• 감성과학
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• 제9권spc3호
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• pp.187-196
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• 2006

본 연구는 실용테이블 데커레이션의 수준별 요소에 일정한 규칙의 색채변환을 주어 관찰자(응답자) 선호의 색채 테이블과 이미지 형용사, 심미성의 각 영향 요소간의 관계성 고찰로 이는 선행 연구인 '식음 테이블 데커레이션의 관찰자 선호도에 대한 조사 분석'의 검증연구이다. 연구결과로 색채 이미지와 선호도는 '고급스러운, 먹고싶은'의 이미지로, 중 저의 어두운 톤인 브라운 색채와 '따뜻한, 화사한' 이미지의 주황색 톤이 선호되었다. 선호도와 심미성 영향 요소와의 관계 평가에서는 일반인들은 '통일성, 게슈탈트'의 영향요소를 중요하게 인식하였고, 비전문가들은 '독특성'이 부각되었다. 본 연구는 자극물 선정에서 색채 변환에 의존함에 따라 T P O에 적합한 분위기 연출의 미흡 부적합 등 현실성의 문제점과 설문 응답이 이루어진 시기, 즉 계절, 세대 간 변수, 자극물 선정 등의 문제점이 제기되나, 실용 테이블 데커레이션에의 선호 디자인에 대한 프로세스를 제안함으로써 정성적 연출뿐만 아니라 정량적인 데이터를 이용한 새로운 디자인 방향을 제시하였다는데 의의가 있다.

• 한국정보디스플레이학회:학술대회논문집
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• 한국정보디스플레이학회 2005년도 International Meeting on Information Displayvol.II
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• pp.985-987
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• 2005

Many applications, such as the lenses of mobile phones, involve complex 3D shapes. Delivering effective AR/AG surfaces in 3D is becoming an important challenge to the display industry. This paper shows how the combination of motheye structured AR hardcoats and In-Mold Decoration techniques can deliver this desirable functionality.

• 월간포장계
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• 통권260호
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• pp.80-86
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• 2014

• 월간포장계
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• 통권260호
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• pp.64-70
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• 2014

• 월간포장계
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• 통권260호
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• pp.71-75
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• 2014

• 베이커리
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• 4호통권417호
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• pp.120-123
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• 2003

• 건축사
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• 통권624호
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• pp.96-98
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• 2021

• 한국실내디자인학회논문집
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• 제21권1호
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• pp.177-185
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• 2012

The purpose of this study is to use as the basic data for design method in commercial space. So, we analyzed whether any emotion was induced by finishing materials in the commercial space. And we was to suggest expression methods of finish materials to induce in the emotional space. The results of this study are as follows : First, we could know that the emotional design is needed to enhance satisfaction of consumers. The role of finishing material is very important in emotional expression in the commercial space. Second, we extracted the adjectives vocabulary(14 pairs) to evaluate the space emotion. we could educe the four kinds of space emotion by Factor Analysis. In addition, we could arrange the emotional words to represent each space type(Decoration : 5 pairs, Expand : 4 pairs, Limitation : 3 pairs, Hierarchy : 2 pairs). Third, to use finishing materials and wall is very effective to induce the emotion in the emotional space. To use the color is good among the elements of finishing materials. Fourth, We could find that the center of the types of emotional space was induced with the boundary and the decoration. If we use contrasting colors and accent colors in the commercial space, we can induce the center and the boundary together. And if we use colorful or unusual patterns, we can induce the center and the decoration together. Fifth, To induce the expand, we should finish with one color in space. And To induce the center, we should finish with one type of the color or pattern and then we should partially use the contrast color and special pattern. the case of boundary, it is good method to part emphasize by color, texture and materials. And we can induce the decoration with materials and patterns.

• 한국주거학회논문집
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• 제25권6호
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• pp.111-121
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• 2014

The purpose of the study is to understand the unique characteristics of decoration style in traditional Javanese houses. Reviewing literature and visiting site were applied as the research method. Javanese House can be divided into three parts; roof, wall and floor. First, the roof of the traditional Javanese House is the most unique and important decorative element. The roofs are covered with roof-tiles and have clay carving ornaments on top. Usually there are no ceilings, just exposed to the oblique shape roof, which are made of wood to enable air ventilation. Joglo roof is the outstanding and representative roof type of Javanese houses. There is artistic and constructive roof structure named as tumpang sari in Joglo roof. The decoration on tumpang sari is the most colorful and symbolic ornaments. Secondly, the most unique element in the wall is the gebyok. Gebyok is made of wood and full of carved ornament, which has an artistic appearance, and also important function. The top part of doors are designed as perforated woodcarving, which give both aesthetic and ventilation purposes. Last, the stratified floor is begin with ground yard, then veranda that made from hardened clay, and main room constituted with a wood scaffold to provide air circulation and remove the humidity of the ground. The decorations of the column stand (umpak) are unique, where usually lotus flower is carved into black stone or lime stone. The outside of the buildings in Java Houses is not decorated by colors or symbols, whereas colors are only used in temples, pavilion or in royal housings. Instead they have carvings and decorations on important structural elements such as columns and beams inside. The ornaments and colors of decorations symbolize their god, ancestors and piece.

• 복식
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• 제56권4호
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• pp.82-95
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• 2006

The purpose of this study is to figure out the types and characteristics of golden decoration technique out of various techniques of expressing patterns on the costumes. This study reviews both costumes decorated with gold in the relics of Chosun dynasty and literatures focused on domestic and Chinese documents and records. The types of decoration technique using gold include JigGeum (brocade technique), InGeum (gold powder and flake attaching technique), and GeumSaJaSu (embroidery technique). The JigGeum is weaved using golden thread instead of silk thread in order to express patterns. The InGeum technique is to attach gold or silver powder or thin gold or silver flake on the surface of the fabric. The GeumSaJaSu technique is to embroider with gold thread on fabrics. 82 pieces of costumes made using gold in Chosun dynasty era are analyzed. The results follows; In terms of types of technique, is shown to take the majority; JigGeum (43.90%), InGeum (30.49%), GeumSaJaSu (23.61%). Looking at the patterns used by the types, plant pattern and letter pattern are mostly used for both the JigGeum and the inGeum. In terms of the characteristics by their uses, the InGeum is used for court dresses (52%). It is also used for ordinary dresses (12%) and for other purposes (36%). It is mostly used in the court dresses in the late period of Chosun dynasty era. The JigGeum is used for ordinary dresses (47.22%), for court dresses (44.44%) and for other purposes (8.34%). It is evenly used for court dresses and ordinary dresses.