• 방송공학회논문지
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• 제23권2호
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• pp.283-292
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• 2018

LDR (low dynamic range) 영상에 비해서 밝기 범위가 크게 늘어난 HDR (high dynamic range) 영상을 촬영할 수 있는 장비와 디스플레이할 수 있는 기기들이 개발되고 있고 영상의 밝기 범위를 효율적으로 변환하는 방법에 대한 연구가 활발히 진행되고 있다. 본 논문에서는 LDR 영상을 HDR 영상으로 효율적으로 변환하기 위해서 guided filter를 사용한 reverse tone mapping 기법을 제안한다. Guided filter를 사용하여 한 장의 LDR 영상으로부터 BEF(brightness enhancement function)을 구한 후에 LDR 영상에서 밝기가 포화된 부분을 효율적으로 복원하여 HDR 영상을 생성하는 기법을 제안한다. 또한 영상이 지나치게 밝거나 어두운 경우 영상 촬영시의 노출 값을 추정하여 보정한 후에 밝기 범위를 변환하는 방법을 이용하여 생성되는 HDR 영상의 화질을 극대화하는 방법을 연구하고 모의 실험 결과로부터 제안하는 기법은 기존의 방법에 비해서 우수한 화질의 HDR 영상을 생성하는 것을 입증한다.

• 복식
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• 제52권6호
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• pp.15-24
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• 2002

This paper is to investigate and analyze the clothing colors fitted for personal color types and to help consumers express individual characteristics by clothing colors suitable for themselves. The comparison of sixty three clothing colors with three personal color types. and investigation and analysis of the best clothing colors of each type have led to the following results. Those belong to warm Personal Color Type don't have a variety of choices for clothing colors. so they should be careful of choosing clothing colors. They will do well to choose dark tone colors for their clothing. Those of Cold Personal color Type have a wide range of choices for clothing colors. They have an advantage of expressing themselves in various ways. Neutrals, Blue and Yellow have been found to go well with them. Those of Mixed Personal Type are advised to wear bright and pale tone colors such as Purple, Green, and Red. It will be desirable that the choice of clothing colors should conform to each personal color for the tones of clothing colors should conform to each personal color for the tones of clothing colors make difference according to personal color types.

• 한국정보디스플레이학회:학술대회논문집
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• 한국정보디스플레이학회 2009년도 9th International Meeting on Information Display
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• pp.1546-1549
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• 2009

In recent studies on tone reproduction with the objective of reproducing natural looking colors in digital images, an integrated multi-scale retinex (IMSR) has produced great naturalness in the resulting images. Most methods, including IMSR, work in RGB or quasi-RGB color spaces. As such, this produces hue distortion from the perspective of the human visual system. Accordingly, this paper proposes the hue preserved multi-scale Retinex (HPMSR) method to obtain a high contrast and naturalness. The proposed method enhanced the $L^*$ and saturation values in CIELAB color space. As a result, the visibility in dark shadows in the resulting images was improved.

• 한국멀티미디어학회논문지
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• 제24권8호
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• pp.1059-1067
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• 2021

In this paper, a HDR algorithm for a single image is proposed using the exposure fusion, that adaptively calculates gamma correction coefficients according to the image distribution. Since typical HDR methods should use at least three images with different exposure values at the same scene, the main problem was that they could not be applied at the single shot image. Thus, HDR enhancements based on a single image using tone mapping and histogram modifications were recently presented, but these created some location-specific noises due to improper corrections. Therefore, the proposed algorithm calculates proper gamma coefficients according to the distribution of the input image and generates different exposure images which are corrected by the dark and the bright region stretching. A HDR image reproduction controlling exposure fusion weights among the gamma corrected and the original pixels is presented. As the result, the proposed algorithm can reduce certain noises at both the flat and the edge areas and obtain subjectively superior image quality to that of conventional methods.

• 한국감성과학회:학술대회논문집
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• 한국감성과학회 2003년도 추계학술대회 논문집
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• pp.1341-1345
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• 2003

직물의 소리에 의해 유발되는 감성을 토대로 직물의 소리를 색채와 매치시키는 실험을 실시하여 직물의 소리를 색으로 변환해 봄으로써 시각과 생각에 의한 복합감성을 활용한 직물 디자인을 제안해 보고자 하였다. 의류소재 30개의 소리를 녹음하여 군집분석한 후 각 군집별로 섬유의 종류를 고려하여 총 6개의 소리를 선택하여 주관적 감성평가와 색 변환실험에 사용하였다. 직물의 소리는 섬유의 조성에 관계없이 주로 Blue, Purple Blue 그리고 무채색으로 표현되었다. 그런, wool은 Gr(grayish), silk는 Dk(dark), polyester는 Dl(dull), nylon은 Dk(dark)등의 차분하고, 안정되고, 점잖은 느낌의 색조로, cotton과 flax는 P(pale)와 Vp(very pale) 같은 부드럽고 가벼운 느낌의 색조로 표현되었다. 따라서 직물의 소리 감성을 설명하는 요소는 색상보다는 색조에 있음을 알 수 있었다.

• 한국멀티미디어학회논문지
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• 제24권11호
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• pp.1461-1471
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• 2021

This paper presents a light exposure correction algorithm for less pleasant images, acquired with a light metering failure. Since conventional tone mapping and gamma correction methods adopt a function mapping with the same range of input and output, the results are pleasurable for almost symmetric distributions to their intensity average. However, their corrections gave insufficient outputs for asymmetric cases at either bright or dark regions. Also, histogram modification approaches show good results on varied pattern images, but these generate unintentional noises at flat regions because of the compulsive shift of the intensity distribution. Therefore, in order to sufficient corrections for both bright and dark areas, the proposed algorithm calculates the gamma coefficients using primary parameters extracted from the global distribution. And the fusion weights are adaptively determined with complementary parameters, considering the classification information of a binary segmentation. As the result, the proposed algorithm can obtain a good output about both the symmetric and the asymmetric distribution images even with severe exposure values.

• 한국생활과학회지
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• 제24권2호
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• pp.267-284
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• 2015

The purpose of this study is to extract the color chip from the works of Matisse with the exotic tastes, to analyze the characters of adjacent colors, and to suggest the color coordination of artistic character. The research method is based on the literature study which analyzes visual materials. The results are as follows. Considering the colors of Japanese taste, He employs vivid and strong tone in red, yellow, and blue, light tone in pink, purple, and green and deep tone in green, purple, blue and black. His color scheme is very bold and splendid. In his Algerian taste, red is very popular, but an attention should be paid in his development of orange and blue tones. In general, the usage of various tones brings colors into less relief and make the contrast of tones more conspicuous. His Spanish taste, based on red and orange, attracts attentions with strong impressions, but sometimes, dark or adjacent pale tones creates strong, mild and murky atmosphere. The Moroccan taste, based on the development of blue tones which have strong attraction implies the lightness but represents silent and calm. The Rumanian taste, represented in primary colors of red, yellow and blue and achromatic colors is bright and clear. In addition, its light tone in various colors represents peace and romance. The coordination of the exotic colors with the unique adjacent colors created by Matisse is not based on the established color coordination theory, but extracts colors in the aspect of culture borrowing. Therefore, it can double the effects of the color scheme expressed in the existing designs and be used as the global and multi-cultural design sources.

• 복식문화연구
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• 제24권1호
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• pp.27-40
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• 2016

This study investigated the preference of sensibility expression factors regarding fashion materials, such as the color, pattern and texture of fabric. Moreover, this study analyzed the relationship between the preference of sensibility expression factors and the preference of fashion images by identifying the preference of fashion images. The survey subjects were 312 women ranging in age from 20 to 40 years old. This study utilized a questionnaire as a measurement tool. First, this study performed a factorial analysis on the preference of sensibility expression factors of fashion materials. In regards to color preference, this study considered color depth such as light tone color, moderate tone color, dark tone color and vivid tone color. In regards to pattern preference, this study examined: geometric pattern, floral pattern, animal skins pattern, check pattern and symbolical pattern. In regard to preference of the texture, this study assessed: roughness, luster, flatness and lightness. Second, this study performed a factorial analysis on the preference of fashion images. This study examined five factors: dignity, uniqueness, femininity, activity and simplicity. Third, this study analyzed the effects of the preference of sensibility expression factors of fashion materials on the preference of fashion images. As a result, the color preference was related to the image preference associated with dignity, femininity and simplicity, whereas the pattern preference was related to the images of uniqueness, femininity, activity and simplicity. Moreover, the preference of texture image was related to the images of dignity, uniqueness, femininity and activity.

• 한국의상디자인학회지
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• 제12권1호
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• pp.117-130
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• 2010

The main objective of this research was to understand the characteristics of contrast color coordination through the analysis of modern woman fashion color coordination as they appear in the 'Collections' from '04 SS to '09/'10 AW. Data collection of 122 was done through review of '$pr{\hat{e}}t$-$\grave{a}$-porter Collections' of four cities; Milan, London, New York, Paris. Statistical analysis of frequency and qualitative interpretation of contrast color coordination characteristics were completed. The main findings were as follows; (1) The combined color type of 'red+blue' and 'yellow+blue' were the most frequently appeared in the same ratio, and followed by 'green+violet', 'red+yellow', 'green+orange', and 'orange+violet'. The contrast tone showed the most, and followed by the similarity and identity, and the type of tone harmony used differently according to the type of contrasting color combination. (2) The general characteristics of contrasting color harmony were as follows,; Some contrasting colors looked harmonious when used light colors and the contrast between light and dull colors which made the hues even more harmonious. Also combinations of dull colors which work well with other dull colors or vivid colors. Light & vivid color or light & dark color, however, often showed too much contrast and using two contrasting vivid colors presented awkward and restless look. When used one vivid color and one dark color, a little easier to looked at, but still not particularly elegance or effectively harmonious. (3) The types of contrasting color harmony showed some differences between seasons. Contrasting color harmony showed more frequently in the S/S collections than in A/W collections.

• 한국의류학회지
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• 제26권2호
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• pp.193-204
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• 2002

Many fashion forecasting companies propose the fashion colors in every season. Modern fashion consumer respond to fashionable trends with utmost sensitivity. Therefore to satisfy the consumer with an trendy image, the fashion design must be found first, as image matters, followed by an analysis of each design element's effect on the total image composition. In previous studies of fashion image, has been discussed the positive correlation between fashion design elements of color, fabric, and form as the central issue. In this thesis, two of the fashion design elements, color and fabric are simultaneously considered to classify the image of fabric in fashion. For the color variables, 10 hues are selected from Munsell's system of color notation, and 12 tones from PCCS color notation., which are currently used in the domestic fashion industry. Texture variables used in this survey are classified by luster, prominence-depression of surface, thickness, and density of fabric. Graduate students from 20 to 50 years old and the specialists in fashion companies participated in the survey. The results of this survey are as follows: 1. The fashion fabric image is classified as 5 main images: 'elegant', 'comfortable', 'characteristic', 'light'and 'simple'. 2. The influence of hue, tone and texture is significant to the fashion fabric image. Following colors, yellow-red, red hues and light grayish, dark grayish tones convey the elegant image. The texture property for the elegant image is luster, thin and low density. Properties of fabric conveying the comfortable image are yellow-red and green-yellow hue, soft, light tones, matte and high density. Furthermore, hue turned out to be a insignificant variables for the unique image, whereas dark grayish, grayish tone, luster and prominent texture convey a unique image. For light image, properties of fabric are blue-green, purple hues, light, bright tones with thin, low density texture. Properties of fabric conveying the simple image are blue-green, purple-blue, green-yellow hues, and strong, vivid tones, with luster and flat texture.