• 정보처리학회논문지:소프트웨어 및 데이터공학
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• 제4권1호
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• pp.45-56
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• 2015

본 연구에서는 문맥 정보를 함께 고려해야만 인식할 수 있는 단어 오류에 대하여 오류 인식 방법과 수정 후보 생성 방법을 제안한다. 이 문제는 기존의 영어권에서 이미 많이 다룬 연구 주제이다. 본 연구에서는 영어 자동채점 시스템에서 사용하도록 특화된 방법을 제안한다. 문맥 정보를 고려한 단어 오류 검사에서는 자주 혼동되어 사용되는 단어집합(confusion set)을 활용한다. 비영어권 사용자의 작문 특성을 반영하기 위해 기존의 영어권에서 구축한 혼동집합 이외에 자동으로 혼동집합을 구축하여 실험해 보았다. 또한 품사 중의성으로 인해 기존의 구문오류 검사기가 다루지 못하는 오류를 정의하고 오류 인식과 오류수정 후보를 생성하는 방법을 제안한다. 실제 한국어가 모국어이면서 초/중급 작문 수준의 수험생들이 작성한 영어 문장에 대해 평가해 본 결과, 약 70.48%의 f1 값을 얻어 기존의 영어권 결과에 비해 뒤지지 않는 성능을 보였다.

• 디지털콘텐츠학회 논문지
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• 제14권1호
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• pp.111-116
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• 2013

강의실에서 활동이 영어 학습자들로 하여금 그 유창성을 익히도록 하는데 제한적이기 때문에 언어에서 기술의 사용은 교육 도구로 매우 중요하다. 학습자의 주요 학습의 주제를 포함하고 있는 온라인 상의 보충자료를 얼마나 활용하느냐는 학습자의 학습 능력 향사에 결정적인 역할을 한다. 이 논문의 목적은 인터넷을 통해 제공 되어지는 모든 잠재적인 가능성의 활용에 근거하여 언어 습득에 관한 새로운 접근 방법을 제시하고자 한다. 영어 쓰기 과제를 학생들이 수행하는 과정에서 인터넷을 활용하는 효과적인 방법을 제시하고자 한다. 또한 학생들의 참여와 그 영어쓰기 실력 향상과의 비례관계를 보여준다.

• 영미문화
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• 제9권1호
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• pp.113-139
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• 2009

Such is an elective affinity between literary studies and psychoanalysis that the latter sometime serves as a form of literary pedagogy. The affinity mainly consists in their shared concern for language. The signification of language in psychoanalysis is much similar to that of literature. Many of psychoanalytic terms and theoretical tenets bear witness to its dependence clinically on speech phenomena and theoretically on language in general. It is most true of Sigmund Freud, for whom the unconscious is in effect the linguistic unconscious. The Freudian unconscious, compressing and displacing through images and ideas, works as a text for psychoanalysis, which approach has not only paved one of the ways to poststructuralist anti-essentialism but with which literary studies also feel uncanny familiarity. Freudian psychoanalysis, starting empirically from clinical observations, discovers that words exist independent of meanings in the form of things in the unconscious system. Out of the various sensory elements of a word-thing, in psychoanalytic terms, the auditory is central. Now with the auditory imagination cultivated in the clinic, Freud figures out compression and displacement as the chief unconscious works, of which my main argument is that they are based phonetically on heteronym and homonym associations respectively. Compression and displacement work to be masks, which excites Freud's sense of challenge: his is a kind of poststructuralist approach, in the sense that the closed interrelatedness of words without external referents determines the signification in a given situation. But the works of compression and displacement, viewed in auditory terms rather than mapped on to metaphor and metonymy, can provide a new insight for a literary reading of Freud. Pursuing Freud's auditory imagination is not only an attempt to read his writing as literary text rather than for theoretical discussion, but also an experiment with the possibility of literary reading of a theoretical text in the age of after-theory.

• 영어영문학
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• 제57권6호
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• pp.977-998
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• 2011

The purpose of this study is to investigate prospective teachers' perceptions of the peer review comments readily available to them during the writing process in a teacher training class. Given these needs, we employ a qualitative method of inquiry giving voice to the learner's own view of peer feedback. The data we wish to consider is first-person narratives elicited from four EFL college students, who are prospective teachers of English. With regard to the EFL students' narrative considered here, all were attentive to the feedback they received. Moreover, the way in which these EFL writers talk about peer response activity reflects that they still welcome peer feedback because of the benefits to be accrued from it. Although this study, covering only four EFL students in total, can hardly be considered conclusive, we attempt to offer a synthesis of their stories. First of all, students indicate that they received responses from "authentic readers" (Mittan 1989, 209). We do note, consequently, that students gain a clear understanding of readers' needs by receiving feedback on what they did well and on what seems unclear. Perhaps the greater effect of peer feedback claimed by these students is that they take active roles in utilizing peer comments. Since they feel uncertain about the validity of their classmates' responses, students feel that they have autonomy over their own text and can make their own decisions on whether they should accept their peer comments or not. This contrasts with their treatment of teacher comments that they accept begrudgingly even if they disagree with them. Four EFL writers talked a lot, typically in a positive way, about peer response to their writing, yet they have expressed reservations about the extent to which they should put any credence in comments offered by their fellow students. Perhaps this is because their fellow students are still developing writers and EFL learners. In turn, they were sometimes reluctant to accept the peers' comments. Thus, in EFL contexts, L1 use can be suggested during peer feedback sessions. In particular, we have come to feel that L1 use enables both reviewers and receivers to have more productive peer review experiences. Additionally, we need to train students not "to see peer feedback as potentially bad advice" (Silva et al. 2003, 111). Teachers should focus on training students to utilize their peers' comments. Without such training, students will either ignore feedback or fail to use it constructively.

• 영미문화
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• 제9권1호
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• pp.239-272
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• 2009

Our investigation of the intricate relationship among nationalism, humanism, and imperialism begins from reading Song of Ariran, the auto/biography of Kim San recorded by Nym Wales, together with Margaret Drabble's fictional adaptation of Lady Hong's autobiography, The Memoirs of Lady $Hyegy{\breve{o}}ng$, in her novel The Red Queen, in which the story of Barbara Halliwell, a modern female envoy of Lady Hong, is interweaved with Lady Hong's narrative. In spite of their being seemingly disparate texts, Song of Ariran and The Red Queen are comparable: they are written by Western female writers who deal with Koreans, along with the Korean history and culture. Accordingly, both works cut across the boundary of fiction and fact, imagination and history, and the East and the West. In the age of globalization, Western women writing (about) Korea and Koreans traversing the historical and cultural limits inevitably engage us in post-colonial discussions. Despite the temporal differences--If Song of Ariran handles with the historical turmoils of the 1930s Asia, mostly surrounding Kim San's activities as a nationalist, The Red Queen is written by a twenty-first century British woman writer whose international interest grapples with the eighteenth-century Korean Crown Princess' spirit in order to reinscribe a story of Korean woman's within the contemporary culture--, both works appeal to the humanistic perspective, advocating the universal human beings' values transcending the historical and national limitations. While this sort of humanistic approach can provide sympathy transcending time and space, this 'idealistic' process can be problematic because the Western writers's appropriation of Korean culture and its history can easily reduce its particularities to comprehensive generalization, without giving proper names to the Korean history and culture. Nonetheless, the Western female writers' attempt to find a place of 'contact' is valuable since it opens a possibility of having meaningful communications between minor culture and dominating culture. Yet, these female writers do not seem to absolutely cross the border of race, gender, and culture, which leaves us to realize how difficult it is to reach a genuine understanding with what is different from mine even in these 'universal' narratives.

• 영어영문학
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• 제57권2호
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• pp.191-215
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• 2011

This paper aims at investigating Dorothy Wordsworth's later conversation poetry, which has not been the focus of critical discussions on her literary works. While many critics have been emphasizing Dorothy Wordsworth's journals and the tendency of self-effacement in her prose, this paper argues that her later poetry often reveals acute self-consciousness about the circumstances that condition this self-annihilation and searches for a creative way to endorse her own identity. In "Lines Intended for My Niece's Album," she expresses anxiety and uncertainty about the inclusion of her poetic piece in Dora Wordsworth's album, which contains poems by prominent male writers of the contemporary period. "Irregular Verses" presents Dorothy Wordsworth's self-conscious narrative of her girlhood and shows how her own ambition to become a "Poet" has been stifled by external circumstances, including the ideology that instills the idea of proper womanhood into aspiring girls. While these poems examine contemporary gender discourse and the frustrated poethood resulting from it, other poems activate conversations with William Wordsworth's poems and thereby provide a revisionary re-writing of her brother's texts. For example, in "Lines Addressed to Joanna H." Dorothy Wordsworth becomes "a woman addressed who herself addresses others." Her scrupulous approach to her own addressee refuses to subordinate the other to the self's will, and through this revision of "Tintern Abbey," Dorothy Wordsworth vicariously liberates her own self confined in her brother's poems. "Thoughts on My Sick-Bed," which echoes "Tintern Abbey" through borrowed phrases and direct address to William Wordsworth, foregrounds her own poetic identity in the form of the first-person pronoun "I." Dorothy Wordsworth's continual illness during this period of her life paradoxically allows her the time for personal reflection formerly denied to her in her busy life constantly occupied by physical and spiritual labor for others. Instead of earning satisfaction from the subsumption of her creative energy under William Wordsworth's poetical endeavor, Dorothy Wordsworth finally starts to affirm her own poetic identity that can properly express her inner vision and artistic talent. Although this final affirmation remains largely incomplete due to her later mental collapse bordering on madness, it powerfully conveys the hidden literary aspiration of the formerly frustrated female poet.

• 영어영문학
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• 제58권4호
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• pp.565-588
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• 2012

This paper aims at reconsidering 'suture,' a key concept in early Lacanian film criticism, with a view to narrowing a supposed gap between early Lacanian and later Lacanian film criticism. Early Lacanian film theorists, among whom Jean-Pierre Oudart, Jean-Louis Baudry, Laura Mulvey and Daniel Dayan, to name a few, are prominent, focus on cinematic signifying system as well as its ideological effects on shaping subjectivity of the audience. Initiated by Jacques-Alain Miller's article on suture as the logic of signifier and grafted into film as the logic of the cinematic by Oudart's writing, the concept of suture was established as a key word in early Lacanian film criticism. In their taxonomy, suture refers to the processes by which the audience are stitched into the story-world of a film. The audience are drawn into the film and take up positions as subjects-within-the-film such that they make sense of and respond to what the film represents as they are encouraged to do so by the film itself. On the other hand, later Lacanian film critics, who are much influenced by Lacan's later emphasis on the Real, focus on concepts such as gaze, petit objet a, fantasy, rather than suture. They are more concerned with the failure of suture and the disruption of the Symbolic than the ideological effects of suture and the consolidation of the Symbolic. They require a break from the previous approach of Lacanian film theory which centers around the Imaginary and the Symbolic. However, early Lacanian and later Lacanian film theory do not manifest as much disparity as they are supposed to do, for both are against the ideological manipulation of suture. Slavoj Žižek, a leading scholar of later Lacanian psychoanalysis, revives the concept of suture as a patch of the Symbolic which covers the gap, if not always successful.

• 전자공학회논문지C
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• 제36C권4호
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• pp.54-64
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• 1999

본 논문에서는 실제 응용분야에서 사용될 수 있는 효율적인 필기 영어 단어 인식 방법을 제안한다. 필기 단어인식과 관련된 대부분의 응용분야에서 제공되는 사전의 활용을 극대화하기 위해 사전단어들을 인식의 초기 단계에서부터 사용한다. 초과 분할된 단어의 세크먼트들과 사전단어들 사이의 정합을 위해 동적 프로그래밍을 사용하며, 정합구간을 가변적으로 조정할 수 있도록 학습단계에서 추출한 문자 분할과 관련된 통계를 활용한다. 또한, 사전단어의 각 문자와 세그먼트들 사이의 정합 결과를 저장하여 반복되는 계산을 피한다. 제안하는 방법의 효용성을 입증하기 위해 다양한 서체를 갖는 실험용 필기 단어영상을 사용하여 실험을 수행한 결과, 사전에 기반한 단어 인식 과정을 최대로 활용하기 위한 가변정합구간 개념 및 문자단위 정합결과 저장 방법이 동적 프로그래밍과 함께 인식 속도 및 정확도 향상에 모두 크게 기여함을 확인하였다.

• 수완나부미
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• 제14권1호
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• pp.9-29
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• 2022

Postcolonial critics have criticized Comparative Literature for exclusively studying literatures from the non-Western world through Western lenses. In other words, postcolonial criticism asserts that theorists and practitioners of comparative literature have traced the "assistance" of the classic "comparison and contrast" approach to an imperialist discourse, which sustains the superiority of Western cultures and economies. As a countermeasure to reading through the comparative lens, literary theories have offered a "juxtapositional model of comparison" that connects texts across cultures, places, and times. This paper examines practices of Comparative Literature in Vietnam, revealing how the engagement with decolonizing processes leads to a knowledge production that is paradoxically colonial. The paper also analyses implementations of this model in reading select Vietnamese works and highlights how conventional comparisons, largely based on historical influences and reception, maintain the colonial mapping of World Literature, centralizing Western, and more particularly, English Literature and in the process marginalizing the others. Therefore, the practice of juxtaposing Vietnamese literary works with canonical works of the World Literature will provoke dialogues and raise awareness of hitherto marginalized works to an international readership. In this process, the paper considers the contemporary interest of Comparative Literature practice in trans- national, trans-regional, trans-historical, and trans-cultural perspectives.

• 한국전자통신학회논문지
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• 제8권5호
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• pp.703-711
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• 2013

외국의 경우에는 개인의 필적을 통해 그 사람의 성격 등 개인정보를 파악하려는 노력이 수십 년간 지속되어 왔으나, 국내에는 한글을 대상으로 하는 필적학 연구가 거의 전무한 형편이다. 물론 필적감정 분야에 있어 개인의 필적 특성을 근거로 본인 여부를 확인하고 있지만 필적감정 전문가의 개인 능력과 판단에 주로 의존하고 있다. 이에 외국에서 필상학, 필체학, 필적학이라고 칭하는 필적학(Graphology)에 대한 학문적 접근이 한글에도 필요한 시점이다. 따라서 본 연구에서는 총 339명의 성인남녀를 대상으로 5요인 기법에 의한 성격진단 실험과 글자크기, 기울기 등 개인의 고유 필기습관이 나타난 시필(試筆)을 확보하여 빈도분석, 차이검정, 교차분석, 요인분석, 상관분석, 회귀분석 등을 실시하였다. 이때 성격진단을 위해 활용한 5요인 기법의 설문문항에 대한 요인분석 결과는 신뢰도가 매우 높았으며 이를 개인의 성격으로 채택하였다. 교차분석에서는 성별과 글자크기, 고향과 여백, 직업과 습관 등 일부 항목간에 차이를 확인할 수 있었으며, 소요시간과 5요인 성격 그리고 장당 줄수와의 관계를 알아보기 위하여 실시한 상관분석의 경우에는 5요인 성격간에 높은 상관관계가 나타났다. 선형회귀분석의 경우에도 적합도가 매우 높게 나타났으며, 이외에도 글씨정보와 5요인 성격을 비교분석하여 다양한 상관관계를 확인할 수 있었다. 물론 영어에 대한 필적학 이론도 해석하는 주체마다 다르고 한글은 구조적인 측면에서 영어와는 확연하게 다르기에 양 언어간의 필적학 이론을 맞비교하는 것은 어렵고 불가능한 일이다. 하지만 한글에 대한 필적학 이론 마련이 전무한 상태에서 기초적인 이론 정립을 위해 다양한 실험과 분석을 시도하는 것은 현 단계에서 매우 중요한 의미를 가진다.