• 한국조경학회지
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• 제25권3호
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• pp.12-24
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• 1997

One argument of this study is that the policy to handle and landscape of cultural and historical property had to do with people's visual preferences. This study seeks to investigate people's visual preferences toward the landscape of cultural /historical property, specifically dealing with 'Namdaemun', which is the first class cultural property of Korea. People's visual preference was specifically examined into the four specific concepts : 'visual identity','harmony','beauty of the target property', and 'overall beauty'. Two objective variables, such as, 'distance' between the viewer and the cultural property, and 'height' of background buildings were considered possible predictors of the four visual preference variables. Photos of 'Namdaemun' were taken at three different directions and at three different distances. The photographed images of 'Namdaemun' were transferred ito the digitalized graphic images, where the height of background buildings was artificially changed and simulated. The simulated visual images were taken into the slides again. A total of 59 students of the Department of Landscape architecture at Seoul City University were sampled as subjects. A series of 17 slides were shown to the subjects four times. The subjects were asked to check their preference ratings concerning the four concepts on a 7-point Likert scale. The results found in this study were as follows : 1) In the results of ANOVA, it was clear that people visually preferred the view where the height of background buildings were lower than 15 floors to the view of more than 15 floors . 2) From the results of the path analysis, it was found that 'harmony','visual identity' and 'beauty of the target property' were direct predictors of 'the overall beauty'. The 'height ' of background buildings and the viewer's 'distance' were not found to be direct predictors, however, they demonstrated their effects on 'the overall beauty' through the other variable, which were direct predictors of 'the overall beauty'. In sum, the longer the distance and the higher the background buildings, the lower people's preference with the 'overall beauty'. These indirect paths, in turn, also explain why and how the 'height' of background buildings and the viewer's 'distance' negatively influence the 'overall beauty'. An implication from the these results is that when the height of background buildings were not controllable, there would be some other strategies for improving people's visual preference toward the historical /cultural view. To increase 'visual identity' of the cultural property, for example, changing colors of the cultural property or increasing the lighting level, etc., would be one strategy, since the increased 'visual identity' will, in turn, increase 'the overall beauty'.

• 한국언론정보학보
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• 제43권
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• pp.7-46
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• 2008

이 글의 목적은 문화연구와 정치경제학을 중심으로 한국의 비판언론학을 성찰하고 미래의 방향을 제시보고자 하는 데 있다. 1980년대 중후반부터 나타나기 시작한 문화연구의 '소비로의 전환'은 문화연구를 신수정주의로 부르게 만든 결정적인 요소의 하나지만, 한국에서는 비판적 문제의식의 단절로 읽혀져 문화연구에 대한 끊임없는 정체성 논란을 불러일으켰다. 그러나 정작 정치경제학은 자신이 중시하는 생산(과정)/구조에 대해서도 많은 연구를 내지 못했고, 문화연구 역시 이 부문에서는 무관심으로 대응했다. 국면주의는 문화연구가 현실에 개입하는 유력한 방식이지만 초기의 연구 외에는 후속연구가 그다지 활발하지 못해 이론화 수준이 높지 않고, 한국에서의 연구 또한 아직은 많은 논란을 안고 있어 성과 여부가 불투명하다. 비판연구가 가진 저항성의 문제는 운동론에서 두드러지는데, 이 글에서는 문화연구의 특징이 잘 배어 있는 소수자문화운동론에 대한 검토를 통해 사회적 배치의 여전한 중요성을 강조했다. 미래의 방향에서는 일부 논자들이 제안한 바 있는 문화연구와 정치경제학의 화합 가능성을 긍정적으로 검토했고, 이의 근저에 있는 근대주의/탈근대주의 합의의 가능성과 필요성 역시 차이를 인정하면서도 결합의 가능성도 놓치지 않는 '복합적 합의'를 하나의 대안으로 제시했다. 마지막으로 '시공간의 재조직', '소비자본주의', '문화적 시민권'(또는 '문화적 공론장'), '생산문화', '시민/소비자', '차별화/차이', '공영방송의 미래' 등을 양측이 서로 경(결)합할 수 있는 공감대가 큰 연구주제로 꼽았다.

• 수완나부미
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• 제12권2호
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• pp.225-244
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• 2020

Area Studies, by definition, conjure ideas of emplaced knowledge; in-depth interdisciplinary understanding of language, history, culture and politics of a nation or region. Where detractors might see this approach as overly empirical, therefore precluding theoretical sophistication, others argue that "places" are either artificially constructed, or that processes of globalisation have obliterated the cultural zone. But what if we turn an ethnographic eye to those very processes and technologies themselves? Can Area Studies take to the air, and if so, what are the attendant challenges and benefits? Based on insights from ethnography amongst airline customer service workers, ground and cabin crews in Thailand and Myanmar, this research examines the airline cabin as a field for ethnographic study, and as an emplaced site for political and cultural processes. With participant observation-based knowledge of Southeast Asian cabin crews, this paper examines the 1990 hijack of Thai Airways TG 305 from an emplaced cultural perspective.

• 한국농촌건축학회논문집
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• 제21권3호
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• pp.25-32
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• 2019

This study is to derive the types of displacement and damage that occur in wooden architecture cultural assets. Although the wooden architectural cultural assets are being repaired through continuous maintenance, secondary problems frequently occur. This is because the root cause of the problem has yet to be solved. The types of displacement and damage that occur in the wooden architecture cultural asset are classified into three parts: the foundation section, the gagu section, and the roof section. In turn, the three main factors that lead to displacement and damages are the structures' load impact, the durability deterioration, and the imbalance. Load impact is a phenomenon in which the member is subjected to a load that causes deformation or cracks. Durability decline is a natural phenomenon that reduces the performance of lumber as a result of check shake, termite damage, and decay. The imbalance is a condition in which the lumber is twisted and the force balance is lost, due to either drying shrinkage or displacement of the gagu section.

• 대한지리학회지
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• 제48권4호
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• pp.575-588
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• 2013

UNESCO의 세계유산협약에 의한 문화경관이라는 개념은 유산의 장소(site)를 관리하는 체제를 새로이 제공하고 있다. 유럽경관협약은 경관이 자연유산과 문화유산의 기본적 구성요소가 되며 인간의 복지와 유럽 정체성의 강화에 기여한다고 주장한다. 일본은 일찍이 이러한 국제적 동향을 파악한 나머지 경관법의 제정과 문화재보호법의 개정을 통하여 경관 또는 문화경관의 보호와 관리의 수준을 향상시키려고 노력해 오고 있다. 이제 선진 국가들에서 이미 경관 또는 문화경관이 유산 관리의 중심적 위치에 도달해 있으므로 한국에서도 법률이나 협약을 통하여 경관 또는 문화경관의 정의를 보다 더 명료하게 하는 것이 어느 때보다 절실히 요구된다. 만일 경관 또는 문화경관의 보호와 관리를 위한 법제화가 한국이 선진국이 되기 위한 조건이라면 향후에는 한국의 입장을 고려하는 국제적 선례에 대한 면밀하고도 심층적인 비교 분석이 추가로 요구된다.

• 영어영문학
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• 제57권2호
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• pp.217-235
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• 2011

On recognizing the significance of Walter Benjamin's "The Task of a Translator" in recent discourses of postcolonial cultural translation, this essay examines the creative postcolonialist appropriations of Benjamin's theory of translation and their political implications. In an effort to dismantle the imperialist political hierarchy between the West and the non-West, modernity and its "primitive" others, which has been the operative premise of the traditional translation studies and anthropology, newly emergent discourses of cultural translation actively adopts Benjamin's notion of translation that does not prioritize the original text's claim on authenticity. Benjamin theorizes each text-translation as well as the original-as an incomplete representation of the pure language. Eschewing formalistic views propounded by deconstructionist critics like Paul de Man, who tend to regard Benjamin's notion of the untranslatable purely in terms of the failure inherent in the language system per se, such postcolonialist critics as Tejaswini Niranjana, Rey Chow, and Homi Bhabha, each in his/her unique way, recuperate the significatory potential of historicity embedded in Benjamin's text. Their further appropriation of the concept of the "untranslatable" depends on a radically political turn that, instead of focusing on the failure of translation, salvages historical as well as cultural potentiality that lies between disparate cultural entities, signifying differences, or disjunctures, that do not easily render themselves to existing systems of representation. It may therefore be concluded that postcolonial discourses on cultural translation of Niranhana, Chow, and Bhabha, inspired by Benjamin, each translate the latter's theory into highly politicized understandings of translation, and this leads to an extensive rethinking of the act of translation itself to include all forms of cultural exchange and communicative activities between cultures. The disjunctures between these discourses and Benjamin's text, in that sense, enable them to form a sort of theoretical constellation, which aspires to an impossible yet necessary utopian ideal of critical thinking.

• 한국축산식품학회지
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• 제34권1호
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• pp.7-13
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• 2014

The consumption of animal flesh food in Ethiopia has associated with cultural practices. Meat plays pivotal and vital parts in special occasions and its cultural symbolic weight is markedly greater than that accorded to most other food. Processing and cooking of poultry is a gender based duty and has socio-cultural roles. Ethiopians are dependent on limited types of animals for meats due to the taboo associated culturally. Moreover, the consumption of meat and meat products has a very tidy association with religious beliefs, and are influenced by religions. The main religions of Ethiopia have their own peculiar doctrines of setting the feeding habits and customs of their followers. They influence meat products consumption through dictating the source animals that should be used or not be used for food, and scheduling the days of the years in periodical permeation and restriction of consumptions which in turn influences the pattern of meat consumption in the country. In Ethiopia, a cow or an ox is commonly butchered for the sole purpose of selling within the community. In special occasions, people have a cultural ceremony of slaughtering cow or ox and sharing among the group, called Kircha, which is a very common option of the people in rural area where access of meat is challenging frequently.

• 헤리티지:역사와 과학
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• 제35권
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• pp.186-219
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• 2002

It is fortunate to glance at the old fabric style through the fabrics found in the Buddhist statues. There fore these fabrics deserve more attention and significance among the various remains found in the Buddhist Statues and should be taken carc of as the cultural inheritance. Concepts in the traditional fabrics could be viewed in three different aspects, In the first, the five primary elemental conception(五方思想) deeply rooted as the part of life style in old time appeared in five dircctional colors of the costumes whicb in turn connected to the traditional thought of order and harmony with nature. The second is the formal aspect. As can be seen in the fabrics found in the Buddhist statue, religious symbol was shaped into spiritual representation. The third is the aspect of the textile motifs, where wealth and preference for son were symbolized and even a utopia they dreamed for was appeared in the motif. Considering these conceptual aspects, the traditional textiles could be understood in line with the other cultural activity and should be taken more attention since the idea embeddcd in the textiles or colthes reveal the essential thoughts in old time.

• 영어영문학
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• 제64권3호
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• pp.469-481
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• 2018

When literatures and cultures encounter their counterparts in terms of the big data or statistics of a new reconfiguration in the cognitive map, the tangential points of the borderland will be reduced to what Mitchell calls "a mere abstraction on a map," which nevertheless will provide a vast interstitial zone of "intersections, competition, and exclusions." This zone will be the dynamic vortex for the aesthetics, politics, and ethics of cultural translation. The translated discourse will engage in carrying across the disturbing region of untranslatability and demonstrate how the literary texts of world literature reveal enriching but threatening human experience. This dynamic border of vortex will construct the translational space of world literature, transcending the fragmentary untranslatable nature of the hybrid convergence of the ethnic, racial, cultural and national intermixtures and constructing what Pascal Casanova terms "The World Republic of Letters." In this paper, I will demonstrate how the very concept of scale is related to literary space as well as how distance creates a poetics of literary landscapes which looks ahead of world literature. Also, I will attempt to find the possibility to relate the "micro-scale" with the "macro-scale," and to construct the scale politics of representation. "Glocalization" is a convenient theoretical tool for the double movement of the up-scale and down-scale.

• 한국경제지리학회지
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• 제15권2호
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• pp.240-257
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• 2012

혁신클러스터는 산, 학, 연 기능 간 그리고 입주기업 간 지식공유와 교류활동을 통한 기업의 혁신추구와 밀접하게 관련된 개념이다. 그러나 개인간 기업간 지식 공유와 교류활동은 그 주체가 소속된 조직 또는 지역의 문화적 특성과 밀접하게 관련돼 있다. 따라서 지식경영을 위한 관리활동은 조직, 또는 지역의 문화적 특성에 따라 다르게 적용될 필요가 있다. 본 연구는 혁신 클러스터에서 지역, 산업의 문화적 특성과 지식교류촉진활동 성과 간의 관계를 연구해 본다. 연구를 위해 지역, 산업의 문화적 특성을 반영한 요인을 추출해 내고 이들 요인과 지식교류촉진활동 성과 간의 관계를 통계적 분석기법을 이용해 파악해 본다.