• Composites Research
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• 제30권5호
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• pp.297-302
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• 2017

본 연구에서는 적층복합재료에 발생하는 주요 손상인 박리를 방지하기 위하여, 굽힘-비틀림 하중이 작용하는 T-빔의 유한요소해석을 수행하였다. 복합재료 T-빔의 제작에 사용할 수 있는 3차원 직조 프리폼을 설계하고자 하였으며, 이는 2차원 구조의 직조섬유가 두께방향으로도 직조가 되어 있는 형태로서, 층간 분리에 의한 박리를 방지할 수 있는 구조이다. 적층복합재료의 해석 및 평가를 위하여 개발된 유한요소해석 소프트웨어인 ANSYS Composites PrePost를 이용하여 구조해석을 수행함으로써 적층복합재료의 섬유비율을 최적화하고, 이를 토대로 3차원 프리폼 T-빔의 제작을 위한 가이드라인을 제시하였다. 해석결과, T-빔의 길이방향 섬유의 비율이 수직방향 섬유의 2배일 때 가장 높은 강도를 보였으며, 하중조건의 변화에도 최적화된 빔 구조의 강도가 유지되는 것을 확인할 수 있었다. 도출된 섬유비율을 이용하여 3차원 프리폼을 개발할 경우, 박리가 일어나지 않는 고강도의 T-빔 구조물을 제작할 수 있을 것으로 기대된다.

• 복식
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• 제65권6호
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• pp.79-98
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• 2015

This article studied women's headdresses that appeared in the paintings of Joseon Dynasty. This examined the shapes of women's headdresses painted in genre paintings, record paintings and nectar ritual paintings from Joseon Dynasty and compared them to literatures and relics in order to analyze their types and characteristics. Headdress can be categorized into three types: (1) square cloth worn on the top of the head; (2) a kind of small cap; (3) Cloth that completely covers the head. The first type of headdress resembles the shape of Garima. In the early period of Joseon Dynasty, it was worn not only by Gisaeng, but also by both upper and lower class women. The second type of headdress includes a cap made by connecting several cloths, round cap, and cone-shaped cap. These two types are worn on top of the head. However, sometimes these were worn between the head and the chignon to fix the chignon. Also, these were used as hair accessories for decorative purposes. In particular, old women wore these headdresses and braided their white hair around them to fix the chignon. This way, the headdress not only kept the head warm, but also hid the old women's scanty hair. Headdress was usually made of black fabric and it was a simple hair accessory that replaced the wig. The third type of headdress was widely worn among lower class women. The cloth completely covered the head so that the hair would not fall when working. It also provided protection from cold and hot weather. According to paintings, there were many ways of wearing the cloth around the head.

• Journal of the Korean Association of Oral and Maxillofacial Surgeons
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• 제46권1호
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• pp.28-35
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• 2020

Objectives: The need for proper wound closure is of paramount importance after any intra-oral surgery. Various wound closure techniques have been described in literature using traditional non-absorbable suture materials. These include like synthetic absorbable sutures, surgical staples and tissue adhesives. Cyanoacrylates are among the most commonly used biocompatible tissue adhesives. To evaluate and compare intraoral wound healing using 3-0 silk sutures and n-butyl-2-cyanoacrylate after alveoloplasty. Materials and Methods: A total of 20 patients requiring bilateral alveoloplasty in the same arch (upper or lower) were included in this study. Patients with any pre-existing pathology or systemic disease were excluded. After alveoloplasty was performed, the wound was closed using 3-0 braided silk sutures on one side, and using n-butyl-2-cyanoacrylate bio adhesive on the other side. Patients were evaluated based on the following parameters: time required to achieve wound closure; the incidence of immediate and postoperative hemostasis; the time to the use of the first rescue medication; the side where pain first arises; and the side where wound healing begins first. Results: Compared to 3-0 silk sutures, cyanoacrylate demonstrated better hemostatic properties, reduced operative time, reduced postoperative pain and better wound healing. Conclusion: These data suggest that cyanoacrylate glue is an adequate alternative to conventional sutures to close the surgical wound after alveoloplasty, and better than are 3-0 silk sutures.

• 한국패션뷰티학회지
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• 제5권1호
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• pp.78-86
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• 2007

One of the latest social trends is to reappear old things under the banner of the revival. It is easily found in the fashion industry because Fashion is not divided into the past, the present and the future thing but coexisting through all ages. The purpose of this study was to pursue the healthy and characteristic beauty of the modem people by understanding the beauty culture of the ancient. The Middle ages were mainly classified into Byzantine, Romanesque and Gothic by historical and cultural factors. In the Byzantine age, the clothing with rich silhouette was worn by the influence of the abstemious religion and it didn't express a specific proportion of human body. The people covered their hair with turbans and veils for the period. The Romanesque era was affected by the religious idealism and the Greek-Roman culture. The ideal proportion of human body could be 8 heads high and the clothes expressing natural silhouette of human body came out. Depending on the feel of the flowing texture, long-braided hair was typical in that time, and also wearing kinds of head dress as personal ornaments was characteristic in the age. In the period of Gothic, the long and weak human body was emphasized. The ideal proportion of human body could be figured with 8.5 heads high and it was expressed with the form of artificial and vertical silhouette such like tight-fitting upper garments, gathered skirts and long hats.

• 한국석유지질학회지
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• 제4권1_2호
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• pp.12-19
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• 1996

백악기 의성소분지 북동부 하양층군 (일직층, 후평동층, 점곡층)에서 관찰된 방향성 퇴적구조는 하도구조, 곡상사층리, 판상사층리, 사엽층리 및 유수연흔 등이다. 이들 퇴적구조들은 주로 세립사암으로부터 역질의 극조립사암에 발달한다. 대소규모의 하도구조는 모든 층에서 ,하도구조와 곡상사층리는 일직층 (충적선상지 환경)에서 , 판상사층리 , 판상사엽층리 , 유수연흔은 후평동층 (범람원 환경)과 점곡층 (호수변 환경) 하부에서 자주 관찰된다. 연구지역에서 측정한 4깨의 방향성 퇴적구조들의 벡타평균 방향은 $290^{\circ}C$며 표준편차는 $\pm68$이다. 주된 고수류의 흐름은 서북서 방향을 지시하며. 퇴적물의 기원지는 연구지역으로 부터 동남동 방향의 어느 곳에 있었음을 시사한다

• 한국수자원학회논문집
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• 제41권4호
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• pp.395-404
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• 2008

충적하천의 복잡하고 다양한 이동특성을 파악하고 이해하는 것은 하천공학적으로 매우 중요하며, 본 연구에서는 저수로의 이동 및 하상저하로 인하여 취수문제가 있는 경상북도 구미시에 위치한 해평취수장 주변에 대하여 항공사진 분석을 통하여, 시간에 따른 하천의 지형변화, 저수로의 이동 특성을 조사하고 분석하였다. 저수로는 좌안에서 우안으로 이동해 가고 있으며, 저수로는 강턱유량에 대하여 복렬사주가 발달하는 특성을 보여주고 있다. 이는 하천의 경사가 급하고 하폭이 넓고 수심이 얕은 곳에서 발생하는 현상으로서, 저수로의 불안정성이 증가하기 때문이다. 또한 저수로의 사행도가 감소하면서 저수로 폭이 증가하는 것은 제한된 범위 안에서 저수로의 분류와 합류가 활발하게 발생하는 것을 의미한다. 시간의 증가에 따라 저수로 하폭의 증가율과 측방향 이동율은 감소하고 있다. 강턱유량을 이용하여 중규모 영역구분을 수행한 결과, 복렬사주가 발달하는 하천의 특성을 보여주었으며, 모래하천으로서 부유사가 지배적인 하천으로 판단되었다.

• 대한치과교정학회지
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• 제42권1호
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• pp.39-46
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• 2012

Objective: We evaluated the detachment force, amount of deformation, fracture mode, and pull-out force of 3 different wires used for bonded lingual retainer fabrication. Methods: We tested 0.0215-inch five-stranded wire (PentaOne, Masel; group I), $0.016{\times}0.022$-inch dead-soft eight-braided wire (Bond-A-Braid, Reliance; group II), and 0.0195-inch dead-soft coaxial wire (Respond, Ormco; group III). To test detachment force, deformation, and fracture mode, we embedded 94 lower incisor teeth in acrylic blocks in pairs. Retainer wires were bonded to the teeth and vertically directed force was applied to the wire. To test pull-out force, wires were embedded in composite that was placed in a hole at the center of an acrylic block. Tensile force was applied along the long axis of the wire. Results: Detachment force and mode of fracture were not different between groups. Deformation was significantly higher in groups II and III than in group I (p < 0.001). Mean pull-out force was significantly higher for group I compared to groups II and III (p < 0.001). Conclusions: Detachment force and fracture mode were similar for all wires, but greater deformations were seen in dead-soft wires. Wire pull-out force was significantly higher for five-stranded coaxial wire than for the other wires tested. Five-stranded coaxial wires are suggested for use in bonded lingual retainers.

• 복식문화연구
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• 제26권4호
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• pp.563-582
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• 2018

In ancient times, hairstyle varies according to tribes. Because it is a social product that depends on status, class, and gender within the tribes, research on the hairstyle is an important source for studying the culture of the tribes. The purpose of this study is to analyze hairstyle of the Scythians and to understand the culture of the Scythians. Furthermore, the purpose is to identify the ethnic group based on this research. And it is intended to use the results as a comprehensive resource for research on the origins of Korean ancient costumes. As a research method, literature study and artifact analysis were performed concurrently. Data for artifact analysis were taken directly from the Eremitage Museum in St. Petersburg, Russia, where the researcher visited for this study. The conclusions of this study are as follows: Hairstyle of the Scythians were classified into three types: straight hair, braided hair, and tied hair depending on social status, age, and region. Straight hair was usually seen with kings, royalty, and warriors, and the hair length varied according to their status. Braid hair appears by a depiction of an old man and young Scythians. Tied hair was observed in the warrior. The beard was divided into chin-beard and mustache. Long chin-beards and mustaches were mostly observed in the ruling classes, while medium length chin-beards and short mustaches were considered the most common form of beard because they appeared in most classes. The young Scythians, regardless of their status, had no beard.

• 복식문화연구
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• 제15권3호
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• pp.510-524
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• 2007

There is something common between the Korean female Kukkuk and the Japanese Takarazuka Revue in that actors are all females and love is the main theme. Some of the females should play men's roles, so they are described as ideal men and are more manly than real men, and female audiences are attracted by them. It is hard for actresses to play men's roles-they have to stretch open their shoulders, walk with long steps and produce a deep voice. They put on a makeup a little exaggeratedly to perfectly disguise themselves as men and express strong images-some red tone makeup on their face, thick eyebrows with their ends upward, thick eye lines to make eyes seem bigger and stronger, and thick side whiskers. On the contrary, a makeup for female characters is softer to highlight femininity with thin penciled hair parted and braided on the sides of the face. The Takarazuka Revue's students are divided into male characters and female ones from the regular course of music schools, and they select their roles in consideration of their height and range of voice, mainly based on their wish. In case of male characters, they need a long career and verification of ability to be the best. Females playing men's roles and showing their manliness are violation of a social custom standardizing the character of males and females and are the reverse of roles expected by a society or a culture. A world experienced by these plays is a kind of revolt breaking the taboo of the patriarchal system.

• 한국수자원학회논문집
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• 제47권12호
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• pp.1213-1225
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• 2014

본 연구에서는 혼합사로 구성된 망상하천에서 사주의 변화와 하상토 분급현상을 실내실험을 통하여 파악하였다. 하상경사가 급한 하도에서 유사 유출량은 시간의 변화에 따라 매우 불규칙하지만, 경사가 완만한 하도에서 유사 유출량은 규칙적이고, 일정한 주기를 나타내었다. 또한 2중 퓨리에 해석을 통하여 지배적인 사주의 특성과 진폭을 분석하였다. 하상고가 상승하면 무차원 하상토 입경은 작아졌지만, 하상고가 저하되면 무차원 하상토 입경은 커졌다. 기층에서 무차원 한계소류력과 표층에서 무차원 한계 소류력의 비가 증가하면, 표층에서 평균입경과 무차원 하상토 중앙입경이 작아졌다. 또한 국부적으로 하상경사가 증가하면서, 유사의 선택적 이동에 의하여 하상토가 분급되고, 평면적으로 입경이 불균일하게 분포하는 분급 특성이 나타났다.