• 제목/요약/키워드: creative characteristic

검색결과 241건 처리시간 0.021초

컷 분할 그림책의 예술성에 대한 연구 (A Study on the Formative Artistry of Comic Strip Books)

  • 이선경;이경임
    • 디자인학연구
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    • 제15권1호
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    • pp.339-347
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    • 2002
  • 컷 분할 그림책은 이야기를 표현하는 연속적인 여러 개의 화면 또는 여러 개의 컷으로 분할된 화면으로 구성된다. 시각에 의한 정보전달 매체로서 컷 분할 그림책은 구체적인 시각 경험을 가능하게 하는 동시에 창조적 사고 발달과 정서 함양에 효과적이고, 그에 따른 미적 체험으로 다양한 조형 감각을 일깨우게 된다. 본 연구는 시각적 흐름에 따른 구체적 형태의 컷 분할을 이용한 일러스트레이션의 연결 표현에 관하여 알아보고 그에 따른 작품 분석을 통하여 영상 매체의 전달 특성을 수용한 컷 분할 형식의 일러스트레이션을 분석하였다. 컷 분할 형식의 일러스트레이션을 통하여 그림 자체로서 메시지를 전달하는 그림책 일러스트레이션은 인간에게 보다 발전된 의미에서의 시각적 경험을 할 수 있는 계기를 마련해주고, 다양한 표현과 일러스트레이션 제작을 통해 좀 더 새로운 조형 요소를 이해하고 시각적 경험을 할 수 있게 한다.

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한국 전통사상과 디자인 DNA (The Design DNA in the Traditional Korean Culture)

  • 송진희
    • 스마트미디어저널
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    • 제4권4호
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    • pp.101-110
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    • 2015
  • 국가와 민족마다 다양한 고유 사상과 문화를 갖고 있는데, 이러한 것들은 후손들의 DNA로 남아 창조적 작업의 원천을 이룬다. 전통문화 속의 디자인 DNA는 현대 디자인의 뿌리다. 본 논문에서는 한국의 대표적 전통 문화유산 속에 어떠한 사상들이 담겨져 있고, 그것이 어떻게 표현되었으며, 나아가 이처럼 과거부터 내려오는 디자인 DNA가 현대 Korea- Design에 활용된 사례들을 살펴보았다. 이를 통해 디자인이란 과거와 현재를 이어주는 냉동된 정보임을 인식하게 되고 전통과 문화의 DNA가 스며든 문화 콘텐츠임을 확인할 수 있다.

인상학에 근거한 성격분장에 관한 연구 (A Study on Character Make-up Based on Impressiology)

  • 이미애;김용선
    • 한국패션뷰티학회지
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    • 제3권2호
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    • pp.1-11
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    • 2005
  • This study is focusing on typicalized character make-up of TV Drama characters. The purpose of this study is to analyze the interconnections of its images and impressiology concretely, and then reflect on an application approach of impressiology. The aim of make-up lies in not only helping actors to visualize their own external qualities, appropriate the quality of a play, but also audience and spectators to be immersed in the concrete fact of i character person. Impressiology will be a data to give the understanding and sympathy of make-up work. I would like to utilize character make-up based on impressiology for creative and effective make-up techniques, and make it a typicalized character. Also I will examine the horizon of a new make-up technique through character development according to the demandes of the times. As a result of this study, we find that expression method of characteristic character generalized representatively is the common quality of impressiologistc image. Also we see that such a impressioiogistic image is useful for the fundamental basis of character expression method.

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특성 다변화를 통한 확장형 브릭 시스템 완구 모델 분석 (Analysis on the Expandable Brick System Toy Model Through Characteristic Diversification)

  • 권효정;김치용
    • 한국멀티미디어학회논문지
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    • 제10권9호
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    • pp.1175-1184
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    • 2007
  • 기초적인 조형 교구인 브릭 제품이 현재는 사용자 계층의 확장에 성공하며, 특유의 가변성과 타 분야와의 뛰어난 연계성을 장점으로 다양한 분야와 독창적인 방식으로의 접목을 시도하고 있다. 하지만 실제로 브릭에 대한 기존의 연구는 그 가치이외의 무한한 가변성과 다변화 차원에서의 연구가 부족하다. 본 연구는 이 같은 인식하에 브릭의 본질적 속성에 관한 이론적 근거를 기반으로 보다 진화한 미래형 브릭 시스템의 현황을 제시하고 체계적으로 분석하는 방식으로 진행하였다. 최종적으로는 3D브릭시스템을 활용한 VR 디자인을 구현해보는 프로세스를 수행하였다. 브릭 시스템의 '다변화 및 확장성'에 관한 연구는 브릭의 미래적 가능성과 활용성을 파악하는데 중요한 자료를 제공 할 것이다.

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도시임해부의 집합주택에 있어서 거주환경평가에 관한 연구 - 수변공간에 대한 의식을 중심으로 - (A Study on the Evaluation of Residential Environment in Apartment Houses in the Urban Coastal Area - Focusing on the Consciousness of the Waterfront Space -)

  • 김주홍
    • 대한건축학회논문집:계획계
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    • 제34권4호
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    • pp.113-122
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    • 2018
  • Residentialization is in progress in the coastal areas of the cities as the number of apartment houses rapidly increase with the simultaneous provision-centered development. It would be necessary to provide quality residential environments which would not deteriorate and would be chosen by many people as a sustainable residence in the future through the demand-centered development, considering the residents' consciousness. To do so, it is necessary to understand the residents' consciousness about the residential environment in the coastal area that has differentiated characteristics as a waterfront space through an evaluation of the residential environment, different from the existing residences. This study understands the significance of the waterfront space in the residential environment through people's consciousness when they choose a residence before they reside and people's consciousness when they evaluate the residence after they reside, concerning how the environment of the waterfront space is recognized as compared to other elements of the residential environment according to the geographic characteristics of the coastal area. In addition, this study analyzes the significance of people's consciousness before and after their residence through a comparison according to the change of distance to the waterfront from the perspective of access to the waterfront, the characteristic as a residential environment in the coastal area.

웹 기반 차량동역학 시뮬레이션을 위한 메타버스 서비스 플랫폼 구축에 관한 연구 (A Study on the Creating Metaverse Service Platform for Web-based Vehicle Dynamics Simulation)

  • 권성진
    • 한국산업융합학회 논문집
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    • 제25권5호
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    • pp.757-764
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    • 2022
  • Recently the car tuning has become a trailblazing and creative culture that expresses the personality of the owner. In this paper, the "Car-Vatar", which is the compound word formed from the words "Car" and "Avatar", has been developed to investigate car tuning on the metaverse engineering platform. The Car-Vatar has been developed as a web-based vehicle dynamic simulation service for providing information about car tuning. That has been focused on investigating diverse vehicular performances, such as acceleration, braking, handling and fuel efficiency, according to the tuning vehicles and tuning parts on the virtual engineering platform. The Car-Vatar platform has provided two major services; one is real-time 3D tuning information system for the dress-up and performance-up tuning parts, the other is diverse vehicle dynamics system for the performance-up tuning parts. To check the validation of the Car-Vatar platform, the comparison between virtual simulation results and driving test results has been discussed on various driving environments.

Gender Characteristics in Virtual Fashion Design -Virtual Avatars' Genders and Genderless Fashion Design Concepts-

  • Minji Lena Kim;Sang Ha Yun;Inzali Moe;Eun Kyoung Yang
    • 한국의류학회지
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    • 제48권3호
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    • pp.397-416
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    • 2024
  • This study investigated gender characteristics in contemporary virtual fashion design, focusing on avatars and genderless fashion in recent collections from Auroboros, Republiqe, Placebo Digital Fashion House, RTFKT, and Tribute. Employing content analysis within a theoretical framework of gender-related research, the study coded virtual avatars in terms of biological sex, appearance, and sociological perspectives. The results showed a preference for female-type avatars, through which androgynous aesthetics were embraced and traditional gender norms were challenged. Male-type avatars reflected experimentation with blending masculine elements, emphasizing inclusivity. Human-like avatars indicated a preference for designs that promoted inclusivity and, in the process, challenged binary classifications. The examined brands strategically capitalized on compromise, sensuality, and playfulness, thereby breaking away from traditional values to opt for more diverse styles. Genderless features combined elements from traditional men's and women's clothing, espousing sensuality and playful exaggeration. These findings signify a dynamic shift away from conventional gender standards to foster inclusivity and experimentation. They can serve as a reference for promoting creative strategies and design innovation, challenging the traditional gender perspective in the fashion industry. Implementing these strategies can lead to a more inclusive representation of fashion styles, encouraging critical thinking about gender norms.

니키 드 생 팔의 트라우마를 통해 살펴본 아상블라주와 사격회화의 양면적 특성 (A Study on the Ambivalent Characteristic Displayed in Niki de Saint Phalle's Assemblages and Shooting Paintings by Looking Into Her Trauma)

  • 유가은
    • 미술이론과 현장
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    • 제6호
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    • pp.77-99
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    • 2008
  • The purpose of this study is to show that the reason behind the ambivalent characteristic displayed in Niki de Saint Phalle's works is in her trauma and how such characteristic can be extracted from her works. During her creative years, Saint Phalle worked on various materials from different genres such as assemblages, shooting paintings, a series on Bride and Monster, 'Nana', 'Tarot Garden'and public sculptures. One commonality found among her various works is the ambivalent characteristic that contains contrasting elements simultaneously. Saint Phalle suffered a terrible psychological damage inflicted by her parents during her childhood. Specifically, she was sexually assaulted by her father and emotionally neglected by her mother, the trauma that affected her for the rest of her life. As a result, she came to develop extreme love- hate relationships with her parents and this became the main reason for the ambivalent characteristic displayed in her works. The love-hate relationship Saint Phalle developed can be identified through various researches done on the subject of the affect of sexual assault. It is common for incest victims to develop ambivalent feelings towards the perpetrator and Saint Phalle was no exception. Dissociation disorder and a snake well explain the trauma from her father. It is a generally accepted belief in the field of psychology that dissociation disorder commonly occurs to children who experience incest. And dissociation disorder is similar to the characteristic of ambivalence in the sense that a single entity contains more than two contrasting elements at the same time. In addition, the amputated doll objects used in her assemblages coincide with the expression of body detachment of people with dissociation disorder. These facts clearly indicate that the trauma from her father is showing through in her works. A snake is a subject matter that reflects the ambivalent tendency of Saint Phalle that resulted from her trauma. She remembers her father's rape as an image of a snake which is related to a phallic symbol in mythology or art reflecting her trauma. Moreover, she displays a similar pattern of ambivalent emotion like love and hate or fear towards a snake and her father. This is also confirmed by her portrayal of a snake as a monster or reversely as a creature with fundamental vitality in her works. The lack of affection from her mother can be explained by her mother's maternal deprivation. It appears that Saint Phalle's mother possessed all the causes for maternal deprivation such as maternal separation, personality disorder and inappropriate attitude towards child rearing. Especially, a study that shows mother's negative attitude towards child breeding tends to increase dissociation experience of children is another important evidence that supports Saint Phalle's dissociation tendency. These traces of Saint Phalle's trauma are clearly revealed in her assemblages and shooting paintings. The violent objects in her assemblages such as a hammer, razor, nail represent the rage and defensiveness towards her father. The objects such as fragments of broken plates of feminine patterns, pots and mirrors that her mother used symbolize the affection towards her mother. On the other hand, the destructed objects can be interpreted as her hate and resentment towards her mother. Shooting paintings contain her extreme fury and hate. Things such as acts of shooting and the image associated with blood after shooting are blunt expressions of her bursts of emotions. I have tried to define and classify the ambivalent characteristics shown in her assemblages and shooting paintings as hate, rage, violence, calm, love and pleasure according to the frame of Thanatos and Eros. Out of the six, hate, rage, violence and clam are associated with Thanatos while love and pleasure are associated with Eros and they correspondingly form an ambivalent structure. These ambivalent characteristics can be found in her assemblages and shooting paintings. The objects in her assemblages such as a razor, saw, hammer imply hate, rage, violence and the silence felt throughout her works represent calmness. And, as mentioned, the feminine objects can be seen as symbolizing love. In shooting paintings, hate, rage, violence can be found in the use of force and in the traces of watercolor after shooting, and a sense of pleasure in her feelings of catharsis after her shooting. Moreover, a shielded calmness can be found on the plywood all covered with plaster before the shooting. This study looked into the ambivalent characteristic of Saint Phalle's works by examining her trauma to find its correlation, and a meaning of this study can be found from the fact that it refocused the origin of Saint Phalle who is generally known as a feminist artist. Additionally, a meaning of the study can be found also from the fact that it examined the ambivalent characteristics of her works through a frame of Thanatos and Eros.

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윌리엄 포사이드(William Forsythe) 작품을 통해서 본 오브제(Object)의 활용과 표현 특성 연구 (A Study on the Expression Characteristic of Objects: Focusing on the Works of William Forsythe)

  • 김태희
    • 트랜스-
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    • 제2권
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    • pp.161-190
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    • 2017
  • 시대가 발전함에 따라 예술의 창조적 변화는 다양해지는 요구들을 수용하려는 시도들로 이루어지는데, 이러한 시도들은 예술의 장르적 벽을 허물고 다양한 요소들이 무용 작품 안에서 활용된 오브제의 형태로 표현되고 오늘날 오브제 특성이 표현되지 않은 작품은 찾아보기 힘들다. 본 연구는 오브제를 총체적인 관점에서 하나의 체계로 이해하고자 하며 오브제의 미학적 논의 과정을 고찰함으로써 오브제의 표현과 특성이 어떻게 무용 작품 안에서 어떠한 영향을 미치고 어떠한 역할을 히는지 분석해보고자 한다. 또한 오브제들이 무용 작품 안에서 작품을 어떻게 자극하고 활성화시키는지 표현 특성을 연구함으로써, 본 연구가 무용예술 작품이 발전할 수 있는 중요한 역할을 할 것이라고 본다. 윌리엄 포사이드(William Forsythe) 작품 중 오브제의 표현 특성이 명백하게 드러나는 작품 (2006), (2009), (2009)를 선정하였다. 작품에 나타난 오브제 표현 특성은 다양한 매체의 활용과 신체 행위, 비물질적 요소까지 활용하면서도 무용의 본질은 잃지 않고 자신만의 독창성을 극대화하였으며 무용 공연 표현의 확장을 가져왔다. 그 결과 기존의 한계를 극복할 수 있는 다양한 방법과 표현의 확장을 가져다주는 이론을 제공하고 관객과의 거리를 좁히며 관객과의 새로운 소통 방법을 제시하고 있다.

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'경험-학습' 이론에 비추어 본 『삼국유사』 설화의 수양론적 특징 - 낙산사·분황사·금산사에 얽힌 세 설화를 중심으로 - (Characteristic of cultivating theory in fables of Sam Guk Yu Sa(三國遺事; The Heritage of the Three States) reflected to "Experience-Learning" theory - In the central figure of Three Fables with Naksan temple, Bunhwang temple, and Geumsan temple)

  • 최승현;김영훈;신창호
    • 한국철학논집
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    • 제32호
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    • pp.371-394
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    • 2011
  • 한국의 전통교육에서 불교는 큰 영향력을 차지하고 있다. "삼국유사"는 불교적 세계관을 바탕으로 민중성을 담보하고 있는 저작이다. 넓은 범위에서 민중성은 민중들의 수양교육으로 이어진다. 본고는 "삼국유사"에 나타난 불교적 민중성을 존 듀이의 '경험-학습' 모델에 근거하여 수양교육의 모습으로 검토한 것이다. "삼국유사"에 나타난 '성인-되기'라는 '의미-경험'은 불교적 세계관인 생성의 지평에서 볼 때, 강력한 수양교육의 성격을 띠고 있다. 듀이의 이론을 현대화한 듀이-들뢰즈적인 수양교육은 불교적 세계관을 바탕으로 한 "삼국유사"의 세 설화와 민중성이라는 지점에서 만난다. 이는 서구의 교육론과 한국의 전통사상의 수양론이 상호 교차하면서 독해될 수 있는 가능성을 열어준다. 승려에서 서민에 이르기까지 민중의 성장과 성숙을 다루고 있는 "삼국유사"의 설화에는, '충동-관찰-지식-판단'에 이르는 수양 교육의 과정을 통해, 불국토(佛國土)의 성취를 염원한다. 이러한 일련의 '성인-되기'의 과정은, 그 삶 자체가 수양론적 특성을 갖추고 있다. 이런 점에서 "삼국유사"의 설화는 한국의 전통 수양론의 모습을 보여주고 있으며, 서구의 교육이론과 접목할 수도 있는 수양교육의 담론서 역할을 할 수 있다.