• 복식문화연구
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• 제16권1호
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• pp.88-99
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• 2008

This study aims to analyze product samples of convergence of fashion and technology, as convergence is a major trend in the age of digital paradigm, and to propose desirable directions of development for technology convergence in fashion design in the future. With bibliographic research as well as internet search of the cases of development and commercialization of convergence of fashion and technology from the 1960s, when wearable computers were first introduced as an early development form of convergence, to the present, it becomes possible to classify these cases into three groups: functionally oriented one, aesthetically oriented one, and one that combines function and aesthetics. The pros and cons of each group of these cases are discussed and an evolutionary trend is observed from the earlier stage of convergence with functionally oriented cases which tried to achieve specific purposes of the time to the later stage of convergence with emphasis on both function and aesthetics which reflects the sensitivity of the general wearers. When three groups are plotted in the positioning map with one axis of function-aesthetics and the other of industry-fashion designer, however, all three are located outside of the two axes, suggesting these elements are not very well combined. In order for the products of the fashion-technology convergence in the future to receive favorable response from the consumers, it is necessary for the fashion industry to develop a close collaboration with companies of digital technology and the convergence products not only will have to provide functional benefits of the new technology but also to satisfy the aesthetic demands of the wearers.

• 한국의류학회지
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• 제25권4호
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• pp.719-730
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• 2001

The purpose of this study is to develop the basic patterns of adult womens brassiere therewith, provide for some basic data useful to the brassiere manufacturing which are both functional and fitting. For this purpose, 220 adults women(aged between 20 and 59) were sampled to be measured for their body sizes and tested for their brassiere wearing. The collected data were statistically processed using the SAS 6.12 for Means, Standard Deviation, etc. The results of this study can be summarized as follows; 1. In order to develop the basic patterns of adult womens brassieres, 75A size was selected out of 12 size combination(3 women per 75A size) and then, their brassiere fitting was tested. As a result, the fronts of the basic patterns were found to have such problems as undone front center, poor levelling of upper cups bottom line or lower cups top line, poor shape of upper cups outside top line and shoulder strip position. On the other hand, n the rear side of the basic patterns, the central part of the wing was slightly lifted, while the wing width and straps interval did not befit the full-cup brassiere. The result of this first brassiere fitting test showed that the functionality and aesthetics of the basic pattern brassieres were more or less satisfactory, and thus, the problems were address for the second test. In the second test, the aesthetics, breast-shaping effect and functionality of the basic pattern brassieres were much improved. 2. The basic patterns of adult womens brassieres were characterized by a round cup wired as well as a full cup embracing the entire breasts. Each basic pattern which consisted of upper and lower cups was shaped \"straight(-)\". The basic sizes adopted at the first design stage (see fig. 1-2) was 75A of which was designed as upper foundation basic pattern. At the second stage, the upper body foundation pattern were used to design lower cup, upper cup, front panel and wing in their order.(see fig. 3-5, fig. 8)5, fig. 8)

• 한국의류학회지
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• 제26권6호
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• pp.821-832
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• 2002

The purpose of this study was to develop grading method of the basic brassiere patterns therewith, provide for 12 size's brassiere patterns and prove fitness of their's and shape. The collected data were statistically processed using the SAS 6.12 for Means, Standard Deviation, etc. The results of this study can be summarized as follows; 1. The basic sizes adopted at the first design stage (see fig.1-2) were 75AA, 75A and 75B each of which was designed as upper foundation basic pattern in reference to the cup size. At the second stage, each of the upper body foundation basic pattern was used to design lower cup, upper up, front panel and wing in their order(see fig.3-6). At the third stage, the other sizes were graded in reference to the three brassiere patterns (75AA, 75A and 75B) to produce 12 brassiere sizes(see Tab. 7-8). In order to develop the basic patterns of adult women's brassieres, 33 women were selected per 11 size combination(3 women per size combination), and then, their brassiere fitting was teated. As a result, the fronts of the basic patterns were found to have such problems as undone front center, poor levelling of upper cup's bottom line or lower cup's top line, poor shape of upper cup's outside top line and shoulder strip position. On the other hand, on the rear side of the basic patterns, the central part of the wing was slightly lifted, while the wing width and straps'interval did not befit the ful1-cup brassiere. The result of this first brassiere fitting test showed that the functionality and aesthetics of the basic pattern brassieres were more or less satisfactory, and thus, the problems were addressed for the second teat. In the second test, the aesthetics, breast-shaping effect and functionality of the basic pattern brassieres were much improved. 2. We were to present the final brassiere sizing system to extend the interior length of breast and the exterior length of breast on the basis of fitting test. Thereby, 75B$.$80A$.$80B$.$85A$.$85B's the interior lengths of breast were enlarged to 0.7cm, the rest size was enlarged to 0.5cm and the exterior length of breast was enlarged to 0.5cm regardless of sizes. 3. The upper foundation basic patterns of 75AA and 75B were presented and and the basic brassiere pattern and grading pattern were presented through to.

• 한국과학예술포럼
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• 제19권
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• pp.293-305
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• 2015

글로벌 시대의 대두와 동시에 각 나라 고유의 문화적 특성이 중요시 되는 현 시점에서, 자국의 문화정체성 확립은 이제 필수 불가결한 요소가 되었다. 이에 전통문화연구가 활발하게 이루어지고 있으며, 특히 주거건축의 연구는 총체적인 문화연구 지표로 활용될 수 있는 가치를 가지고 있다. 본 연구는 조형의 기본요소인 재료를 중심으로 실제적인 조사를 통해 한국 중국 일본의 전통건축의 적용 특성을 파악하여, 동아시아의 주거건축문화를 비교하는 동시에 우리나라만의 고유특성을 파악하는 데에 목적이 있다. 연구는 문헌조사와 현지답사를 함께 진행하였으며 연구의 대상이된 건축물은 한국(반가) - 무첨당, 중국(사합원) - 공왕부, 일본(쇼인츠쿠리) - 도큐도이다. 한·중·일의 건축 재료는 목재, 석재, 토재의 자연재료와 금속재, 지재, 기와, 전, 유리 등의 인공재료를 조합하여 건축을 구성하고 있으며, 이런 공통적 특징은 건축구성적인 부분에서 많이 나타나고 있다. 하지만 실내구성으로 갈수록 서로 다른 재료의 선택과 적용의 차이를 보이며 각 나라의 풍토, 가공방식, 생활문화에 맞는 재료를 선택하여 적용하고 있었다. 먼저 나라마다 식생과 기후에 영향을 받은 재료를 선택함으로써, 각 나라의 식생환경을 주거를 통해 확인 할 수 있었다. 또한 입식-좌식 문화의 특성, 실내구성에서 종이 마감 등 한국과 일본이 비슷한 양상을 보이는 반면, 중국은 확연히 차이를 보임을 알 수 있었다. 특히 재료의 가공과 관련해서 한국은 인위적 가공을 줄여 대체적으로 거칠고 투박한 질감을 그대로 느낄 수 있는 반면, 일본은 직재의 사용으로 정돈되고 세련된 느낌의 건축 표현이 이루어졌다. 중국은 세 나라 중에 재료의 인위적 가공이 가장 높았으며, 중국의 채색문화와 관련이 깊다는 것을 알 수 있다. 또한 벽돌, 유리 등 세부 건축 재료에 관련 기술들이 상당히 발전되어 있음을 알 수 있었다. 이는 '한국의 건축이 중국과 일본의 중간적 성격을 띄고 있다' 는 기존의 연구 결과와 상반되는 것으로 재료적 측면에 있어서는 자연미를 강조한 한국과 인위적인 미를 강조한 중국에 일본이 중간적 입장에서 재료를 적용한 모습을 알 수 있었다. 이렇듯 재료의 비교를 통해 한·중·일의 풍토성, 기능성, 심미성 등의 비물질적 요소가 주거와 어떤 관련을 가지고 적용되었는지 본 논문을 통해 확인 할 수 있다.