• Journal of the Korea Academia-Industrial cooperation Society
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• v.17 no.1
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• pp.717-724
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• 2016

This paper proposes a change detection method based on the covariance matrices of color and edge gradient in a color video. The YCbCr color format was used instead of RGB. The color covariance matrix was calculated from the CbCr-channels and the edge gradient covariance matrix was calculated from the Y-channels. The covariance matrices were effectively calculated at each pixel by calculating the sum, squared sum, and sum of two values' multiplication of a rectangle area using the integral images from a background image. The background image was updated by a running the average between the background image and a current frame. The change areas in a current frame image against the background were detected using the Mahalanobis distance, which is a measure of the statistical distance using covariance matrices. The experimental results of an expressway color video showed that the proposed approach can effectively detect change regions for color and edge gradients against the background.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.12 no.7
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• pp.3207-3213
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• 2011

Most methods of color constancy, which is the ability to determine the object color regardless of the scene illuminant, have failed to meet our expectation of their performance especially about low-illuminated scenes. Some methods with high performance need to be developed, but we must, above all else, obtain experimental images for analyzing the required circumstances or evaluating the methods. Therefore, the paper produces new sets of images so that they can be used in the development of color constancy methods suitable for low-illuminated scenes. These sets are composed of two parts: one part of images which are synthesized with spectral power distribution(SPD) of illuminants, spectral reflectance curve of reflectances, and sensor response functions of camera; the other part of images where the intensity of each image is adjusted at the uniform rate. In an experiment, the use of the sets takes an advantage that its result images are analyzed and evaluated quantitatively as their ground truth data are known in advance.

• Journal of the Korea Computer Graphics Society
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• v.12 no.2
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• pp.13-18
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• 2006

Color quantization replaces the color of each pixel with the closest representative color, and thus it makes the resulting image partitioned into uniformly-colored regions. As a consequence, continuous, detailed variations of color over the corresponding regions in the original image are lost through color quantization. In this paper, we present a novel scheme for restoring such variations from a color-quantized input image. Our scheme identifies which pairs of uniformly-colored regions in the input image should have continuous variations of color in the resulting image. Then, such regions are seamlessly stitched using the Laplace equation. The user can optionally indicate which regions should be separated or stitched by scribbling constraint brushes across the regions. We demonstrate the effectiveness of our approach through diverse examples, such as photographs, cartoons, and artistic illustrations.

• The Bulletin of The Korean Astronomical Society
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• v.37 no.1
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• pp.41.2-41.2
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• 2012

It has been suggested that merging plays an important role in the formation and the evolution of early-type galaxies (ETGs). Optical-NIR color gradients of ETGs in high density environments are found to be less steep than those of ETGs in low density environments, hinting frequent merger activities in ETGs in high density environments. In order to examine if the flat color gradients are the result of dry mergers, we studied the relations between merging features, luminosities, environments and color gradients of 196 low redshift ETGs selected from Sloan Digital Sky Survey (SDSS) Stripe82. Near Infrared (NIR) images are taken from UKIRT Infrared Deep Sky Survey (UKIDSS) Large Area Survey (LAS). Color (r-K) gradients of ETGs with tidal features are a little flatter than relaxed ETGs, but not significant. We found that massive (> 10^11.3 solar masses) ETGs have -40% less scattered color gradients than less massive ETGs. The less scattered color gradients of massive ETGs could be evidence of dry merger processes in the evolution of massive ETGs. We found no relation between color gradients of ETGs and their environments.

• The Transactions of The Korean Institute of Electrical Engineers
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• v.64 no.7
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• pp.1040-1046
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• 2015

This paper introduces GP(Genetic Programming) based color detection model for an object detection of humanoid robot vision. Existing color detection methods have used linear/nonlinear transformation of RGB color-model. However, most of cases have difficulties to classify colors satisfactory because of interference of among color channels and susceptibility for illumination variation. Especially, they are outstanding in degraded images from robot vision. To solve these problems, we propose illumination robust and non-parametric multi-colors detection model using evolution of GP. The proposed method is compared to the existing color-models for various environments in robot vision for real humanoid Nao.

• The Journal of the Korea Contents Association
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• v.11 no.5
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• pp.15-24
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• 2011

Recently various anatomic researches by using serially sectioned images in VK(Visible Korean) project are in progress. In that sense, it is very important and necessary to represent images which keep information of the original anatomic images. In this regard, there are some studies to get rid of slice patterns in coronal and sagittal images. However, according to the rapid spatial frequency changes, the ringing effect occurred in common. In addition, because of merge with the original images which have splice patterns, those patterns appeared again. Therefore, in this study we found effective color space to apply to FFT(Fast Fourier Transform) and notch filter in getting rid of the slice patterns. To verify this, we used RGB, LAB, CMYK, HSV and HSL color space. Secondly we got rid of and alleviated the ringing effect by improving notch filter. To verify this, we compared proposed method with previous study on the basis of original images by visual method and objective values. These result images are expected to contribute to anatomy research in relation to VK project.

• Spatial Information Research
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• v.19 no.1
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• pp.29-40
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• 2011

GOCI the world first Ocean Color Imager in Geostationary Orbit, which could obtain total 8 images of the same region a day, however, its spatial resolution(500m) is not enough to use for the accurate land application, Super Resolution(SR), reconstructing the high resolution(HR) image from multiple low resolution(LR) images introduced by computer vision field. could be applied to the time-series remotely sensed images such as GOCI data, and the higher resolution image could be reconstructed from multiple images by the SR, and also the cloud masked area of images could be recovered. As the precedent study for developing the efficient SR method for GOCI images, on this research, it reproduced the simulated data under the acquisition process of the remote sensed data, and then the simulated images arc applied to the proposed algorithm. From the proposed algorithm result of the simulated data, it turned out that low resolution(LR) images could be registered in sub-pixel accuracy, and the reconstructed HR image including RMSE, PSNR, SSIM Index value compared with original HR image were 0.5763, 52.9183 db, 0.9486, could be obtained.

• Journal of the Institute of Electronics Engineers of Korea SP
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• v.48 no.1
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• pp.1-7
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• 2011

In this paper, we propose the digital image enhancement method including local tone reproduction and preservation of the hue. In recent studies, an integrated multi-scale retinex (IMSR) has produced great naturalness in the resulting images through enhancement of visibility in dark area in input images. However, most methods, including IMSR, work in RGB color spaces. As such, this produces hue distortion from the perspective of the human visual system, that is, hue distortion in CIELAB color space. Accordingly, this paper proposes an tone reproduction and enhancement of saturation method in a device-independent color space, CIELAB, to preserve the hue and obtain a high contrast and naturalness. First, to achieve the desired objectives, the IMSR is then applied to only the $L^*$ values in CIELAB color space, normalization, and simple mapping function, thereby preserving the balance of the color components and enhancement of visibility. Then, saturation adjustment is performed by applying the ratio of the chroma variation at the sRGB gamut boundary according to the corrected luminance. In experiments, the proposed method is shown to improve the visibility in dark shadows and bright regions in the resulting images and reduce any color distortion then preference test are performed.

• Journal of The Korean Astronomical Society
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• v.38 no.4
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• pp.385-414
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• 2005

We have searched for infrared emission from supernova remnants (SNRs) included in the Spitzer Galactic Legacy Infrared Mid-Plane Survey Extraordinaire (GLIMPSE) field. At the positions of 100 known SNRs, we made 3.6, 4.5, 5.8, and $8.0{\mu}m$ band images covering the radio continuum emitting area of each remnant. In-depth examinations of four band images based on the radio continuum images of SNRs result in the identification of sixteen infrared SNRs in the GLIMPSE field. Eight SNRs show distinct infrared emission in nearly all the four bands, and the other eight SNRs are visible in more than one band. We present four band images for all identified SNRs, and RGB-color images for the first eight SNRs. These images are the first high resolution (<2') images with comparative resolution of the radio continuum for SNRs detected in the mid-infrared region. The images typically show filamentary emission along the radio enhanced SNR boundaries. Most SNRs are well identified in the 4.5 and $5.8{\mu}m$ bands. We give a brief description of the infrared features of the identified SNRs.

• The Research Journal of the Costume Culture
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• v.6 no.1
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• pp.84-93
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• 1998

The main focus of this paper is to provide clear understanding about the concept of make-up as total fashion by defining the essential meaning of it. First, we would like to go over the concept of make-up and total fashion, then analyze the make-up image, the changes of colors and images of make-up overtime and fashion that have influenced over those changes. In this paper, we analyze the trend of fashion and make-up in 1990s and their relevancy. Through this paper we hope that make-up can be accepted as a part of total fashion in its relationship with other elements such as shoes, clothes and accessory and that it can be considered as a independent art that has direct influence on people. The trend of Spring/Summer between 1990 and 92is the image of natural beauty and comfortable and modernistic image that can be experienced through nature. In 1992, there was a revival look of 1960s and 1970s. Make-up also followed this trend. The overall color tone was to give natural and stable images with pastel tone to soften the images. This tone brought back the ecology of 1960s. The theme of restoration in humanity and nostalgia was reflected in clothing, and these trend changed the ecology of make-up to peace, love and romantic ecology which was expressed in coral, blue, and green tone to create intelligent image of woman. Year 1996 could be called as color revolution period that emphasized the unique and individual expression of each person. In 1997, black, pastel and brown colors were the result of reinterpreting the classic and sexy images of 1960s to natural and modernistic image of 1997. Purple color started to be introduced to us. The beginning of 1990s Fall/Winter season was based on ecology concept that emphasized the natural image. Until 1995 it appeared that spring/summer and fall/winter trend had no big differences. But from 1995 seasonal differences in trend are appeared and there were various make-up designs. In 1995, 1996, brown color lines make-up comes to mix with romantic image and developed into wine, orange, neon colors. These color were the symbol of property and sentiment and gold make-up emphasizing the eye area was the tendency of that period. In 1997, the fear of coming end of century was expressed as decadent image and at that time ethnic image, romantic image appeared with vivid color lines, gold, red and violet.