• 제목/요약/키워드: expression tendency

검색결과 401건 처리시간 0.029초

과학 실험에서 교사-모둠학생의 언어적 상호작용 사례연구 (Case Study on Verbal Interactions of Teacher-Small Group Students in Science Experiments)

  • 성숙경;최병순
    • 대한화학회지
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    • 제51권4호
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    • pp.375-386
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    • 2007
  • 이 연구에서는 교사-모둠학생의 언어적 상호작용을 유형화하여 상호작용의 전체적인 형태를 확인 하고, 학생의 사고에 영향을 미치는 교사-모둠학생 상호작용의 특징을 살펴봄으로써 교사의 상호작용 개선에 기여하고자 하였다. 먼저 상호작용 유형은 문제해결과 관련된 행동과 기타의 두 범주로 구분하였고, 문제해결과 관련된 행동은 학생의 사고과정을 기초로 한 의견받기와 교사의 사고과정을 기초로 한 도움주기로 분류하였다. 의견받기는 동의와 질문, 교정, 반대가 포함되고, 도움주기는 정보와 힌트, 질문, 정리, 묻고 답하기로 세분화하였 다. 교사-모둠학생 상호작용은 대부분 교사의 질문과 학생의 답변으로 구성되었는데, 교사의 질문은 대체로 추론 형보다는 단순한 답을 요구하는 내용이 많았다. 또한 학생보다 교사의 사고과정에 더 많이 치우쳤으며, 정답을 제 시하는 한 두 학생과만 상호작용하는 경향이 있었다. 그 결과 교사의 도움주기 후에도 내용을 이해하지 못하는 학 생들이 종종 관찰되었다. 그러나 교사는 학생의 의견을 반복하여 동의를 표하거나 칭찬을 많이 하여 자신감을 심 어주고 있었으며, 학생의 모든 활동과 질문을 자유롭게 허용하여 누구나 편하게 의견을 제시할 수 있는 분위기를 만들고 있었다. 상호작용의 관찰로부터 학생의 사고에 영향을 미치는 교사의 상호작용 특성으로 동의나 격려의 표현, 생각을 유도하는 힌트의 제시, 학생의 의견을 기초로 한 상호작용, 허용적 분위기, 생각할 시간 제공, 학생 의 잘못된 의견 교정 등을 확인할 수 있었다. 이에 관련된 교육적 시사점을 논의하였다.

밀레니엄을 맞이하는 1990년대 패션과 메이크업의 경향 (Chronological Trends of Fashion and Make-up in 1990s for the Next Millennium)

  • 김수진;한명숙
    • 복식문화연구
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    • 제7권6호
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    • pp.129-139
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    • 1999
  • This paper analyzes the trend of fashion and make-up in 1990s and their relevancy to each other. Based on the chronological analysis, we propose a new category for the fashion and make-up trend in 1990s, which is 1) traditional ecology period(1990∼1994), 2) versatile trial or decadent period(1995∼1997), and 3) soft landing period based on the minimal neo-ecology and romanticism(1998∼2000). Between 1990 and 1994, there was no differentiation in seasons. It appeared that spring/summer and fall/winter trend have had no big differences. At the beginning in 1990s, it was basically based on ecology concept that emphasizes the natural image. However after 1995, seasonal differences in trend are appeared and there were various make-up designs. The trends of spring/summer in 1996 could be named as color revolution period that emphasized the unique and individual expression of each person. In 1997, black, pastel, and brown colors were the result of reinterpreting the classic and sexy images of 1960s to natural and modernistic image of 1997. Purple color started to be introduced to us. In 1998, pastel tone, pink, and purple color expresses the glamorous look based on the romantic feminism. S/S of 1999 is mainly represented by minimalism and avant garde. For fall/winter trends, brown color lines make-up comes to mix with romantic image and developed into wine, orange, neon colors in 1995 and 1996. These colors were the symbol of property and sentiment. Gold make-up emphasizing the eye area was the tendency of that period. In 1997, the fear of coming end of century was expressed as decadent image. At that time, ethnic and romantic image appeared with vivid color lines, gold, red and violet. In 1998, romanticism was popular again with modernism and ethnic mood. It expressed the romantic elegant image. The trend has returned to the ecology mood again in 1999. This ecology is somewhat different from the previous ecology. It adds a sofistaiced feeling and sportic fashion. To express natural and sportic image, they choose pink blush. In coming 2000 as a new millennium, the yellow color will be main the stream to express vision, dream, and happiness in both fashion and make-up as an accent color. The minimal design and minimal tools will be used for the design and make-up, respectively. In addition, the fusion concept will dominate the fashion and make-up industry in the globalized and boundariless age. Through this paper, we hope that make-up can be accepted as a part of total fashion in its relationship with other elements such as shoes, clothes and accessory and that it can be considered as a independent art that has direct influence on people and industry.

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한국 영.유아의 대소변 가리기 훈련습성에 관한 일 연구 (STATISTICAL STUDY ON HABITUAL METHODS Of TOILET TRAINING FOR INFANT AND TODDLER)

  • 최경자
    • 대한간호학회지
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    • 제3권3호
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    • pp.119-132
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    • 1973
  • This study observed on habitual methods of toilet training for infants and toddlers in Korea thru 300 mothers at four medical institutions Ewha Woman′s University Hospital, Ewha Maternal and Child Health Center, Severance Hospital and Seoul National University Hospital) with a design to analyze beginning time, duration of period, methods employed, motives, equipments used, special terminology used for the subject training. The main purpose of this study was to generalize the proper methods of toilet training, and also to contribute a better psychological education for the mother and child. The results obtained from this study were as follows; 1. Majority of (67.3%) observed were in the age category between 30 and 40 years, and dominant numbers (64.7%) were housewives with high level of education and from middle class family background. 2. In the most cases (85%), toilet training was carried out by mothers(including wives who had a job) while more than half of mothers (53.7%) maintained their important motive for the training was "due to having high regard for cleanliness" 3. As for the time of beginning toilet training: finding indicated that starting period was decided (70%) at inconsiderate desertion of each mother. whereas, only minority group (30%) represents the cases where mother started the training when they consider tile child was physically and psychologically randy. Also greater number (77.7%) started bladder training prior to that of bowel. 4. It is noticeable that in course of training a large number of mothers (48.3%) applied strict training method when the child proper talenting, and the more rigid and strict in tile training. the more malformation of personality of the infant and toddler were seen after the training period (P<0.01). 5. Over the half of the total cases denoted (bowel 54.3%, bladder 67.7%) starting period before one year and in most cases (bowel 79.3%, bladder 729)the training was accomplished within 12 month, and therefore it was noted that earlier start(before 1 year) shortened the training period (with 12 month) . There was no significant difference between male and female infants in both starting period and duration of period in bladder training, however, in bowel training there was a tendency that female started earlier(7-12 months needed, 51.4%) than tile male (13-18 months needed, largest number 41.4%), and also in cases of female the period for needed for training were shorter than the cases of male. 6. Many a number (bowel 50.3%, bladder 97.7%) employed the method of continuous talenting at regular interval in accordance with that of child′s habit formed before training. Equipment used were various kinds, however, pieces of paper for male (45.5%) and piss pot or bedpost (42.3%) for female were common, on the other hand, "Eung-ga" for defecation (52.3%) and "Shii" for the urination (95.3%) were most standard expression that used during the training period.

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Vanadium 화합물이 조골세포주 MC3T3-El에 미치는 영향에 관한 연구 (THE EFFECTS OF VANADIUM OXIDE & SODIUM ORTHOVANADATE ON MURIN OSTEOBLAST-LIKE (MC3T3-E1) CELLS)

  • 권기열;정규림
    • 대한치과교정학회지
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    • 제24권1호
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    • pp.17-35
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    • 1994
  • Vanadium is an essential trace element but has not been identified with a specific biogical role. To study the direct effects of vanadium on osteoblast, we incubated murin osteoblast-like (MC3T3-El) cells with various corcentration of vanadium oxide & sodium orthovanadate. This study was designed to investigate the effect of vanadium on DNA synthesis, alkaline phosphatase (ALP) activity, cAMP formation responsive to parathormone(PTH) and type I $\alpha$ 2 collagen ribonucleic acid (mRNA) level in murin osteoblast-like (MC3T3-El) cells. The cells were cultured in $\alpha-minimal$ essential medium$(\alpha-MEM)$ supplemented with $10\%$ fetal bovine serum (FBS) and then changed to $0.1\%$ FBS with various concenoation of vanadium oxide & sodium orthovanadate. Quiescent cultured MC3T3-El cells incubated for 24 hours with 2,5,10,15,20 ${\mu}M$ vanadium oxide incorporated $[^3H]Thymidine;$ every concentration showed increases in $[^3H]Thymidine$ incorporations dose dependant manner, the greatest response occurred at $20{\mu}M$. Quiescent cultured MC3T3-E1 cells incubated for 3days with 2,5,10,15,20 ${\mu}M$ vanadium oxide, for 2days with sodium orthovanadate and alkaline phosphatase was assayed with disodium phenyl phosphate as substrate. Vanadium oxide increased the alkaline phosphatase content in MC3T3-El cells at $2{\mu}M\;&\;6{\mu}M$ ; the greatest response occurred at $2{\mu}M$. But decreased at other content sodium orthovanadate increased alkaline phosphatase content in MC3T3-El cells at all concenoation ; the greatest response occurred at $4{\mu}M$. Quiescent cultured MC3T3-El cells incubated for 3days with $5,10{\mu}M$ vanadium oxide , with $5,8{\mu}M$ sodium orthovanadate and cAMP formation was measured by Radioimmunoassay(RIA). Vanadium oxide & sodium orthovanadate showed the tendency of inhibitory effects on cAMP responsiveness to PTH in MC3T3-El cells. Quiescent cultured MC3T3-El cells incubated for 24hours with $10,20{\mu}M$ vanadium oxide, with $5,10{\mu}M$ sodium orthovanadate and Type I $\alpha$ 2 collagen ribonucleic acid (mRNA) expression was studied by Nothern blot analysis. Northern blot analysis of vanadium oxide treated cells showed decreasing effects 0& sodium orthovanadate revealed increasing effects in type I $\alpha$ 2 collagen ribonucleic acid (mRNA) level.

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The study on immaterial role of traditional furniture

  • Lee, Dae-Woo;Moon, Dae-Sung
    • 한국가구학회지
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    • 제21권6호
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    • pp.439-448
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    • 2010
  • 가구분야는 인간과 밀접한 제품으로 많은 발전을 해왔지만, 근대화 이후 전통가구는 거의 자취를 감추었다. 이는 생활양식이 바뀌었다기보다 편의와 형태를 추구한 서양식 가구의 다양성을 중시했기 때문이다. 그러나 이러한 다양성은 한계에 도달했으며 가구뿐만 아니라 디자인분야 전반에 걸쳐 한 단계 나아갈 새로운 역할의 필요성이 대두되었으며, 이를 위한 문제해결방법으로 건축을 비롯한 디자인전반에서 동양의 정신계에 근거를 두고 있는 유심적 가치가 제시되었다. 이는 사라졌던 전통가구가 내포한 유심성에 주목하려는 것이며, 보다 자연적이고 인간과 친숙한 전통가구의 감성적이고 심리적인 영향이 가치를 인정 받은 것이라 할 수 있다. 전통가구가 오랜 시간을 사용되었던 것은 가구가 갖는 기능성보다 주변공간과 유기적으로 연계하는 유심적 성향을 지니고 있기 때문이다. 이를 위해 본 연구는 조선시대 한옥에서 사용된 전통가구를 중심으로 기본적 기능 이외의 역할을 귀납적으로 분석하여 사용자에게 나타난 추가적인 효과를 규명하고자 하였다. 이러한 유심적 역할은 사용자에게 기능 이외의 역할을 제공하고, 가구의 공간지배가 가능하게 하였다. 이러한 역할의 근거로 전통가구가 유물적 관점에서는 추출할 수 없는 사용성 확장, 공간변이, 공간형성과 이동, 위계형성에서 나아가 사용자와 상호작용이 가능한 단계에 이르는 많은 역할을 해왔음을 규명하였다. 이를 통해 전통가구의 유심적 역할이 적용된 현대 공간에서 나타날 기대효과와 가능성의 사례를 통해 지속 가능한 디자인은 물론 상호작용이 가능한 가구의 발전방향을 제시하였다.

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20세기말 현대패션에 나타난 다문화주의(Multiculturalism) 현상에 관한 연구 (A Study on the Multiculturalism Phenomena Expressed in Contemporary Fashion of the End twentieth century)

  • 최혜정;임영자
    • 복식
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    • 제51권2호
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    • pp.149-167
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    • 2001
  • Today, every culture has taken on the compromise form by means of the cultural difference, variety, and pluralism according to the internationalization and the advance so that it has been developed toward the half-blooded and multilayered the aspect. In accordance with this current of the times, this thesis observed the feminism found in the multiculturism of the end of the 20th century, the third world, and technology with the side of the tendency of modern fashion, considered the hybride phenomenon which is pulling down the wall between culture and genre due to the social diversification. and predicted the fashion trend do 21st century serf on it. Multiculturism is the movement that began to arise in the academic world of America and the literary world form the close of 1980's in accepting the variety of culture and regarding the culture with the more balanced and wide view and just as it is, it means the attitude of accepting one or more cultures of variely and the position of taking interest in the culture of minority race not the culture of a governing race. It is the fashion of feminism adapts dualism like unisex, androgynous look, etc of bisexual lendency in the 1980's, it shows new style with crossover of liberal sense because there is not the difference of sex in fashion. The eco-feminism pursues the natural sexuality not being instrumental and dismantling and expressed it in the Gender expression of an integrated human being. The trend of ethnic fashion in the close of 20th century is that the element of hippie is working so strongly. By adding embroidery of Oriental style, accessories of Indian style, feathers, beads, a hempen hood to the ethnic costumes of Asia and Latin, is shows the figure of ethnic hippie. As the cycler fashion is the future clothes through technology of computer, it uses a cool glass material bringing up the image of a spacesuit in order to expresses cyber image through artificial color combination of sheen colors, Though this techno-color fashion has established the fresh stimulation and the innovative aspect with ultramodern materials and image of futurism, it transmits a hope of estranged people and the natural elements. Hybride means a cross and mixture of animal and plant in Korean and is also called fusion. The phenomenon of hybrid predicts to comes the period of a cross and variation because something completely new comes into the world by contamination, mixture and compromise through meeting something different each other and it has on advantage of developing something existing to one more stage. It is prospected that in the society of 21st century, the borderline of traditional gender will be disappeared, variety and individuality will determine the individual behavior, and the masculine value will be substituted by feminine value. In the society giving priority to feminine value, a fashion stuck closely to women is what must reflect lives of woman under the proposition of woman's beauty, being on original function. So, it is considered that a fashion with added convenience and practicality having the function which is easy to put on, comfortable to act, able to express solves so much, and able to show various appearances according to T.P.O will get into the spotlight.

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현대 니트패션에 나타난 혼합현상 - 2000년~2008년 여성컬렉션을 중심으로 - (A Mixture Phenomena Expressed in Contemporary Knit Fashion - Focus on Woman Collection from 2000 to 2008 -)

  • 박문희;이연희
    • 한국의류학회지
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    • 제33권12호
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    • pp.1924-1934
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    • 2009
  • 현대사회의 혼합화 현상과 니트웨어의 수요 증가에 따른 독특한 질감이 요구되어지고 있어 이에 따른 전략적인 방안들이 절실히 요구되고 있다. 본 연구는 세계 4대 컬렉션의 2000~2008년의 여성컬렉션의 횡편 니트 3~8게이지의 자료를 선정, 현대 니트패션에 나타난 혼합현상을 출현 빈도와 표현특성으로 분석하였다. 혼합현상은 상 하위문화의 혼합, 남 여 성의 혼합, 스타일의 혼합, 공간의 혼합, 타소재의 혼합, 기능의 혼합의 순으로 나타났으며, 2004년에 가장 높은 빈도수를 나타냈다. 혼합현상의 표현특성에서 가장 높은 빈도수를 나타낸 상 하위문화의 혼합은 고급스러운 소재, 고상한 무늬와 색상의 상 하위개념의 경계성의 모호와 남 여 성의 혼합은 기능성과 편리성의 추구와 양성성의 공유로 특성을 나타냈다. 스타일의 혼합은 니트패션의 전통적인 형태에서 정형과 비정형의 스타일의 혼합으로 특성을 나타냈고, 공간의 혼합은 니트의 역사가 깊은 북유럽의 전통적 니트문양이 현대적인 요소와 혼합된 특성을 나타내고 있었다. 타소재의 혼합은 장식적인 소재와 본래의 기능적인 용도를 초월하여 부분적으로 혼합되었고, 기능의 혼합은 두 가지 아이템의 용도로 활용 가능한 특성을 나타냈다. 이와 같이 현대 니트패션에 나타난 혼합 현상은 타영역의 혼합으로 상상력이 더해져 그 표현 가능성의 범위가 점차 확대되어 가고 있다.

Big 5 성격요인에 따른 청소년 성격특성의 발달적 변화 (Developmental Changes of Adolescent's Big Five Personality Factors)

  • 장은지;최은실
    • 한국콘텐츠학회논문지
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    • 제17권10호
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    • pp.307-321
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    • 2017
  • 본 연구는 중 고등학교 학생 2,260명을 대상으로 Big 5 성격요인에 따른 청소년 성격특성에 발달적 변화가 있는지 알아보고자 한다. 성별과 학년에 따라 성격 5요인의 발달적 변화에 차이를 보이는지 확인하였고, 더불어 신경증 하위요인을 추가적으로 분석함으로써 청소년기 문제행동 시기와 특성을 확인 하였다. 분석에는 일원배치변량분석(One-way ANOVA)을 사용하였으며 유의미한 차이가 난 경우 사후검증을 실시하였다. 연구 결과를 요약하면 다음과 같다. 첫째, 청소년의 성격 5요인 특성이 성별에 따라 차이가 있는 것으로 나타났다. 개방성, 성실성, 외향성은 여자가 남자보다 높게 나타났고, 신경증은 남자가 여자보다 높게 나타났다. 둘째, 청소년의 성격 5요인 특성 모두에서 학년에 따라 차이가 있는 것으로 나타났다. 셋째, 청소년기 성격특성에 대한 성별에 따른 학년별 발달적 경향성에서도 성별 간 다른 양상을 보이는 것으로 나타났다. 특히 성별과 학년에 따른 분석에서 남자는 중등 2학년, 여자는 고등 3학년에서 성격특성이 두드러질 것으로 나타났다. 그리고 신경증과 관련된 외현화 행동문제는 중등 1 2학년에서 내현화 행동문제는 고등 3학년에서 주로 발현될 것으로 나타났다. 따라서 본 연구에서는 현재 우리나라 청소년 성격특성의 발달적 변화를 확인할 수 있었으며, 또한 성별과 학년에 따라 상이한 정신건강문제가 발현 될 수 있는 것으로 나타났다.

1990년대의 패션과 메이크업 경향에 관한 연구 (A Study of Fashion and Make-up Trend in 1990s)

  • 김수진;한명숙
    • 복식문화연구
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    • 제6권1호
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    • pp.84-93
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    • 1998
  • The main focus of this paper is to provide clear understanding about the concept of make-up as total fashion by defining the essential meaning of it. First, we would like to go over the concept of make-up and total fashion, then analyze the make-up image, the changes of colors and images of make-up overtime and fashion that have influenced over those changes. In this paper, we analyze the trend of fashion and make-up in 1990s and their relevancy. Through this paper we hope that make-up can be accepted as a part of total fashion in its relationship with other elements such as shoes, clothes and accessory and that it can be considered as a independent art that has direct influence on people. The trend of Spring/Summer between 1990 and 92is the image of natural beauty and comfortable and modernistic image that can be experienced through nature. In 1992, there was a revival look of 1960s and 1970s. Make-up also followed this trend. The overall color tone was to give natural and stable images with pastel tone to soften the images. This tone brought back the ecology of 1960s. The theme of restoration in humanity and nostalgia was reflected in clothing, and these trend changed the ecology of make-up to peace, love and romantic ecology which was expressed in coral, blue, and green tone to create intelligent image of woman. Year 1996 could be called as color revolution period that emphasized the unique and individual expression of each person. In 1997, black, pastel and brown colors were the result of reinterpreting the classic and sexy images of 1960s to natural and modernistic image of 1997. Purple color started to be introduced to us. The beginning of 1990s Fall/Winter season was based on ecology concept that emphasized the natural image. Until 1995 it appeared that spring/summer and fall/winter trend had no big differences. But from 1995 seasonal differences in trend are appeared and there were various make-up designs. In 1995, 1996, brown color lines make-up comes to mix with romantic image and developed into wine, orange, neon colors. These color were the symbol of property and sentiment and gold make-up emphasizing the eye area was the tendency of that period. In 1997, the fear of coming end of century was expressed as decadent image and at that time ethnic image, romantic image appeared with vivid color lines, gold, red and violet.

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현대 패션에 나타난 고전적 조형 패러다임에 관한 연구 (A Study on a Classical Construction Paradigm in Modern Fashion)

  • 김혜영;이신영
    • 복식문화연구
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    • 제13권6호통권59호
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    • pp.960-976
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    • 2005
  • Classicism pursued beauty comprised of a perfect form, and beauty was perceived as a state of sufficiency. Accordingly, a completed and permanent beauty was sought after; as a result, a perfect and flawless form became the mainstream, and there was an effort to visualize the eternal proportional perfection. In classicism, forms were perfectly embodied with systematic inevitability and absolute inflexibility, by which an extremely clear aspect appeared. This study analyzes a classical construction paradigm in modern fashion according to the five categories: 'Harmony and order by numerical proportion', 'Clear form', 'Simplification of form and two-dimensional Seh-form', 'Completed contracture structure', and 'Pluralistic unification', and the respective formative characteristics are as follows. First, in terms of the formative aspect of modern fashion,'Harmony and order by numerical proportion' results from thorough observance of extreme and golden section (proportion of 5 :8) which was an aesthetic standard of beautiful body in classicism. Second, 'Clear form' appears in clothes as individual clearness of structural elements expressing each part of body, and shows a well-established form possible to be grasped with equal and clear contour line. Third,'Simplification of form and two-dimensional Seh-form' comes out as form composition, single line, single layer structure, two-dimensional form and arrangement of elements of clothes through the front viewpoint caused by 2D diagramming work while fashion-designing and producing. Also, it is seen that two-dimensional proportion which is composed of sections through various harmonious lines and sides according to the simple two-dimensional compatibility principle is accomplished. Fourth, 'Completed contracture structure' emerges as an expression of stationariness, in other words, fixation of an overall impression. This is a tendency that the overall form is grasped as a fixedly intact shape without a big change of the silhouette of clothes. Fifth, 'Pluralistic unification' means that it respectively emphasizes all the parts composing clothes by making them individually independent at the same time as each element is inclusively shown with the harmony of the overall silhouette of clothes and many other details. This study examined classical formative characteristics through a theoretical research on a formative paradigm revealing the classical style. Also, the significance of classical or rational value of art was illuminated by observing what characteristics a classical formation paradigm shows in modern fashion. As a result, classical characteristics in modern fashion prove that classicism is not a merely past construction style separated from the present but a construction paradigm deeply involved in our reason system.

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