• 비교문화연구
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• 제21권
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• pp.165-188
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• 2010

One of the things that should be done first in establishing the cosmic life culture is to reflect on the old human-oriented culture. If the cosmic life culture absolutizes everything except for humans according to the logic of reason, its foundation will weaken or eventually get lost. Separating humans from the universe is just like separating life from it. Given that all life, whether it is humans or the earth, originated from the universe, such an effort for separation merely values an individual life by excluding all life or whole life. When the human body and the cosmic chi' blood are not in an active flow, it means there is a problem with life. What is in the greatest need in such a case is the sincere human mind that follows the principle of cosmic life. It is like the sincerity found in the pasonri singer, who mellows all the hardships and difficulties in the world out and create songs out of them like the shadow. It is the pansori singer's shadow that changes the universe. It is only when the extreme force of human mind communicates with that of the universe that the cosmic life or cosmic life culture can be created. In that sense, it is urgent to create life out of the universe inside me and create a universe out of all life in and outside me. It is such a grave plan in human history in that it involves finding the "Sanal" which is the core of life living hidden inside the body whose life force gradually goes away or inside the universe, and creating the culture of Bokseung in which it bursts out. The most important thing in life is the flow, and the mankind is currently standing in the life flow of the massive universe's chaosmos. The greatest task the mankind is currently faced with is to think over how to deal with the period of Big Chaos in the massive universe's chaosmos reversely and establish the cosmic life culture anew.

• Journal of Hospice and Palliative Care
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• 제16권3호
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• pp.155-165
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• 2013

한국인의 전통적 죽음관은 유교, 불교, 도교, 그리고 샤머니즘의 깊은 영향을 받았다. 유교에서는 죽음이 모든 생명이 겪는 자연스러운 운명이며, 죽음을 고민하기보다는 현세의 삶에 충실할 것을, 도교에서는 삶과 죽음이 크게 다르지 않으니 자연에 순응하여 살아갈 것을, 그리고 불교에서는 삶과 죽음이 모두 허상임을 깨달으면 궁극적인 진리에 도달하여 죽음을 극복할 수 있다는 가르침을 배웠다. 이러한 사상들은 한민족 고유의 샤머니즘과 결합하여 현세를 중시하지만 사후세계와 윤회전생을 믿는 태도를 낳기도 하였다. 이러한 모습들은 역사를 통해서 매우 다양한 내러티브들로 나타나며 현대 한국인들이 죽음을 맞는 모습에도 여전히 큰 영향을 미치고 있다.

• 복식문화연구
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• 제15권1호
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• pp.152-168
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• 2007

The aim of this study is to shed light on essentials of Suprematist artists focusing on Malevich and their works in relation to modem design, and to examine their roles in the modem design industry compared to those of modem designers. The study obtains the following result on Suprematist artists and their works in Russian avant-garde in terms of modem design. Firstly, Suprematist artists had a great deal of interest in practical design although it seemed Suprematist were replaced by utilitarianism in avant-garde during the Russian revolution. Secondly, Suprematist artists were the first artists to bring the birth of modem design trends by applying their art in geometric forms to clothing and fabric design as well as ornaments and handicraft. Thirdly, the artists' attempt to work with needle workers made it possible to set achievements in design and modem decorative art exhibitions in various fields of art-life. As for the role of modem designers, Suprematist artists including Malevich have significant meanings as follows: Firstly, Malevich was a creative, future-oriented artistic designer who realized zaum of painting on the stage and created suprematistic mode in a cosmic point of view in order to agree with the environment. Secondly, Suprematist artists knew the importance of works that were produced by craftsmen and worked together with them. Therefore, the designers could maintain fabric decoration in difficult conditions knowing the importance of the high value-added industry. Thirdly, they were artists in real life who embodied the ideas and theories of Suprematist in sample works by recognizing the need of changes in life environment: they planned to set a new visual world in art but did not confine the idea only to painting.

• 동양고전연구
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• 제36호
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• pp.57-83
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• 2009

2500년 전 한 시대를 우주적 존재로 살다간 공자는 당시의 혼란을 종식시키고 모두가 인간다운 삶을 사는 방법으로 자신을 닦을 것[수양(修養)]을 제시하였다. 우주적 존재인 자기[己]를 알지 못하고 개체적 욕심을 채우며 자아[我]라는 부분에 집착할 때 좁게는 가정, 넓게는 나라에 이르기까지 혼란에 빠진다는 것이 공자의 인식이었다. 공자가 혼란한 세계를 종식시키고 인간답게 사는 방법론으로 제시한 것이 수양이다. 공자는 수양을 할 때 인(仁)을 체득하고 자신의 성(性)을 온전히 할 수 있는 군자(君子)가 될 수 있다고 보았다. 공자가 수양의 방법으로 제시한 것은 때에 맞추어 배우고 익혀서 몸에 배게 하고, 순간순간 자신을 돌아보아 반성하고 성찰하여 실천적 삶을 사는 것이었다. 그를 통해서 바르게 되어 예(禮)를 실천할 수 있으며 드디어 인(仁)에 무젖어 인(仁)에서 노닐 게 된다고 본 것이다. 한마음의 핵심인 인(仁)에 무젖을 때 현실적 사회적 혼란이 해결될 수 있다는 게 공자의 생각이다. 이를 통해 볼 때 수양은 공자사상의 핵심인 인(仁)을 이루기 위한 합목적적 키워드요 인(仁)에 나아가는 첫걸음이다. 유학이 수기안인(修己安人)을 말하고 있는 것은 그 때문이다. "학이(學而)"에서 "요왈(堯曰)"에 이르기까지 "논어(論語)'전편에서 수양에 관해 논의하고 있는 것은 수양이 평천하(平天下)를 위한 출발이며 기준점이기 때문이다.

• 한국가정과학회지
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• 제6권1호
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• pp.35-44
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• 2003

In Anthropology, ceremonies which human should pass in lives are difined as ‘Rites of Passage’. Each Rite has its own Clothing style, which is little different from general Clothing in shape, composition, color, meaning, etc. This Study shows composition and characters on Birth Ceremony Clothing through Documents and Survey around Chonnam Area. Survey Area is subdivided into 3 parts : Koksung(A Basin of Sumjin River-Eastern Area of Chonnam), Na-ju( A Basin of Yeongsan River-Western Area of Chonnam), and Kangjin(Southern Area of Chonnam). This Study analyses characters on Baenaet Jogori, 100th-day Clothing and First-birthday Clothing in Chonnam Area. In case of Baenaet Jogori, its shape in Survey is similiar to that of documents. In case of 100th-day Clothing, New Jogori and Baji have been made usually. First-Birthday(called “Dol”) Clothing shows difference between male and female infant. Male clothing consists of Pungcha Baji, Jokki, Magoja, Doltti while Female clothing consists of Pungcha Baji, Chima, Jumoni, and Doltti. In making of infant Clothing, 5-colors(Blue. Red, Yellow, White, Black) which consists of basic color in the Theory of the cosmic dual forces and Shape of Letters such as 壽ㆍ福ㆍ亞ㆍ卍 are used usually. This kind of colors and Shape of letters symbolize longevity and fortune. As a result of study, I find what Ritual Clothing in Birth has many symbolic meaning which reflects life-style culture. This study lay meaning on that deals infant clothings as a kind of Ritual Clothing.

• 한국의류산업학회지
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• 제8권3호
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• pp.258-268
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• 2006

The purpose of this study is to consider incense culture found in costume and life in forms of carrying and decoration. Here, incense for carrying and decoration is classified into two cases, using it as a costume accessory and life space. Hyangjumony, Hyangnorigae, Hyangjul, Hyangdae and Hyangseonchu were costume accessories. Hyangjumony was not only used for the royal palanguin, but also for bedroom. When Poetic Literature, and other ancient publications were reviewed in regard to incense for carrying and decoration, it was estimated that incense began to be carried for the first time before the late period of Shilla(9C). In addition, it was found that incense was not just a personal taste, but one of important gifts exchanged between states, envoys of different nations and between sovereign and subject and that incense was a necessary costume accessory for men. Types of incense for carrying and decoration used in this nation are classified into Hyangjumony, Hyangnorigae, Hyangjul and Hyangseonchu. Hyangjumony is a fabric pouch that contains incense. Hyangnorigae is Norigae whose main material is incense. Hyangjul is a string to which incense is hanged. Hyangseonchu is Seonchu whose main material is incense. Incense for carrying and decoration was based on five colors that symbolize cosmic order and harmony, of which red and purple were mostly used. Red strongly suggests expelling Yin with Yang, or exorcism. The color gives a strong impression, so it was often used to make a carried incense more decorating. Main materials of incense for carrying and decoration were gold, silver, precious stone and horsehair. They are different in characteristics, but were used appropriately for incense fragrance and decoration. Patterns mainly used for the incense had shapes of animal, plant, sipjangsaeng and letter. These were all auspicious patterns that symbolize human wishes and desires, especially individual and family happiness.

• 복식
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• 제30권
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• pp.85-99
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• 1996

This study has been made to examine the symbolic meaning of our traditional costume colours based on the theory of yin-yang Wu-hsing the interaction of yin and yang with the rotation of the five agents wood firt earth metal and waters. Presenting the spirt and the life of our race the costume culture has been keep-ing its own systematic symbol. Being sensible the colour has to be under-stood as the colour sense therefore the cos-tume colour has begun to have the symbolic meaning with the feeling or the mental value. According to the theory of yin-yang wu-hsing the costume colour has presented our racial sprit way of thinking and way of life for a long time and it has become the tra-ditional culture at last. Based on the doctrine of cosmic harmony through the motion of yin and yang or the passive and active elements are their five agents form the material force of everything. The order of nature has its counterpart in five symbolic costume colours wood-blue ; fire-red: earth-yellow; metal-white: water-black. The five colours are called the primary colours. which produce the next compound colours. Accepted in the social system as well as the social stats the costume colour has set up systematically. The theory of Yin-yang Wu-hsing has given the five colours the symbolic meanings and its mainstream has been the function of Sangsaeng and Sangeuk which are genera-ted by the power of virture. The former is mu-tually beneficial while the latter destructive. The colour as a costume colour has been made distinction between the colour of the up-per classes and the colour of the middle and lower classes and the specific colour has presented the symbolic meanings. The yeollow the red and the purple have been regarded as the colour of king queen and upper classes Being the colour recognition the costume colour has been established by the society and the race generally Implied the spiritual elements the colour recognition could select the lucky colour in accordance with one's des-tiny. Besides the colour recognition has begun to appear as the racial costumes to protect the society and to pray for good fortune. According to the theory of Yin-yang Wu-hsing the costume colour has been forming through our long history and has become our costume culture. Therefore the colour of the costume has signified not only the colour sense but also the important symbolic meanings.

• 대순사상논총
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• 제28집
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• pp.37-72
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• 2017

본 연구는 '천지공사(天地公事)'의 공공윤리 실천전망에 관한 연구를 목적으로 한다. 천지공사는 공적 영역과 사적 영역이 서로 이어지고 매개하는 공공작용을 통해 공공윤리 실천전망을 보여준다. 천지공사는 삼계 통래(通來)로 대순진리를 관철시키는 공사이다. 본 연구방법으로 천지공사가 소개된 문헌을 면밀히 분석하는 문헌연구와 공공윤리 전망을 모색하는 해석학적 기제를 함께 사용한다. 이는 공과 사를 이어주고 매개하는 '공사공매' 지표, 공공행복 추구의 '행복공창' 지표, 개체를 살려 공적 가치를 드러내는 '활사개공' 지표의 기제이다. 공공윤리 지표는 물질과 영혼, 초월과 내재, 성과 속 사이의 간극을 해소하는 능동성으로 말미암아 공공책임을 수반한다. 천지공사는 '음양합덕' 담론에서 시작하여 '신인조화(調化)'의 공공소통을 이루고 '해원상생'의 존재론적 축복으로 연결된다. 도통선경으로 상호호혜의 결실을 맺기에, 천지공사와 인존사사(人尊私事)는 공공의 성상원융(性相圓融)을 이루어 천지인삼재 일원상(一圓相)을 이룬다. 이러한 공공실천 전망은 감성·이성 상관연동의 소통의 공사공매, 해원·보은 상관연동의 상생의 행복공창, 그리고 도통·선경 상관연동의 인존의 활사개공으로 연결되기에 이를 상관연동으로 고찰한다. 천지공사를 주재하는 '인신현현(人神顯現)'의 구천상제는 공공동량 구제 사업에 임하였다. '활사개공'의 공공윤리 지표는 도통군자에 나타나 있다. 천지공사로서 선천세계가 개벽되고 지상천국이 건설된다. 천지공사 공공윤리 전망으로 온 누리에 선경의 화평세상을 이룩하기에, 세계시민성·우주시민성 시대도래를 예견할 수 있다.

• 대한지리학회지
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• 제50권6호
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• pp.695-715
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• 2015

풍수사는 풍수 이론체계의 형성 및 발전 과정에 관한 풍수이론사와, 풍수 문화요소의 사회적 문화적 전개 과정에 관한 풍수문화사로 구분하여 볼 수 있다. 풍수이론사는 전문지식인에 의해서 정교한 지식의 인식 및 논리 체계로 생산, 전개된 측면이 있고, 풍수문화사는 사회집단에 의해서 지리적인 생활사의 과정에서 실천 방식으로 소비, 활용된 측면이 있다. 풍수 이론체계의 생산과 형성, 그리고 이론적 발전은 중국이 주도, 담당하였으며, 한국 및 주변 국가들은 중국이 만든 풍수 이론체계를 지역적 환경과 역사적 문화적 특색에 맞추어 실천하고, 적용, 변용시켰다. 한국 풍수론의 역사적 공간적 전개는 대체로, 고려시대의 비보도참적 도읍풍수론, 조선전기의 주자학적 묘지풍수론, 조선후기의 실학적 주거풍수론의 양상으로 드러났다. 한국 풍수론의 전개과정에서 나타난 특색은 동아시아에 비추어 실제적 운용성, 전반적 영향력과 시대적 다양성, 사회적 담론화, 형세론의 우세, 비보론이라는 다섯 가지로 요약할 수 있다.

• 대한간호학회지
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• 제23권1호
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• pp.118-129
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• 1993

In order to approach the nursing care of clients who are using oriental medicine and to understand the perception of the client who uses oriental medicine practices and the need to develop a model of nursing related to oriental medicine it is important to examine the major nursing concepts as they are found in oriental medicine and as they are differently defined according to the basic thought, theory and philosophical perspectives between East and West. Oriental medicine developed based on Sung Confucianism the teachings of Chut-zu, especially Tai-Chi-Tu Shuo and energy thought which are similar to traditional Korean Sasang Constitutional medicine. The basic theory on which oriental medicine is build is the theory of the five elements of Yin / Eum-Yang Theory(cosmic dual forces) and Meridian Theory. The most important attribute of Yin Yang is the concept of duality, confrontation and dependence, within Yin Yang but which do not exist separately. That is, the universe is a vast, indivisible entity within which all things exist in harmonious interdependence and balance. Harmony is achieved only when the two primorial forces, Yin and Yang, are brought into perfect balance. Each is contained within the other and there is a continuing interchange between the two. This also applies to the human body including human health which is defined as balanced harmony. The most universal connection of Yin and Yang is found in the universe where the five elements of life, fire, water, earth, wood and metal can be explained as having either Yin or Yang and therefore being in a state of connectedness but systematically circulating between the two, that is essentalilly one (the control of the unified ) or as coexistant poles of individual wholes (the pluralism of Yin Yang Theory) so that it is all unified(balanced) in the Great Absoulte. Human beings also maintain a balance of Yin and Yang in the five elements and this relationship is very important in approaching ·oriental medicine, The meridians are the channels in the body through which the life force flow throughout the body. In oriental medicine the meridians are seen as the railroad, the acupuncture points on the meridians as the stations and energy as the train. In the normal healthy organism, all are maintained in balance and in a contiuous circulation of energy. illness is the result of the energy flow becoming disarranged. Although practitioners of oriental medicine approach the client differently than do practitioners of Western medicine and their method of examining the patient is different, the basic objectives of the examination are the same for practitioners of both types of medicine. Therefore if each could be used to supplement the defiencies in the other and achieve a harmonious cooperation between the two, a higher level of care which is culturally appropriate to korean culture could be achieved. The traditional korean concept of health is a naturalistic view which emphasizes being in harmony with nature. Any manifestation of disease is considered a sign that the body is in a state of disequilibrium and is thus no longer in harmony with the universe. The wholistic view of the world held by practitioners of oriental medicine can be used by nursing in the development of a world view of nursing in which the human being is seen within the macrocosm as part of the natural phenomenon of the universe and but also as a microcosm of the universe, a universe which is a vast and indivisible entity within which all things exist in harmonious interdependence and balance. Interaction between human beings and their environment and the relationship of this interaction to health are concepts that are also found in nursing. Nursing views human brings, not as an accumulation of separate cells and organs but, as unified wholes interacted in very close relationship nth their environment. Nursing also maintains a view of human beings in which emphasis is placed on the role of the mind in explaining the concepts of harmony and balance in health. Although there are differences between oriental medicine and nursing in approaches to clients, the basic point of view and philosophy have many fundamental similarites. An understanding of the basic thought and philosophy of oriental medicine if applied to nursing, would allow for the development, not only of nursing related to oriental medicine, but of a nursing theory appropriate to the korean context.