• 복식문화연구
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• 제26권3호
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• pp.390-408
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• 2018

The number of hand knitters has increased dramatically in the past few years. Recently, various hand knitted items have been seen in many fashion collections. The main purpose of this study is to analyze the design features of hand knitted items in the collections from Daniela Gregis. This brand was selected because it featured knitted items in its collections every season. An empirical analysis about form, material, color and knitting technique was done for hand knitted items from Daniela Gregis' collections from 2012 S/S to 2018 S/S. The results can be summarized as follows: In terms of form, garments such as pullovers, cardigans, and shawls used basic components, and accessories such as bags, mufflers, hats, and decorative pieces had various shapes. In the material, there were many items that expressed unique textures by combining various materials such as a mix of fabric and yarn. With regards to color, orange, yellow, and red were mainly used as accent colors, and combinations of two or more colors were prominent in the items. In terms of knitting technique, the methods used in the collections were mostly simple and basic. Among various techniques, plain knitting, garter knitting, and single crochet methods were mainly used. While this study is limited to the characteristics of hand knitted items from a single brand, therefore cannot be generalized for all knit fashion, the study provides basic data that could facilitate the revitalization of the hand knitting industry and expand the application range of hand knitting techniques.

• 패션비즈니스
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• 제12권5호
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• pp.94-110
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• 2008

The main objective of this research was to understand the characteristics of separation color coordination of contemporary female fashion through the analysis of 'pre-a-porter Collections' of four collections (i. e. cities) - Paris, Milan, New York, London - from the periods of 2004 S/S to 2008/9 A/W. The data collection of 265 was done by reviewing 'pre-a-porter Collections' magazine and total 265 observations were made. Statistical analysis of frequency and also qualitative interpretation of separation color coordination characteristics were completed. The main findings were; (1) In separation color coordination of contemporary women's fashion collections, there were three main types of color scheme which were classified into seven detailed categories of color combination. First was the achromatic color & one chromatic separation color scheme which was classified into four categories of - black & white, black & grey, white & grey, and grey & grey - color combination. Second was the chromatic colors & one achromatic separation color scheme which classified into two categories of achromatic & chromatic color & one achromatic separation color combination, and chromatic colors & one achromatic separation color combination. Third was chromatic colors and one chromatic separation color combination. (2) The achromatic colors and one chromatic separation color scheme showed two phases of reinforcing the strong and modern image, or softening the hard and dull image of achromatic color combination. In color schemes which used more than two chromatic colors, the separation color frequently converted the tedious and monotonous fashion image, which caused by identical or similarity in color or tone harmony, into more attractive and interesting. (3) In conclusion, through the various use and coordination of various color schemes, color harmony and separation colors, the separation color coordination in contemporary female fashion has been suggested the effective way of color combination which can lead the visual pleasure and the vitality along with the unity and the harmony. This characteristics can create various images and visual diversity for fashion. The types and the use of color scheme and separation color showed different trends in four collections.

• 한국의상디자인학회지
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• 제21권3호
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• pp.109-119
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• 2019

The purpose of this study is to examine fashion trends and the direction of the four fashion collections by analyzing the design key-words of the four major international fashion collections in 2018. The data of this study was collected by extracting the key-words from Marie Claire Korea in 2018, with the total of the collected data numbering 2,144. The data was analyzed by text mining using the R program and word-cloud, and a co-occurrence network analysis was conducted. The results of this study are as follows: First, the key-words of fashion collection designs in 2018 were fringe and ruffle detail, silk and denim fabric, vivid color, stripe and check pattern, pants suit item, and oversized silhouette, focusing on romanticism and sport. Second, seasonal characteristics of the fashion collections were pastel colors in S/S, primary and vivid colors in F/W. Details were embroidery and cutouts in S/S, patchwork and fringe in F/W. Third, the design trends of the four major fashion collections were presented in the Paris collection: stripes, check patterns, embroidery, lace, tailoring, draping, romanticism, and glamor. In the Milan collection, checks, prints, denim, and minidresses reflected sport and romanticism. The London collection included fringe, ruffles, floral patterns, flower patterns, and romanticism. The New York collections included vivid colors, neon colors, pastel colors, oversize silhouettes, bodysuits, and long dresses.

• 한국의상디자인학회지
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• 제24권2호
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• pp.45-57
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• 2022

This study aims to analyze the macramé technique used in costume design based on the cases from 2011 to 2020, when the macramé technique became popular. The research data are the results of analyzing the materials, clothing items, and structural combination of macramé knots by season, year, and collection from 2011 S/S to 2020 F/W, focusing on the four major fashion collections New York, Paris, London, and Milan. Macramé appeared often in the S/S season, and in the 2019 and 2020 S/S seasons, macramé was identified as a keyword for fashion trends based on its frequent usage. Overhand knots were used the most for the types of macramé knots used in costumes, and overhand knots were also used the most in the S/S season and in the New York, Paris, and Milan collections. Rope was the most frequently used material for macramé knots, and it was confirmed that it appeared frequently in 2011 and 2019, and ropes were also used often in the London, Milan, and Paris collections. One-piece appeared the most in the S/S season and F/W season as costume items. In addition, the costumes used as layers in the S/S season appeared most often, and in 2019 and 2020, the layered combination appeared most frequently in London and New York collections. It is judged that macramé appears repeatedly in the S/S season depending on the type of knot and is used as a layered look, making it a decorative element rather than a practical element. This study is expected to help develop modern fashion design by drawing attention to the value of the macramé technique expressed as handcrafted work.

• 한국작물학회지
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• 제38권5호
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• pp.432-436
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• 1993

양질의 우량 밥밑콩 육성 및 유전자원 확보의 가능성을 검토하고자 전국에서 수집된 검정콩 965계통들에 대한 형태적, 생태적인 작물학적 특성을 조사한바 그 결과는 다음과 같이 요약된다. 1. 수집검정콩 계통의 엽형은 97%가 광엽이었다. 2. 검정콩 수집계통의 90%가 자색꽃을 지녔으며 백색인 계통도 전국적으로 고르게 분포하였다. 3. 수집 검정콩계통의 9a%가 갈색 모용을 지니고 있었다. 4. 검정콩 수집계통들의 협색은 갈색이 60%, 담갈색이 27%, 암갈색이 10%를 차지하였다. 5. 검정콩 수집계통들의 개화일수는 35～78일의 변이폭을 보였는데 전 계통의 61%가 61～70일 사이에 본포하였다. 6. 결실일수는 89%가 61～80일 사이에 분포하였으며 생육일수는 92～147일의 변이폭을 나타내었다.

• 한국작물학회지
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• 제50권3호
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• pp.212-220
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• 2005

국내$\cdot$외 찰벼 111개 유전자원을 공시하여 수량구성요소, 아밀로스 함량, 알칼리 붕괴도등 작물학적 형질과 RAPD 분석을 통하여 유전적 다양성을 검토하였고, 이들을 이용한 유연관계 분석에 기초하여 품종군을 분류한 결과는 다음과 같다. 1. 작물학적 형질을 이용한 군집분석에서 찰벼 유전자원은 4개 군으로 분류되었으며, 1군에는 51종$(46\%)$이 차지하였으며, II군과 III군에 각각 25종$(22.5\%)$, IV군에는 10종$(9\%)$이 속하였다. 특히 국내 수집종은 I, II군에 대다수 포함되었고, III군에는 indica 유전자원과 amylose 함량이 높은 유전자원들이 대부분이 포함되었다. 2. RAPD분석을 통해 선발된 15개의 primer로 부터 117개의 밴드를 얻었고, 이 중 다형성 밴드는 81개 $(69.2\%)$ 였다. 선발된 primer에서 증폭된 밴드의 수는$ 5\~12$개로 찰벼 유전자원은 평균 7.8개 였다. 3. RAPD에 의한 군집 분석시 9개 군으로 분류되었다. 전체 유전자원의 $77\%$가 I군에 속하여 가장 큰 품종군으로 분류되었고, 그 외 II-IX군은 소군으로서 $23\%$가 속하였다. 특히 I군에는 indica형과 조생종들이 많았고, 소군인 III-IX군에는 국내수집 유전자원들이 대부분이었다.

• 한국약용작물학회지
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• 제13권6호
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• pp.278-286
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• 2005

쑥 수집종 80개를 대상으로 형태적 형질과 RAPD 분석을 하였고, 유전적 다양성을 이용하여 유연관계를 분석하고 이를 기초로 품종군을 분류하였다. 주요 형태적 형질을 이용하여 쑥 수집종에 대한 군집분석 결과, 군집간의 치대거리 0.82를 기준으로 하여 분류하였을 때 5개 군으로 분류하였는데, I군에 10개 (15%), II군에 30개 (37.5%), III군에 20개 (25%), IV군에 3개 (4%), V군에 4개 (5%)를 나타내었다. RAPD분석에 이용한 10-mer primer 에 대하여 98개의 밴드를 얻었고, 그 중 다형성을 보인 밴드는 68개로 69%였는데, 선발된 Primer에서 증폭된 밴드 수는 $8{\sim}11$개로 다양하였으며, 평균 9.8개였다. RAPD에 의한 군집 분석에서 유연계수 0.63을 기준으로 하여 구분한 결과 6개의 군으로 분류되었다. I, II군이 각각 전체의 34%, 36%를 차지하여 가장 큰 군으로 분류되었고, 나머지 $III{\sim}V$군은 모두 소군으로 15%가 속하였다. 특히 I군에는 약쑥이 많았고, II군에는 뺑쑥이 많이 분포하였다.

• 한국문헌정보학회지
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• 제55권4호
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• pp.89-114
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• 2021

본 연구는 학계와 현장의 도서관 빅데이터 관련 움직임을 살펴보고 이를 토대로 도서관 빅데이터 플랫폼인 도서관 정보나루의 장서/대출데이터를 대상으로 기초 분석을 수행하였다. 이를 위해 도서관과 빅데이터에 관한 선행연구와 활용사례를 참고하여 연도별 장서증가량, 주제별 장서구성비, 미대출 장서구성비, 주제별 장서회전율, 그리고 주제별 이용계수의 5가지 분석지표를 선정하였다. 분석에 사용된 도서관 데이터는 부산지역 33개 공공도서관의 장서/대출데이터 6,722,603건이다. 주요한 분석 결과는 다음과 같다. 첫째, 33개 공공도서관 간 장서수보다 대출수의 격차가 큰 것으로 나타났다. 둘째, 연간 장서증가량도 뚜렷한 하락세를 보였다. 셋째, 소장 장서의 주제별 구성과 미대출 장서의 주제별 구성에 있어서 각 도서관들이 비슷한 양상을 나타냈다. 넷째, 이용자들의 대출은 주제별, 도서관별로 매우 상이한 것으로 나타났다. 다섯째, 대부분의 도서관에서 자연과학 분야 장서회전율과 이용계수가 가장 높게 나타났다.

• 패션비즈니스
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• 제3권4호
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• pp.147-160
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• 1999

This paper is intended to compare and analyze the fashion trends that were introduced in the recent shows, held abroad and in Korea, so as to investigate how well the designers in Taegu and Kyungbuk (TK) area are keeping up with the international vogue. The research has done, analyzing Pret-a-Porter in Paris and the three events held in the TK area in 1997 -The Taegu Collection, Kyungbuk Fashion Festival and Textile & Apparel Fair and using reference pictures and documentary records. In order to investigate the trends the research is divided by four groups which are the silhouette, the detail, the color and the Fashion image and has done with the help of three postgraduate students. The results are as follows. 1. The Silhouette The slim-line has the greatest importance in the silhouette analysis of the recent collections. Like Elongated and Fit & Flare, tight-fitting and female-line were also appeared quite a lot. Compared with foreign collection, Korean collections put the bigger importance on the slim-line. 2. The Detail The printings, using paintings and plant-logos had the large portion of the accessories in both foreign and Korean collections. Draw string and wrap style were also presented a lot. Especially, at the Korean collections, layerd, corsage, and craft accent were emphasized, too. As for the necklines the similarity was found over the four events considering. Camisole neckline and halter neck were presented the most, and bared top, Vneckline, boat and low-neck which can highlight the feminity were often appeared as well. Considering collars, tailored and peaked collars which are frequently used for the jackets, were usually shown at the collections. Like convertable, shirts, wing and Italian collar, the collars that can be applied for the sports wears were presented a lot. Virtually no variation of design was found in the sleeve analysis. While set-in-sleeve and sleeveless were found commonly, not so many ornaments were added to the sleeves. The ankle and knee length for the pants and skirts were common. Furthermore, including the micro-mini, showing extremely feminine style the mini-style had the 20% portion of the skirt-length. Unbalanced lengths, using bias-cut were presented quite a lot on the runways. Deep slit skirts, wide pants and irregular hem skirts were in vogue. On the runways of Paris, more than 21% of the design was the burmuda pants. 3. The Color Red and Blue were in vogue in the four collections considering. Sometimes, yellowish was combined in Korean collections. Black and pale tone were appeared to be in fashion also with light grayish, moderate and deep tone. 4. The Fashion image As for the fashion image, feminine-decorative trend amounted to the large percentage in korean collections. At the foreign collection feminine-decorative trend and feminine trend were predominant, then mannish trend and simple trend were apeared equally. The research shows that TK area and foreign collections are fairy similar, which means that the designers in TK area have been making their efforts to satisfy the clients who have the international minds. However, compared with foreign collections, TK collections were apprered to be strongly inclined to only a few trends. Consequently the season trends are not as diverse as the foreign trends, which cannot satisfy the fashion taste of the clients in TK area. The local designers should know the tendency and the taste of the clients and make the more efforts to read local clients' mind.

• 한국콘텐츠학회논문지
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• 제12권2호
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• pp.196-207
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• 2012

본 연구는 패션디자이너들의 작품에 표현된 문양에 있어서 기초조형 요소를 응용한 사례 및 경향을 연구분석함으로써 패션디자인교육 분야에서 기초조형의 중요성에 대한 인식을 제고하기 위해 수행 되었다. 이 목적을 수행하기 위하여 2000년대 이후 2010까지 패션디자이너들의 작품들 중에서 기초조형의 요소인 점 선 면에서 직접적으로 영감을 얻었다고 볼 수 있는 주요 작품의 경향과 특성을 조사하고 대표적인 작품들을 기초조형의 개념 및 원리를 바탕으로 분석하였다. 조사결과 특히 2000년 s/s콜렉션 이후 2004 s/s를 까지를 중심으로 기초조형의 기본요소를 기본 모티브로 한 다양한 작품들이 유행하였다. 디자이너 Jil Sander, Bill Blass 등은 점 구성을 위주로 공간감과 중량감, 질감을 변화한 작품을 보여주었다. I.S. Sunao Kuwahara, 등은 다양한 질감의 선과 선구성을 응용한 디자인을 보여주었다. Vestium Officina, Loewe, 등은 선을 통한 면 분할이나 다양한 색채를 사용한 면 구성을 위주로 한 작품들을 발표하였다.