• 한국건설관리학회:학술대회논문집
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• 한국건설관리학회 2004년도 제5회 정기학술발표대회 논문집
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• pp.616-619
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• 2004

건설사업의 목표는 해당 사업의 특성에 따라 우선순위의 차이는 있지만 기본적으로 원가절감, 공기단축, 품질확보로 압축될 수 있다. 그 중 원가절감은 발주자와 건설산업계 모두에게 중요한 목표이며 이를 달성하기 위한 전략과 방법은 중요한 관심사라 하겠다. 원가절감은 사업범위, 품질, 안전, 상호 비즈니스 관계, 고객만족 등 타 매니지먼트 요소의 희생을 수반함으로써 부정적인 이미지로 인식되어 왔다. 그러나 원가절감이란 용어는 부정적인 이미지를 극복하고 가치창조(value for money)를 달성시키는 긍정적인 방향으로 변화하여야 할 것이다. 본 연구에서는 영국 Constructing Excellence의 성공사례를 중심으로 원가절감의 성공사례 분석을 동하여 긍정적인 원가절감 전략의 특징을 도출하고자한다.

• 공학교육연구
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• 제15권2호
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• pp.30-37
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• 2012

There have been various educational approaches to foster students' creativity in engineering colleges, but little has been conducted based on empirical study results of students' perception on creativity education. This study aims to explore the students' perception on creativity in engineering such as characteristics of creative engineers, the level of individual or group creativity and creative education in engineering colleges. According to the survey results of 538 respondents, engineering students considered three factors such as 'innovative driven', 'eager for high intellectuality', 'activity expression' as characteristics of creative engineer. They evaluated both of individual or group creativity levels as subnormal. They perceived the importance of creativity education, but were not satisfied with current creativity educational experiences. They pointed out 'limited supports of nation or organization', 'credit system decided by the paper-based exam', 'non-systematized creativity classes' as impending factors for creativity in engineering education. Students suggested 'securing the budget for practice and field participation', 'changing of perception on creativity education itself', 'developing the creativity classes combined with engineering subjects' as fostering factors in creativity education. This studdy suggests several implications of educational approaches to creativity education in engineering colleges.

• 한국의류학회지
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• 제47권3호
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• pp.475-491
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• 2023

New product development (NPD) is crucial for fashion brands as they are required to constantly innovate in product design and technology to remain competitive in the global fashion market. In this study, we investigated the co-creative new fashion product development (NFPD) process to understand its structural characteristics and examined the components of this business model through case studies. Fashion companies frequently collaborate with consumers to create unique and innovative fashion items that both satisfy consumer demand and expand their economic potential. Base on case studied involving consumer participation in NFPD, our study analyzed the structural characteristics of the co-creative NFPD process. Consequently, our investigation identified five key factors of the co-creative NFPD business model: co-value, co-creator, co-activity, co-platform, and co-partner. The co-creation approach established in this study will help advance research on new fashion strategies and provide foundational information for Korean fashion companies that are facing an increasingly competitive global market, thus making a significant contribution to the literature.

• 대한수학교육학회지:학교수학
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• 제16권1호
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• pp.181-199
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• 2014

본 연구의 목적은 초등수학영재와 일반학생 사이의 정서지능과 창의적 성향을 비교분석 함으로써 초등수학영재의 특성을 이해하며, 초등수학영재와 일반학생의 창의성 교육에 도움을 주는 것이다. 연구 대상은 D광역시와 K도에 소재한 초등학교 영재학급의 4, 5, 6학년 학생 102명과 같은 지역 초등학교의 일반학생 132명으로 총 234명이다. 본 연구의 결과는 다음과 같다. 첫째, 초등수학영재와 일반학생의 정서지능의 평균을 비교한 결과, 모든 영역에서 초등수학영재가 일반학생보다 더 높은 정서지능을 보이고 있다. 둘째, 초등수학영재와 일반학생의 창의적 성향을 비교한 결과, 초등수학영재가 일반학생 보다 창의적 성향이 높게 나타났다. 셋째, 초등수학영재와 일반학생의 정서지능과 창의적 성향의 하위 요소 간 상관관계를 분석한 결과, 초등수학영재와 일반학생 두 집단 모두 정서지능과 창의적 성향의 하위요소가 서로 정적인 상관관계를 형성하고 있는 것으로 나타났다. 이것은 초등수학영재와 일반학생 모두 정서지능이 창의적 성향에 영향을 미치며, 이를 통해 창의성을 발현하기 위해서는 정서적인 요소를 반드시 고려해야 한다는 것을 알 수 있었다.

• 한국실내디자인학회논문집
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• 제23권3호
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• pp.204-211
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• 2014

The development of digital culture has brought radical change in the fundamental concept of what workspace is defined by and has also switched the cognition of workspace originally being a place to spend time and do activities regarding tasks into space more than just that. If we take a look at the cases overseas firms have announced after the year 2000, we can find distinguishing facts different from the existing workspace composition, like creative workspace, amusement workspace, workspace for communities, etc. Thereupon, the goal of this research is to look into the domestic characteristics of workspace by investigating and analyzing case by case targeting domestic firms. This research is to first comprehend the theoretical study of workspace, the changing environment, and the characteristics of domestic workspace, going on to utilizing the information achieved above to analyze 8 appointed domestic firms as examples. Contemporary domestic workspace is defined not a place only for activities regarding work tasks but rather a place comfortable and friendly in the concept of a second residence, community node for sharing knowledge and information, mobile space for the digital nomads, and space for coincidental encountering and communication. Based on this the analyzed characteristics of contemporary domestic work places are metaphor, convergence, beyond boundary, and emergence. The characteristics mentioned above are considered elements that increase corporate profits by managing efficient smart-work and producing creative ideas. Therefore, I believe continuous research and development related to this subject is necessary.

• 한국경제지리학회지
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• 제23권3호
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• pp.292-311
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• 2020

코워킹 스페이스는 지역의 창업 및 혁신공간의 조성과 인구 유입을 위한 중요한 전략으로 고려된다. 본 연구는 코워킹 스페이스에 대한 이론적 검토를 통해 개념과 특징을 구체화하고, 지역적 맥락을 고려한 코워킹 스페이스의 여러 유형을 살펴보았다. 일본과 한국의 중소도시에 소재하거나 계획 중인 코워킹 스페이스를 대상으로 사례를 분석하고 이를 통해 지역의 창조적 커뮤니티로서의 코워킹 스페이스에 대한 시사점을 도출하였다. 구체적으로, 로컬지향의 코워킹 스페이스만의 차별성을 가질 필요가 있다. 또한 융합공간이자 지역혁신의 장으로서 코워킹 스페이스에 대한 접근이 필요하고, 근무환경의 급격한 변화 속에서 지역의 코워킹 스페이스는 대안적 근무·여가환경을 제공할 수 있는 공간의 기능과 방향성에 대한 재고가 요구된다. 이 공간을 통해 지역에는 새로운 삶과 근무형태를 희망하는 창조 인력이 유입되고 지역 사회의 잠재력을 활용할 기회가 창출될 수 있다.

• 디자인학연구
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• 제15권2호
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• pp.101-114
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• 2002

On the threshold of year 2000, the elderly account for more than 7% of the whole population in Korea, which means that the nation is greeting welcoming an aging society. Accordingly, it is expected that silver businesses and services targeted at the silver generation will prosper with "silver advertising design" becoming active. Under such circumstances, this study was aimed at reviewing the recent silver marketing advertisements in terms of their cultural and moral implications, and thereby, redefining and reestablishing the status of silver consumers to help them find their identity, aware of marketing activities and therewith, establish their "consumer sovereignty". This study consists in large of 5 chapters. The introduction parr describes background, purpose, method and scope of the study. The first chapter reviews the silver marketing theories. The second chapter classifies the silver marketing advertisement positioning of four style - upper classes style, effloresce progress style, self- sufficiency style, dependent style - and reviews the expression strategy of each positioning. The third chapter examines the domestic conditions of silver marketing advertisements for each positioning type classified. The fourth chapter designs the ′creative′of silver marketing advertisements and suggests the methods thereof. The analysis of ′creative′was tested in terms of graphic gestaltung, and how the sliver marketing advertisement positioning should be discerned depending on silver generation consumer′s characteristics was discussed. The fifth chapter puts forwards the suggestions for the ′creative′ strategies to enhance the effects of the silver marketing advertisements, based on the preceding discussions. In addition, the Perspective into the keyword of 21 st century or "silver design" is discussed, together with the limitations of this study. It is hoped that this stuffy will be conducive to our efforts to face the upcoming′age\ulcorner society′more effectively. To this end, this study discusses the "silver advertising design" in light of ′societal concepts′and ′customer-oriented value′, and thus, explores some creative presentation strategies whereby individual companies interests and social or public interests can be compromised through ′creative activities′ and ′equal-value consumerism′ for an ultimately effective management strategies for silver businesses and services.

• 스마트미디어저널
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• 제12권11호
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• pp.211-221
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• 2023

문화·관광 융합 배경 하에 민간 예술과 문화 창작 제품의 효과적인 결합은 지역 문화 산업의 발전에 대단히 중요한 영향을 미친다. 쉬저우(徐州) 지엔즈(剪紙)는 중국 수베이(蘇北) 지역의 유일한 세계적인 '무형문화재' 프로젝트로 비교적 높은 인문학적·예술적 가치를 갖추고 있어 현대 디자인에 널리 사용된다. 현재 쉬저우 지엔즈 문화 창작 제품의 개발은 주로 2차원 평면 위주의 장식·관상적 작품으로 하는데, 형식이 단일하고 실용성이 강하지 않아, 현대인의 생활 미적 요구를 충족시킬 수 없었다. 본 연구에서는 쉬저우 왕구이잉(王桂英)의 지엔즈를 연구하여, 지엔즈 문화 창작 제품 개발 및 디자인 원칙을 제안했으며, 디자인 활용을 위해 왕구이잉의 전형적인 '거위' 패턴을 선택하여 문화 창작 제품 디자인에서 쉬저우 지엔즈 응용 가치에 대해 탐색하고 전문가의 인터뷰를 통해 디자인 원칙의 타당성을 입증했다. 본 연구가 지엔즈 문화의 현대적 계승과 혁신적인 발전을 위한 일정한 참고 자료로 제공되기를 바란다.

• 대한가정학회지
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• 제47권3호
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• pp.45-54
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• 2009

The purpose of this study is to understand the meanings of formative methods (re-creative expressions, abstractive expressions, conceptual expressions, and adaptive expressions) as they are adapted to fashion design. Re-creative expression is the representation of real objects from nature or the environment, sometimes in a humorous or surrealistic way. Abstractive expression is the use of reconstructed forms extracted from the basic characteristics of natural things, which take on variety of appearances based on the designer’'s creativity and imagination. Conceptual expression refers to the representation of ideas, concepts, and other products of the human mind. And, adaptive expression is a method of design that is focused on function driving the form of clothing. Modern fashion design is a fluid hybrid of these various types of expression that serves as an extension of the designers’' aesthetic values.

• 지식경영연구
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• 제17권1호
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• pp.91-111
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• 2016

This study empirically investigated the relationships between servant leadership and key variables (knowledge sharing and individual creativity), and the mediating effect of affective commitment with the survey of 213 Korean employees. Based on the sample of 213 employees, the empirical results are as followings; (1) Servant leadership is positively related to affective commitment, knowledge sharing, and creativity. (2) Affective commitment partially mediates the relationship between servant leadership and knowledge sharing. (3) Affective commitment partially mediates the relationship between servant leadership and creativity. In conclusion, this study confirmed that the servant leader and members with the affective commitment may be best qualified for knowledge sharing and creative performance. When employees recognize that their managers follow the characteristics of servant leadership, then the employees are more likely to absorb in their task, which increases creative performance and knowledge accumulation. Based on the results, this study suggests an ample implication for leaders in any organization to boost their relationships with followers and to enhance their knowledge sharing and creative idea for the growth of organization.