마름모꼴 공간에 안치된 사합초화문 등이 능화문의 형태로 발전되었으며, 10세기 이후 나타나는 기하학적인 골조문양의 유행 단위문양을 상하좌우로 배치하는 탑자문의 전개법이 연주문과 유사하다. 요컨대 연주문은 기술적 진보와 함께 표현 자체에서 세련된 예술적 코드를 읽을 수 있으며, 지역이나 문화를 넘어서는 보편적인 문양으로서 중요한 의미를 지닌다.