• Korean Journal of Pharmacognosy
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• v.34 no.1 s.132
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• pp.1-5
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• 2003

'Cheong Wi Dan (淸胃丹)' is a Chinese patent preparation which has been used for various diseases in Korea. This preparation consists of 19 powder crude drugs. Cheong Wi Dan is used for catarrh of the gastrointestines, indigestion, a pain in the chest and nausea. The microscopic method is ve교 useful to identify individual gradients in powdery mixture because it requires only a small amount of specimens. In this study, it is demonstrated that the microscopic method is very useful for the identification of 19 crude drug ingredients included in Cheong Wi Dan.

• KLA journal
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• v.41 no.4 s.323
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• pp.4-9
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• 2000

• Korean Architects
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• s.591
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• pp.50-55
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• 2018

• Journal of the Korean Society of Costume
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• v.20
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• pp.31-47
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• 1993

1. The relationship between Korea and Buk-Song had maintained for 164 years(964 1126 A.D). The period of relationship was from KwangJong Year 13(4years after establishing Buk-Song), Song Tae-Cho 1 year, to HeumJong Cheong Dang 1st year(InJong 4years in Koran). Author divides into three periodic terms, and remarkable diplomatic facts are as follows. 1) KwangJong year 13(963 A.D) SungJong year 13(994 A.D) : Normal relations, Song needed Korea's armed support. 2) MokJong year 6(1003 A.D) HyunJong year 9(1018 A.D) : Not steady relations and broke up, by MunJong year 26, Dang requested to resume the diplomatic relations. 3) MunJong year 25(1017 A.D) InJong 4(1126 A.D) : Song utilized Korea as a back supporter, but Song destructed by Keum. 2. Korea was donated knightage without offcial clothing by BukSong 10 times(KwangJong year 13 SungJong year 11). However during 164 years. Song presented some clothings Korea friendly. 3. Even though Korea cound not continue the steady diplomatic relations, Korea had been influenced the social systems including cloth-ing systems by Dang. Song dynasty. 4. The author studys historical materials which show that TongilSh-Shinra adapted social systems of Dang dynasty including clothing systems, which was succeeded to Korea for 200 years. Details are as follows ; 1) Original clothing color-systems which were Ja(purpil), Cheong(blue), Hwang(yellow), Pi, called 4-clored-system, of Tongil-Shinra, was suceeded to Korea, Above mentioned clothing systems of three countries of Korean peninsula. 2) When Korea unified the certificate of Pisam holders were superior from those of Tongil-Shinra and Hoo-Bakjae. There two classes used same seried-color 'ja, (Dan, Pi), Cheong(blue), Hwang(yellow)', or 'ja, (Dan, Pi), Cheong' and lasted to KwangJong year10 as a of-ficial clothing. 3) KwangJong year 7, according to the three colored official clothing system of Hooju, accepted Hooju's KwangJong year 11, that shifted 'Ja, (Dan, Pi), Cheong, Hwang', or, Ja, (Dan, Pi) Cheong', to 'Ja, Dan, Pi, Rok(green)'. 4) The clothing systems which are ja, (Dan, Pi), Rok which established KwangJong year 11 shifted to Song's, Ja, Ju(orange), Rok, Cheong, which had happened SungJong year 14 to MokJong 1st year. 5) 4-colored systems ('Ja, Pi, Rok, Cheong (distictable : sky blue, ocean blue)' shifted to 3 colored system which established Song ShingJong 1st year, which succeeded to Nam-Song and Keum. 5. The relationship between Korea and Yo had maintained for 207 years(918 1125 A.D). The period of relationship was from TaeJo 1st year to InJong year 3. 6. Yo, and Korea were called for king(15 times), prince(7 times). 7. Korea was donated knightage by Yo. The time when HyunJong year 13, Yo donated official clothing. From that time had used to do. The author divides into three periodic terms and discrives the shifting the formal clothing systems. Details were as follows ; 1) HyunJong year 13 MunJong year 8 : Even donating clothing systems from Yo had maintained for 35 years, Yeo, Song, Yo, three countries had not have formal cloth-ing, because they had been on the strug-gling. So that Korea had followed the same way of informal clothing. 2) MunJong year 918 : Yo donated the formal clothing to Korea for the King. Diplomatic condition was in the control, so that whole three countries used formal clothing. 3) MunJong year 19 YeaJong year 3 : Korea was donated 'Kuryumyun Kujangbokje', which became the formal clothings vs China.

• Journal of architectural history
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• v.2 no.1 s.3
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• pp.9-24
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• 1993

The objective of this study is to describe more positively and concretely the entity of traditional village through the quantitative and scientific analysis process using positive data. Dan-Gye, a traditional village in San-Cheong, has been populated since more than 500 years ago because of its ideal conditions for settlement. In this study, the fluctuations on the numbers of households in Dan-Gye were analyzed from the first settlement era to the present, and the transformations of housing sites and roads since 1913 were also analyzed. The results are as follows. 1) The village Dan-Gye has a history of more than 500 years, and the first inhabitants were the Ryus. As time went by, the Ryus' power became weak gradually, but the powers of the Kwons and the Parks who had flowed later into this village became prosperous to make up a prominent family village in the late period of Cho-Sun dynasty. Such powers had reached the peak in the early period of Japanese occupation, and although the powers became weak gradually after that time, those two families have overwhelmed other families in population and possession of large houses until now. But as the confucianism in every-day life fell off and the inhabitants moved to cities, the existence of a family community became meaningless. 2) The Kwons and the Parks have possessed the large parts of the village's housing sites. As time went by, the sites have been divided and fields have been changed to housing sites for the increasing families, and such division and change have been made chiefly on perimeter areas. 3) The characteristics of the road in Dan-Gye where traditional roads existed began to be destroyed by Japanese construction of new roads, and such destruction has continued due to the bank construction after a flood and the road constructions after 1970s.

• Journal of Digital Convergence
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• v.18 no.8
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• pp.427-433
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• 2020

Based on the natural colors and techniques of Korean traditional Dancheong, the image from splendor and magnificence is used as a jewel in making ornaments by subjective interpretation of the researcher. The purpose of this paper is to propose the possibility of using as a jewelry design by combining the possibilities of various color expressions, the combination of solidity and luster synthetic resin by utilizing natural pigments and mono images used in Korean traditional monophonic. In this study, this study presented the possibility of accessing in the life of a modern person pursuing a lifestyle by introducing a mono image into jewelry design, and at the same time, approaching ornaments by using traditional materials of the past, modern materials, and digital production methods. We are looking for a wide variety of jewelry designs to be utilized.

• Journal of the Korean Society of Clothing and Textiles
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• v.2 no.1
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• pp.177-183
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• 1978

Byul-Gam is a low-ranking official who takes charge of sundry services in Yi-Dynasty court, and escorts his king when he make a honored going. Uniforms of Byul-Gam are noted for their gaiety. This study aims at inquiring into uniforms of Byul-Gam through historical records. The resultant findings are as follows: 1) Uniforms of Byul-Gam are divided into full dress and ordinary clothes. 2) The full dress has two kinds of style. One is Dan-Ryung, a kind of robe, clad together with Gun as a headdress. This robe is blue, Gun for king's Byul-Gam violet, and Gun for the Crown Prince's Byul-Gam blue. The other is a combination of yellow Cho-Rip and red Chup-Ri. This is a military uniform. 3) Ordinary dresses for Byul-Gam are orange Cho-Rip and red Jik-Ryung. Underwear in this case is Hyup-Joo-Um and Chup-Ri. Hyup-Joo-Um is a kind of robe. Inside it Korean style of jacket and slacks are usually clad. 4) As time passed, the uniform of Byul-Gam had been changed from Cheong-Dan-Ryung to Hong-Dan-Ryung, and Jik-Ryung had been shifted to a full dress. 5) Only five remains of Jik-Ryung for Byul-Gam have been handed down to us. The analysis of those indicate that they gradually became similar to Duru-Magi, a kind of Korean robe. This fact is common in the other transfiguring process of dresses of robe kind.

• Journal of the Korean Wood Science and Technology
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• v.42 no.4
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• pp.393-406
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• 2014

To figure out the problems of flame retardant treatment (FRT) on wooden buildings, field investigation and analysis of statistical data are performed. After FRT on historical wooden building, efflorescence and exfoliation showed most often. These problems appeared especially on column, rafter and Ga-gu (Ingredients for supporting structure of a roof) which are liberally spreaded. To compare before and after FRT, analyzed 20 elements using P-XRF. In this process, found sulfur which informs FRT. This helped set up nondestructive assay. Through this process, confirmed field application by analysis residue component of Songgwang-sa Temple.

• Journal of the Korean Society of Costume
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• v.57 no.9
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• pp.1-15
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• 2007

The purpose of this study is to classify the types of and to examine the characteristics of the golden decoration technique used for expressing patterns on the costumes from Dang dynasty to Cheong dynasty era. In order to classify the types of the golden decoration technique and to examine its characteristics, literature review, focusing on documents and records of China, and investigation on the relics from Dang to Cheong Dynasty era were conducted. The types of decoration technique using gold include china JigGeum (brocade technique), InGeum (attaching gold powder and flake technique), GeumSaJaSu (embroidery technique), GeumSaTapestry, mixed technique. Interestingly, it was newly found in this study that embroidery with golden thread was used in the GeumSaTapestry technique and that there were some cases of the mixture of 2-3 gold decoration technique. The GeumSajaSu technique was used the most frequently from Dang dynasty to Yo dynasty era. However, its use had decreased enormously while the use of JigGeum had increased a lot since Geum dynasty era. The mixture of 2-5 techniques was used frequently in JigGeum, GeumSaJaSu, and GeumSaTapestry, but not used in InGeum. Particularly, the mixture technique was the most frequently used in the GeumSaTapestry, which expresses by composition of paintings. All four methods were used the mostly frequently in costumes, while GeumSaJaSu and GeumSaTapestry were generally used for home accessories. InGeum and GeumSaJaSu were used a lot for gaze and leno fabrics such as Sa or Ra, while JigGeum was mostly used for satin weaved fabrics like Dan.

• Proceedings of the Korea Multimedia Society Conference
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• 2012.05a
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• pp.312-313
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• 2012

단청의 열화현상에 대한 연구는 주로 건축재로서의 내구성 향상에 초점을 두고 연구가 진행되고 있으나 본 연구는 가상유적지 재현을 위해 가상 건축물의 사실감을 높이기 위한 방안으로서 열화현상을 분석하고 가시화 하는데 초점을 두었다. 이를 위해 먼저, 전통건축에 나타나는 단청의 열화과정을 인간이 인지하는 색채감의 변화에 초점을 두고 연구를 진행한다. 우리나라 단청에서 사용된 안료를 살펴보고 문화재관리청에서 선정한 무기안료와 유기안료를 중심으로 내후성 시험을 통해 안료의 열화현상을 분석한다. 단청의 열화를 크게 색변과 박리 현상으로 나누어 촉진내후성시험기를 통해 얻어진 결과를 토대로 목조 전통건축의 열화현상을 분석한다.