• Korean Institute of Interior Design Journal
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• v.13 no.5
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• pp.66-73
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• 2004

If we consider the origins of new architectural language in Russian, as opposed to its social dimensions, then we are looking at quite another area of pre-Revolutionary activity: art. It was Tatlin's early ‘counter-reliefs’ which first explored the way new materials might generate new artistic form. The Basis of his art is collage and the reality of materials. In 1915, he exhibited the first of his ‘counter-reliefs’, casual montages of pieces of metal that invade the space around them, making the decomposition of the forms three-dimensional. What is not in doubt is the primacy of materials in Tatlin's art. He was a key figure in the transition from art towards design and ‘construction’, the last was accomplished with ‘real materials in real space.’After the October Revolution, one of the central myths of avant-garde was the realization of a total work of art. The progress has developed in the directions to an unprecedented creative realm, situated somewhere between painting and architecture in the post-revolutionary period. Paramount among such pioneer works was Tatlin's design for a monument to the Third International in 1919. Here In an artistic form, his investigation of ‘material, volume and construction’ was clearly embodied. In the comtemporary architecture, Tatlin's concept has been a great influence on the various tendencies of spatial expressions. For example, the architecture with concept of ex-formality has many varied aspects of space composition - dynamic forms with plasticity of concrete, ex-cubic composition with free walls, disposal composition by geometric collision and superimposition, and etc.

• The Journal of Art Theory & Practice
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• no.8
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• pp.145-162
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• 2009

Space is a phenomenon which is formed in the connection between environment and human beings and public space is built by a complex phenomenon of space. Each and every individual is connected to an environment and these individuals are connected to one another. A public commemorative space means souvenir and memorial which is designed for special purpose of remembrance of a specific area. One of the purposes of public commemorative space is memorial and that is the reason of doing public relation and educating citizens over the transom. However, the meaning and value of commemorative subject cannot be delivered or stuffed one-sidely. The target who receives messages from public commemorative space has reinterpreted the messages of his own with his personal experience, knowledge and sensitivity. It results in an unexpected phenomenon of public commemorative space. Therefore, public commemorative space should be considered in a mutual communication structure rather than a purpose of memorial itself. Korean public commemorative space is focused on public relation and education for memorial. In other words, Korean public commemorative space is neglected its important possibility of the productive chapter of mutual communication. The mutual communication structure of public commemorative space which is based on variety and haecceity is ripped up by the message over the transom. It destroys the self-control and creativity of public commemorative space, and derives a negative result. By studying the function and meaning of public commemorative space, we should make the best use of it.

• Korean Journal of Environment and Ecology
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• v.18 no.4
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• pp.382-391
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• 2004

This study was conducted to establish the effective and systematic counter plan of conservation by analyzing vegetation on Korean endemic plants and rare and endangered plants, Abeliophyllum distichum, habitats and to present the raw data and direction on counter plan of restoration. The dominant species of tree layers were Platycarya strobilacea(Goesan-gun Chujeom-ri I), Pinus densiflora(Goesan-gun Songdeok-ri II and Yulji-ri III), Robinia pseudo-acacia(Yeongdong-eup Maechon-ri IV), Quercus variabilis(Jincheon-gun Yongjeong-ri V) and Pinus densiflora$.$Quercus variabilis(Buan-gun Junggye-ri Ⅵ). Subtree layers were dominated by Quercus dentata(1st site), Quercus serratu(2nd site), Quercus acutissima(3rd site), Robinia pseudo-acacia(4th site), Zelkova serrata(5th site) and Quercus variabilis(6th site). And the dominant species of shrub layers were Lindera obtusiloba(1st and 5th site), Lespedeza bicolor(2nd site), Stephunandra incisa(3rd site), Quercus aliena(4th site) and Rhododendron schlippen-bachii(6th site). The dominant species of herb layers were surveyed Humulus japonicus$.$Pueraria thunbergiana(1st site), Oplismenus undulatifolius(2nd and 4th site), Carex siderosticta$.$Pueraria thunbergiana(3rd site), Streptolirion cordifolium$.$Humulus japonicus(5th site) and Sasa borealis(6th site). Among the surveyed sites, the Goesan-gun Yulji-ri supremely abounded in species and individuals, and there was surveyed each 21 species and 116 individuals. As well, this site showed the highest H'(1.123) and H'$_{max}$(1.322). Therefore, Goesan-gun Yulji-ri formed diverse vegetation and Yeongdong-eup Maechon-ri and Buan-gun Junggye-ri showed relatively poor vegetation.ation.