• The Journal of Korean Institute of Communications and Information Sciences
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• v.25 no.6B
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• pp.1021-1027
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• 2000

In this paper, we propose two new detection-estimation based algorithms that effectively remove impulsive noises in severely corrupted color images. The existing methods for enhancing corrupted color images with impulsive noises commonly possess the inherent problems of excessive computing time and smoothing out edges. However, since our proposed algorithms classify corrupted pixels first in each channel or in each pixel and then perform marginal or vector median filtering only for them, are computationally efficient and preserve edges well. In addition, since there are no appropriate criteria to evaluate the performance of impulsive noise detectors for color images, the objective comparison of noise detectors is difficult. Thus, we introduce a new efficiency factor to compare the performance of noise detectors in digital color images. Simulation results show that the proposed algorithms perform better than the existing methods in terms of both objective and subjective evaluat ons.

• Journal of KIISE:Software and Applications
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• v.30 no.7_8
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• pp.719-726
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• 2003

This paper proposes a multimodal registration method for segmentation of the Visible Human color images, in which color characteristics of bones are very similar to those of its surrounding fat areas. Bones are initially segmented in CT images, and then registered into color images to lineate their boundaries in the color images. For the segmentation of bones in CT images, a thresholding method is developed. The registration method registers boundaries of bodies in CT and color images using a cross-correlation approach, in which the boundaries of bodies are extracted by thresholding segmentation methods. The proposed method has been applied to segmentation of bones in a head and legs whose boundary is ambiguous due to surrounding fat areas with similar color characteristics, and produced promising results.

• International Journal of Contents
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• v.11 no.3
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• pp.39-46
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• 2015

When host images are watermarked with CRT (Chinese Remainder Theorem), the watermark images are still robust in spite of the damage of the host images by maintaining the remainders in an unchanged state within some range of the changes that are incurred by the attacks. This advantage can also be attained by "zero-watermarking," which does not change the host images in any way. This paper proposes an improved zero-watermarking scheme for color images on the DCT (Discrete Cosine Transform) domain that is based on the CRT. In the scheme, RGB images are converted into YCbCr images, and one channel is used for the DCT transformation. A key is then computed from the DC and three low-frequency AC values of each DCT block using the CRT. The key finally becomes the watermark key after it is combined four times with a scrambled watermark image. When watermark images are extracted, each bit is determined by majority voting. This scheme shows that watermark images are robust against a number of common attacks such as sharpening, blurring, JPEG lossy compression, and cropping.

• The Journal of the Korea Contents Association
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• v.9 no.4
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• pp.1-11
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• 2009

To classifying and filtering of adult images, in recent the computer vision techniques are actively investigated because rapidly increase for the amount of adult images accessible on the Internet. In this paper, we investigate and develop the tool filtering of adult images using skin color model. The tool is consisting of two steps. In the first step, we use a skin color classifier to extract skin color regions from an image. In the nest step, we use a region feature classifier to determine whether an image is an adult image or not an adult image depending on extracted skin color regions. Using histogram color model, a skin color classifier is trained for RGB color values of adult images and not adult images. Using SVM, a region feature classifier is trained for skin color ratio on 29 regions of adult images. Experimental results show that suggested classifier achieve a detection rate of 92.80% with 6.73% false positives.

• The KIPS Transactions:PartB
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• v.13B no.3 s.106
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• pp.205-214
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• 2006

Texts in images have significant and detailed information about the scenes, and if we can automatically detect and recognize those texts in real-time, it can be used in various applications. In this paper, we propose a new text detection method that can find texts from the various camera-captured images and propose a text segmentation method from the detected text regions. The detection method proposes color variance as a detection feature in RGB color space, and the segmentation method suggests an improved K-means color clustering in RGB color space. We have tested the proposed methods using various kinds of document style and natural scene images captured by digital cameras and mobile-phone camera, and we also tested the method with a portion of ICDAR[1] contest images.

• The Research Journal of the Costume Culture
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• v.24 no.1
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• pp.27-40
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• 2016

This study investigated the preference of sensibility expression factors regarding fashion materials, such as the color, pattern and texture of fabric. Moreover, this study analyzed the relationship between the preference of sensibility expression factors and the preference of fashion images by identifying the preference of fashion images. The survey subjects were 312 women ranging in age from 20 to 40 years old. This study utilized a questionnaire as a measurement tool. First, this study performed a factorial analysis on the preference of sensibility expression factors of fashion materials. In regards to color preference, this study considered color depth such as light tone color, moderate tone color, dark tone color and vivid tone color. In regards to pattern preference, this study examined: geometric pattern, floral pattern, animal skins pattern, check pattern and symbolical pattern. In regard to preference of the texture, this study assessed: roughness, luster, flatness and lightness. Second, this study performed a factorial analysis on the preference of fashion images. This study examined five factors: dignity, uniqueness, femininity, activity and simplicity. Third, this study analyzed the effects of the preference of sensibility expression factors of fashion materials on the preference of fashion images. As a result, the color preference was related to the image preference associated with dignity, femininity and simplicity, whereas the pattern preference was related to the images of uniqueness, femininity, activity and simplicity. Moreover, the preference of texture image was related to the images of dignity, uniqueness, femininity and activity.

• Fashion & Textile Research Journal
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• v.13 no.3
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• pp.409-417
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• 2011

This study aims to investigate makeup images shown in the beauty trends and analyzes the characteristics of makeup colors depending on the types of facial makeup. This survey's collected data includes a total of 365 makeup colors which have been shown in the beauty trends for the last three years. The pictures and vocabularies shown in such data were analyzed and thus we could have classificatorily six kinds of makeup images. In addition, makeup colors were divided into two subcategories: eye makeup and lip makeup, both of which have the most significant impact on the makeup images. As the results, the types of makeup images shown at beauty trends were classified such as natural image, gorgeous image, elegant image, sophisticate image, and romantic image. If analyzing yearly changes, active, romantic, and elegant images were common in 2008, and natural image displayed a certain strong tendency amid pro-environmental trends in 2009, and gorgeous images were appeared apparently in 2010, while natural image showed a bullish tendency yet. Regarding to color characteristics by makeup images shown at beauty trends, YR color in eye makeup and R in lip makeup looked bullish generally, and a lot of changes were shown in color tones. This fact gives help in grasping fashion colors and color tones of yearly makeups. Based on these results, this study examines makeup colors for expressing makeup images closely, and then suggests that it could be utilized in makeup color planning.

• Journal of the Korean Society of Costume
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• v.64 no.3
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• pp.108-125
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• 2014

The purpose of this study is to provide the basic information necessary to develop sports uniform design by comparing and analyzing the color features and images of professional football uniforms in Korea and foreign countries. The subjects of this study were limited to 5 top leagues in Europe (Premier League, Primera Liga, Bundesliga, Serie A, and Ligue 1) as well as J-League, and K-League. This study was done using the 2012/2013 season home and away uniforms for European leagues and 2013 season home and away uniforms for Korean and Japan leagues. Using the Adobe photoshop CS2 eyedropper tool, color chips and RGB values were extracted from digital images and converted into HV/C of Munsell Conversion. Finally, a total of 735 colors were used for the analysis. The color image scale by Shigenobu Kobayashi was used to position the color images. The results are as follows. First, the color analysis of professional football uniforms in leagues suggested that chromatic color (53.7%) was more prevalent than achromatic color (46.3%). The two most common colors of the ten chromatic colors were R(19.7%) and PB(18.0%), followed by Y(5.4%), RP(2.0%), G(1.9), GY(1.8%), B(1.6%), YR(1.5%), P(1.1%), and BG(0.7%). Second, for the color tone comparison and analysis of professional football uniforms in leagues, the most commonly used color tone was W(28.4%), followed by v(25.5%), Bk(16.3%), s(5.8%), dk(5.2%), b/lt(5.2%), dp(3.0%), sf(2.0%), ltGy(1.0%), p(0.5%), G/dkGy(0.4%), and ltg/mGy (0.1%). Third, for the comparison and analysis of color and color tone of professional football uniforms in leagues, W(28.4%), R(v)(17.7%), and Bk(16.3%) were commonly used. Finally, for the comparison and analysis of color images of professional football uniforms in leagues, the most commonly used color image was a casual image(31.8%), followed by modern image(26.5%), dynamic12.8%), cool casual(12.0%), gorgeous(9.3%), clear(6.6%), chic(3.5%), and elegant images. Dandy, classical, romantic and pretty images(0.4% respectively) were also used.

• Proceedings of the IEEK Conference
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• 2000.06d
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• pp.171-173
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• 2000

In this paper, we present a new interpolation method for the color filter away(CFA). In order to capture color images. typical input devices use a single chip CCD imaging sensor with color filter array. As a result, the single chip CCD does not provide sufficient color resolutions since it arranges different color filters sequentially on a single CCD, resulting in aliasing noise and loss of resolution. In order to reconstruct high quality color images, we propose to use the interpolation algorithm using high order B-splines. Experiments show promising results.

• Science of Emotion and Sensibility
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• v.9 no.1
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• pp.63-75
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• 2006

This is a basic research aimed at enhancing a brand image by unifying color images of a brand at both online and offline stores. h survey was conducted on color images of online and offline stores to measure the level of consistency between consumers' perception of the color image and the brand's color strategy. A brand preference survey was also performed to shed light on the relationship between the brand preference and the consistency of color images at online and offline stores. This study is committed to building an effective color strategy, based on the brand strategy, through web color planning that is consistent with the offline color image. This paper started with a specific purpose of devising solutions in regard to the prior study, entitled 'Study on Color Strategies in Brand Coffee', which recognizes the need for consistent color images, or integrated color strategies, in online and offline stores. I specifically took the approach of looking at color planning in the stage of designing a website. Two standards were used to analyze emotional and functional aspects of color images: color grading by I.R.I and five communicators of color information by Rouge. Direct visits were made to the offline stores for surveys to address the shortcomings of the prior study, in which offline stimuli were limited to printed materials. The direct visits enabled a study of an overall color image of the offline stores, while providing a set of substantial and specific guidelines for designing colors for a website. I hope this study goes a long way toward enhancing the level of consistency between online and offline color images based on the brand's unique color strategy, and thereby improving the overall level of brand image.