• 제목/요약/키워드: conceptualizing of brand image

검색결과 3건 처리시간 0.015초

20대 여성정장의류의 편익과 상표이미지에 관한 연구(제3보) -속성.편익.태도에 의한 상표이미지 개념체계 연구- (The Brand Image and the Benefit of 20s Female Apparel Market(Part III))

  • 박혜원;임숙자
    • 한국의류학회지
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    • 제24권8호
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    • pp.1197-1208
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    • 2000
  • The purpose of this study was to find out the effects of the accord between consumers benefit factors and attribute factors of brand image on brand attitude. This study was based on Kellers conceptualizing model of brand image. The subjects were 605 working women in their twenties living in Seoul, Korea. The data were analyzed by Euclidian distance model, ANOVA of repeated measures, regression, F-test by Extra Sum of Squares Principle. The results were as follows. 1. There were significant differences among the brands and among the segmented groups in the accord between benefit factors and attribute factors of brand image and in the brand preference. Moreover there were significant interactions between the brands and the segmented groups in the accord between benefit factors and attribute factors of brand image and in the brand preference. 2. There were significant effects of the accord between benefit factors and attribute factor of brand image on brand attitude. 3. There were significantly different effects of the accord between benefit factors and attribute factors of brand image on brand attitude among the segmented groups.

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통합 브랜드 아이덴티티 전략 과정에서부터 색채 전략 과정 도출까지에 관한 연구 -식품회사 '행복한 사과' 개발사례를 중심으로 (A Study on Process from Total Brand Identity to Color Strategy Method -Food Corporation 'happy apple' Case Study)

  • 조현경
    • 문화기술의 융합
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    • 제3권4호
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    • pp.77-82
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    • 2017
  • 본 논문의 첫 번째 목적은 전체 브랜드를 위해 디자인 분석 프레임과 컬러 플랜 전략과정에 대한 설계이다. 전체 brand 의미 및 색상의 분석 프레임을 위해 I.R.I 시스템과 기호론적 관점에 근거하여 다양한 분석을 행하였다. 주요 연구는 브랜드 환경에 적용하여 분석 틀의 타당성을 입증한 것이다. SWOT 분석으로 컬러 프레임을 기반으로 설계 통합에서 분석의 일관성을 유지하였으며, 컬러 전략 계획에 대한 이론적 검토를 행하였다. 이를 통해, 총 브랜드 전략과 컬러 디자인의 요구 및 분석 프로세스에 대한 역할을 모색하였으며, 그 결과로 상업적인 성공의 유형을 개념화하여 브랜드와 색채의 시각화를 확립하였다. 결론적으로, 총 브랜드의 디자인 처리 분석과 적용을 통한 상용화, 시각화 및 표현을 통해 전체 브랜드의 이미지 분석 결과를 소개하고 색상 디자인 계획을 최적화 하는 과정까지의 연구를 하였다.

슈퍼모던 패션 디자인의 공간성 구현 연구 (A Study on Space Embodiment of Supermodern Fashion Design)

  • 김완주;이금희
    • 복식문화연구
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    • 제16권6호
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    • pp.1064-1075
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    • 2008
  • The purpose of this study is to grasp the change of modern space concept and analyze how to adopt and embody the change in modern fashion. The study researched wearer's costume space and analyzed space shown in supermodern fashion design by classifying it into response to non-space, allowance of wearer-based space, scientific space of architectural skill and embodiment of space image. As a study method, literature and study material of sociology, anthropology, fashion sociology and design field were referred. For picture data of supermodern fashion work, specialized book, designer, brand collection material and internet site pictures were collected and analyzed. The study result shows the following features of fashion design space embodiment corresponding to the change of supermodern environment. First, supermodern design secures closet space like pocket for portable objects and uses design space in order to provide the space for convenience of movement. Second, supermodern design creates wearer-based independent space in order to secure person's physical and mental stability in city environment. Third, supermodern design uses space scientifically from the aspect of detail and shape by applying space of architectural skill to space. Fourth, supermodern design shows aesthetic feature that embodies interpretation of space by conceptualizing space image and using fashion.

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